
Young singer-songwriter Alyssa Allgood makes the Jazz Showcase Wall of Fame
'It was very special. [Club owner] Wayne Segal hung my photo on the Wall of Fame Sunday night,' she said. 'There was a great turnout of warm and engaging audiences. I could feel the love in the room. My band brought such beautiful energy, sensitivity and joy to my original songs and arrangements. We created honest and open music that was truly in the moment, in every set.'
She now shares that aforementioned wall with some of her heroes, such as Betty Carter, Sarah Vaughan and Carmen McRae. And she can remember the many times she has played the room. One of the earliest was in July 2017. In the audience was my then-colleague, the astute Tribune jazz critic Howard Reich. He wrote that 'there's nothing more encouraging in jazz than hearing a young musician asserting herself. … Though she has plenty of room for growth, she clearly has learned a great deal quite early in her career.'
She was 24 then and had just released her first CD, 'Out of the Blue,' which Reich lauded for the 'creativity of her songwriting,' ending his review with these prophetic words, calling her 'a young singer of unusual accomplishment and extraordinary potential.'
The great singer Paul Marinaro had joined Allgood on stage for a couple of songs that night and then told Reich that Allgood was 'one of the most fully formed young vocalists I've heard in a long time.'
Allgood came to music early, growing up in suburban Westmont, supported and encouraged by her parents and allowed to sing with local bands.
'I never had a thought of doing anything else,' she says. 'When it came to what I would study in college, well, of course, it would be music.'
And it would be North Central College in Naperville where she earned Bachelor of Arts in Jazz Studies & Organizational Communication, and she followed that up with a Master of Arts in Jazz Studies from DePaul University.
'I learned so much. I learned from folks in the business that jazz does not make for the easiest life,' she says. 'I was told by more than one person, 'If you can see yourself doing anything else, do it.' But I could not do that. Music is who I am.'
She has performed in clubs across the country and aspires to international clubs and concerts. Now she has four CDs, the latest titled 'From Here,' with all original songs. If you want to be of the moment, her sensitively stirring version of Frank Loesser's 'I've Never Been in Love Before' from 'Guys and Dolls' is being released on various platforms this Friday.
Many singers, of course, do not write their own songs, but Allgood has been exploring that creative road for some time.
'I just decided that I had to give myself permission to try,' she says. 'At first, it was hard. In doing this, was I comparing myself to Cole Porter and other great songwriters, to the people I'd been hearing and singing and studying? But I kept at it, and followed a philosophy that another musician imparted. He said, 'Everything you write is good because it comes from you.''
Thus free of intimidation, she tells me that her songwriting is 'taking the forefront,' and you can hear the confidence in her latest CD.
She also plans to continue teaching, as she has done for some time, at Loyola University and the University of Illinois at Chicago. 'Teaching,' she says, 'makes me a better musician.'
Accolades have come at a steady pace. A couple of her songs were finalists in the 2023 John Lennon Songwriting Contest and the 2023 International Songwriting Competition. She was voted best individual jazz musician in the 2024 Chicago Reader poll. She was recently named, for the second year in a row, a 'Rising Star Female Vocalist' in the 2025 DownBeat Magazine Critics Poll.
She has lived for a decade in the Lincoln Square neighborhood and has been married since October to Jon Podulka.
'He is a very creative person who has brought a lot of adventure to my life,' she says.
He worked as an advertising copywriter for 10 years before becoming a narrative game designer at Hasbro. He recently went out on his own and will soon launch a board game publishing company. He also knows his way around a stage, regularly performing improv comedy.
'He always has a good joke ready,' Allgood says. 'He is incredibly supportive of my career and I love that we share a passion for the creative process.'
He was in the showcase audiences last weekend and she was glad.
'I realized that I grew up on that stage,' she says. 'This weekend felt like an important marker and celebration of the work I've done over the last decade, to hone my craft as a performer, songwriter, and bandleader. I'm so grateful and inspired.'
She remembered too.
'That night almost a decade ago. Joe Segal [Wayne Segal's late father and the founder of the Jazz Showcase] was there. He sat on the couch and listened to me sing and then gave me a nod of approval. That was a moment I will never forget.'
