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Freakier Friday review – puppyishly uninhibited Jamie Lee Curtis saves body-swap sequel

Freakier Friday review – puppyishly uninhibited Jamie Lee Curtis saves body-swap sequel

The Guardian4 hours ago
No one could be gamer or goofier than Jamie Lee Curtis in this latest twist in the Freaky Friday body-swap franchise; she finds some distinctly likable form, plays broad comedy to the hilt and pretty much carries the movie – with the help of some nice supporting cameo turns – when her co-star Lindsay Lohan isn't exactly nailing the laughs. And it should be said that as an essay in alternative existences and parallel realities, this film and Curtis's starring role are far more interesting than the bafflingly overrated Oscar-winner Everything Everywhere All at Once.
The preceding film, from 2003, had Curtis and Lohan as a quarrelling mother and daughter who swap bodies due to the hilarious magical otherness of Chinese fortune cookies. (In 2025, the new version is a bit culturally lairy of gags like that.) It is based on Mary Rodgers's 1972 novel, first filmed in 1976 with Jodie Foster as the daughter, a formidably precocious young star who was in those days considered to be already body-swapped into fierce adulthood. The publicity for this film promises legacy cameos and when one teen character talks about her French boyfriend, many FF fans will have been excitably wondering if this French boyfriend has a French-speaking mom played by a certain French-speaking star?
In this new contemporary reality, written by Jordan Weiss and directed by Nisha Ganatra, Curtis's character Tess Coleman is a grandma, therapist and parenting podcaster, and her once-tearaway daughter, Lohan's character Anna, is a music producer and single mom to a Gen-Z teen; this is Harper, played by Julia Butters, a young actor still legendary for her scene opposite Leonardo DiCaprio in Tarantino's Once Upon a Time in Hollywood.
When Harper has a big fight in school with her obnoxious, princess-y British lab partner, Lily (played by non-Briton Sophia Hammons), she is horrified when Anna falls hard for Lily's hot single dad Eric (Manny Jacinto); these enemies are both appalled at the prospect of becoming stepsisters. This situation becomes even more complicated – freakier in fact – when a zany palm reader and fortune teller triggers a new cosmic body-swap nightmare, this time involving four women, not two.
Another version of this movie might have wanted to dip its toe into the issues of body image and identity: Freakier Friday keeps it light, partly as a result of Curtis's jokey grandma, in whose knockabout generational presence there is no question of anything tricky. Curtis gets the laughs with her puppyishly uninhibited performance and there are some great gags, including one at the expense of oldsters who use a certain social media platform. There are also some amusing contributions from SNL trouper Vanessa Bayer as the fortune teller, comedian X Mayo as the school's dyspeptic principal and Santina Muha as a US official who has to assess the authenticity of Anna and Eric's marriage.
As for Lohan, she does a reasonable job, although her own body-swapped status as the legendary wild-child of old who is now playing a stressed middle-aged person has to remain unemphasised, simply because Lohan doesn't really have the comedy chops. It's Curtis who embodies the story's wacky spirit.
Freakier Friday is out on 7 August in Australia and 8 August in the UK and US.
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Sydney Sweeney: the Hollywood up-and-comer who started a culture war
Sydney Sweeney: the Hollywood up-and-comer who started a culture war

