logo
When chef Oriol Castro tried ‘rasmalai'

When chef Oriol Castro tried ‘rasmalai'

Mint09-06-2025
You need to book a table at least a year in advance to dine at Disfrutar, the 50-seater Mediterranean restaurant in Barcelona, which was founded in 2014 by chefs Oriol Castro, Mateu Casañas and Eduard Xatruch. For those not familiar with Disfrutar (meaning 'enjoy' in Spanish), it was awarded the World's Best Restaurant last year by the World's 50 Best Restaurants list, a status it continues to hold so far.
Disfrutar serves 30 courses between two menus—Classic and The Festival—and is known for its 'multi-spherification' technique—which unfolds through a complex series of steps that induce diverse flavours. Think spheres made out of peas, bell peppers, caviar, tomatoes, pineapple, olive and corn. There's even a table that comes to life as diners gasp and immerse themselves in the inventive gastronomic experience.
The three chefs met and trained professionally, and have continued to build on what their mentor chef Ferran Adrià, of the legendary restaurant elBulli taught them. After elBulli shut down in 2011, Castro, Casanas, and Xatruch joined forces to launch restaurants such as Compartir (the first one opened in 2012 in Cadaqués, while the other in 2022 in Barcelona), and Disfrutar.
Also read: Disfrutar versus Noma: A tale of two Michelin meals
Castro, 51, was in India recently as part of Culinary Culture's 'Global Culinary Exchange' programme, to interact and host a cooking masterclass at The Oberoi, New Delhi. In a candid conversation, Castro, with help from his sous chef Eric Andrada (who doubles as his translator), talks about his mother's paella, his mentor, and why passion and creativity are the reasons behind Disfrutar's number one position.
Edited excerpts:
What are your earliest memories of food, and what are some of the dishes that remind you of home?
My memories of food are not about one or two dishes, but rather a complete experience of sitting together with my loved ones at one big table, with conversations flowing and various dishes being passed around. I remember going to the mountains and eating almonds. I can still remember the taste —that's a memory filled with emotion, and it will always remain with me. Having said that, if I close my eyes even for a moment, I can see food prepared by my mother: paella, stew, baked asparagus, roast chicken, and frikandel (minced meat sausage). Observing her and my grandmother in the kitchen inspired me to become a chef.
What is the biggest lesson you've learnt from your mentor Ferran Adria? You have mentioned in your interviews the equal contribution of Juli Soler (Adria's partner at elBulli) in your culinary journey?
elBulli is in my DNA. Being in that restaurant helped me to understand myself, and allowed me to create, experiment, and invent. Adria taught us to find innovative ways to approach a dish, and how to look, feel, and experiment with ingredients, and remain dedicated and passionate every day. He always advocated for doing better than yesterday and learning a little more than it. That attitude allows me to keep showing up every day.
What, according to you, makes Disfrutar the best in the world?
We don't just cook, we cook with emotion, and I think that translates into good food. I also believe that while we continue to experiment and evolve, we have not forgotten our core identity. Our Mediterranean heritage is reflected in the food we serve, even though it is avant-garde. Additionally, every day, when we are in the kitchen, we discover new ways to excel. Keeping ourselves on our toes, without resting on our laurels, keeps us going. I also don't believe in keeping our cooking techniques as secrets. The joy of cooking or doing anything creative lies in sharing them with the world.
How do diners react after eating in Disfrutar?
Look, I am aware that people wait to dine in Disfrutar. But, it's an experience for many of them, particularly those dining for the first time. I've seen many patrons cry after they've had a meal. [laughs] These are tears of joy, and it means a lot when people appreciate your work without saying anything. Their reaction is enough to make me understand they've enjoyed the experience.
How do you stay consistently inspired?
I'm very persistent, very emotional. While I'm always trying out new ways to experiment, I'm not a fan of the terminology of 'molecular gastronomy', which can be misused or applied very loosely. Technique without flavour is a failure. We are cooks, not scientists. For me, constantly seeking inspiration keeps me motivated. You must be excited at every step and in every moment of your life. Even on days when I'm feeling low, I seek inspiration in some form or another to keep going. Remember, the present and the future come from working passionately.
What are your thoughts on Indian food? Have you ever been curious about our traditional recipes and cooking styles, and how have they inspired you?
Thanks to Culinary Culture, Oberoi Hotel and Don Julio, I have been able to visit India for the first time. I am going to experiment with rice fermentation techniques that I have come across here. I'm always on the lookout to learn more about traditional cooking techniques — pickling, fermentation, smoking, steaming, and there are many of these in India. The cuisine, much like the Spanish region, is so varied. The dishes are packed with flavours, an ode to the heritage and vibrant culinary culture of the country. I tried rasmalai, and it reminded me of a Spanish sweet dish that's similar in concept. I think there will soon be an Indian-inspired dish on our menu.
What are the foods that you have tried in India and where, and what has intrigued you the most?
I've thoroughly enjoyed my meals at Bukhara, Dhilli (chef Vineet Bhatia MBE-mentored restaurant in Oberoi, New Delhi), Indian Accent, Inja, and Amar Vilas in Agra. I loved seeing the Taj Mahal. It's captivating. On the food front, the biryanis, appams, raitas, and a host of other dishes have contributed to a fantastic dining experience. I can't wait to be back.
Also read: Making food is like entering an art gallery, says Ana Roš
Abhilasha Ojha is a Delhi-based writer.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Say it like a stylist: How to pronounce popular fashion brand names properly
Say it like a stylist: How to pronounce popular fashion brand names properly

