
Scott Mills forced to issue grovelling apology live on Radio 2 after announcing Call The Midwife had been cancelled
THE BBC's Scott Mills was forced to make an embarrassing U-turn live on-air after holding a funeral service for Call The Midwife.
Scott, who hosts the BBC
Radio
2 Breakfast Show, devoted a whole segment to reports that the popular programme had been axed and would be ending for good after fifteen series,
next
year.
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Scott Mills has been forced to issue an on-air apology this morning
Credit: BBC
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The star held a mock funeral service for Call the Midwife after wrongly telling fans it would not be coming back
Credit: Getty
The
radio
presenter held a funeral-like service for the show
this morning
and even opened a phone line for gutted fans to call in to share their devastation about the
news
it had been cancelled.
But he was soon forced to do an embarrassing U-turn after bigwigs at the BBC handed him a statement to read
On the programme
this morning
,
news
that the show had apparently been brought to an end.
Scott opened the segment by saying: "This morning, we woke up to the news that the show that never ends is indeed ending.
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"I am sorry if this is how you are finding out."
As he confirmed the show in question was Call the Midwife, he could be heard saying: "It is ending, the fifteenth series will be the last one.
"We opened our phone lines to offer you support in these times because we've all laughed and cried and gasped at some of the births.
"Lots of you have been messaging in and using the helpline."
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Scott then proceeded to play a slew of voice notes from heartbreaking fans who shared their love for the programme and some of their favourite moments.
One fan's voice note even shared hopes that it "will come back" to which Scott could be heard insisting: "No it won't."
Call The Midwife AXED after 15 series as BBC pull the plug on hit show
As the segment drew to a close, a mere ten minutes later, Scott could be heard delivering a grovelling apology after being forced by bosses to make a sensational U-turn as they insisted the drama wasn't going anywhere.
Scott said: "Good Morning, I may have done a bad thing here so I'm going to read this prepared statement from the BBC which I've just received."
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He then read word-for-word a response from the BBC, which said: "The BBC would like to reassure fans that Call The Midwife will remain at the heart of the BBC for years to come.
"As previously announced, there are two
Christmas
specials, a new series, a
film
and prequel series, before a sixteenth series in due course. Call the Midwife isn't going anywhere!"
Originally,
A source told the publication: 'After years of drama and countless births, Call The Midwife is coming to an end.
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Bosses forced Scott to make the U-turn and handed him a carefully written statement to read
Credit: PA
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Reports originally suggested that the show would be ending for good
Credit: BBC
"The team have decided it's time to draw the show to a close and bow out.
"This is the last we'll see of these much-loved characters. Storylines will tie up a lot of loose ends."
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Up to 11 million people watched the highly-anticipated episodes at any time since it first launched in 2012.
The show has won National Television Awards, TV Choice Awards and has received several BAFTA nominations.
Earlier this year, The Sun revealed fans
As it is to be set in World War II it could feature younger versions of older characters from Call the Midwife.
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Call The Midwife: A breakdown
Call The Midwife first came onto the airwaves in 2012 and has been seen by millions. But what is it about?
Series one: Set in early 1957 and it explored the 'Baby Boom generation, which included themes of poverty and post-war immigration.
Series two: Set in 1958 and it showed gas and air being introduced for pain relief for the first time. It ended with the Nonnatus House building being condemned.
Series three: Set in 1959 and it depicted gruesome conditions such as cystic fibrosis, polio and it showed the midwives in the context on prisons.
Series four: Set in 1960 under the threat of nuclear warfare and the emergency response guidelines issued by the local Civil Defence Corp. Other themes included LGBT rights, and syphilis.
Series five: Set in 1961 and it shows the care of patients with conditions such as Typhoid and strokes. We also saw the effects of thalidomide, the introduction of the contraceptive pill.
Series six: Set in 1962 and domestic violence was at the centre of the season. Other themes included FGM (female genital mutilation), mental health issues and interracial marriage. It was also notable for the introduction of Reggie, a recurring character with Down Syndrome.
