Love Island's Alex George reveals he has regular Botox after tragedy triggered freak condition… & admits ‘people stare'
The 34-year-old, who featured in the fourth series of the ITV reality show in 2018, suffered an unimaginable tragedy five years ago.
8
8
His younger brother Llyr, also an aspiring doctor, took his own life aged 19 in 2020, leaving Alex and his family devastated.
The sudden loss saw Alex struggle with PTSD, battle depression and pile on six stone.
But he also developed facial tics, which become worse when he is anxious.
Bravely opening up about how he copes with his demons, the Welsh doctor admitted he feels self-conscious of his involuntary movements, especially when people stare, and manages them with Botox injections.
"In my life there has been things that happened out of the blue that ended up being very difficult for me," he said.
'Bad things that then have made me very hyper vigilant.
'I have PTSD. I have had tics since I was very young - maybe eight or nine.
'They are linked to my neurodivergence, my ADHD, there is quite a lot of crossover.
'Interestingly when I am really anxious my tics get really bad, they get so much worse.
'Problem is, the more I focus on it the worse it is. If you bring attention to it, it just gets worse and worse.
'I think: 'Don't do it, don't do it, don't do it.'
'I've had Botox in my face to knock my tics out - it used to give me such bad headaches and facial pain so I just Botox it out.
'Maybe I should just stop it and just allow it. But I haven't quite got to that stage of it."
He added: 'People do stare at you. They look at you.
'Mine are my forehead and my nose. Because I can't Botox this area out, I still twitch a lot around my nose, mouth and lip.
'People who know me can see the twitch, they can see the tic, they know it is there.
'I have it a little bit in my arm as well, and my wrist. I roll my wrist and stuff.
'When you focus on it in a negative sense it just becomes worse and that feeds the anxiety of it as well.'
8
8
At his lowest ebb, Alex turned to drinking heavily in a bid to numb the pain.
His weight soared from 14st to 20st, but he has since shed the pounds by overhauling his lifestyle, quitting booze for good and taking up running.
Alex also started taking anti-depressants and launched his campaign 'Post Your Pill' to remove the stigma and shame surrounding the medication.
And he got three inspirational tattoos, including one on his left wrist that says 'This too shall pass.'
Gut-wrenching phone call
Although Alex and Llyr were born ten years apart, they were very close.
Alex even chose his brother's unusual name, which means God of the Sea in Welsh.
Llyr was due to take up his hard won place at Southampton Medical School when he died.
He had no prior history of a diagnosed mental health condition, and had not disclosed how he was feeling.
Speaking on his new motivational health podcast Stompcast, Alex added how Llyr's death has changed his own outlook on life.
'My brother was alive one second, we had a phone call, and he is not here any more," he said.
'That is what I am looking out for in everything - my brain is going, 'You weren't prepared, and something really bad happened'.
8
8
'So looking in any situation, 'What is the bad thing here?'
'And it is odd because when I was growing up, I was quite impulsive, I would go for life and do everything.
'Jump now and worry later, and I am so different to that now - since that happened.
'My mum often says, 'That boy within you, I used to say, slow down, think about this twice. It is a shame that has been dwindled a bit'.
'There is this constant need to be sure that everything is going to be ok. You can't.'
Former A&E doctor Alex failed to find love in the TV villa, despite a brief fling with brunette beauty Alexandra Cane.
Since his stint on the matchmaking show he has gone on to become a mental health advocate, and in 2021 he became the UK Youth Mental Health Ambassador.
He said: 'It was really interesting that when I was in med school, the med student's anxiety around health is really common - especially in the first couple of years, you start doing these cases of a new bodily system and disease associated with it.
'Every week I would be like, 'Oh my God I've got it.'
'I think I had every single disease in the first two years - seriously I would have to be like, 'Alex, stop, you are being silly'.
'By the third or fourth year I could have anything, so I stopped worrying about it.
'Everything could kill me, so whatever.'
You're Not Alone
EVERY 90 minutes in the UK a life is lost to suicide
It doesn't discriminate, touching the lives of people in every corner of society – from the homeless and unemployed to builders and doctors, reality stars and footballers.
It's the biggest killer of people under the age of 35, more deadly than cancer and car crashes.