Time of India

time15 hours ago

  • Time of India

Say it like a stylist: How to pronounce popular fashion brand names properly

They say, fashion comes its fair share of faux pas and flair! While luxurious wardrobes and style statements speak for the 'flair' part, the faux pas part most certainly includes the mispronunciations of the well-known fashion brands (despite those being extremely famous). And while these mishaps are quite cliché, they're not chic at all. Because let's be honest – in the world of fashion, half the battle is looking the part, and the rest of it is acing the etiquette (which includes the correct pronunciation of popular fashion brands). Mispronouncing a luxury label can cost you credibility faster than you can say 'Céline.' Lucky for you, we've done the hard work. From Parisian labels to Italian icons and streetwear staples, this guide is sprinkled with phonetic line-drawing, brand backstories, and quirky insider tips to help you glide through any style conversation with ease. So, say goodbye to awkward pauses and hello to stylish confidence – let's break it down, brand by brand. French elegance: Subtle, chic, and tricky Hermès – Not 'Her-meez,' but gentle vowel start, silent 'H' and 's': 'air‑MEZ' or 'er‑MEZ', not 'her‑meez.' Givenchy – Often butchered as 'Gah‑vin‑chee.' The correct French flourish? 'zhee‑VOHN‑shee', with soft 'G', nasal 'on', and a gentle final '‑shee.' Chanel – Forget 'Shan‑elle.' The proper style? 'SHUH‑nel.' by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Esta nueva alarma con cámara es casi regalada en Ituzaingó (ver precio) Verisure Más información Undo Chic, crisp, simple, and oh-so‑Parisian. Balmain – Yes, it's not 'BAL‑mayn.' Roll it out like 'bal‑MAH', trailing off the 'n' softly for that French flair. Yves Saint Laurent – Drop those hard Ts! The smooth version: 'EEV san‑loh‑rah(n)', a lovers' lane nasal finish. Christian Louboutin – Strut smoothly: 'kris‑tee‑ahn loo‑boo‑TAHN', not 'tin.' Christian Lacroix – 'LA-kwa.' So 'kris‑tee‑ahn luh‑kwa', rolling that l–r combo beautifully. Comme des Garçons – Play it subtly: 'comb‑DAY gar‑SON', letting the 's' fade, nasal 'on' intact. Italian icons: Bold, bright, and vowely Gucci – It's 'GOO‑chee', emphasis on the first syllable, never 'Goo‑kee.' Versace – Despite the trendy slip, it's properly 'ver‑SAH‑cheh.' Donatella herself has piped up to confirm it. Prada – Simple and sweet: 'PRAH‑dah', sturdy first syllable, light second. Moschino – The fun-filled style comes through in 'mos‑KEY‑no', not 'mos‑chee‑no.' Bottega Veneta – Soft and elegant: 'boh‑TEH‑gah veh‑NEH‑ta', a solid roll in every segment. Dolce & Gabbana – Smooth Italian gloss: 'DOL‑chay eh ga‑BAN‑eh', not 'Gab‑anna.' Spanish flair and subtle sound Balenciaga – Spanish royalty. Break it into 'bah‑LEN‑see‑AH‑gah,' emphasizing the 'AH' and smoothing past the 'cia.' Loewe – Spanish elegance meets German twist: say 'lo‑WEH‑vay', not 'low‑eeve.' Athleisure staples Adidas – A German classic: 'AH‑dee‑dahs', emphasis on the first syllable, founder Adi Dassler's namesake. Nike – Named after the Greek goddess, it's 'NY‑kee', not 'Nighk.' Porsche – Elegant German soap-opera: 'POR‑shuh', with a soft '‑uh' ending. Cross-cultural gems Bvlgari (Latin-script brand) – Pronounce 'BOOL‑gah‑ree,' highlighting the 'u' after 'B.' Cartier – Soft, refined: 'kar‑tee‑AY', not 'Car‑tee‑er.' Jacquemus – From French fashion forward: 'ZHAK‑moose.' Celine – A blend of syllables: 'seh‑LEEN,' soft start, piercing end. Nailing the correct pronunciation of a fashion might seem like a superficial conquest – but it isn't just about speaking the name; it's about stepping into the essence of each brand. Elevating your fashion conversations goes beyond clothes – it's about knowing the names and pronouncing them with confidence, creativity, and cultural awareness. From the sonorous softness of French designers to the vibrant clarity of Italian labels, each namescape tells a story – learn the sound, share the style. With this guide, you're not just knocking it out of the vocabulary park; you're stepping onto the stylistic stage with poise and pizzazz. So strut forward, say it right, and let your pronunciation speak volumes! And next time you're shopping, chatting, or posting, let your words look as good as your wardrobe! Priyanka Chopra Jonas reveals how for many years her surname was pronounced as 'Shapra' in Hollywood

