Two Much to handle? Kajol and Twinkle Khanna bring drama and fun to new talk show
Both Kajol and Twinkle are revered in the entertainment industry for their fearlessness and honesty, traits that are expected to shine through in the show. The series is being produced in a collaboration between Banijay Asia and Endemol Shine India, with the aim of creating content that is both insightful and entertaining. "At its heart, it celebrates the firebrand personalities of Kajol and Twinkle - distinct, fearless, and refreshingly real," added Mrinalini Jain.As audiences await the release of 'Two Much', the anticipation is high for a series that promises to break conventional talk show norms. By bringing their authentic selves to the screen, Kajol and Twinkle are set to engage viewers with topics that are not only insightful but also relatable to a broad audience.With a focus on laughter and real-life experiences, 'Two Much' is poised to be a standout addition to the streaming platform.- EndsMust Watch
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Watch: Kajol Turns Real-Life Anjali From K3G At Nysa's Graduation Ceremony
Last Updated: 'Come on, baby!' Kajol was heard enthusiastically cheering for her daughter, Nysa, from the audience. Nysa Devgan, daughter of Bollywood stars Kajol and Ajay Devgn, has officially graduated from college. She earned a Bachelor of Business Administration in International Hospitality at Glion Institute of Higher Education in Switzerland. A heartwarming video from the graduation ceremony has gone viral, showing a proud Kajol cheering enthusiastically for her daughter. The moment instantly reminded fans of Kajol's iconic character Anjali from Kabhi Khushi Kabhie Gham. In the video, Nysa is seen wearing the traditional graduation robe over a lilac dress, beaming as she walks up to the stage to receive her degree. While a few applauded, it was Kajol's enthusiastic cheer, 'Come on, baby!" that stood out the most. Her cheer even drew laughter from Nysa's teachers on stage. A fan shared the clip on X (formerly Twitter), writing, 'Congratulations Nysa!!! (In the chaos of hundreds, I can actually hear Kajol's 'C'mon babyyyy!!' so clearly)." Congratulations Nysa!!!(In the chaos of 100s I can actually hear Kajol's 'C'mon babyyyy!!" So clearly 😂) — Daughter of SRKajol (@OfSrkajol) July 26, 2025 Kajol's spirited cheer instantly reminded fans of the iconic scene from Kabhi Khushi Kabhie Gham, where her character enthusiastically cheers for her son at a school function, bringing a wave of nostalgia and laughter online. A user wrote, 'She's truly the real life Anjali.. 'haaye… meri beti'." 'This is so Anjali from K3g energy," said another. Earlier, in a conversation with Zoom, Kajol praised her daughter, saying, 'Nysa is very smart and has common sense – at least some of the time. Some of the time, yes, that common sense flies out the window. But I'm able to get through to her, and we figure out situations together. I'm very grateful to have her in my life. She's wonderful, snarky, has a great sense of humour, and a very different perspective on life and the world compared to me. It always amazes me – she often takes me aback with her thoughts." Meanwhile, Kajol was last seen in Vishal Furia's film Maa, co-starring Indraneil Sengupta, Kherin Sharma and Ronit Roy. The film is co-produced by Ajay Devgn and Jyoti Deshpande, and will be distributed by Jio Studios and Devgn Films. It also features Jitin Gulati, Gopal Singh, Surjyasikha Das, Yaaneea Bharadwaj, and Roopkatha Chakraborty in key roles. First Published: Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.
Hans India
an hour ago
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On the occasion of National Parents' Day, Bollywood actress Kajol took to Instagram to share a heartfelt tribute to the pillars of her family, highlighting the immeasurable impact of parental love and guidance. The Dilwale star expressed that the term 'Parents' Day' feels too small to capture the depth of what parents contribute throughout one's life. Posting a warm photo of herself with her mother, veteran actress Tanuja, and mother-in-law Veena Devgan, Kajol also shared images of her father Shomu Mukherjee and father-in-law Veeru Devgan. Accompanying the pictures, she wrote, 'Parents Day feels too small a name for what they've done for me. But here's a post anyway. And a big thank you to you 4. #happyparentsday.' Kajol's post resonated with many fans and followers, as she celebrated the multi-generational love that continues to shape her values both as a daughter and a parent. Joining the emotional outpouring, Priya Dutt—daughter of legendary actors Sunil Dutt and Nargis—also commemorated the day with a touching post. Sharing a monochrome photo and video clip of her parents, Priya described them as her 'strength' and 'the reason I believe in the goodness of people.' 'They showed me what it means to serve with sincerity, lead with heart, and give without needing recognition,' she wrote. 'Today as a parent, I have their blueprint to follow to pass on this legacy to my children.' National Parents' Day is celebrated on the fourth Sunday of July each year, recognizing the enduring role of parents in shaping not only their children's lives but also the larger society. The day was formally established in 1994 when then U.S. President Bill Clinton signed a congressional resolution to honour parental guidance and care. Kajol and Priya Dutt's tributes serve as poignant reminders of the values, strength, and unconditional love that define parenthood—a bond that extends far beyond a single day of celebration.
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‘Sarzameen' review: Familiar emotions, predictable execution
Rating: 2/5 Sarzameen, starring Prithviraj Sukumaran, Kajol, and Ibrahim Ali Khan, sets out to blend patriotic fervour with deep familial conflict, but ends up retreading overfamiliar territory. With a plot that evokes Mission Kashmir and Raazi, the film tries to strike an emotional chord but rarely ventures beyond cliché. At its core, Sarzameen tells the story of army officer Vijay Menon (Prithviraj), a strict father with a traumatic past who expects his son Harman (Ibrahim) to mirror his toughness. Harman, however, is sensitive, stammers, and seeks validation. Between them is Mehr (Kajol), a protective mother trying to bridge the emotional distance. The family dynamic has potential, with hints of generational trauma and emotional disconnect, but the storytelling fails to elevate it beyond surface-level drama. Set in the conflict-ridden backdrop of Kashmir, the film introduces a high-stakes plot when Harman is kidnapped by terrorists. The ransom? Releasing imprisoned militants. From here, the film leans heavily into melodrama and expected twists, including Harman's return under mysterious circumstances—an arc reminiscent of Mission Kashmir's central conflict. While Kayoze Irani's directorial debut shows flashes of promise, his treatment feels bogged down by an unoriginal screenplay. Writers Soumil Shukla and Arun Singh create a structure too predictable to maintain tension, and the 'suspense' reveal arrives too late to leave any lasting impact. Performance-wise, Prithviraj and Kajol carry their roles with ease. Kajol, in particular, brings quiet strength to her part and emerges as the emotional anchor. Ibrahim Ali Khan makes a sincere attempt, showing potential in a demanding debut, but the script doesn't support his efforts with enough depth. Technically, the film delivers high production values, but the music is underwhelming and adds little to the storytelling. Dialogues by Kausar Munir and Jehan Handa lack punch and fail to carve a unique voice for the film. In the end, Sarzameen is a missed opportunity. Despite strong performances and a promising setup, it struggles to rise above derivative storytelling. What could have been a gripping exploration of identity, patriotism, and familial love gets diluted by overused tropes and flat emotional beats. Sarzameen carries noble intentions and solid actors but stumbles under the weight of familiarity and weak writing. It's watchable, but not memorable.
