
Why superstar concerts are skipping Real Madrid's Bernabeu for Atletico's stadium
The megaproject involved three loans totalling more than €1 billion (RM4.9 billion) with the goal of transforming the historic ground into a year-round entertainment hub.
But the Spanish giants had not reckoned with the determination of angry locals, whose complaints about excessive noise succeeded in stopping the concerts in 2024.
With the complaints bogged down in the courts, Atletico Madrid's Metropolitano stadium snapped up the shows of three Spanish stars who were due to perform at the Bernabeu this summer.
A bigger coup followed: the announcement of the hosting of 10 gigs next year by reggaeton superstar Bad Bunny, a multiple Grammy Awards winner who sold a Spanish record 600,000 tickets for 12 dates in Madrid and Barcelona.
The Puerto Rican's arrival appears to contradict the belief of Madrid's Atletico-supporting mayor Jose Luis Martinez-Almeida, who insisted only the Bernabeu could attract the most prestigious performers like US icon Taylor Swift.
For Placido Rodriguez Guerrero, emeritus professor at the University of Oviedo's economics department, 'the reputational damage has been big' for Real.
'It is a way of showing that not everything Real Madrid do is done well, and more so if the concerts go to the Metropolitano,' he told AFP.
Lola Indigo, one of the singers whose cancelled Bernabeu show went to the Metropolitano, told El Mundo daily she felt 'disappointment, a little betrayed'.
'Major blow'
Club president Florentino Perez has reassured supporters that concerts only represent one per cent of Real's budget, with revenues topping €1.1 billion in the 2024/25 season.
But David Dunn, managing director of the Edinburgh-based consultancy 442 Design, which has worked on commercial projects with clubs including Arsenal and AC Milan, described the situation as 'a major blow' for Real.
Although the matchday, tour and retail business revenue is 'excellent', the club 'will have banked on being able to hold multiple large-scale events and concerts', he told AFP.
Business Insider Spain has reported Real's plan was to generate around €100 million per year from musical events — enough to sign a couple of stars.
Professor Rodriguez Guerrero said Real were losing 'tens of millions of euros' this summer to their less storied local rivals, who have previously hosted stars including Bruce Springsteen, the Rolling Stones and Bruno Mars.
If Real wish to pursue their concert ambitions, the investment 'will cost quite a lot', he said.
Solution 'not simple'
For Francesc Daumal, an architecture expert at Barcelona's Polytechnic University of Catalonia, the Bernabeu's main weakness is its new retractable roof and the acoustic issues it engenders.
The stadium 'is like a tent, because it's shut with a light closure. There are openings, exterior sheets that let air in', he explained.
'Solving the insulation for those deep frequencies and with those very high acoustic pressures isn't simple,' warned Daumal.
Atletico's stadium 'was born from the start with the intention of soundproofing it', whereas adapting the older Bernabeu is more difficult, he added.
Daumal also identified the Bernabeu's proximity to residential buildings as a challenge to contain noise, compared with the esplanade that separates the Metropolitano from its closest neighbours.
Atletico are meanwhile cashing in on a packed summer concert schedule with the Bernabeu out of action.
Fans flocked to the Metropolitano in May for two sold-out nights by British star Ed Sheeran, with 140,000 tickets going at an average price of €100 (US$115).
Sara, who attended last year's Taylor Swift concert at the Bernabeu, told AFP the Metropolitano was 'better as a place… it's a club with more ties to music'.
'Acoustically, the Bernabeu is the worst place we've seen,' added the 34-year-old communications sector employee, who declined to give her surname.
Ariel Jackson, a 30-year-old lawyer from the Caribbean nation of Trinidad and Tobago, said the Metropolitano had 'extra space' and was 'more comfortable' than the Bernabeu thanks to its distance from the crowded city centre.
'We love to say concerts are held' at the Metropolitano amid the Bernabeu's troubles, enthused Atletico fan David Guerrero, 27, sporting a club shirt with Sheeran's name on the back. — AFP
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Malay Mail
2 hours ago
- Malay Mail
Jennifer Lopez laughs off wardrobe malfunction on stage in Poland: ‘I'm glad I had underwear on'
WARSAW, July 29 — Jennifer Lopez suffered a cheeky wardrobe malfunction during her birthday concert in Poland — but took it in stride with a laugh and a joke for the crowd. According to Billboard, the pop superstar was performing at the PGE Narodowy stadium in Warsaw on Friday night (July 25) as part of her Up All Night tour when the incident happened. Lopez had just returned to the stage after a wardrobe change when her backup dancers and singers surprised her with a rousing rendition of Happy Birthday. But in the middle of the celebration, her gold skirt unexpectedly slipped off and dropped to the floor. 'Oh!' she exclaimed on stage. 'I'm out here in my underwear. That's gonna be everywhere.' The moment drew gasps and laughter from the crowd — and from Lopez herself, who remained unfazed. When it became clear that the skirt couldn't be reattached, the singer decided to embrace the mishap, tossing it into the audience. 'You can keep it,' she told the lucky fan who caught it. 'You can have it. I don't want it back. You can have it, forever and ever.' The Bronx-born performer, who turned 56 just a day earlier on July 24, kept the jokes coming. 'I'm glad that they reinforced that costume,' she quipped. 'And I'm glad I had underwear on. I don't usually wear underwear.' Lopez later uploaded a video of the incident to her official YouTube channel, showing her laughing through the moment and thanking fans for their support. 'I am so thankful to be here in beautiful Warsaw on my birthday,' she said. 'Surrounded by my incredible dancers, my band, my crew, everybody — I am so blessed.' Sharing a heartfelt message with the crowd, Lopez added: 'I don't usually give any advice to anybody... but if I had one little piece of advice for you, it would be to do what you love, find what you love, do it, and do it with people that you love.' She closed by expressing gratitude for the love she felt that night, telling fans: 'I want you to feel free to love, free to be who you are, free to just follow your dreams and do all the things that you want to do. I just want you to feel free.' The wardrobe mishap may have made headlines, but fans online praised Lopez for handling it like a pro — and turning it into yet another iconic moment in her decades-long career. — Billboard Ask ChatGPT