And men are three times more likely to take their own life than women.
Yet it's rarely spoken of, a taboo that threatens to continue its deadly rampage unless we all stop and take notice, now.
That is why The Sun launched the You're Not Alone campaign.
The aim is that by sharing practical advice, raising awareness and breaking down the barriers people face when talking about their mental health, we can all do our bit to help save lives.
Let's all vow to ask for help when we need it, and listen out for others… You're Not Alone.
If you, or anyone you know, needs help dealing with mental health problems, the following organisations provide support:
CALM, www.thecalmzone.net, 0800 585 858
Heads Together, www.headstogether.org.uk
HUMEN www.wearehumen.org
Mind, www.mind.org.uk, 0300 123 3393
Papyrus, www.papyrus-uk.org, 0800 068 41 41
Samaritans, www.samaritans.org, 116 123
If you are affected by any of the issues raised in this article, please call the Samaritans for free on 116123.
8
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
The Independent
28 minutes ago
- The Independent
The Maccabees on reuniting: ‘There were years when it was like a stranger messaging'
I n a dank rehearsal room in New Cross, bathed in an eerie green light that clings to the walls like moss, The Maccabees are easing back into each other's orbit. A headline appearance at All Points East is still months away. Nearest me is their guitarist Felix White, dressed all in black. 'Any requests?' he asks me. Soon the air is thick with nostalgia. Guitars twitch and flicker. Drums roar. Then in comes the choirboy vocal, clear yet quivering, as if frontman Orlando Weeks is on the verge of an apology: 'Mum said no/ To Disneyland,' he sings. 'And Dad loves the Church. Hallelujah.' It's the first time I've heard 'Lego', from their 2007 debut album, since the south London band bowed out eight years ago. But here are all the early Maccabees hallmarks: staccato riffs, adolescent romance, tenderness wrapped inside tension. Back then, in the harried sprawl of mid-Noughties UK indie – a scene of skinny jeans, dirty dance floors and MySpace pages – they briefly seemed to be just another charming, successful young band, writing cool, funny songs about wave machines and toothpaste. Yet they were always headed somewhere else, evolving, their sound increasingly adventurous on their way to a Mercury Prize nomination, an Ivor Novello award, a No 1 record and a headline performance at Latitude. Then it stopped. Seemingly out of nowhere, in August 2016, the group announced they were to be no more, save for a series of farewell celebration shows at Alexandra Palace the following year. 'We are very proud to be able to go out on our own terms, at our creative peak,' a statement read. 'There have been no fallings out.' Fans were bereft. In the years since, details of the split have remained hazy: by all accounts, it was not so much a blow-up as a simmering of fractures and differences. The pieces didn't fit together any more. While Weeks told The Independent in 2020 that the band 'just ran out of steam', blaming the creative frustrations of working as a group, it's clear a cooling-off period was needed. 'With Orlando,' says Hugo White, a guitarist in the band like his older brother Felix, 'there were a few years we didn't speak. You'd send one text maybe in six months.' They had been together their entire adult lives. 'I was 16 when I started the band,' Hugo notes. 'I was 30 when we split up.' Keeping five people together at that age 'locked into a diary that's scheduled for the next year, all intertwined in [each other's] lives', is difficult, he says. 'And I think that kind of broke in a way.' At that point, the five of them all agree, the idea of ever getting the band back together seemed inconceivable. 'It felt final,' says Weeks, who has now released three excellent solo records. 'Extremely final,' Felix jumps in, amid laughter. 'We needed it to be like that in order to move on,' says Hugo. 'It couldn't linger around.' Felix White during The Maccabees' set at the 2009 Isle of Wight Festival (Getty) We're 10 minutes in, and the group dynamic of The Maccabees is already unmistakable – a familial rhythm of in-jokes, unspoken cues and roles that feel shaped over years. If Weeks is the reluctant frontman, softly spoken and meditative, Felix is the band's ebullient cheerleader. Brooding opposite him is Hugo, with a jaw as sharp as his humour, cracking a number of close-to-the-bone barbs about the breakup. Drummer Sam Doyle and bassist Rupert Jarvis are here, too, quieter, more enigmatic. Though the mood is celebratory, there's no doubt the split was a difficult pill to swallow. 'It was so weird because you've made such a commitment to each other from a young age,' Hugo later tells me. 'So the idea that someone wants to make music outside of that group, with other people – it's almost like a betrayal... Even though it isn't.' For Felix, the way it ended, just as The Maccabees had finally earned their place at indie's top table, was, by his own past admission, 'heartbreaking'. 