No doubt there will be more to come. Goodness, she's only 32.
rkogan@chicagotribune.com
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Chicago Tribune
5 days ago
- Chicago Tribune
Young singer-songwriter Alyssa Allgood makes the Jazz Showcase Wall of Fame
Alyssa Allgood started singing when she was in the sixth grade and she is singing still, as she was last weekend at Jazz Showcase, that South Loop treasure. She and her band — Greg Ward (alto sax), Ryan Cohan (piano), Ethan Philion (bass) and Jon Deitemyer (drums) — spread their music over four nights. 'It was very special. [Club owner] Wayne Segal hung my photo on the Wall of Fame Sunday night,' she said. 'There was a great turnout of warm and engaging audiences. I could feel the love in the room. My band brought such beautiful energy, sensitivity and joy to my original songs and arrangements. We created honest and open music that was truly in the moment, in every set.' She now shares that aforementioned wall with some of her heroes, such as Betty Carter, Sarah Vaughan and Carmen McRae. And she can remember the many times she has played the room. One of the earliest was in July 2017. In the audience was my then-colleague, the astute Tribune jazz critic Howard Reich. He wrote that 'there's nothing more encouraging in jazz than hearing a young musician asserting herself. … Though she has plenty of room for growth, she clearly has learned a great deal quite early in her career.' She was 24 then and had just released her first CD, 'Out of the Blue,' which Reich lauded for the 'creativity of her songwriting,' ending his review with these prophetic words, calling her 'a young singer of unusual accomplishment and extraordinary potential.' The great singer Paul Marinaro had joined Allgood on stage for a couple of songs that night and then told Reich that Allgood was 'one of the most fully formed young vocalists I've heard in a long time.' Allgood came to music early, growing up in suburban Westmont, supported and encouraged by her parents and allowed to sing with local bands. 'I never had a thought of doing anything else,' she says. 'When it came to what I would study in college, well, of course, it would be music.' And it would be North Central College in Naperville where she earned Bachelor of Arts in Jazz Studies & Organizational Communication, and she followed that up with a Master of Arts in Jazz Studies from DePaul University. 'I learned so much. I learned from folks in the business that jazz does not make for the easiest life,' she says. 'I was told by more than one person, 'If you can see yourself doing anything else, do it.' But I could not do that. Music is who I am.' She has performed in clubs across the country and aspires to international clubs and concerts. Now she has four CDs, the latest titled 'From Here,' with all original songs. If you want to be of the moment, her sensitively stirring version of Frank Loesser's 'I've Never Been in Love Before' from 'Guys and Dolls' is being released on various platforms this Friday. Many singers, of course, do not write their own songs, but Allgood has been exploring that creative road for some time. 'I just decided that I had to give myself permission to try,' she says. 'At first, it was hard. In doing this, was I comparing myself to Cole Porter and other great songwriters, to the people I'd been hearing and singing and studying? But I kept at it, and followed a philosophy that another musician imparted. He said, 'Everything you write is good because it comes from you.'' Thus free of intimidation, she tells me that her songwriting is 'taking the forefront,' and you can hear the confidence in her latest CD. She also plans to continue teaching, as she has done for some time, at Loyola University and the University of Illinois at Chicago. 'Teaching,' she says, 'makes me a better musician.' Accolades have come at a steady pace. A couple of her songs were finalists in the 2023 John Lennon Songwriting Contest and the 2023 International Songwriting Competition. She was voted best individual jazz musician in the 2024 Chicago Reader poll. She was recently named, for the second year in a row, a 'Rising Star Female Vocalist' in the 2025 DownBeat Magazine Critics Poll. She has lived for a decade in the Lincoln Square neighborhood and has been married since October to Jon Podulka. 'He is a very creative person who has brought a lot of adventure to my life,' she says. He worked as an advertising copywriter for 10 years before becoming a narrative game designer at Hasbro. He recently went out on his own and will soon launch a board game publishing company. He also knows his way around a stage, regularly performing improv comedy. 'He always has a good joke ready,' Allgood says. 'He is incredibly supportive of my career and I love that we share a passion for the creative process.' He was in the showcase audiences last weekend and she was glad. 'I realized that I grew up on that stage,' she says. 'This weekend felt like an important marker and celebration of the work I've done over the last decade, to hone my craft as a performer, songwriter, and bandleader. I'm so grateful and inspired.' She remembered too. 'That night almost a decade ago. Joe Segal [Wayne Segal's late father and the founder of the Jazz Showcase] was there. He sat on the couch and listened to me sing and then gave me a nod of approval. That was a moment I will never forget.' No doubt there will be more to come. Goodness, she's only 32. rkogan@