Author Prajwal Parajuly tries Chatti in New York and eats his words
Author Prajwal Parajuly tries Chatti in New York and eats his words

The Hindu

time17 hours ago

  • The Hindu

Author Prajwal Parajuly tries Chatti in New York and eats his words

I am often asked what I do when I want Chennai food in New York. I matter-of-factly say I go to Semma — the best-known Indian restaurant in America — like getting a table there isn't an ordeal. In truth, though, I have long dismissed people who live between countries and hanker for one place when they are in another. This applies to those fools who complain about the lack of good pizza in Delhi while they eat at an Indian restaurant in London every third day. Ditto for those craving the perfect filter coffee in San Francisco and then crying about the inauthentic Mexican food in Pune. One of the privileges of actually living between cities is that you don't have to miss a particular food for too long. Besides, why would I want to eat Indian food outside India, I have often argued. All that was, of course, until I started seeing someone who has taken it upon herself to convince me that no cuisine can quite measure up to Indian. After countless battles about where to eat, especially when we travel, we have come to a compromise. Because my deliciously alliterative name would be well accentuated with a middle initial — Prajwal P for Pretentious Parajuly — I have consented to visiting an Indian restaurant abroad only if it has at least a Michelin star. So, yes, I'll allow myself to be dragged, kicking and screaming, to one of the seven starred Indian restaurants in London or to the above-mentioned Semma, the lone starred Indian place in New York, all the while feeling smug that I have come out far ahead in the bargain. Sometimes I'll altruistically make exceptions for non-starred restaurants: Bungalow, Dhamaka and Kanyakumari in New York (fair, good, good). Chutney Mary in London (very good). And the just-opened Chatti in New York, the first foreign foray of Chef Regi of the Kappa Chakka Kandhari fame, which is too young to earn a star. Now, I have been a KCK fan for a while. The food that's served at the Nungambakkam, Chennai, establishment is what your nonagenarian Malayalee grandmother might whip up. Everything I have eaten there — the lobster fry, the coconut prawn, the duck mappas — is wholesome. But my relationship with the restaurant is somewhat mangled by the cloud pudding — that ridiculous, magnificent tender-coconut dome. The blancmange is as light as a cloud, fluffy as a cloud, luminescent as a cloud. It feels like you're consuming air, if air were filled with whimsy and delight and agar agar. As a novelist, I am wary of PhD theses finding symbolism in my books where there's none, but I see, after the many times I have intellectualised a damn pudding, how the temptation might arise. Still, I now realise I've done KCK a disservice by being fanatical about the cloud pudding, which is just one exceptional item on a menu bursting with exceptional foods. I'd have to redeem myself at Chatti. First, the size hits me. I've been told it's toddy-shop food, so I expect the restaurant to look a bit distressed, down-market even, but the two-storied Chatti is a ritzier iteration of KCK. There are marble tables, teak chairs and conches on every placemat. The 90-seat restaurant, a hop and a skip from the hell that is Times Square, is ambitious all right. Despite its being just four months old, tables are hard to come by. I'd know because I have gone twice in 10 days. The first time, we went as a twosome. Greedy to try out more food, we cobbled together a group of four to return. Getting a Saturday-evening reservation involved some dexterously placed phone calls. The tablemats show off a mind-boggling array of appetisers; we tell Chef Regi our order is in his hands. Plates of perfectly spiced prawn pouches steamed in banana leaves materialise. These are followed by scallops, mini appams, curry-leaf mushrooms and a slow-simmered seafood moilee soup. I pop in my mouth the flavour bomb that's the Calicut mussel, seasoned with curry leaves, coconut oil, chilli, coriander powder, turmeric, and lemon juice. It's sensational. Others are distracted by the Ramapuram chicken curry. Many variations of 'homey' are thrown around. The rice dumplings in coconut milk are unlike anything I've had before. The overnight-fermented clay pot fish curry is unusual in that it is served at room temperature. I fall for the black-chickpea kadala curry. It's so light. The snapper — spiced with tender peppercorn, gooseberry, Kandhari chilli and turmeric — makes me want to cry with joy. And there's ghee rice. How can rice — rice! — be so magical? It smells of cardamom and ghee and tastes exactly like it smells. It's toddy-shop cuisine, so the drinks can't be far behind. The Malayalee Old-Fashioned — embellished with toasted coconut, bitters and jaggery — is theatrically revealed, but it's the tequila-based Kandhari drink, in which the flavour of the lethal Kandhari chilli has been playfully captured, that does it for me. The clarified sambar drink—appropriately named Sam Bar—is someone else's favourite. 'Will it get a star?' one of us asks. I think it will. It better. This is good, sincere food. It's quality food. It's happy food. It's food that transcends what's on the plate. It's food that tells stories. I am eager for others to experience the dessert, my slice of Chennai, the divine dome of KCK. The cloud pudding — an eye-wateringly expensive $16 — pinches me hard because I have eaten it in Chennai for 125 rupees. Our group is divided. Two of us declare the pudding sublime. The other two pronounce the jaggery palada superior. It doesn't matter. We order another cloud pudding. It's worth every one of those darn sixteen dollars. The chef sends us yet another. Prajwal Parajuly is the author of The Gurkha's Daughter and Land Where I Flee. He loves idli, loathes naan, and is indifferent to coffee. He teaches Creative Writing at Krea University and oscillates between New York City and Sri City.