'We were mid-thirties and there was a real sense of saying goodbye to a part of your life,' he told us last year. The Maccabees wasn't the only breakup Felix was going through. At the same time as those bittersweet Alexandra Palace shows, he was also parting from his girlfriend Florence Welch, of Florence + the Machine. There was so much change in the air, Felix says, that it was difficult to navigate. 'Lots of endings happening in lots of different versions of life.' But then change has always been reflected in The Maccabees' music. Just as they became more expansive sonically, with gauzy guitar textures and swirling atmospherics reminiscent of Arcade Fire, so their lyrics matured. Gone were the chewed-up Lego pieces, replaced by introspection and songs concerned with the vicissitudes of ageing. Enjoy unlimited access to 100 million ad-free songs and podcasts with Amazon Music Sign up now for a 30-day free trial. Terms apply. Try for free ADVERTISEMENT. If you sign up to this service we will earn commission. This revenue helps to fund journalism across The Independent. Enjoy unlimited access to 100 million ad-free songs and podcasts with Amazon Music Sign up now for a 30-day free trial. Terms apply. Try for free ADVERTISEMENT. If you sign up to this service we will earn commission. This revenue helps to fund journalism across The Independent. Orlando Weeks performs during the band's 2013 Isle of Wight set (Getty) On a personal level, growing up with The Maccabees, all of us more or less the same age, I've always felt a strange sense of ownership over them, as if they are my band, a soundtrack to my coming of age. I was 20, still flinging myself across sticky, student dance floors in torn Levi's, when a mutual friend played them to me just before the release of debut album Colour It In. Then, two years later, nursing a broken heart, I found myself near Felix in the crowd as Blur played the Pyramid Stage at Glastonbury. 'I fell in love to your first album,' I told him. There were other encounters, too, running the gamut from cringe to extremely cringe. Backstage at the Isle of Wight Festival in 2011, introduced to Hugo by a PR, I careened into fanboy overdrive, explaining more than once that 'your band changed my life'. Professionally speaking, I couldn't be trusted to be objective, either: I spent years wearing down a late, great music editor who refused to let me write about them. Eventually, she caved, and I reviewed them at Brixton Academy, not knowing it would be one of their last shows. (Headline: 'Is it time The Maccabees headlined Glastonbury?') Of course, they're not just my band. Recently, at a stag do in the Scottish Highlands, I derived immeasurable joy from watching the groom-to-be insist on playing four vintage Maccabees songs back-to-back at 3am, those time-capsule choruses still a bottomless font of bonhomie. To me, in an era of swaggering, hyper-macho indie landfill, with bands such as Razorlight and The Rifles, their music always stood apart, shimmering with warmth and depth. Evidently, Danny Boyle thinks so too. For a pivotal scene in his film Steve Jobs , he turned to the sweeping, crepuscular tones of 'Grew Up at Midnight', lifted from the band's critically acclaimed 2012 record Given to the Wild. 'We thought that was going to make us f***ing massive in America,' says Felix. 'They used the whole song at the end and we were like, 'Oh my God, we're going to America, people…'' He pauses… 'F***ing nothing. If anything, we were smaller after the film came out.' The Maccabees at the NME Awards in 2016, shortly before their split (AFP/Getty) Be that as it may, there's no downplaying the magnitude of those farewell shows, which felt part celebration, part elegy. I was there and can attest to just how emotional they were. 'There was a real sense when those last Maccabee shows happened that everyone had been, was a particular age, and it became sort of symbolic for saying goodbye to a certain part of your life – sort of early thirties,' says Felix. 'That idea of real adulthood was upon everyone, that you're definitively ending a stage of your life – and it felt like it was inside all of the rooms when we played those shows. It felt like everyone was pouring their own collective sense of goodbye into it, whatever that might be – relationships, being young, people that couldn't be there, all that kind of stuff. So it felt very heavy.' For a while, it seemed that Felix would not look back as he set off on new paths. He launched Yala! Records, wrote the cricket-themed memoir It's Always Summer Somewhere and started a cricketing podcast called Tailenders with radio host Greg James and England's all-time leading wicket-taker Jimmy Anderson. But as time passed, he realised, 'you do get to a point where you're like, actually, life doesn't last forever. If we want to do this, it could be a really beautiful thing.' There was a recognition that it would likely feel that way for their fans, too, who had felt the poignancy of their parting, and had since perhaps been doing a lot of the things that the band had been doing, like starting families and spending more time at home. 