
Dakota Johnson's 'Materialists' gets a release date
A24 confirmed the premiere date for Materialists on X on Tuesday. "Save the date. Celine Song's Materialists on 6.13.2025," the post said, with a photo of a heart-shaped Materialists cake.
The romantic comedy follows a young matchmaker in New York City (Johnson), who is torn between her ideal match and an imperfect ex. The ensemble cast features Zoe Winters, Marin Ireland, Dasha Nekrasova from Succession, and Louisa Jacobson.
Principal photography on Materialists began in New York on April 29, 2024, and in June. Christine Vachon and Pamela Koffler of Killer Films, together with David Hinojosa of 2am, are producers, as per the outlet.
Song's plays include Endlings and The Seagull on The Sims 4 (both 2020). Her directorial film debut, Past Lives (2023), received critical acclaim and was nominated for the Academy Award for Best Picture and Best Original Screenplay.
"I didn't know I knew how to make a movie until I was doing it," said Song, adding, "And then once I was doing it, I was like, 'Oh my God, I'm going to do this until I die.'"
Johnson, who was last on our screens in Madame Web, will unite with Avengers star Evans and Gladiator II' s Pascal, according to The Hollywood Reporter.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Emirates Woman
14-07-2025
- Emirates Woman
12 ultra-luxe timeless pieces to invest in to wear now and forever
There is something undeniably magnetic about the way old money dresses—an effortless sophistication that whispers rather than shouts. This aesthetic, once the exclusive domain of generational wealth, has found an unlikely new audience: Gen Z. On TikTok, the hashtag #OldMoney has amassed over 2.5 billion views, with related tags like #OldMoneyAesthetic and #OldMoneyOutfits pulling in nearly a billion more. But this is not merely a fascination with wealth. It is a cultural shift, a rejection of excess in favor of restraint, and a longing for permanence in an era of disposable trends. To understand why this style resonates so deeply today, we must first trace its origins. The roots of old money dressing stretch back centuries, to the aristocratic circles of Europe where clothing was less about fashion and more about legacy. Families like the Rothschilds and the Windsors built wardrobes designed to last—Savile Row suits, cashmere sweaters softened by decades of wear, pearls passed down through generations. View this post on Instagram A post shared by Bally (@bally) Their style was never loud; it was deliberate, understated, and above all, enduring. Across the Atlantic, American dynasties like the Rockefellers and the Kennedys adopted a similar approach. Think of Jackie Kennedy's pillbox hats, JFK's perfectly rumpled polo shirts, or the quiet glamour of Grace Kelly. These were not outfits assembled for a season but for a lifetime. What makes this aesthetic so compelling now is not just its association with wealth but its inherent rejection of modern fashion's excesses. In an age of fast fashion and viral micro-trends, the old money ethos offers an antidote: quality over quantity, subtlety over spectacle, timelessness over transience. The rise of 'quiet luxury' in pop culture, from the understated power dressing in Succession to Sofia Richie's wedding wardrobe has only amplified its appeal. This is not about flaunting wealth but embodying a quieter, more assured kind of elegance. Economic uncertainty has also played a role in this shift. With inflation and housing crises making traditional markers of success feel increasingly out of reach, Gen Z has turned to style as a form of aspirational expression. Unable to buy into the old money lifestyle, they are embracing its aesthetic, often through secondhand and vintage finds. View this post on Instagram A post shared by LOEWE (@loewe) The principles of old money style are deceptively simple. Fabric is paramount. Wool, silk, cashmere, and linen, nothing synthetic or fleeting. The color palette leans on neutrals: creams, navy, camel, and black, ensuring every piece can be worn interchangeably. Tailoring is non-negotiable; even the most basic white shirt looks elevated when it fits perfectly. Logos are absent, because true luxury does not need to announce itself. And perhaps most tellingly, the real old money move is shopping as if your wardrobe is already an heirloom—opting for vintage, secondhand, and pieces that will outlast trends. Swipe for finds that nail the 'old money' aesthetic The true power of this style lies in its accessibility. You don't need a trust fund to dress with intention—you just need to understand that real luxury isn't about what you spend, but how you choose. And in that sense, the old money aesthetic might be the most democratic form of luxury we have left. – For more on how to look smart and live smarter, follow Emirates Man on Facebook and Instagram Images: Supplied & Featured Image: Pinterest


Gulf Today
17-06-2025
- Gulf Today
Dakota Johnson says Hollywood is ‘a mess'
