
Book Review: THE ALCHEMY OF FLOWERS: A NOVEL
Absolutely no children allowed on the premises.
Within the high garden walls, Eloise starts to learn the strange rules of the elusive estate owner. Living and working in isolation with her three companions, she finds her heart opening again to friendship — and realizes she's drawn to the handyman, Raphael. The flowers whisper to her, enchanting, delighting, healing.
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But why are the workers forbidden from going out during dusk? Who is the 'Goddess of the Garden'? Is her mind playing tricks on her, or does she see a woodsprite flitting through the trees? The giggles and glimpses of a little girl haunt her and make her question: What is real in Paradise, and what is illusion?
Eloise tries to rationalize her uneasy feelings and the darkness she uncovers beneath the garden's lush beauty, but as she digs deeper into the mysteries of her sanctuary, she begins to suspect there's a child on the grounds — who may be in danger. When Paradise becomes a deadly prison, she must risk everything to protect her newfound family and claim her second chance at happiness.
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A Garden of Language
The highlight of Laura Resau's The Alchemy of Flowers is its lush setting. More accurately, the sensual descriptions of said setting. This is a novel where part of me wants to see it on screen to really see what's in my mind's eye after reading the poetic prose; the other part of me thinks there's no way the visual medium would do Resau's images justice.
I could taste every morsel Eloise eats, inhale every flower she touches her nose to … and I could feel the terror she felt in the twilight. Because, yes, for all its beauty, The Alchemy of Flowers is a thriller. Sort of.
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When Thrills Are Low-Stakes
If there wasn't such a thing as a cozy thriller before, Resau has invented it with this book. More ambience than jump scares, the horror in The Alchemy of Flowers reflects Eloise's inner turmoil. Her backstory is deeply mournful, and the most distressing part of the tale. Even so … I'm the same age as Eloise, and her whole schtick did cause me to side-eye her at times. (But at least Stella gets her groove back.)
Don't get me wrong, the novel has a body count and its fair share of people acting strange. It's just more Haunting of Bly Manor than Haunting of Hill House .
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Will You Love It Or Love It Not?
This book is a mood . I found the lush setting and rich emotions a welcome escape. That said, about 75 percent of The Alchemy of Flowers consists of descriptions of food, flowers, treehouses and the like. Some might find that tedious. If you're plot-driven, this novel might not be for you. If you don't mind a slow, meandering approach to action, I highly recommend settling in with this one.
Laura Resau's The Alchemy of Flowers: A Novel is out on July 29, 2025. Borrow a copy from your local library or pick one up at your local indie bookstore.
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Forbes
an hour ago
- Forbes
Beyoncé's Cowboy Carter Is Rewriting American Culture — And Boosting The Economy
PARIS, FRANCE - JUNE 24: Beyoncé Knowles / Beyonce wears a cowboy hat, a burgundy faux fur fluff ... More coat on one shoulder, a blue denim shirt, during the Louis Vuitton Menswear Spring/Summer 2026 show as part of Paris Fashion Week on June 24, 2025 in Paris, France. (Photo by) It was a humid night in Houston when Beyoncé Knowles-Carter moved financial markets—a role typically reserved for the Federal Reserve, the president, or Congress. In the 48 hours surrounding her Cowboy Carter Tour stop, the Bayou City raked in more than $50 million in local spending. Hotels and restaurants were booked to capacity. Surge pricing broke ride-share apps. And local boot stores had lines wrapped around the block. No bill was passed. No policy enacted. This boom came courtesy of a Black woman in a cowboy hat, singing and dancing on horseback. The Cowboy Carter Tour, spanning eight cities and 32 stadium shows, is now winding down in Las Vegas. But it has left more than just cowboy boots and hats behind. In every city it touched, the economic glow still lingers. In a time of seismic shifts in the marketplace and the political landscape, Knowles-Carter has become more than a cultural icon—she's an economic force. With Cowboy Carter, the Grammy-winning artist isn't just reclaiming country music's Black historic roots, she's staking a bold claim on American identity itself, all wrapped in the American flag. It's a masterclass in ownership, scarcity, and cultural disruption—with real implications for micro- and macro-economics nationwide. As cities see real economic impact from Beyoncé's presence, cultural economist Thomas Smith argues her tour is a lesson in modern market behavior, civic stimulus, and the future of 'event economics' in divided times. 