logo
World's Most Eligible Royal Bachelor Is Officially Off the Market

World's Most Eligible Royal Bachelor Is Officially Off the Market

Yahoo4 days ago
Peter Philips, the British Royal Family's 'Most Eligible Bachelor,' has announced he is tying the knot with partner Harriet Sperling after a year of dating.
The 47-year-old royal, officially the 17th in line for the throne, is the last unmarried adult royal male following his divorce from Canadian wife Autumn Kelly four years ago, with whom he shares two daughters. Known for his relaxed and easygoing manner, Philips is believed to have met Sperling, an pediatric nurse, while attending a sporting event in 2024, shortly after splitting from previous partner Lindsay Wallace.
'Mr. Peter Phillips, the son of HRH The Princess Royal and Captain Mark Phillips, and Ms. Harriet Sperling, daughter of the late Mr. Rupert Sanders and Mrs. Mary Sanders of Gloucestershire, have today confirmed their official engagement,' the couple revealed in a statement, first reported by Hello! magazine.
'Both families were informed jointly of the announcement and were delighted with the wonderful news of their engagement. Their Majesties The King and Queen, The Prince and Princess of Wales have been informed of the announcement,' they added. 'No official date has been set for the wedding.'
Despite his distance from the throne, Philips is said to be close to the King and was known to be the late Queen Elizabeth's favored grandchild. The eldest child of Princess Anne, he made his public debut with Sperling in May 2024 at the Badminton Horse Trials in Gloucestershire, United Kingdom, accompanied by sister Zara Tindell.
Since going public with their relationship Sperling has wasted no time integrating herself within the rest of the royal family, having been spotted chatting with Queen Camilla and future mother-in-law Princess Anne at the Royal Ascot.
The future royal, also a mother to daughter Georgia, previously spoke of the difficulties of being a single mother. 'In the earlier years of my journey as a single mother to my daughter, resources were scarce, and the future was uncertain,' she told Woman Alive magazine.
'Yet, in the absence of material security, I discovered the strength and life that comes from true selfless love. A love that is able to be solely devoted to your child,' she added.
Philips, along with sister Zara, occupy an interesting spot in the British royal narrative due to their mother's decision to raise them without royal titles, allowing them to pursue private lives and business interests without interference from the palace.
Unlike most members of the family, Philips actually works for a living, currently serving as managing director of boutique sports management company SEL UK since 2012, having previously worked at the Royal Bank of Scotland and lived overseas in Hong Kong.
His divorce from Kelly in 2021 after 14 years of marriage was said to be an amicable one, with the couple announcing they were separating on good terms after jointly deciding the relationship had run its course. Kelly still resides in Gloucestershire not far from where Philips lives so they can continue to co-parent their two children, Savannah, 14, and Isla, 13.
Royal insider Simon Mills previously told the Daily Beast: 'Peter Phillips is a catch. He's the only un-disgraced, single, not old, royal we have. He also, importantly, has all his own hair. And Princess Anne, being the most loved and admired royal, would be a cracking mother in law.'
Solve the daily Crossword
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Tom Holland Plans Acting Break After THE ODYSSEY and SPIDER-MAN 4: 'You Can't Do Your Best Work When You're Burnt Out' — GeekTyrant
Tom Holland Plans Acting Break After THE ODYSSEY and SPIDER-MAN 4: 'You Can't Do Your Best Work When You're Burnt Out' — GeekTyrant

Geek Tyrant

time17 minutes ago

  • Geek Tyrant

Tom Holland Plans Acting Break After THE ODYSSEY and SPIDER-MAN 4: 'You Can't Do Your Best Work When You're Burnt Out' — GeekTyrant

Tom Holland has been on a tear. With back-to-back productions of Christopher Nolan's The Odyssey and Spider-Man: Brand New Day , it's no wonder the actor is ready to hit pause. Holland recently told GQ UK he's planning to step away from the spotlight for a bit, recognizing the importance of knowing when to rest. 'I feel really blessed to be at a point in my career where I can take time off, reset, and come back ready to go. You can't be in every movie, and you can't do your best work when you're burnt out.' The MCU star has certainly earned the time off. He wrapped Nolan's historical epic The Odyssey , then jumped straight into filming his fourth Spider-Man film, currently shooting on location in Glasgow. And that's just his on-set work. Holland is also expected to embark on major press tours in 2026 when both films hit theaters in July. 'What I've learnt is that it's important to set boundaries – to be mindful about overworking. I've got a slightly busy year next year, and then I'll probably take a bit more time off in 2027. We'll see.' Must be nice for some people to actually take a break from working. Regardless, with Avengers: Secret Wars looming and Holland's name absent from the current Avengers: Doomsday lineup, all signs point to Peter Parker playing a role in the franchise's massive multiversal finale. But so far, there's no word on filming schedules, leaving fans guessing about where and when Spider-Man might swing in again. For now, Holland is putting in the work, knowing exactly when he'll need to take a breath. After nearly a decade of balancing blockbusters, prestige dramas, and streaming projects, the actor has clearly figured out what it takes to avoid burnout and stay at the top of his game.