'As a Maccabee through the ages, I think you can really hear that in the music: you can hear that we're 19, you can hear that we're 24 and so on. And the gigs used to feel like that, like when we were first playing, and there used to be people hanging from the ceiling and shoes flying everywhere and all that kind of thing. And then, as we got older, it changed into something more introspective.' As we got older, it changed into something more introspective Felix White Cut to Glastonbury this year and there The Maccabees are, headlining the Park Stage, with a comeback set that weaves all those elements together. Yes, there's introspection, but also that frenetic energy; if there'd been a ceiling, you can be sure people would have hung from it – perhaps without their shoes. 'We never thought we'd be playing these songs again to anybody,' Felix said to the crowd. So how come they are, I ask? The catalyst, Hugo says, was his wedding to the author and poet Laura Dockhill in lockdown. After hiring out a pub in Battersea, he invited Weeks on the condition, he jokes, that he would sing. 'And just for the after party,' Felix chimes in, laughing. 'It's not an open invite!' And so, for the first time since Alexandra Palace, all five of them were in the same room. Their friends Jack Peñate, Jamie T, Florence Welch and Adele all performed that night. Crucially, so, too, did The Maccabees. Reuniting, says Weeks, 'didn't feel forced, because after the end of something like The Maccabees, to coordinate a meeting felt sort of contrived. Then, suddenly, there was this event that was a very obviously uncomplicated reason to all be together.' After Covid, he explains, there were tentative conversations about a reunion. Slowly, the pieces aligned. The White brothers' new band 86TVs were forced to pause their plans after Stereophonics called back their drummer, Jamie Morrison, for a tour. 'So, suddenly, there was this fallow year for them,' Weeks continues, 'and I had finished my stuff with [his 2024 album] Loja. So it was just a natural hiatus there. If there hadn't been an All Points East that felt so good, then it might easily have just drifted and not happened. But it just felt very uncomplicated again.' The boys are back in town: The Maccabees at Glastonbury 2025 (Jill Furmanovsky) Certainly, their Glastonbury set had a natural ease and coherence. 'The thing that I was really noticing was that me, Land [Orlando] and Hugo all used to do this thing where we'd all move at the same time, like unintentionally choreographed,' says Felix, when I meet him and his brother again a few weeks after the festival. 'You'd do two steps forward, stand still, three steps back, and you feel everyone do it at the same time. Like, weird, telepathic, synchronised. And here we were doing it again.' Falling unconsciously into step with one another without even speaking, he says, was 'so weird... even beyond the playing, like it was in your body somewhere'. Beforehand, though, 'I was f***ing nervous,' says Felix. 'And the TV thing really does heighten the whole experience.' 'You can't really get a more high-pressure scenario,' agrees Hugo. They'd been calm in the days leading up to it, but that changed on the day, explains his brother. 'Land had this thing in his head where he was saying randomly, sporadically, with no context, how nervous he was out of 10. So you'd be having a chat, and he'd suddenly go 'seven', and then half an hour later, it'd be 'six', and then 'nine'.' Nerves aside, the band were thrilled with how it went. 'I didn't come down from it for days,' says Felix. The set was capped by an appearance from Welch, now back with Felix, for a rendition of her galloping 2008 hit 'Dog Days Are Over'. 'It was a rehash of what we did together at the wedding,' says Hugo. 'As soon as she sings in a room, it changes. She has that thing where she changes the atmosphere in the inner space, and it's really rare.' The whole process was very different from the classic rock cliché of 'putting the band back together' – rebuilding relationships took time. 'We'd meet up with our kids on the South Bank,' says Hugo. 'Stuff that is so far from how we would have spent every day. After a year of not speaking or whatever, you know, you go for a coffee and walk for an hour. Hugo White: 'Florence has that thing where she changes the atmosphere in the inner space, and it's really rare' (Getty) 'Obviously, it's different now,' he adds, 'because Land lives in Lisbon, but things are just back to how they were. And there were years where it was like a stranger messaging you.' Of course, there have been seismic shifts in the musical landscape since The Maccabees formed in 2004 over a love of The Clash and the BBC series Old Grey Whistle Test, which featured punchy, angular performances by the likes of Dr Feelgood and XTC ('You can see why it looked fun to play fast,' says Felix). These days, the industry is 'less focused on bands', says Hugo. 