Series seven: Set in 1963 and we see Nurse Lucille Anderson for the first time. We also see the show address conditions such as dementia, huntington's disease, leprosy and meningitis
Series eight: Set in 1964 and it bravely covered the issue of abortion, which was not legal for another three years in 1967. Sickle cell disease, cleft lip, cleft palate and intersex people also featured.
Series nine: Diptheria was at the centre of the ninth instalment in 1965, and it was notable for featuring a blind expectant mother. But the role of Nonnatus House within the community also came into question.
Series ten: Set in 1966, Nonnatus House has a rival in the form of the private Lady Emily Clinic in Mayfair. PKU, diabetes and the controversy surrounding abortion were central themes.
Series eleven: Set in 1967 amid the housing crisis and a scabies epidemic. The show was rocked by a train crash right next to Nonnatus House.
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Call the Midwife will be getting new spin-offs as opposed to further full-length series
Credit: Handout
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Irish Examiner
35 minutes ago
- Irish Examiner
BBC under pressure amid criticism of ‘death to the IDF' chants at Glastonbury
Sir Keir Starmer has led criticism across the political spectrum of chants at Glastonbury for 'death' to the Israeli military as the BBC faced pressure to explain why it kept broadcasting. Rapper Bobby Vylan, of rap punk duo Bob Vylan, on Saturday led crowds on the festival's West Holts Stage in chants of 'Free, free Palestine' and 'Death, death to the IDF (Israel Defence Forces)'. A member of Belfast rap trio Kneecap suggested fans 'start a riot' at his bandmate's forthcoming court appearance related to a terrorism charge. Responding to the chants from Bob Vylan, the Prime Minister said: 'There is no excuse for this kind of appalling hate speech. 'I said that Kneecap should not be given a platform and that goes for any other performers making threats or inciting violence. 'The BBC needs to explain how these scenes came to be broadcast.' A member of Kneecap said 'f*** Keir Starmer' during their performance after the Prime Minister called for the band not to play at the festival. Avon and Somerset Police said video evidence from the performances would be assessed by officers to determine whether any offences may have been committed that would require a criminal investigation. Glastonbury organiser Emily Eavis said Bob Vylan's chants 'very much crossed a line'. 'We are urgently reminding everyone involved in the production of the festival that there is no place at Glastonbury for antisemitism, hate speech or incitement to violence,' she said in a statement. Shadow home secretary Chris Philp said Bob Vylan was 'inciting violence and hatred' and should be arrested and prosecuted. 'By broadcasting his vile hatred, the BBC appear to have also broken the law,' he said. 'I call on the Police to urgently investigate and prosecute the BBC as well for broadcasting this. Our national broadcaster should not be transmitting hateful material designed to incite violence and conflict,' he posted on X. Health Secretary Wes Streeting called it a 'pretty shameless publicity stunt' and said the BBC and Glastonbury have 'questions to answer about how we saw such a spectacle on our screens', speaking to Sky News. Conservative leader Kemi Badenoch called the scenes 'grotesque'. 'Glorifying violence against Jews isn't edgy. The West is playing with fire if we allow this sort of behaviour to go unchecked,' she wrote on X. Shadow work and pensions secretary Helen Whately said she was 'horrified' and that the BBC should have cut the feed. 'Given the nature of the attacks on Israel, the BBC should not have kept broadcasting that. They should have cut the coverage immediately,' she told Times Radio. Liberal Democrat culture, media and sport spokesman Max Wilkinson said: 'Bob Vylan's chants at Glastonbury yesterday were appalling. Cultural events are always a place for debate, but hate speech, antisemitism and incitements to violence have no place at Glastonbury or anywhere in our society.' Shadow foreign secretary Dame Priti Patel wrote in the Daily Mail that the incident was a 'systemic failure'. 