The Guardian

time6 minutes ago

  • The Guardian

Sydney Sweeney: the Hollywood up-and-comer who started a culture war

Almost exactly three years ago, in July 2022, the actor Sydney Sweeney gave an interview to the Hollywood Reporter that was refreshingly frank about finances. At the time, Sweeney was 24, fresh off the contentious buzz of Euphoria's second season, and undeniably on the up in Hollywood as one of Gen Z's very few in-demand actors. And yet, as she told the magazine, she did not have the money to cover even a six-month break from the industry. Unlike some of her Euphoria peers, Sweeney is not a nepo baby; she was raised middle-class in northern Idaho and Spokane, Washington, and began working as a child actor at 13. She acted continuously throughout her teens – on Criminal Minds and Grey's Anatomy, then small roles on prestige projects like Sharp Objects, The Handmaid's Tale and Quentin Tarantino's Once Upon a Time in Hollywood – because there was no fallback cushion. 'I don't have someone supporting me, I don't have anyone I can turn to, to pay my bills or call for help,' she said. Even after working on a hit HBO show, which did allow her to buy a house in LA, money was tight. 'They don't pay actors like they used to, and with streamers, you no longer get residuals,' Sweeney explained. 'The established stars still get paid, but I have to give 5 percent to my lawyer, 10 percent to my agents, 3 percent or something like that to my business manager. I have to pay my publicist every month, and that's more than my mortgage.' Sweeney spoke with the authority and detail of someone who actually had to review her budget every month – for the stylist, the publicist, the makeup, the travel, the unspoken demands of being a fame-aiming young actor in the Instagram age, and particularly a young beautiful woman. Hence, her many brand deals – Miu Miu, Armani, Laneige. 'If I just acted, I wouldn't be able to afford my life in LA,' she said. 'I take deals because I have to.' I still think about this interview whenever Sweeney's name comes up, which is too often lately. For one, it's still the most transparent I've ever heard an actor of her cohort be about money – no one is talking about paying their publicist or their mortgage – and two, it helps explain her increasingly omnipresent and fractious brand deals that have arguably eclipsed her acting work. Sweeney doesn't just rep high-end fashion labels like Miu Miu, typical for actors attempting the enter the rarefied field of movie stardom; she's now also selling soap allegedly containing a 'touch' of her bathwater for Dr Squatch, ice-cream for Baskin-Robbins, and fuzzy pink loafers for who knows who. You may have heard that she's recently found herself in the culture-war crosshairs over some ads for American Eagle. As the camera pans over a horizontal Sweeney zipping up her tight blue jeans, she says in typical monotone: 'Genes are passed down from parents to offspring, often determining traits like hair color, personality, and even eye color. My jeans are blue.' Another spot finds her admonishing a wandering camera away from her two most talked-about assets – 'eyes up here'. The ad, predictably, caused a stir on an internet where everything is now ragebait – the posting left said its invocation of Americana and 'great genes' dogwhistled white supremacy, the Maga right celebrated it as a nail in the coffin of 'wokeness'. (For what it's worth, American Eagle has said that the campaign 'is and always was about the jeans'.) Trump posted about it on Truth Social. And all of that was before it was revealed that Sweeney registered as a Republican in Florida in June 2024. All of this, it must be noted, has happened without Sweeney publicly saying a thing. (One can assume, based on her comments about money and an old social media brouhaha about Maga family members, that she supported Donald Trump in 2024, and that she moved to Florida for tax reasons. But until Sweeney confirms anything, these remain assumptions.) How does a relatively successful Hollywood actor with at least one box office hit under her belt – that would be the middling but popular 2024 romcom Anyone But You – end up this polarizing? Two separate but inextricable things: an incendiary combination of social media's death spiral into