Chicago Tribune
5 days ago
- Chicago Tribune
Billie Jean King on today's tennis, the media and a new play at Chicago Shakespeare about her life
'Billie Jean' is the name of the new play by Lauren Gunderson now in its world premiere at Chicago Shakespeare Theater. This show about the tennis great Billie Jean King is currently in The Yard on Navy Pier through Aug. 10, and then is widely expected to have a life beyond Chicago. King spoke to the Tribune in a telephone interview just after returning from the All England Lawn Tennis Championships, better known as Wimbledon, where she sat next to Princess Kate in the Royal Box for the women's singles final and watched Iga Świątek defeat Amanda Anisimova by a score of 6-0, 6-0. Our conversation has been edited for clarity and length. Q: That final was quite the wipeout. A: Świątek was amazing. She couldn't even get through the qualifier last time. But you know, we don't have two dominant players anymore. It used to be Steffi (Graf) and Monica (Seles), or Chris (Evert) and Martina (Navratilova). Now on a given day, any of the top 200 women can beat any of the others. Q: The women's game has come a long way. A: I put on the tennis channel and I can't believe all the cities we are in now. We've really been the leaders in women's sport since the 1970s. The Ladies Professional Golf Association was founded a year before the Women's Tennis Association but we've eclipsed them. Q: Could you have beaten Świątek or Anisimova when you were in your prime? A: No. My brother played professional baseball for 12 years. Our parents taught us both that every generation gets better. I them to be better. When we women signed our first one-dollar contract, we wanted three things: a place to compete, to be appreciated for our accomplishments and not only for our looks, and to be able to make a living playing the sport we love. Now you see all the other women's sports people are starting to invest in. My former husband and I used to own the Chicago tournament. I've been involved in Chicago for a very long time. Q: You still have your place here, right? A: I do. Q: Jannik Sinner and Carlos Alcaraz also played an amazing match. A: They did. Italy and Spain right now have the best male players in the world. And Jannik is such a great guy. You could not ask for a more thoughtful, smarter human being. He walked all the way over as we were leaving Wimbledon and introduced himself to my entire group, one by one. He didn't have to do that. There really has been a changing of the guard with Sinner and Alcaraz and all the others. I've been through six generations of players now. And don't forget the Italian woman, Jasmine Paolini. She loves to perform. Q: You are very easy to talk with. A: I have always talked to the media. When younger players complain about doing so, I've always said, 'Have you ever thought that this is how these people make their livings? And that if you don't talk to them they might lose the job they are in?' No players ever answer yes to that. I always say you have to know the business you are in. I could come up with other names for you to interview if you like. Q: Most athletes don't look at things that way. A: True. Most players also have no clue how much things cost. The top players are just starting to understand they should run their own businesses, not just get money from endorsements. I've invested in sports since 1968. Q: Now Chicago gets to see a play about you. A: When the producer, Harriet (Newman Leve), said she wanted to start in Chicago, I said that's fantastic. Aside from the apartment, I am so invested there. Q: This is not your first go-around in terms of dramatizations of your life. There was the movie, 'The Battle of the Sexes,' about your beating Bobby Riggs. A: We are still friends with Emma Stone (who played King). She married a great guy we love. She had a baby. The baby loves tennis. Did you know tennis was the healthiest sport in the world? They've done research. Q: I can believe it. A: I still love to hit balls against the wall. Q: I can believe that too. So you are involved in this play? A: Are you kidding me? We've been involved. I've met all the actors. I've made suggestions. Lauren (Gunderson) has done a really great job. Q: Chilina Kennedy, a musical star I've seen many times, plays you. A: I want her to sing. She's so talented. Q: Plays about sport can he hard unless you have incredible actor-athletes. Tough to pretend to play like you did. A: Sure. But this play isn't about tennis as much as it is about life. It's off the court that matters here. It's about my trying to figure out my sexuality. I think it's a great platform for the community. Tennis is a part of it, of course. But for me, it's really about the audience so that when they leave they are inspired by something. I hope they can derive something from it that makes their lives better. I think it expresses my journey through the thick and the thin. We've all been going like a bat of hell. Of course. It's about women's sports.


