
A pitch perfect pairing
Directed by Ilya Naishuller, Heads Of State opens with a clever premise. The Prime Minister of the United Kingdom, Sam Clarke (Elba), and the President of the United States, Will Derringer (Cena), are bitter rivals. Their public antagonism threatens the historically close alliance between their countries. But things escalate quickly when the two world leaders become the targets of a powerful and elusive foreign enemy. With global security at risk and nowhere left to turn, Clarke and Derringer are forced to rely on the only people they can trust -- each other. Teaming up with MI6 agent Noelle Bisset (Priyanka Chopra), they embark on a globe-trotting mission to unravel a deadly conspiracy, avoid being killed at every turn and somehow work together long enough to save the world.
In an amusing meta-twist, Cena's character is a former action movie star who has somehow ended up in the White House. He's brash, media-savvy, full of showbiz charm and beloved by voters more for his personality than for political acumen. On the other hand, Elba's character is a stereotypical British politician -- stoic, serious and endlessly proper. This contrast creates a dynamic that fuels most of the film's best moments. The friction between them is palpable but playfully handled, evolving into a genuine bromance as the film progresses.
I was genuinely surprised at how effective the comedic timing was between the two leads. Elba and Cena bounce off each other with effortless rhythm and their snarky exchanges never feel forced. There's a clear sense that both actors were having fun during filming and that energy translates to the screen. Their chemistry makes even the more absurd moments work, grounding the over-the-top antics in real personality.
One of the best things about Heads Of State is that it doesn't take itself too seriously. The movie leans hard into its own ridiculousness and has no problem poking fun at action movie clichés or political stereotypes. It's cheesy -- deliberately so -- and packed with exaggerated scenarios that border on satire. Whether it's a car chase that turns into a knife fight or a tense diplomatic meeting that devolves into slapstick, the film constantly straddles the line between action and parody.
Priyanka Chopra, fresh off her turn in the spy series Citadel, once again proves she's got the action heroine role down to a science. She brings agility and grit to her performance and looks even more comfortable in the action scenes this time around. Her character serves as a counterbalance to the chaotic energy of Elba and Cena, grounding the film when it threatens to fly completely off the rails.
Now, not everything about the film is stellar. The villains, for instance, are generic and largely forgettable. They exist mostly to provide someone for the leads to run from or fight with. Their motivations are vague, their personalities underdeveloped and they come across more as plot devices than real threats. Still, their one-dimensional nature doesn't significantly detract from the fun -- it just makes the film lean even more into the lighthearted, comic-book feel.
When Cena and Elba are being chased, their enemies are little more than relentless henchmen -- faceless, expendable and purely functional. But that only enhances the buddy-comedy dynamic. The tension doesn't come from the threat level; it comes from watching the two leads try to work together while everything around them falls apart.
The movie is far-fetched yet highly predictable, and it gets a bit preachy towards the end with some forced social commentary. But even that doesn't manage to drag down the sheer sense of fun that dominates the rest of the film. The tone stays consistent, the pacing never lags and the action scenes keep coming with a relentless energy.
Heads Of State delivers the kind of experience that other streaming blockbusters -- like Red Notice (2021) or Six Underground (2019) -- have attempted but failed to execute successfully. Here, the blend of spectacle, stunts and comedy feels much more cohesive. At just under two hours, the film never overstays its welcome. It keeps the momentum going with a clean, straightforward plot that doesn't demand much from the viewer, but still offers enough engagement to make you care.