'Beyonce coming to town gets everyone riled up, and for cities that means folks converge on areas around the stadium and spend bunches of money,' Smith said. 'This makes her concert more than just entertainment, she's an economic event.' LOS ANGELES, CALIFORNIA - FEBRUARY 02: Beyoncé accepts the Best Country Album award for "COWBOY ... More CARTER" onstage during the 67th Annual GRAMMY Awards at Arena on February 02, 2025 in Los Angeles, California. (Photo byfor The Recording Academy) While her work has drawn fierce criticism from the same forces intent on dragging America back to a time when artists were expected to sing, dance, and stay silent about politics, Knowles-Carter has transcended the noise. Thanks to a loyal fan base and her unapologetic embrace of every facet of her identity—mother, daughter, Black woman, global citizen, and soundtrack supplier for the resistance—she remains a cultural force. Knowles-Carter's voice became even more pronounced with the 2016 release of Lemonade, her sixth studio album, which featured the single 'Formation.' She shook the culture and electrified her fanbase during the Super Bowl 50 halftime show, where she appeared in a Black Panther–inspired bodysuit with a golden 'X' emblazoned across the top. Her dancers wore Black berets—a symbol of global Black resistance, from the Panthers in the U.S. to Caribbean revolutionaries like Che Guevara and Fidel Castro. Lemonade landed at a moment of national reckoning—after the murder of Trayvon Martin, amid the rise of #MeToo, and during a surge of high-profile police killings of unarmed Black men. That album became a cultural inflection point, giving voice to demands for both social and political change. It also marked a strategic shift: Beyoncé released the visual album exclusively on Tidal, the streaming platform owned by her husband, Jay-Z. Football: Super Bowl 50: Celebrity singer Beyonce performing during halftime show of Denver Broncos ... More vs Carolina Panthers game at Levi's Stadium. Santa Clara, CA 2/7/2016 CREDIT: Robert Beck (Photo by Robert Beck /Sports Illustrated via Getty Images) (Set Number: SI-123 TK1 ) The album was released with no press, no leaks, and flawless execution, a bold pivot that cemented Knowles-Carter not just as a performer, but as a CEO and cultural entrepreneur. It marked a strategic shift from traditional promotion to surprise drops, using scarcity and precision to meet and shape market demand. More than a response to a cultural moment, Lemonade embodied Knowles-Carter's 'joy-as-resistance' ethos, offering a vibrant counter to a nation that had just elected Donald Trump as its 45th president. While Trump sold grievance and nostalgia for a mythologized 1950s, Knowles-Carter offered a future-facing vision. Still capitalist, yes, but one rooted in diversity, pride, and cultural ownership. Her music, visuals, and merchandise became part of a larger narrative: that joy, style, and identity are not just aesthetic choices, but political acts. Singing about generational wealth, freedom from historical bondage, and the alchemy of turning lemons into lemonade, Knowles-Carter claimed her space as an artist unafraid to challenge, evolve, and expand her audience's worldview. Back on the Cowboy Carter Tour, while promoting music from her second studio album since Lemonade, Knowles-Carter's role in the so-called 'quiet resistance' has been anything but quiet. Leaning into her southern roots and the crucial role of Black Southerners in shaping American culture, the album serves as a reclamation of global Blackness as foundational to country music. According to Francesca T. Royster, author of Black Country Music: Listening For Revolutions, country music originates from a creole musical tradition deeply rooted in African-American styles. 'The banjo, often associated in pop culture as an instrument for white people who live in rural areas, was an African instrument brought here by enslaved people,' Royster says in her book. In 2022, while speaking with Leo Weekly, Royster delved deeply into the history and politics of country music. 'This genre was founded on a kind of logic of segregation,' Royster told Leo Weekly. 