Chicago Tribune
17-07-2025
- Chicago Tribune
Vintage Chicago Tribune: 6 activities people used to do in the city during the summer
There are activities we can't wait to experience here each summer — catching a concert in a park; watching Buckingham Fountain's majestic water display explode 150 feet into the air; taking a dip to cool off in Lake Michigan; swaying with thousands of others to the sounds of the seventh-inning stretch at Wrigley Field; or just playing tourist in our hometown. Yet Chicagoans of another era had their own ways of celebrating warm weather that we just don't do today. Here's a look back at six of them. The first match in the sport of kings took place in Chicago, according to the U.S. Polo Association, at Lincoln Park in October 1879. 'For the benefit of the ignorant, polo may be described as shinney (pick-up game of hockey) on horseback, or, rather, ponyback,' the Tribune reported at the time. Onwentsia Club in Lake Forest, which fielded its first polo team in 1896, hosted an epic championship series that pitted the best players in the United States — one team from the East Coast and the other from the West — against each other in August 1933. The best-of-three tourney with spectator seating for 20,000 people was the brainchild of Chicago Blackhawks team founder and U.S. Polo Association executive committee member Maj. Frederic McLaughlin. West won the national championship 12-6. A smaller, faster form of the game called arena polo was played indoors for years at the Chicago Avenue Armory. Oak Brook Polo Club, which was founded by Paul Butler in 1922, and closed earlier this year, is considered one of the oldest of its kind in the U.S. It hosted the U.S. Open Polo Championship for 24 seasons. Prince (now King) Charles was part of a memorable match there on Sept. 5, 1986, when he and England's star player Andrew Seavill were both laid out on the ground after a collision. After a five-minute pause, both the player and the prince appeared to be OK. 'I liked the part when he fell, the best,' said Chicago-based political satirist Aaron Freeman. 'It's not often you see people who won the genetic lottery embarrassing themselves in public.' Before highways were plentiful and car ownership was common, Chicagoans headed to the city's docks to board steamships destined for Milwaukee; Mackinac Island, Michigan; or a variety of other lakeside communities. One such ship was the SS Eastland, which was chartered by Western Electric Co. on July 24, 1915, to transport about 2,500 employees and their families across Lake Michigan to a company picnic at 'the Coney Island of the Midwest' Michigan City, Indiana. Rare Eastland disaster photos discovered in Tribune basementAs people boarded the ship that morning at the Chicago River between LaSalle Drive and Clark Street, however, the Eastland began to list to its side. The ship overturned and within minutes 844 people — including 22 entire families and four members of the Eastland's crew — were dead. Chicago Bears owner George Halas was supposed to be aboard the ship. It was the deadliest day ever in Chicago and the greatest peacetime inland waterways disaster in American history. Several hundred performers — including Goliath the sea elephant — arrived in August 1931, to perform as part of the Ringling Bros. and Barnum & Bailey Circus, which became a fixture of summer in Soldier Field's parking lot for decades. Successive open-air 'floating hospitals' in Lincoln Park were built between the 1870s and the 1900s and offered excursions from the piers on Lake Michigan. In 1914, the Chicago Daily News offered to fund a more permanent sanitarium building. Opened in 1921, the impressive Prairie-style structure was one of several Lincoln Park buildings designed by Dwight H. Perkins of the firm Perkins, Fellows, and Hamilton. Perkins, an important Chicago social reformer and Prairie School architect, designed buildings including Café Brauer, the Lion House in the Lincoln Park Zoo and the North Pond Cafe. Vintage Chicago Tribune: Unexpected finds in Chicago parksThe impressive Chicago Daily News Fresh Air Sanitarium building was constructed in brick with a steel arched pavilion with 250 basket baby cribs, nurseries and rooms for older children. The breezes through the shelter were believed to cure babies suffering from tuberculosis and other diseases. Free health services, milk and lunches were provided to more than 30,000 