Moët & Chandon x Pharrell Williams Collab On The Ultimate Birthday Gift
Driven by shared values of optimism, generosity, and human connection, Moët & Chandon and multi-talented creative Pharrell Williams have come together to reimagine these special moments through the eyes of those who celebrate you. The Maison and Pharrell's shared vision of collective joy is at the heart of the collaboration, aimed to create moments that are both universal and deeply personal, where every detail is crafted to honour those who gather to celebrate.
Each day, 22 million people around the world mark their birthdays, a ritual filled with the joy and gratitude of those who make the occasion unforgettable. Whether or not you enjoy celebrating your own birthday, we all enjoy celebrating the people we love. It's not about the gift, but who is giving it. Not the party, but who shows up. And, it's not about the bottle, but whom you share it with.
'The best part about a birthday are the people who want to celebrate it with you,' says Pharrell. 'When I was old enough to toast with champagne for the first time, Moët & Chandon was my point of reference. I suppose it's just a tradition, it's the ritual.'
Moët & Chandon Reimagines Celebration At TREC KL
Moët & Chandon brought the campaign creative expression, 'Let Us Celebrate You' vividly to life through a spectacular, one-night only unveiling party at ZEST Club, located in the heart of TREC KL, capturing the essence of meaning connections and joyous moments.
Guests entered a space bathed in rich midnight-blue hues honouring this Moët & Chandon limited edition collection. Against the stunning backdrop of Kuala Lumpur's skyline stood an impressive champagne tower, artfully stacked with Moët & Chandon bottles and glasses – symbolising countless Malaysian cherished toasts and joyful moments. At the centre of it all stood the Moët & Chandon x Pharrell Williams Brut Impérial Bow Creation, a captivating 1.5L magnum adorned with an oversized, intricately crafted bow.
A sumptuous banquet, styled with lush drapery and vibrant blooms sets the stage for an evening of sensory surprises. Guided by charismatic performers, guests embarked on a playful culinary journey: each dish cleverly disguised with unexpected flavours and local twists, from a deconstructed laksa disguised as a sunny-side-up egg to bite-sized takes on Malaysian street favourites, offering a fresh reason to toast at every turn.
'At Moët & Chandon, we believe celebration shines brightest when shared with the people who show up. Through this collection with Pharrell Williams, we invite Malaysians to celebrate meaningful connections, whether it's a birthday, an impromptu get-together, or simply the joy of being together, and let Moët & Chandon be the champagne that honours every one of those moments.' says Laura Drozdowski Lot, Marketing Director of Moët Hennessy Southeast Asia.
The Design Behind The Moët & Chandon x Pharrell Williams Collaboration
To create a distinctive and unique design for everyone's birthday, Moët & Chandon and Pharrell Williams delved into the archives of the House and found that, what today is the iconic tie on the bottle, was a bow in 1889. The bow symbolising togetherness, generosity, joy and surprise is one of the key elements of this Limited Edition Collection.
The Limited Edition:
Brut Impérial (Gold, Blue, and Red)
The box and bottleneck of Moët & Chandon's most emblematic champagne, Brut Impérial, are dressed in Gold, Midnight Blue and Deep Red. Pharrell signs his creations with white dotted lettering similar to pearls on the box and directly on the bottle. He also transforms the bottle's red royal seal into a pearled monogram of his initials, PW, interconnected and round.
The Moët & Chandon x Pharrell Limited Edition Collection is available in Malaysia, at selected participating retail stores and high-energy outlets.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Borneo Post
3 hours ago
- Borneo Post
Preparations in full swing for Borneo Flora Festival 2025
Landscaping workers and volunteers actively preparing the program site of the Borneo Flora Festival (BFF) @ Labuan 2025 today. The event will be held on July 26 to 30. – Bernama photo LABUAN (July 18): Preparations for the Borneo Flora Festival 2025 are well underway, with thousands of flowering plants being placed across the island, in stages, to create a vibrant and festive atmosphere ahead of the grand event. A wide variety of vibrant plants is being meticulously arranged at strategic locations, including the main venue at the Labuan International Sea Sports Complex, the Financial Park Complex, major roundabouts, public parks, and key gateways, such as Labuan Airport and ferry terminals. Labuan Corporation chief executive officer, Mohd Sukuran Taib, said that the initiative aims to transform Labuan into a 'living garden', reflecting this year's festival theme of celebrating biodiversity, conservation and community creativity. The Borneo Flora Festival 2025, organised by Putrajaya Corporation in collaboration with Labuan Corporation, the Federal Territories Department, and Kuala Lumpur City Hall, will officially kick off on July 26. Her Majesty Raja Zarith Sofiah, Queen of Malaysia, is scheduled to grace the opening ceremony at the Labuan International Sea Sports Complex. This year's festival will feature more than 29 themed gardens, showcasing exotic and endangered flora native to Borneo, alongside contemporary landscape designs presented by local councils, private sector players, and community groups. 'The five-day event will include plant exhibitions, soft and hard landscape gardens, eco-talks, art installations, live performances by Malaysian artists, and family-friendly activities designed to raise environmental awareness and promote sustainable living,' Mohd Sukuran said. He added that the polybag planting strategy was adopted not only to enhance aesthetics, but also to allow for flexible, controlled growth and easier relocation, as the final designs take shape. 'Each phase of planting has been meticulously planned to ensure that the flowers are in full bloom when the festival begins. The strategic placement of 250,000 flowering plants across the island is part of our broader effort to infuse Labuan with the vibrant spirit of the festival,' he said. He said that the massive undertaking involves close coordination between municipal landscape teams, horticulturists, and local volunteers. The Borneo Flora Festival is expected to draw thousands of visitors, both domestic and international, including tourists from neighbouring Kalimantan and Brunei, boosted by an aggressive promotional campaign and improved ferry connectivity to Kota Kinabalu and beyond. With hotel rooms, homestays, and serviced apartments still available, organisers are encouraging visitors to plan ahead and experience what promises to be Labuan's most colourful and eco-conscious celebration yet. – Bernama