From the outside, this might look like a generic, disposable action flick. I found Heads Of State to be a pleasant surprise. It's easy, silly and chaotic in all the familiar ways. The kind of movie you throw on at the end of a long week when you just want to kick back and enjoy some mindless fun.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Bangkok Post
a day ago
- Bangkok Post
Building infrastructure for the AI age
The London Underground, the world's oldest subway system, opened in 1863. Around the same time, London's modern sewage system was designed by civil engineer Joseph Bazalgette in response to the Great Stink of 1858, which brought parliament to a standstill. Planning far ahead, Bazalgette built the system to last 150 years. Only now, with the Thames Tideway project, is it being significantly expanded. Walk through any major city in the UK -- from London to Glasgow, Belfast to Bristol -- and you will find that much of the infrastructure from the late Victorian era is still in use. That is partly because the Victorians built early and planned decades ahead. Like in many other countries, the UK's infrastructure is akin to a palimpsest, with new layers constructed over the old. A similar dynamic is playing out today, as new technologies become integral to daily life and economic growth. Broadband, mobile networks, and data centres, which are now as vital as roads and power grids, are prime examples. At the same time, the concept of social infrastructure is gaining traction among policymakers around the world. The UK's new ten-year infrastructure strategy, for example, focuses on "opportunities for collaboration, productivity and efficiency gains, and the wider benefits of strategic and spatial planning" across the health, education, and justice systems. As the plan notes, this is the first time the British government has included social infrastructure in its national strategy. But even that view is too narrow. Consider the characteristics of the systems that keep our economies running: long lifespans, high fixed costs, low marginal costs, and broad accessibility. Importantly, their value is derived not from the physical assets themselves, but from the economic activities they enable. Our definition of infrastructure should be expanded to reflect the demands of the digital age. While governments often view AI infrastructure in terms of data centres and the energy and water they consume, a truly comprehensive view must also include intangible assets such as software and data. To be sure, this might seem like a conceptual leap. But the Covid-19 lockdowns of 2020-21 revealed just how essential digital platforms have become. Videoconferencing tools like Zoom, for example, are so critical to work, education, and public services that it is difficult to imagine life without them. As a result, a growing number of countries are developing what is often called digital public infrastructure, though in practice it typically involves a mix of public and private services. In 2020, Brazil's central bank launched the Pix real-time payment system, which has largely replaced cash transactions. Similarly, India's Aadhaar biometric identification system now serves as a platform for both public services and digital payments. Such digital systems have been adopted more quickly in countries with fewer entrenched legacy services. By contrast, countries like the US and the UK have long-established payment systems dominated by private providers, such as credit card companies, which can impede the adoption of public alternatives. Given their growing economic importance, governments must start thinking strategically about software and data -- the digital equivalents of roads and power grids. This is especially true of intangible assets. Cash-strapped governments tend to underinvest in resources like data and software, while private investors often view them as too risky. But the lack of a robust and well-maintained digital foundation can hinder economic growth. A second reason to invest in digital infrastructure is national sovereignty. Over the past few years, policymakers around the world have become increasingly concerned about the national security risks posed by US firms' dominance in cloud computing. The lesson for governments is that they must step back from immediate flashpoints and take a longer view. Infrastructure provides a useful lens for thinking strategically about what investments are needed, who should make them, and how they should be governed to sustain economic growth. Equally important is a foundation of high-quality data and interoperable software that facilitates user authentication, improves access to cloud services, and fuels the creation of new digital businesses. Victorian planners' foresight continues to benefit us more than a century later. We should approach today's infrastructure challenges with the same mindset. ©2025 Project Syndicate Diane Coyle, Professor of Public Policy at the University of Cambridge, is the author of 'Cogs and Monsters: What Economics Is, and What It Should Be' (Princeton University Press, 2021) and 'The Measure of Progress: Counting What Really Matters' (Princeton University Press, 2025).