children each summer until 1939, when the sanitarium closed. Major reconstruction of Lake Shore Drive led to the demolition of the building's front entrance. During World War II, the structure became an official recreation center for the United Service Organization. The Chicago Park District converted the building to Theatre on the Lake in the early 1950s. Today it's a lakefront restaurant and venue that hosts concerts and theater events. The rodeo originated in the Southwest as a way for ranchers to celebrate the annual cattle roundup. Promoters brought it to Chicago and other northern cites to capitalize on Americans' nostalgic fascination with the Wild West. From 1925 to 1929, Tex Austin presented rodeos first at Soldier Field and then indoors at Chicago Stadium — though rodeo competitions didn't end in Chicago after Austin's contest packed up and left for good. In 1927, Soldier Field hosted World Championship Rodeo. The sights and thrills of Austin's rodeos had a wide appeal. Women were half of the 35,000 spectators in Soldier Field on the opening day of the 1925 rodeo, the Tribune's society columnist reported. 'The shouts of approval that hit against the sides of the Field Museum and bounced back again were just as soprano as they were deep bass.' Rodeo competition also was open to women as well as Black people and Native Americans, when other professional sports were segregated or off-limits to them. Austin carried the rodeo far afield. He mounted shows in Madison Square Garden, Hollywood and London. His promotions went belly up in the Great Depression, and he opened a restaurant in Santa Fe. But going blind in 1938, he committed suicide. He left a note asking his wife's forgiveness and, on their coach, a stack of photographs of his rodeo days, a time when 'he appeared every inch at home.' Starting 75 years before Lollapalooza took up residence in Grant Park, the Chicagoland Music Festival claimed gaudy attendance numbers at the annual Soldier Field events, figures no longer possible in the renovated stadium. Like the College All-Star Game, Golden Gloves boxing, the Silver Skates Derby and numerous other events, including airplane and horse races, fashion and kite-flying shows, bowling tournaments and wrestling matches, the music festival was organized and sponsored by the Chicago Tribune. The newspaper wasn't shy about promoting its own events in its news pages — especially once longtime publisher Col. Robert McCormick took a liking to it. It's hard to say how much the Tribune's glowing coverage helped the festival thrive, but even accounting for some exaggeration and boosterism, and assuming the reporter was ordered to don his rose-colored glasses, that first Chicagoland Music Festival was a spectacle. Unlike most events, the Chicagoland Music Festival didn't start small and grow. It started big and became huge. About 150,000 — with thousands more unable to get in the stadium — watched the inaugural show Aug. 23, 1930. There were so many people, in fact, that spectators sitting on the sidelines impeded the drum corps' movements. The thrill — and the showmanship — started with the public address announcement: 'You are sitting now in the glow of 392,000 watts of light, and in order that you may have a standard of comparison, I will add that that is three times as large a volume of light as at any baseball game that ever was played at night. Friends, it is the greatest artificial illumination of a single arena in the world's history.' To which the Tribune reported: 'The people rapturously applaud these words. They are rising to the fact that they have come to a big show.' Before that first night was out, the crowd saw 21 marching bands and 16 drum corps, which entered the arena in one bombastic burst. They heard the festival band play the John Philip Sousa marches 'The Washington Post,' 'Stars and Stripes Forever' and 'U.S. Field Artillery.' Another highlight of the night was a 1,000-member African American choir singing the spiritual 'Swing Low, Sweet Chariot.' The climax of that first evening was the 'Hallelujah' chorus from Handel's 'Messiah,' performed by a combined 3,000-voice choir. While numerous famous singers and musicians played at the festival over the decades, including Louis Armstrong, Frankie Avalon and Mahalia Jackson, for many Chicagoans and their beaming parents, the highlight of the show was no doubt their own children. Thanks for reading!