The Star
5 hours ago
- The Star
Through adversity, a new aesthetic: The Princess of Wales' fashion evolution
Earlier this year, when Catherine (or Kate, as she is more affectionately known), the Princess of Wales, returned to the public eye after her treatment for cancer, The Sunday Times of London reported that she was doing so with a caveat: She wanted to focus on her work, not her clothes. Her office would no longer share information about what she wore. Cue shock and horror. Even if it was understandable, given what she had been through, and even if the report was later disputed by the palace itself, it sent tremors through the fashion-watching community. That was partly because the princess could change the fortunes of a designer or a brand simply by wearing a dress. And it was partly because she had long used her place in the attention economy to shine a light not just on British products, but on issues including sustainability by remaking and rewearing pieces from her closet, and even renting the occasional evening gown. Mostly, though, it was because clothes are an expression of her role as a symbol – of the country and that fine line between continuity and modernisation. Stepping back from one suggested she was stepping back from the other. It's a weird thing to essentially be an avatar, but it's the job. Her jackets are more tailored and her silhouette more streamlined in her daily outfits. Photo: AgencyRead more: Style reigns supreme: Catherine, Princess of Wales, proves she's still got it As her appearance at the Wimbledon men's and women's finals, and at the French state visit, demonstrated, however, Kate may be more selective about her appearances (she did skip Ascot), but she is no less strategic. She is simply being Kate 3.0. There she was, after all, at the state visit, welcoming Emmanuel and Brigitte Macron in a blush-coloured Dior suit with a New Look jacket and a skirt covered in net, just brushing her calves. The brand is both classic French and about to be led by a designer from Northern Ireland who was trained in Britain. It was a considered nod to political alliance (the kind she has practised since marrying Prince William) that she repeated at the French state banquet, wearing a red Givenchy gown with a built-in cape sweeping down from her shoulders. It was regal, sure, but also strategic, given that Givenchy is now designed by Sarah Burton, the British designer who made Kate's wedding gown and who has been her collaborator on numerous high-profile public about entente. And there Kate was at the Wimbledon women's final in a cream jacket and long pleated skirt, a coolly appropriate riff on tennis whites and her position as patron of the All England Lawn Tennis & Croquet Club.
Focus Malaysia
5 hours ago
- Focus Malaysia
National Art Gallery showcases reflection of BIMP-EAGA through contemporary art
THE Tourism, Arts and Culture Ministry (MOTAC) through the National Visual Arts Development Board (LPSVN) has inaugurated the Isle to Isle: A Reflection of BIMP-EAGA Through Contemporary Art exhibition that features artworks by artists from the Brunei-Indonesia-Malaysia-Philippines East ASEAN Growth Area (BIMP-EAGA). The exhibition opens to the public from today (July 18) until May 31, 2026 at Gallery 3A of the National Art Gallery om Kuala Lumpur. Officiated by MOTAC secretary-general Datuk Shaharuddin Abu Sohot, the exhibition is part of a cultural diplomacy initiative under the MOTAC Strategic Plan 2021-2025, particularly in strengthening strategic partnerships in the tourism and cultural sectors. It also aligns with the BIMP-EAGA Vision 2025 which is based on the principles of Resilience, Inclusivity, Sustainability and Economic Competitiveness (RISE) besides being in conjunction with Malaysia's ASEAN Chairmanship this year. Among others, this exhibition highlights visual interpretations by artists from all four countries by focusing on themes such as economic activity, social connections, environmental care, knowledge and the unique local wisdom that defines the eastern ASEAN region. Very broadly the BIMP-EAGA region covers the entire Brunei, the Kalimantan corridor in Indonesia from Pontianak to Balikpapan, the Sulawesi and Maluku regions, Sabah, Sarawak and Labuan as well as the southern Philippines, including the islands of Mindanao and Palawan. Artists and curators The Malaysian artists featured in this exhibition are Josrie Haral, Muslim Mattajim and Dr Mohamad Faizuan Mat. Brunei is represented by Umi Zaty Bazillah Zakaria and Asilah Maziyah Mohamad Yussof. From the Philippines, the participating artists are Chester M. Mato, Romy Jones Mata, Leonard B. Ansiong, Brendale Taj Hassan Tadeo and Alynnah Macla. Indonesia is represented by Audro Chrustofel Rompas along with two art collectives, Susur Galur from Pontianak featuring Muchamad Riduwan, Tito Prastio, and Elfrida Citra Rominggagas; and Muara Suara from Samarinda featuring Robby Ocktavian, Prashasti Wilujeng Putri and Rio Raharjo. Regional curators have also played a vital role in shaping the curatorial direction of the exhibition, including Zakaria Omar (Brunei Darussalam), I Wayan Seriyoga Parta and Gusti Hendra Pratama (Indonesia) as well as Al Nezzar B. Ali (the Philippines). All in all, the exhibition showcases a variety of artistic expressions, including mixed media, installations, paintings, photography, audio and videography. A total of 12 artworks are exhibited, including one artwork from the National Visual Art Collection by Malaysian artist Yee I-Lann. More information on the exhibition can be obtained from – July 18, 2025