Dakota Johnson has described contemporary Hollywood as "a mess". The 35-year-old actor, who's currently promoting her A24 romcom The Materialists, made the comments on Sean Evans's show Hot Ones. When he asked her why Hollywood is risk-averse, she said: "I think it's hard when creative decisions are made by committee, and by people who don't even really watch movies or know anything about them, and that tends to be what's occurring a lot." She added that there are too many remakes in the film industry at the moment, saying: "When something does well, studios want to keep that going so they remake the same things, but humans don't want that. "They want fresh, they want to feel new things, experience new things, see new things, so I don't know, I guess it's all just a bit of a mess right now, isn't it?" The star has previously called out people in the industry who "don't have a creative bone in their body" when discussing her 2024 box office flop Madame Web, a comic book movie in which she played a superpowered paramedic. She told the Los Angeles Times: "I think unfortunately with Madame Web, it started out as something and turned into something else. And I was just sort of along for the ride at that point. But that happens. Bigger budget movies fail all the time." Johnson revealed earlier this month that after she won the Golden Raspberry Award (Razzie) for Worst Actress, for her role in Madame Web, she received a kind text from a fellow movie star: Sandra Bullock. She said that after the February event, she got a message from Bullock, who previously won two Razzies in 2010 for the film All About Steve - one for Worst Actress and one for Worst Couple, alongside Bradley Cooper. "Sandra Bullock sent me a voice note, being like, 'I heard you are in the Razzie Club and we should have brunch. We should have like a monthly brunch,'" Johnson explained. "But I freaked out getting this message from her because she's so iconic to me, as a movie star," she added. "I was like, 'Oh my god, it was just crazy.'" In her new film Materialists, which has received more positive reviews and is directed by Past Lives filmmaker Celine Song, Johnson plays a professional matchmaker called Lucy, who ends up caught in a love triangle with Pedro Pascal's Harry and Chris Evans's John. The independent


Gulf Today
16-06-2025
- Gulf Today
Celine and Johnson talk about the film and falling in love
Before Celine Song was an Oscar-nominated filmmaker, she was a playwright in New York who needed day jobs to pay rent. That's how she found herself as a professional matchmaker. What may have begun as a purely transactional gig, a way for her to keep making her art in an expensive city, taught her more about people's wants and needs and the true contents of their hearts than she could have ever imagined. 'I always wanted to write something about it because there seemed to be a story in it that is massive and very epic in proportion,' Song said. 'It affects every human being on Earth.' And while waiting for her breakout film 'Past Lives' to debut, she did. That film is 'Materialists,' a modern-day New York love story starring Dakota Johnson, Pedro Pascal and Chris Evans that's heading to theatres this weekend. Johnson is the matchmaker presented with two different types of men for herself — one a poor struggling actor and ex-boyfriend, the other a wealthy 'unicorn' — and the internet has already been drawing battle lines. But, like 'Past Lives' wasn't really about a love triangle, 'Materialists' is about something more than the question of which guy is the 'correct' choice. Song and Johnson spoke about the film, falling in love and the modern marketplace of dating. How did you find each other? SONG: We met up thinking that we were just going to get to know each other and be friends and I walked away from that conversation — this is just from my perspective — but I think I was still sitting there when I texted my producers and the studio being like, 'I think I've found my Lucy.' That's how casting works for me, it's always about falling in love. It's very connected to what we talk about in the film. JOHNSON: I knew you had this movie that you were about to start making. I was basically told it was too late. I was like, but I really want to meet her because she's so smart, and I've seen interviews and obviously had seen 'Past Lives.' I just wanted talk and get to know her as an artist and a person and so I went into this being like there's no chance that I'll be in this movie, but maybe she'll make another one. We just had such a good time talking, Where do we meet Lucy in life? JOHNSON: She's sort of at the top of her game in her work and is very disconnected from her heart and focused on being a perfectionist and getting people to get married. On the surface, you see her as a very transactional person and not really invested in people's souls, but she actually is and really does want the best for them. She's also on her own journey of trying to figure out what it is she wants for herself in this life, and, essentially, do you fight for the thing that you think you want, or do you fight for that thing that you know you need? Is that right, Celine? SONG: That's so good. What are you trying to say through the two men in her life? SONG: It was never going to be a conversation about which flavor of a person. It's actually so much more about this marketplace of dating that all of us live in if you're single, and also the marketplace that Dakota's character is navigating. She knows the math better than anyone else in the film. She's an excellent matchmaker. Pedro plays somebody who is probably, in straight dating, someone of the highest possible value. JOHNSON: Celine speaks so eloquently about the marketplace of dating and I glitch at those words because I'm like, you can't explain love that way. But that's actually how people are. Marriage used to be a business deal. It was like, my father wants your cows and my mother needs your wheat and whatever. Associated Press