hollow, fleeting culture wars, and a career spent walking the perilously thin line between poking fun at male egos and inflating them. The former is more easily identified – the internet culture Substack Garbage Day traced the American Eagle controversy to a familiar pattern of activity on X, a site that is a fraction of the size it used to be and is now about 75% bots; the remaining holdouts are 'conservative aggregators, business world influencers, celebrity stan accounts, and libs who won't leave the site and still post like it's 2018'. The ad, an artless mix of lowest-common denominator triggers, worked on all four groups. The cycle frothed enough on X over a weekend to get picked up by Fox News, then the most smug Maga politicians looking for a dunk, and then, inevitably, the president who must always get in on the attention. In the posting economy, all that matters is that the controversy feels real, and everyone is talking about it. Whatever the actual size of the outrage – I, for one, sense more fatigue than actual anger – the chatter does represent a natural endpoint to Sweeney's longstanding tactic of being the first to acknowledge, and now bank on, male attention on her breasts, and to be ruthlessly pragmatic about business. Both are dubious tactics with, I'd argue, diminishing returns. I have been a fan of Sweeney's since she broke out as a terrifyingly droll gen Z menace on the first season of the White Lotus in 2020, and I date the shift to 2022, around the time of that landmark THR interview. When I interviewed Sweeney in 2021, the then-23-year-old was as open about her business ambitions – getting a bachelor's degree to prevent getting 'fucked over' by contract negotiations, producing her own projects – as she was wary about the internet's outrage machine. She was promoting her erotic thriller The Voyeurs, in which she appeared nude, and dealing with the aftermath of nude screenshots from Euphoria making the rounds online. Her strategy for handling it all, she told me, was dissociation: 'I never actually put Syd out there,' she said. 'No one really knows Syd.' In the years since, Sweeney seems to have adopted a more offensive approach to the attention – and her elevation by the male right as, to quote the New Yorker's Lauren Michele Jackson, 'rejoicing in a perceived return to a bygone beauty standard in the wake of all that overzealous feminism they blame on the left' – by turning it into money and a punchline. She poked fun at boob fixation with a Hooters skit on SNL; she wore a sweatshirt blaring 'SORRY FOR HAVING GREAT TITS AND CORRECT OPINIONS'; she routinely addresses the boobs in the room with a broad-like confidence. 'The biggest misconception about me is that I'm a dumb blonde with big tits,' she said in an interview last year. 'I'm naturally a brunette.' Cue laughs. At the same time, she's exemplified the pop feminist mantra of getting one's bag – starring in the dreadful Madame Web was a 'business decision' to network with Sony execs and get her planned Barbarella remake greenlit and Anyone But You sold, which she successfully marketed on her own TikTok. Taking every brand deal while producing would-be auteur horror with Immaculate. All of this has, unfortunately, overshadowed a promising dramatic acting career, as demonstrated by a remarkable turn in Reality, as a real-life whisteblower brimming with anxiety and righteousness; in The Voyeurs, a throwback erotic thriller that would have made more of a splash had it not been dropped on Amazon; on Euphoria, where she imbued the beleaguered Cassie with a real sense of teenage volatility. Amid the political controversy, Sweeney remains, as ever, booked and busy. She's making an awards play with Christy, as the 90s boxer Christy Martin, aiming critical buzz with the Housemaid, Paul Feig's film alongside Amanda Seyfried. She's locked down two huge video game remakes with Michael Bay and Jon M Chu, secured the role of 50s bombshell Kim Novak in Colman Domingo's directorial debut Scandalous!, just appeared alongside Julianne Moore in yet another forgettable Apple TV+ film. On the acting side, she's still the young woman from three years ago, clear-eyed about the industry, trying everything, lining up the work. For all our sakes, let's hope the conversation gets back there, too.