Sitaare Zameen Par Box Office Collection Day 12: Aamir Khan's Film Keeps Its Hold
Sitaare Zameen Par Box Office Collection Day 12: Aamir Khan's Film Keeps Its Hold

NDTV

time20 hours ago

  • NDTV

Sitaare Zameen Par Box Office Collection Day 12: Aamir Khan's Film Keeps Its Hold

Aamir Khan's sports comedy-drama, Sitaare Zameen Par, opened in theatres on June 20. Directed by RS Prasanna, the film takes a unique approach to inspire audiences through themes of neurodiversity and celebrates the potential of individuals with learning disabilities. Since its release, the movie has been making a steady run at the box office. On its second Tuesday, the film collected a substantial amount of Rs 4 crore, as per a report by industry tracker Sacnilk. With this, the sports comedy has crossed Rs 130.40 crore at the domestic box office. On July 1, the movie witnessed an overall 18.29% Hindi Occupancy, the same added. The night shows reached an occupancy of 25.84% followed by the other times of the day. Meanwhile, Jaipur recorded the highest occupancy at 25.25%, followed by NCR (22.25%), Mumbai (21.50%), and Bengaluru (20.75%). Produced by Aamir Khan Productions, Sitaare Zameen Par also features Genelia Deshmukh, Brijendra Kala, and Dolly Ahluwalia in key roles. The spiritual sequel to Aamir Khan's 2007 film Taare Zameen Par, the film is a remake of the 2018 Spanish film Champions. It follows the story of a suspended basketball coach (played by Aamir) who serves community service by training a team of neurodivergent players. Gradually, as the film's plotline progresses, a shift in the lead star's on-screen character can be witnessed. Writer Divy Nidhi Sharma has showcased her impeccable skill in evoking emotions of empathy, inclusion, joy, as well as a sense of acceptance and emotional healing through the heartwarming plotline of Sitaare Zameen Par. In an exclusive interview with NDTV, Divy has also shared details about how the film changed her as a person. She mentioned having Aamir Khan in mind while writing the script. Further highlighting her thought that any film gains immense credibility when he is part of it, she says, "I was hoping people would talk about our film, and it's been received with tremendous warmth.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store