'People are creating these things on computers. Because it's cheaper, it's easier. It doesn't require the same effort as five individuals that connect in a certain way to be able to create something.' Jarvis agrees. 'It's so much more expensive to just be a new band. Back when we first started, we'd chuck in a fiver each to go and spend four hours rehearsing, [but] that doesn't get you anywhere nowadays,' he says. 'I feel very sorry for the new bands because of that, and there's a lot less new bands. You really notice that – there are fewer venues, fewer nights out, fewer things going on for bands to form a scene.' As the fashions of the scene that spawned The Maccabees in the indie sleaze era made a comeback, Weeks saw his past life through a new lens. 'We must be far enough away from that moment to look back at those pictures with a kind of giddiness,' he says. 'The colours and the weird asymmetrical haircuts and plimsoles and acrylic Perspex dangly little earrings and all of those things that, at the time, didn't feel nearly as cool as looking back at photos of The Clash. But we're far enough away from it now that it owns its identity.' The tribalism of the era, when you could tell which aisle of HMV a person would head to just by their hairstyle, holds a romantic pull for the band. 'There was still so much DIY-ness about it all,' says Weeks. 'There was more of a look, a cohesiveness of aesthetic.' Felix recalls being at a metal bar in Camden recently, 'and they've all got a look. That made me feel really nostalgic and jealous thinking, oh, I can't remember being in a place where everyone's got this code that makes them all sort of connected.' Felix White (far left): 'We spent two and a half years in full-on mania making 'Marks to Prove It'' (Jill Furmanovsky) Though the average fan's taste may seem more diverse than ever, Hugo wonders if something was lost in the transition to pick-and-mix fandom in the streaming era. 'You used to buy one album and listen to that until you got another album. [Nowadays] you don't have to listen to one album.' He stops himself and laughs. 'Do they even listen to an album? You just dart between songs like social media, scrolling through things.' The Maccabees seem conflicted about social media generally – especially its demands for self-promotion. 'When Marks to Prove It came out in 2015,' Felix recalls, 'we had a long conversation about whether we should even put on the Instagram that the album's out. We spent two and a half years in full-on mania making this record and it was generally like, is it naff to say the album is out today?' 'When you think what kids like the young artists now are expected to do, it's just, like, mind-blowing in comparison to how things worked for us,' Hugo says. 'We were so fortunate to be able to make stuff as a group of people and not be in this constantly competitive environment.' 'Just being not part of promotion,' Weeks marvels. 'Yeah, it was always someone else in control,' says Doyle. 'Deliver the artwork and they would promote it by getting posters up or whatever it was,' adds Hugo. I'd love to have seen Nick Drake's Instagram. Imagine him asking people to swipe up and share Felix White The sort of 'savviness' that self-promotion requires was not what set them on their way, notes Weeks, picking out current bands he likes – Divorce, Caroline, and Black Country, New Road – who have 'accidental alchemy' but also manage to be engaging on Instagram, without having to lay bare their 'private, inner workings'. 'I'd love to have seen Nick Drake's Instagram,' says Felix, laughing. 'Imagine him asking people to swipe up and share.' It's clear that as they prepare to play All Points East, headlining a bill that includes Irish sensation CMAT and indie stalwarts Bombay Bicycle Club, laughter and good vibes have returned to The Maccabees. 'Everyone's in a good headspace and connecting with each other, and that's allowed it to be stronger,' notes Hugo. Which raises the question: will there be more music from The Maccabees in their forties? 'Do you think that means we would make better music or worse music?' asks Felix. It'll be a different stage of life, for better or worse, I reply. 'It'll be slower,' laughs Hugo. 'There's a good feeling about it,' Felix says, with a wry smile. 'It's tempting…' The Maccabees headline All Points East on 24 August in Victoria Park; last tickets are available here . Reissues of their albums 'Colour It In' and 'Given To The Wild' are released on limited edition vinyl on 22 August. You can pre-order here
Daily Mirror
28 minutes ago
- Daily Mirror
Molly-Mae Hague 'can't understand what she's done wrong' amid 'fall from grace'