'In the 1920s when the genre was kind of invented more or less by talent scouts and record label labels, they were distinguishing hillbilly music as kind of a white music that was meant for white audiences, and 'race' music, you know, blues, rhythm and blues, and jazz for Black audiences.' Reimagining rural America and redefining 'Americanism' beyond the white-centered lens it's so often framed in, the Cowboy Carter tour and album offer audiences a striking new association with the American flag—one draped across the body of a Black woman. The Cowboy Carter Tour's DC stop happened over 4th of July weekend in Landover, MD. While the album isn't explicitly partisan, its iconography subtly reshapes national identity. It points to an America—and a broader Western Hemisphere—built on the backs of Black labor, inspired by Black innovation, and powered by Black ingenuity. When Beyoncé rolled into Houston's NRG Stadium on June 28 and 29, her hometown got more than it bargained and budgeted for. According to Axios, hotels near the stadium hit 79 percent occupancy -- a sharp increase from 61 percent the prior year, OpenTable reported a 43 percent increase in Houston-area reservations over that three-day period compared to the same stretch last year. Beyoncé's economic impact extended well beyond Texas. During her stop in the nation's capital over Fourth of July weekend, restaurants surrounding Northwest Stadium (formerly Fedex Field) in Landover, Maryland saw nightly profit spikes of $15,000 to $20,000. All gains that Tom Smith described as beneficial for local economics. 'You gotta have the boots, you gotta have the shirt, you gotta have the hat,' said Smith, an economist at Emory University. 'You gotta have all the things. It's not even worth—it's not even worth going if you don't have all the things making the concert an economic driver for local business in the region.' Beyond uplifting local business, Smith, a bass guitar player himself, also emphasized the broader importance of the tour economy as a catalyst for the industries that power live entertainment. That includes stagecrafters, electrical engineers, lighting designers, dancers, musicians, publicists, costume designers, and the full teams that support them. 'A lot of those jobs were decimated during the COVID-19 pandemic, when no one was going on tour,' Smith said. 'And now, these big, mammoth tours, these big stadium tours are spending millions of dollars every night on the people that make sure that the sound and the lights and the ancillary element are working.' SYDNEY COLEMAN (L) and JESSICA HANNAH (R) traveled from Houston, TX. Fans of Beyonce queue to enter ... More SoFi Stadium in Los Angeles on April 28, 2025 to watch her first concert of her newTour named "Cowboy Carter." (Photo by Bexx Francois/For The Washington Post via Getty Images) Cowboy Carter is Beyoncé's second U.S. tour since the pandemic. And while it's most definitely different in tone, the financial punch for America's big cities remains the same. It couldn't come at a more convenient time, either, as cities across the country are seeing a decrease in crime and are searching for new sources of revenue amid a cavalcade of budget cuts from Washington, D.C. As Beyoncé's golden horse, floating horseshoe, and many of her now-iconic Cowboy Carter costumes make their way to the storage units, it's likely her economic impact — not just her spectacle — that cities and states will remember. Beyoncé's name was never on the ballot. She never passed a bill or rage-tweeted on X. And yet, her version of disruption has managed to move both culture and the economy. In her song 'American Requiem,' Knowles-Carter asks listeners to confront the complex and often painful history of race and culture in America. It's a counter narrative to today's political moment, one that treats historical truth as a liability. Through it all, Beyoncé may be proving something radically different: that reckoning with the past isn't just necessary, it might also be profitable.


Geek Tyrant
3 hours ago
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Trailer for PETS ON A TRAIN Promises a Fun, Wholesome Heist on Rails — GeekTyrant
Viva Pictures has released the official US trailer for Pets on a Train , a French animated adventure comedy that's chugging its way into theaters this fall. The film recently made its premiere at the 2025 Annecy Film Festival and already had a theatrical run in France, but it's finally making its way stateside with a brand-new English dub. In the energetic story, what starts as a petty swindle by a group of animal bandits spirals into a high-tech runaway train heist. Now it's up to Falcon, a raccoon with a talent for thieving, and Rex, a by-the-book police dog, to rescue the animal passengers before things go completely off the rails. Directed by Benoît Daffis and Jean-Christian Tassy, Pets on a Train brings together a fun ensemble of voice talent for its US release including Marc Weiner ( Dora the Explorer ) voices Falcon, while Sasha Toro ( Backpack ) brings the villainous badger Hans to life. Lisa Ortiz joins in as Leiya the ocelot. While the tone clearly aims for younger audiences, it's looks like an energetic, kid-friendly ride. As the trailer promises: 'This Fall the ultimate thrill ride begins.' Pets on a Train arrives in US theaters October 17th, 2025.
Yahoo
3 hours ago
- Yahoo
The Bachelorette 's Hannah Brown Marries Adam Woolard in France Wedding
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