Malay Mail
3 hours ago
- Malay Mail
CHiQ Champions Inclusion and Innovation as Presenting Partner of the German Wheelchair Tennis Open
Empowering ESG Leadership Through Technology Infused with Human Warmth BERLIN, GERMANY - Media OutReach Newswire - 28 July 2025 - CHiQ, a leading global brand in consumer electronics and smart home appliances, honourably announced its official sponsorship of the 2025 German Wheelchair Tennis Open. Partnering with the German Tennis Federation (DTB), CHiQ is taking a bold step forward through the power of human-centric technology to elevate inclusion, excellence, and social impact in sports. Beyond sponsorship, CHiQ showcases its dedication to public welfare and ESG principles, inclusivity, equality, and at the esteemed SCC Berlin tennis club from July 23 to 27, 2025. The German Wheelchair Tennis Open stands as Germany's premier tournament in the sport. As a pivotal event on the UNIQLO Wheelchair Tennis Tour, it will host over 100 elite athletes, including several top-10 global contenders and national champions, competing across singles and doubles in men's, women's, and quad categories, all vying for the covetedCHiQ's involvement, anchored by the slogan "," extends beyond brand visibility in Germany and across Europe, highlighting its steadfast commitment to ESG leadership by blending intelligent technology with authentic community empowerment, demonstrating how innovation can inspire impact across inclusivity, sustainability, and social wellbeing."The partnership with CHiQ marks a significant leap for wheelchair tennis in Germany," remarked. "Together, we are amplifying the voice of extraordinary disabled athletes, advocating inclusion, and promoting access to barrier-free sport.", added,Since entering the European market, CHiQ has embraced a youthful and tech-savvy lifestyle with user-centric innovation at its core. Viewing ESG as a vital extension of brand value, this sponsorship unfolds a new chapter for CHiQ, driven by technology, guided by responsibility, and rooted in everyday #CHiQ The issuer is solely responsible for the content of this announcement. About CHiQ CHiQ, a brand under the Changhong Group, one of the world's leading global manufacturer of consumer electronics and household appliances, is redefining industry standards with innovative products, intelligent technologies, and a deepening commitment to corporate social responsibility. Its influence continues to grow across global markets, especially in European Market.


Malay Mail
4 hours ago
- Malay Mail
‘Lazy and cheap': Fashion mag Vogue under fire for debuting AI-generated model in print campaign (VIDEO)
LONDON, July 28 — Vogue magazine is facing backlash after publishing an advert featuring an AI-generated model for the first time, raising fresh concerns over unrealistic beauty standards and the future of the modelling industry. According to the BBC, the controversial image shows a flawless blonde woman modelling a striped maxi dress and a floral playsuit for Guess's summer collection. A small disclaimer at the corner of the page reveals the model is artificial. The model, created by AI company Seraphinne Vallora, marks the first time an AI-generated person has appeared in Vogue, though the magazine said the inclusion was purely commercial and not an editorial decision. Critics, however, say the ad undermines progress towards diversity and inclusivity in fashion, particularly after years of campaigning by real-life models from underrepresented communities. Felicity Hayward, a plus-size model with more than a decade in the industry, told the BBC the move felt 'lazy and cheap', accusing Guess of either courting controversy or cutting costs without considering the wider implications. 'It's very disheartening and quite scary,' she said, warning that the use of AI in fashion campaigns could undo years of work to promote greater diversity. Seraphinne Vallora's co-founders, Valentina Gonzalez and Andreea Petrescu, said they were approached directly by Guess co-founder Paul Marciano to create AI-generated models. After reviewing 10 drafts, Marciano selected a blonde and a brunette for further development. While Gonzalez and Petrescu insist the models look realistic and are no different from traditional ads featuring supermodels, they acknowledged that their Instagram portfolio lacks diversity. They claimed that posts featuring AI models with different skin tones did not gain traction. 'We are a business and use images that will create conversation and bring us clients,' Gonzalez was reported as saying. They also admitted they have not yet created plus-size models, citing technological limitations. The advert has sparked concern on social media, with one user on X (formerly Twitter) writing, 'Wow! As if the beauty expectations weren't unrealistic enough, here comes AI to make them impossible.' Vanessa Longley, chief executive of UK eating disorder charity Beat, described the development as 'worrying', telling the BBC that exposure to unrealistic bodies can damage self-esteem and increase the risk of eating disorders. Former model and tech entrepreneur Sinead Bovell, who wrote a piece in Vogue five years ago warning about the risks of AI replacing real models, said the lack of clear labelling on AI content is 'exceptionally problematic'. 'There are young girls getting plastic surgery to look like a face in a filter — and now we're seeing people who are entirely artificial,' she said. Vogue, which is often viewed as the pinnacle of the fashion world, has also been criticised for giving legitimacy to the advert by featuring it in print.