Trailer for George Clooney and Adam Sandler's Netflix Film JAY KELLY From Director Noah Baumbach — GeekTyrant
Trailer for George Clooney and Adam Sandler's Netflix Film JAY KELLY From Director Noah Baumbach — GeekTyrant

Geek Tyrant

timean hour ago

  • Geek Tyrant

Trailer for George Clooney and Adam Sandler's Netflix Film JAY KELLY From Director Noah Baumbach — GeekTyrant

Netflix has released the first teaser trailer for Jay Kelly , the latest film from director Noah Baumbach, and it gives us a first look at what looks like a personal and introspective character journey. George Clooney stars in the title role, playing an aging movie star grappling with his legacy, fame, and identity. Adam Sandler plays his longtime manager, Ron, and the two set off across Europe in what starts as a professional obligation and slowly becomes something much more profound. The trailer is packed with sharp dialogue and quiet reflection. 'What do you say to people who say you only play yourself?' one character asks Kelly. His reply: 'You know how difficult it is to be yourself? You try it.' Baumbach, known for his character-driven dramas like Marriage Story and The Meyerowitz Stories , co-wrote the script with Emily Mortimer, who also appears in the film. The supporting cast is stacked with talent including Laura Dern, Riley Keough, Billy Crudup, Greta Gerwig, Patrick Wilson, and Stacy Keach. Jay Kelly is Baumbach's fourth feature for Netflix and will make its world premiere next month in competition at the Venice Film Festival. The film will hit select theaters on November 14 before landing on Netflix December 5. The movie is produced by David Heyman, Amy Pascal, and Baumbach, and this one looks like it could be a major awards contender with a pair of leads we've never seen quite like this before.

BMW Presents Raphaëlle Peria And Fanny Robin's Poetic Photographic Journey At Les Rencontres D'Arles
BMW Presents Raphaëlle Peria And Fanny Robin's Poetic Photographic Journey At Les Rencontres D'Arles

Forbes

timean hour ago

  • Forbes

BMW Presents Raphaëlle Peria And Fanny Robin's Poetic Photographic Journey At Les Rencontres D'Arles