EXCLUSIVE: Molly Mae has had a tough few weeks after being trolled for being 'out of touch' and now a PR expert has claimed that the Love Island star could be losing her 'golden girl' status Molly-Mae Hague broke down in tears last week after being slammed, yet again, for being 'out of touch' by fans. Now, a pr expert tells OK! that they believe the golden girl's popularity is on the wane and her star power could 'all be over'. The 26-year-old, one of Love Island 's biggest success stories with an estimated net worth of £6m, had claimed on of her vlogs that she's done 'nothing fun this summer, despite taking several lavish holidays posted on social media. Most recently, she headed off on a family trip in her £86K motorhome, after which she confessed she felt 'overwhelmed' and had a 'breakdown', when her daughter Bambi, 2, who she shares with partner Tommy Fury, was overtired and screaming for hours. While some sympathised with the challenges of travelling with a little one, others were quick to criticise Molly-Mae for complaining, pointing out her affluent lifestyle and frequent luxury vacations, labelling the influencer and entrepreneur 'tone deaf'. Our mole claims that such posts really upset the mum-of-one, and the negativity can bring her down. 'She does get upset that she's constantly in the firing line from the public, but she also doesn't understand why because she doesn't feel like she's done anything wrong. She works hard and is proud of what she's achieved.' The mum-of-one hit headlines recently when she complained in a YouTube video that she hadn't done anything fun over the summer months. 'I said to a friend the other day, that I'm going to make it to the end of summer having not done one fun thing,' she said to camera. 'I haven't a life. That's not good is it. Summer will end and I've not done one fun social thing.' Some fans, however, were quick to point out several of Molly's outings this year; including trips to Dubai, a holiday to Disneyland, a city break to Budapest, their recent motorhome holiday to the Isle Of Man and attendance at high profile events such as Wimbledon, before which she spent thousands of pounds at Christian Dior to wear to the tennis tournament. Hitting back at the trolling she has received in a recent video, Molly claimed that she 'doesn't' care' about the backlash, but said it does make her 'nervous' to talk openly with fans. 'I don't care who tells me I am out of touch with reality or all this stuff that's going on on TikTok at the minute, I don't care I'm not going to not talk about it. 'I feel like I don't want to talk about anything controversial anymore because in the last video I said some things I probably could have worded better and even with all the motherhood things I'm talking about at the minute, it's just a lot.' Never one to shy away from her struggles, Molly has admitted to having a tough time with Bambi in recent months. She said in one YouTube video, 'I'm having one of those toddler mum days, where I question, 'am I actually cut out for this?' 'Every single thing I try and ask her to do, she will not listen to me... She hasn't eaten in like three days because she is refusing to eat. I'm finding it really hard.' Adding that Tommy seems to take parenting more in his stride, Molly admitted that it's 'tough'. Speaking of the recent backlash, PR expert Lynn Carratt believes Molly Mae is definitely at risk losing her 'golden girl' status. She tells new: 'Some of the things that she's saying are coming across as out of touch with reality. "Molly was the sweet, girl next door on love island, and she had a true love story with Tommy which people really bought into and was very likeable. Men fancied her, girls wanted to be her. She came across as an inspiration. Now, she's flying all over the world on private jets and sadly, it's just not relatable anymore." Lynn continues: "In the last year or so, it seems like s he's been falling from grace - her days at the top of the showbiz pile could be over." "She shouldn't have to hide her lifestyle or money because she's earned it, but at the same time, we're in a cost of living crisis. People don't always want to see influencers flying across the world in private jets." 'It is really hard for Molly being a working mum, as it is for all working parents. And it is good that she's being open about her struggles. But she needs to really think about a PR strategy to bring fans back on side." Molly rose to prominence on Love Island in 2019, where she met Tommy Fury, also 26, and came second place with the boxer, whose brother is boxing star Tyson. After the show, she signed a major deal with e-retailer PrettyLittleThing, eventually becoming their creative director while working with brands like Beauty Works and creating her own fake tan business, Filter By Molly Mae. She then parted ways with PrettyLittleThing to build her own fashion brand, Maebe, launched last year. Now, she has a hit Amazon Prime docuseries currently filming for season two and resides in a multi-million pound home in Cheshire with her and Tommy's two-year-old daughter Bambi. The couple, who got engaged in July 2023, announced their shock split last summer, before getting back together earlier this year.
