
Disney Channel legend Raven-Symoné says becoming a parent is a 'narcissistic' thing to do
The 39-year-old actress - who has been married to Miranda Maday since 2020 - does not have any children of her own, and during a chat with The Chi creator Lena Waithe, they wondered why anyone would opt to bring kids into the world.
Speaking on the Tea Time with Raven and Miranda podcast, Lena said: "Whenever someone says to me they want to have a baby, or they want to be a parent, I think my first question is 'Why?'
Raven said: "It's a narcissistic act."
Lena simply replied: "True."
Meanwhile, the former That's So Raven was discussing the notions of labels and communities with Lena, and insisted that leaving "toxic mentalities" behind to embrace the wider world is the only way to "learn" as a person.
She said: "When you leave that toxic mentality, you're integrating yourself into the world, and that's better for me.
"I love the fact that we are on a planet with so many types of thought processes and so many different types of cultures. We can learn from every single culture, from every single religion, and if you're just stuck in one group all the time, you are never gonna grow.
"I have gotten in trouble a lot with things that I have said, but that is ultimately what my brain wants to do. I want to travel to every single country and say 'Oh, you cook chicken better than me, I'm gonna eat your chicken too. Yay me! Y'all know who cooks that fried chicken, it's not just black people. This s*** is delicious.
"I do wanna go to Africa and see the beautiful with the red clay on their skin, I wanna go to India and see the beautiful women with yellow clay on their skin.
"There's so many ways and people to learn from, and if you just stay in that circle and condemn your people for venturing out, then that is toxic."

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Sydney Morning Herald
23-07-2025
- Sydney Morning Herald
David Williamson skewered greedy Sydney - and bought the Harbour view anyway
Sydney features large in David Williamson's earliest memories. Aged three-and-a-half, the Melbourne-born-and-bred playwright was visiting an uncle with his family, and remembers 'sitting in a backyard on a very bright, sunny day, surrounded by bougainvilleas and subtropical flowers.' 'The fact my first memory was in Sydney obviously imprinted something on me about the exotic nature of the city: the colours, the brightness, the greenness of the grass,' he says. He contrasts this with Melbourne's winter and summer brownness, while another early memory was gazing from a ferry at a harbour that 'seemed a deep translucent green, not blue'. Hence, the title of his iconic 1987 play Emerald City. Although Williamson is eternally grateful to the Melbourne theatre companies that launched his career, he was less enamoured of that city's critical response. 'When the plays were done in Sydney, it was a totally different reaction,' he explains. 'John Bell did a terrific production of The Removalists, and John Clark did a great production of Don's Party, and I have to say that the talent at their disposal was probably greater, when you consider that I was playing the removalist in Melbourne, and Chris Haywood played him in Sydney. 'The critics were terrific, and they recognised the genre. The Melbourne critics thought The Removalists was an earnest play about police violence, that didn't succeed because the characters weren't three-dimensional. Whereas Sydney immediately saw it as a darkly satirical play about appalling Australian male behaviour.' Loading Williamson also wearied of his left-wing Carlton circle dimly viewing financial success, whereas in Sydney, making money seemed 'a legitimate pursuit'. He acknowledges Sydney's shady history of 'beleaguered convicts and corrupt prison guards, but,' he insists, 'it was a vibrant and very Australian city. So I thought to myself, 'Why do I have to put up with these Melbourne dinner parties where people start abusing me that I've sold out because my plays were being done in the state theatre companies, and because I might be making roughly as much money as a suburban GP?''

The Age
23-07-2025
- The Age
David Williamson skewered greedy Sydney - and bought the Harbour view anyway
Sydney features large in David Williamson's earliest memories. Aged three-and-a-half, the Melbourne-born-and-bred playwright was visiting an uncle with his family, and remembers 'sitting in a backyard on a very bright, sunny day, surrounded by bougainvilleas and subtropical flowers.' 'The fact my first memory was in Sydney obviously imprinted something on me about the exotic nature of the city: the colours, the brightness, the greenness of the grass,' he says. He contrasts this with Melbourne's winter and summer brownness, while another early memory was gazing from a ferry at a harbour that 'seemed a deep translucent green, not blue'. Hence, the title of his iconic 1987 play Emerald City. Although Williamson is eternally grateful to the Melbourne theatre companies that launched his career, he was less enamoured of that city's critical response. 'When the plays were done in Sydney, it was a totally different reaction,' he explains. 'John Bell did a terrific production of The Removalists, and John Clark did a great production of Don's Party, and I have to say that the talent at their disposal was probably greater, when you consider that I was playing the removalist in Melbourne, and Chris Haywood played him in Sydney. 'The critics were terrific, and they recognised the genre. The Melbourne critics thought The Removalists was an earnest play about police violence, that didn't succeed because the characters weren't three-dimensional. Whereas Sydney immediately saw it as a darkly satirical play about appalling Australian male behaviour.' Loading Williamson also wearied of his left-wing Carlton circle dimly viewing financial success, whereas in Sydney, making money seemed 'a legitimate pursuit'. He acknowledges Sydney's shady history of 'beleaguered convicts and corrupt prison guards, but,' he insists, 'it was a vibrant and very Australian city. So I thought to myself, 'Why do I have to put up with these Melbourne dinner parties where people start abusing me that I've sold out because my plays were being done in the state theatre companies, and because I might be making roughly as much money as a suburban GP?''

ABC News
23-07-2025
- ABC News
100 Years ABC Radio Brisbane
This week, we are proud to be celebrate 100 years of ABC Radio Brisbane, telling Brisbane's story on local radio. Sharing the voices, stories and music that have shaped our city, we've been at the heart of Brisbane, connecting communities and keeping you informed and entertained. To commemorate this milestone, we've released a limited-edition ABC Radio Brisbane 100 Years T-shirt so you can wear a piece of history with pride. Designed to mark a century of broadcasting, this collector's item is only available for a short time. Shop the tee here. You can also join us live in the Queen Street Mall this Friday, July 25, as we broadcast live across the day. Come along to meet Loretta and Joel, Steve Austin, Kat Feeney in Afternoons and Ellen Fanning.