'What happened at Glastonbury was dangerous,' she said. 'Chants calling for the death of Israeli soldiers crossed a line no civilised society should ever tolerate, and it was shameful that the BBC continued with its live broadcast of this incitement to violence. 'The fact the BBC – a national institution – broadcast this hate-fuelled content will risk legitimising and normalising those views in society.' Culture Secretary Lisa Nandy has spoken to the BBC director general about Bob Vylan's performance, a Government spokesperson said. The BBC said it showed a warning during the performance and that viewers would not be able to access it on demand. Bob Vylan performing on the West Holts Stage (Ben Birchall/PA) A spokesperson for the broadcaster said: 'Some of the comments made during Bob Vylan's set were deeply offensive. 'During this live stream on iPlayer, which reflected what was happening on stage, a warning was issued on screen about the very strong and discriminatory language. 'We have no plans to make the performance available on demand.' The Israeli embassy said it was 'deeply disturbed by the inflammatory and hateful rhetoric expressed on stage at the Glastonbury Festival'. The Campaign Against Antisemitism (CAA) said it would be formally complaining to the BBC over its 'outrageous decision' to broadcast Bob Vylan. 'Our national broadcaster must apologise for its dissemination of this extremist vitriol, and those responsible must be removed from their positions,' a spokesperson said. Bob Vylan, who formed in Ipswich in 2017, have released four albums addressing issues to do with racism, masculinity and class. Bobby Vylan's real name is Pascal Robinson-Foster, 34, according to reports. He is listed on Companies House as the director of Ghost Theatre Records, which is operated by Bob Vylan. Kneecap performing on the West Holts Stage (Yui Mok/PA) In a statement posted to Instagram, Vylan said: 'Teaching our children to speak up for the change they want and need is the only way that we make this world a better place. 'As we grow older and our fire starts to possibly dim under the suffocation of adult life and all its responsibilities, it is incredibly important that we encourage and inspire future generations to pick up the torch that was passed to us. 'Let us display to them loudly and visibly the right thing to do when we want and need change. 'Let them see us marching in the streets, campaigning on ground level, organising online and shouting about it on any and every stage that we are offered.' Kneecap have been in the headlines after member Liam Og O hAnnaidh, who performs under the name Mo Chara, was charged with a terror offence. The group performed after Vylan's set on the West Holts Stage with O hAnnaidh exclaiming 'Glastonbury, I'm a free man' as they took to the stage. In reference to his bandmate's forthcoming court date, Naoise O Caireallain, who performs under the name Moglai Bap, said they would 'start a riot outside the courts', before clarifying: 'No riots, just love and support, and support for Palestine.' In the run-up to the festival at Worthy Farm in Somerset, several politicians called for the group to be removed from the line-up and Sir Keir said their performance would not be 'appropriate'. During Kneecap's set, O hAnnaidh said: 'The prime minister of your country, not mine, said he didn't want us to play, so f*** Keir Starmer.' Kneecap also gave a 'big thank you to the Eavis family' and said 'they stood strong' amid calls for the organisers to drop them from the line-up. A BBC spokesperson said an on-demand version of Kneecap's performance was available on iPlayer. 'We have edited it to ensure the content falls within the limits of artistic expression in line with our editorial guidelines and reflects the performance from Glastonbury's West Holts Stage. As with all content which includes strong language, this is signposted with appropriate warnings.'