Bangkok Post
2 days ago
- Bangkok Post
Written in blood
In 2015, Joe Freeman and Aung Naing Soe noticed the prominent status of poetry in Myanmar politics. At the time, both journalists heard that Maung Saungkha, a 23-year-old poet, posted a poem about having a tattoo of an unnamed president on his penis on Facebook. Saungkha, however, was charged for defaming former president Thein Sein under telecommunication law, serving a six-month jail term. "It was eye-opening into the world of Myanmar's poetry playing such an outsized role," said Freeman, a journalist-turned-researcher for Amnesty International, in an event to mark the launch of their book titled Frontline Poets: The Literary Rebels Taking On Myanmar's Military at The Fort in Bangkok last month. The whole project took around three years. In the wake of the military coup on Feb 1, 2021, poets have been taking up guns in the battlefield. A month after an end to civilian rule, those from the Myanmar Poets Union showed three-finger salutes in Yangon. When the earthquake hit Myanmar early this year, poets helped deliver humanitarian aid. It inspired two authors to examine why they are doing so. "They are on the frontline of every single economic, political or social crisis, going back to the start of anti-British uprisings," said Freeman "This trend continues up until the present day, with many poets resisting the military coup." The book focused on five figures who "embody different versions of frontline poets" before and after the military coup. After finding himself in hot water over his critical poem, Saungkha continued fighting for freedom of expression. In early 2018, he founded an activist organisation called Athan. Following the military takeover, he started his own armed group called the Bamar People's Liberation Army (BPLA). Still, he believes in his identity as a poet. In the same way, K Za Win, a protest leader and poet, was killed in a demonstration on March 3, 2021. "Had he lived, he would have joined the armed group," said Freeman. Shortly after the military coup, he started to post a short poem on Facebook, which has since become an anthem to the protest movement. "Though I have different views than you, I'll lay down my life for you all," it reads. "It is almost revolutionary in itself because Myanmar is such a fractured place. People live in different places and represent different groups. He is someone who is coming out of this to make a sacrifice for all," he said. Freeman cited examples of his works that more or less chronicle real-time events. On Feb 23, 2021, he uploaded a poem titled About The Skulls in response to delayed international expression of concern over violence against protesters. He also urged those who were indecisive to join the movement. On March 2, 2021, he stressed the importance of solidarity. The next day he was killed. Women and LGBTI individuals have also joined the battlefield. As a member of the LGBTI community, Yoe Aunt Min has been constantly marginalised. She started writing poetry in middle school. In 2015, she joined a protest march in support of educational reform that K Za Win took part in. As a student activist, she coordinated protests within a week of the military coup. As the situation intensified, security forces fired on protesters in Monywa, including K Za Win. It led Yoe Aunt Min to join the BPLA to restore democracy and equality. Young recruits received gruelling military training at its camp, where she wrote poems in her downtime. A lengthy piece, titled A Deserter Goes To War, reflects her mental state during the battle. "That is the longest poem in the book. When we put materials together, we thought people didn't want to read a long poem," Freeman reflected. "But it is our most favourite poem because it speaks to something else. It is the kind of poem that isn't necessarily about a fiery war, but about people trying to hold on to their humanity, despite what is happening to them. "I think you will be surprised to find many poems are very intimate and personal. That is because it's human beings who wants to go back to their life. "They don't want to fight, but be with their friends, write poetry and go to a reading. I think this is a way for them to hold on to who they are, processing what they are going through in real time. "Yoe herself is on the frontline. Not long ago, she was in a house where an airstrike was 50 feet away. She is still writing poems that are extremely personal and intimate." Meanwhile, Lynn Khar and A Mon are living in exile following a military attack on Lay Kay Kaw village, a new settlement near the border of Thailand, in December 2021. In a visceral poem titled The Radio Of Dead People, Lynn Khar expresses his anger at unchecked military brutality. A Mon, who lost A Sai K to an airstrike, drew inspiration from his late friend's jade earring to compose a poem titled What Have You Left. "Myanmar is not always on the front page of the newspaper," Aung, currently based in the US, said. "I think these stories can help raise public awareness." Some are fighting on the frontline. Others are fleeing to other countries, including Thailand, for different reasons. Aung said, however, "it is very impossible for us to settle" here due to visa and paperwork issues. He used to visit many cities, but following the military coup, Thailand is the most practical option.

Bangkok Post
6 days ago
- Bangkok Post
British stars cast in live-action Legend of Zelda movie
Two British actors will play the lead roles in the hotly anticipated live-action film adaptation of the "Legend of Zelda" video game franchise, Japan's Nintendo announced. The film's release is set for May 2027, joining a stream of game adaptations from "Super Mario" to "Sonic the Hedgehog" that have stormed the box office in recent years. Bo Bragason will play Princess Zelda and Benjamin Evan Ainsworth will play Link -- an elf warrior who swordfights his way through a monster-filled fantasy world -- Nintendo said on social media platform X on Wednesday.