Legendary film director of The Godfather trilogy Francis Ford Coppola ‘rushed to hospital' in Italy
Legendary film director of The Godfather trilogy Francis Ford Coppola ‘rushed to hospital' in Italy

The Sun

time6 minutes ago

  • The Sun

Legendary film director of The Godfather trilogy Francis Ford Coppola ‘rushed to hospital' in Italy

LEGENDARY film director Francis Ford Coppola has been rushed to hospital in Italy, according to local reports. The 86-year-old Coppola was reportedly taken in urgently in Calabria on Tuesday morning. 2 The Hollywood titan has been in Italy while screening his newest film Megalopolis. He has spent considerable time in the country, partly to scout locations for his new film. There was no immediate comment from his team tonight.

Kanye West's wife Bianca Censori as you've NEVER seen her before in old modelling photos
Kanye West's wife Bianca Censori as you've NEVER seen her before in old modelling photos

Daily Mail​

time6 minutes ago

  • Daily Mail​

Kanye West's wife Bianca Censori as you've NEVER seen her before in old modelling photos

Kanye West 's wife Bianca Censori has been making waves with her shocking, risque style since marrying the controversial rapper in December 2022. Censori, 30, who West, 48, previously claimed 'can't wear anything without his approval', showed off a vastly different look in a never-before-seen modelling shoot before her rise to fame. The Australian architect - who memorably went naked on the 2025 Grammys red carpet earlier this year - sported long brunette locks as she modelled for her friend's small clothing brand. In contrast to her flesh-flashing displays, Censori wore relatively demure looks including a strapless top, jeans and a plunging halter. In another snap she modelled athleisure wear and a black bralette as she gazed into the distance. Censori's most shocking style stunt came with her outrageous naked red carpet display at the Grammys - where she went completely naked under a sheer dress, exposing her breasts and genitals. The stunt made global headlines and many of Kanye's followers were quick to accuse the rapper of being 'abusive' and 'controlling' while using his wife's body 'as clout'. Addressing the backlash amid a vile anti-Semitic, sexist and homophobic rant in February, West claimed that he has 'dominion' over Censori but insisted he would never force her to wear anything she didn't feel comfortable in. He tweeted: 'I HAVE DOMINION OVER MY WIFE THIS AINT NO WOKE AS FEMINIST S**T SHES WITH A BILLIONAIRE WHY WOULD SHE LISTEN TO ANY OF YOU DUMB A** BROKE B*****S. 'PEOPLE SAY THE RED CARPET LOOK WAS HER DECISION YES I DONT MAKE HER DO NOTHING SHE DOESNT WANT TO BUT SHE DEFINITELY WOULDNT HAVE BEEN ABLE TO DO IT WITHOUT MY APPROVAL YOU STUPID A** WOKE PAWNS. 'I HAVE NO RESPECT OR EMPATHY FOR ANY ONE LIVING CAUSE NO ONE LIVING CAN F**K WITH ME BUT I DO LOVE SOME PEOPLE AND I GIVE THEM FAVOR. [sic]' He carried on his rant in the early hours, penning: Anyone who called my wife's Grammy look a stunt is dumb and laaaame yes youuuu. 'She been dressing naked for 2 years. Now all of a sudden it's a stunt. Every single b***h on the planet wish they had her bravery body platform and access to money and a husband that supported they personal expression. 'There are a lot of things that had to converge for this moment to happen.' Censori recently shared more naked snaps taken by her rapper husband Since Kanye married Bianca fans have expressed concern over her wellbeing, with the Australian architect continuously seen parading around in various states of undress. During the Grammy Awards, Bianca stepped onto the carpet clad in a furry black coat before theatrically dropping the garment and flashing her bare bottom to photographers. She turned around to show off her topless chest and lack of underwear while Kanye - nominated in the Best Rap Song category - leered at her nude body during the incident of indecent exposure. Kanye, who was fully clothed, was seen issuing commands to Bianca. Lip reader, Nicola Hickling went on to state that Kanye said: 'You're making a scene now.' She nodded her head and he told her: 'Make a scene, I'll say it'll make so much sense.' He added: 'Drop it behind you and then turn, I got you.' She then tells him: 'Alright, let's go.' It was claimed last month that Kanye chooses her daring looks to not only aid in keeping his 'edgy persona' but to also show that his wife is 'the sexiest woman alive', according to a source who spoke with The U.S. Sun. The source stated that while some of the outfits she wears in public 'aren't to her taste' - she has since learned how to make it an 'advantage.' 'Bianca has figured out how to turn all this into her advantage. A lot of the outfits aren't to her taste. But she tells him she will wear them - if she's paid.' The Heartless rapper had allegedly offered Bianca a salary wage to don head-turning ensembles, but she turned that down, and instead requested that she be paid based on each look. The source added that they believe Bianca has made around $3 million due to the deal and said, 'She's essentially monetizing her image.' She was reportedly paid $120k to wear was the naked dress ensemble at the Grammys.

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