Raphaëlle Peria. Gathering the Whispers, 2025. Courtesy of the artist / BMW ART MAKERS. Courtesy of the artist / BMW ART MAKERS. In a powerful convergence of memory, photography, and environmental reflection, French artist Raphaëlle Peria and curator Fanny Robin unveil their collaborative exhibition Traversée du fragment manquant ("Crossing the Missing Fragment") at the 56th edition of Les Rencontres d'Arles, one of the world's most prestigious photography festivals. Staged at the atmospheric Cloître Saint-Trophime–a 12th-century Romanesque cloister and UNESCO World Heritage Site–this exhibition is the winning project of the BMW ART MAKERS 2025 programme and marks the 15th year of BMW France's cultural partnership with the festival. The result is an elegy in images: a poetic dialogue between past and present, childhood and adulthood, memory and loss–rendered through a deeply personal story with universal environmental implications. Fanny Robin and Raphaëlle Peria, BMW ART MAKERS. Photograph by David Coulon (2025). DavidCoulon (2025)/ BMW Art Makers A Fragment Reconstructed The exhibition began with a photograph–several, in fact. Raphaëlle Peria, only three years old at the time, embarked on a journey with her father and sisters along the Canal du Midi aboard their family barge. That memory was hazy, half-lost–until a family photo album resurfaced decades later. "Page after page, the story of this crossing unfolded," she says. That rediscovery became the catalyst for a multi-layered project combining old family photographs, newly shot images of the same canal, and Peria's own signature techniques of photographic transformation. But there is a darker undertone. The plane trees that line the historic canal, once captured in the glow of childhood and sunlight, are now dying—devastated by an invasive fungal disease known as canker stain . 'There are parts of the canal now with no trees at all,' Peria says. 'In ten years, they'll be gone.' Lever les voiles sur le passé Raphaëlle Peria - BMW ART MAKERS Raphaëlle Peria - BMW ART MAKERS Photography As Archaeology Curated by Fanny Robin, the exhibition is an ambitious feat considering the rapid timeline: from selection in December 2024 to full production and installation by May 2025. Robin, Artistic Director of Lyon's Bullukian Foundation, has worked with Peria on multiple projects over nearly a decade, but this exhibition marks a turning point. 'This is our fifth exhibition together,' she says, 'but it's much more experimental than anything we've done before.' The body of work displayed in Traversée du fragment manquant is structured around a dialogue—between Peria's own photographs, captured during a return journey to the canal this spring, and her father's archival images from the 1970s. Peria explains, 'There are three types of works in the show: my scratched photographic prints on paper, new works on plexiglass, and archival family photos scratched into copper-toned paper. I chose copper because the fungus that kills the trees leaves behind a copper stain on their bark.' This act of scratching—an almost archaeological gesture—serves to reveal and conceal at once. In Peria's hands, photography is not merely a process of documentation, but a tactile excavation of memory, decay, and disappearance. The scratch marks, delicate yet insistent, reflect the tension between time's erosive nature and the human desire to preserve. A Journey Through Scenography At the heart of the exhibition is a stunning immersive installation, designed by Robin in close collaboration with Peria. Constructed from wooden structures and double-sided panels, the scenography invites visitors to move through the space as though navigating the narrow corridors of a barge. On one side are Peria's modern-day images; on the other, her father's archival photos—each one scratched, sculpted, and recontextualized into new meaning. 'It's a dialogue of transparency between past and present,' Peria explains. The setting enhances the work's emotional gravity. The Cloître Saint-Trophime envelops viewers in ancient stone and filtered light, a living monument to time's passage. Robin and Peria's construction mirrors that experience, with framed images glowing subtly through semi-translucent supports, evoking the canal's reflective waters and the memory-traces of a vanishing ecosystem. Robin notes that while the work will be shown at Paris Photo later this year, the scenography will shift. 'It will be adapted to the Grand Palais and its light,' she says. 'But the emotional core remains the same.' BMW ART MAKERS exhibition "Traversée du fragment manquant" at Les Rencontres d'Arles 2025 by artist Raphaëlle Peria and curator Fanny Robin. © Raphaëlle Peria/BMW ART MAKERS (07/2025) Memory, Melancholy, and Urgency Beyond the technical and curatorial achievements, what truly defines Traversée du fragment manquant is its emotional resonance. The title itself hints at absence—the missing fragment that Peria seeks to reconstruct not only through image, but through sensation and memory. The photographs bear poetic titles— Le Reflet de ce qu'il reste ( The Reflection of What Remains ), Gathering the Whispers —underscoring the elegiac tone. These are not just images of a canal; they are meditations on how landscapes carry human histories, how childhood moments become mythologized, and how fragile our ties to nature really are. 'I think it's important to show the evolution of an ecosystem,' Peria says. 'The trees are like ghosts now.' The urgency of climate change and environmental degradation is never stated explicitly—but it haunts every image. In revisiting the route of her childhood voyage, Peria finds the trees she once remembered reduced to stumps, scars, and absence. In bringing them back through her art, she creates a powerful tribute to what is already lost and what may soon vanish. Les fantômes du canal, Raphaëlle Peria - BMW ART MAKERS (2025) Raphaëlle Peria - BMW ART MAKERS (2025) The Power of Partnership BMW ART MAKERS, the program that brought this collaboration to life, is unique in that it funds a curator-artist duo, rather than a single artist. It's a model that fosters deep artistic dialogue, something both Peria and Robin have clearly embraced. 'The BMW program gave us the chance to take risks,' Robin says. 'It was a very short timeline, but that urgency led to something much more alive and immediate.' BMW's 15-year partnership with Les Rencontres d'Arles represents a long-standing commitment to cultural support, but Traversée du fragment manquant feels particularly timely. As industries reckon with their role in environmental crises, supporting work that speaks directly to issues of memory and ecology feels less like branding and more like responsibility. Raphaëlle Peria, BMW ART MAKERS (2025). Photograph by Lee Sharrock © Lee Sharrock A Family's Silent Witness As for Peria's father–whose photographs sparked the entire project–he had not yet seen the exhibition at the time of our interview. 'He found out about it in the newspaper,' Peria laughs. 'He'll come at the end of August.' One imagines that the experience will be profound. His casual snapshots have now become a visual cornerstone of an exhibition that combines intimate family history with urgent environmental commentary. What began as a child's summer adventure is now transformed into a work of art seen by thousands—and possibly, a record of a natural world that may not survive another generation. Le reflet de ce qu'il reste. Raphaëlle Peria, BMW ART MAKERS (2025) Raphaëlle Peria, BMW ART MAKERS Final Reflections In an age of digital overload and synthetic imagery, Raphaëlle Peria and Fanny Robin offer something far more tactile, poetic, and haunting. Traversée du fragment manquant isn't just about looking–it's about remembering, feeling, and mourning. It reminds us that photography, at its best, doesn't just capture the world; it interrogates our place within it. As Peria so poignantly puts it: 'Trees are living beings that carry our memory; they are the guardians of our secrets.' Through this remarkable collaboration, those secrets whisper again–etched in light, scratched into history, and carried forward, even as the waters rise and the trees fall. Traversée du fragment manquant is on view at Cloître Saint-Trophime, Arles, until October 5, 2025. The exhibition will also travel to Paris Photo in November at the Grand Palais Éphémère. Cloître Saint-Trophime, Marseille. Photograph by Lee Sharrock © Lee Sharrock

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store