Irish Independent
an hour ago
- Irish Independent
‘Helen from Wales' hailed ‘hero of free speech' after live stream of Kneecap at Glastonbury hits two million
Helen Wilson, a vegan café owner from Swansea and a Glastonbury regular for 25 years, stepped in when the BBC chose not to broadcast Belfast rappers Kneecap's set live on TV. She decided to live stream the performance on TikTok, sharing it directly with her followers. Nearly two million people have interacted with the TikTok live stream of the performance, which the BBC has since released in an edited form on their iPlayer platform. 'I can't really believe the attention this has got, It's been crazy, but it shows that maybe the BBC got it wrong,' she told the Belfast Telegraph. "There were an awful lot of people who wanted to see Kneecap on the Glastonbury stage. 'I have always believed in the right to free speech. 'But we're faced with being fed an edited version of events by mainstream media. "When I heard Kneecap were not going to be shown as part of the BBC broadcast I just thought I'd stream it live and see what happened. 'I'd been taking part in a pro-Palestine rally earlier and really wanted to see Kneecap. I've been a big fan for a while and admire their support for free speech and stance against social injustice. 'I was thinking that if the BBC say they won't broadcast their performance then where will this censorship stop? Next year it will be someone else. 'I started the stream live on TikTok and thought maybe a few hundred might watch along. I looked at my phone after a few minutes and there were over 7,000 watching and the number was rising so I just had to keep going.' Helen said she had been working at the festival with a sustainable waste management company, but had arranged some time off to ensure she could catch Kneecap's performance. 'I've been following their story and wanted to show people what the BBC were trying to block out,' she said. At it's peak, over 1.8 million had liked her live stream and it has since been shared across many more platforms, turning her into an overnight celebrity. 'I got a name check on stage from Kneecap which was remarkable,' she said after they band called her 'a legend'. 'At the end my phone was overheating, it was incredibly hot but I wasn't going to let it go. This was to highlight a much wider issue, the genocide in Gaza.' Glastonbury has been contacted for comment. Its website states: 'No live performances may be recorded without the Festival's prior written permission. Where granted, further consent is usually required from the artist and, where applicable, their record label in order to use or disseminate such recorded performances. "Rights, if granted, are typically limited to a specific use and programme, with no archive rights. A copy may be required for the Festival's archive, and location/facility fees may apply.' 'That doesn't worry me,' said Helen. 'Some things are too important not to be heard. 'I don't agree with artists being silenced – when institutions avoid politically outspoken artists it's up to the fans to make sure their voices are still heard.'


The Irish Sun
8 hours ago
- The Irish Sun
Watch Olivia Rodrigo bring out The Cure's Robert Smith for surprise Glastonbury duet as fans call it ‘incredible'
OLIVIA Rodrigo brought out a British music icon for her Glastonbury headline performance. The talented US singer, 22, surprised fans midway through her set by introducing Advertisement 4 Olivia Rodrigo wowed Glastonbury viewers tonight with her headline set Credit: AFP 4 She brought out The Cure's Robert Smith Credit: BBC 4 The pair played two tracks together Credit: BBC The wild-haired romantic wordsmith walked out with a shy smile to a relatively muted response, before launching in to his band's anthem Friday I'm In Love. A true Glasto legend, Smith's band are tied with Coldplay for the most headline appearances with four - their latest coming in 2019. And the frontman showed he still has what it takes to command the biggest festival of them all, a year on from The Cure's latest release - the dark, brooding, five-star Songs of a Lost World. If Rodrigo 's audience weren't quite familiar with him at first, it wasn't long before they were singing along to his genius. Advertisement READ MORE ON GLASTONBURY Those at home revelled in the unlikely collab, with one writing on X: "As if Another said: "Robert Smith still has one of the most magical voices ever, incredible musician." A third wrote: "Robert Smith on with Olivia Rodrigo. Now that's a proper moment." A fourth said: "I didn't have Robert Smith on my Olivia bingo card!!" Advertisement Most read in Celebrity Breaking The duo finished their partnership with another Cure track: Just Like Heaven. It was an accomplished headlining debut for Rodrigo. Surrounded by quality young musicians who know how to rock, she belted out her catchy hits and commanded the stage like a much more experienced performer. Incredible moment Olivia Rodrigo brings out Ed Sheeran at huge sold out BST gig ahead of Glastonbury For her encore, Rodrigo returned to the stage in a pair of sparkling Union Jack hotpants and launched into a raucous Brutal followed by All-American B*tch. While eyebrows were raised when she was unveiled as the second youngest headliner in Glasto history, behind Billie Eilish, the signs were there that it was an inspired choice. Advertisement Her headline performance at BST on Friday night left no doubt that she was ready to perform on the iconic stage. During her set at London 's Hyde Park But the sell-out show belonged to her and she signed off with her anthems Good 4 U and Got Him Back! Tonight, as inflatable balls were released into the crowd, Rodrigo truly arrived as a global headline force. Advertisement 4 Olivia's Glasto set was a triumph Credit: AFP