The Guardian
28 minutes ago
- The Guardian
TV tonight: Sam Clafin and Jeremy Irons star in a swashbuckling new period drama
9pm, U&Drama Sam Claflin and Jeremy Irons star in a new epic adaptation of the swashbuckling story by Alexandre Dumas. Edmond Dantès (Claflin) is a young sailor returning to Marseille to marry love of his life Mércèdes (Ana Girardot). But he has ruffled the feathers of two peers, who conspire to get him locked up in an island prison ('No one leaves there alive'). However, Edmond meets Abbé Faria (Irons) who will help him to escape 15 years later and claim his revenge. HR 6.50pm, BBC Two 'Dah, dah, dah, dahhhh!' Those unmistakable notes open Beethoven's Fifth in this Prom, which is performed by the Scottish Chamber Orchestra and conducted by Maxim Emelyanychev. Before that, though, French pianist Alexandre Kantorow – who played at the Paris 2024 Olympics opening ceremony – delivers Saint-Saëns' 'Egyptian' piano concerto. HR 9pm, Sky Documentaries The original Piano Man looks back on a rollercoaster life and career in this two-part profile, which has gained extra poignancy after the 76-year-old's recent brain disorder diagnosis. As well as Joel himself, Springsteen, McCartney, Pink and Nas weigh in on his legacy. Concludes Sunday. Graeme Virtue 9.10pm, BBC One Although this Glasgow-set series (first shown on U&Alibi) frequently teeters into cop show cliche, Nicola Walker's socially awkward detective Annika Strandhed lends it a quirky edge. She's got her work cut out for her as series two begins, with a gnarly drowning video and a victim who was last seen 'pished and mouthy'. Hannah J Davies 9.10pm, Channel 4 Griff Rhys Jones travels from the Atlantic to the Gulf and takes in all the US deep south has to offer en route. First up, in Tennessee he learns how a dam created in the 30s helped to forge the atomic bomb. Then, in Nashville, it's all about the music and dancing. HR 11.35pm, ITV1 Katherine begins doubting Martin – the one person she thought she could rely on, while Eddie claims he's secretly working for her, in the penultimate episode. Meanwhile, there's a tense showdown and a bombshell, before things get really messy. Ali Catterall The Thicket, 9.20am, 6.05pm, Sky Cinema Premiere Peter Dinklage heads up this impressively bleak neo-western, as a bounty hunter on the trail of a kidnapped girl. Ostensibly in the same redemptive vein as The Searchers, it's closer in flinty spirit to something like The Revenant. His high body count decorating the snowy wilderness, Dinklage is as formidable as usual – but almost outmatched by Juliette Lewis as Cut Throat Bill, the misleadingly named varmint he's pursuing. Director Elliott Lester goes in hard on seedy saloon atmospherics and a Darwinian survivalist vibe. Phil Hoad International Rugby Union: Australia v British & Irish Lions, 9.30am, Sky Sports Main Event The final Test from Sydney, with Lions captain Maro Itoje (pictured above) aiming for a 3-0 series win. Test Cricket: England v India, 10.15am, Sky Sports Cricket The third day of the fifth and final Test from the Oval in London. Golf: Women's Open, noon, Sky Sports Golf Day three of the major from Royal Porthcawl. Cycling: Tour de France Femmes, 12.30pm, TNT Sports 1 Stage eight from Chambéry to Saint-François-Longchamp. Racing: Glorious Goodwood, 1pm, ITV1 The final day, featuring the Stewards' Cup at 3.05pm.
