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Glastonbury 2025: Are Political Flags Allowed?

Glastonbury 2025: Are Political Flags Allowed?

1. Excessive amounts of cigarettes (any amount over personal use for the duration of the event) 2. Excessive amounts of alcohol (any amount over personal use for the duration of the event) 3. Excessive amounts of soft drinks (anything over personal use for the duration of the event) 4. Glass containers / bottles (likely to cause harm to livestock) 5. Sound systems (without written approval) 6. Knives (without written approval) 7. Weapons and potential weapons; anything adapted for such a purpose 8. Unauthorised or counterfeit merchandise; with or without the Glastonbury Festival or Pilton Party logo 9. Body piercing equipment 10. Flares; such as emergency or distress flares manufactured for legitimate military, maritime or transport purposes (under any circumstances) 11. Smoke Bombs 12. Fireworks, including sparklers (without written approval) 13. Generators (without written approval) 14. Lasers / Laser Pens 15. Plastic or polystyrene disposable plates, trays, cups, mugs or plastic cutlery 16. Unmanned Aerial Vehicles (UAV's); commonly known as 'Drones' or 'Remotely Piloted Aircraft' 17. Chinese / Sky Lanterns 18. Kites 19. Professional tape recorders, film and video equipment (without written approval) 20. Forged tickets and wristbands or an access pass of any description 21. All substances defined as a 'Psychoactive Substance' under the new Psychoactive Substances Act 2016. These substances will be those substances previously referred to as 'Legal Highs' and will include herbal materials, powders, tablets, crystalline substances, gas or liquids and may be packaged and marked as 'smoking materials', 'research chemicals', 'room deodorisers', 'herbal incense' and 'cream chargers', some may even state the product is not for 'human consumption' 22. Nitrous Oxide in any form (without written approval) 23. Alkyl Nitrates (otherwise known as Poppers) 24. Any object that GFEL considers to be potentially
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Barry Gibb's son Stephen reveals 'survivor's guilt' after growing up with The Bee Gees
Barry Gibb's son Stephen reveals 'survivor's guilt' after growing up with The Bee Gees

Daily Mirror

time10 hours ago

  • Daily Mirror

Barry Gibb's son Stephen reveals 'survivor's guilt' after growing up with The Bee Gees

EXCLUSIVE: Stephen Gibb, the son of Bee Gees legend Barry, has opened up about growing up around the band and bravely shares his struggles and excitement over his new music His dad may be one of the most recognisable singers of all time, but Stephen Gibb admits that he prefers taking a step back. The 51-year-old son of Bee Gees icon, Barry Gibb, has grown up with music in his blood, with his dad and uncles performing across the globe – and for the family. ‌ But now, London-born Stephen is stepping into his own having already performed with some of the biggest names in the business, including with his dad Barry, at his final performance to date on the Pyramid Stage at Glastonbury Festival in 2017. ‌ Now residing in South Florida, Stephen and his Kill The Robot bandmates have released their debut self-titled album, and he reveals that although his father was obsessed with songwriting, this came later for the guitarist. "My dad wasn't obsessed with guitar playing, I was, he was obsessed with writing songs and singing," he exclusively told the Mirror. ‌ He added: "That came for me later. But the thing that gets asked of me a lot is, how come I'm not the full time lead singer of Kill The Robot? The fact of the matter is, I have a great singer in Gil [Bitton], and he's a great performer. I really just enjoy playing the guitar. Singing is fun as well but being the son of a Bee Gee and being a 'singer' always seemed daunting to me. "Why? I don't know what else to compare it to, but if your dad was Michael Jordan, maybe you should get into baseball. If I get into pop music and being a singer, they're going to destroy me. And that would also be kind of semi-not authentic to me. I'm a rock and metal guy who loves all kinds of music." But he is partial to pop music, after all, his dad and uncles were the Bee Gees. "I have a deep appreciation for the form when it's done at the highest level, I've seen that with the Bee Gees." Stephen, however, is much more comfortable with his guitar, having grown up listening to Pink Floyd, Black Sabbath, Metallica and Van Halen. Aged just 16, Stephen admits his heart was left broken when blues legend Stevie Ray Vaughan, a hero of his, died in 1990 in a helicopter crash. "He finally got sober, his life together, making the best music of his life," he said. Stephen added: "Sometimes, I think the hardest part is, especially in a family like mine, there's a little bit of survivor's guilt." ‌ In his younger years, Stephen battled drugs and alcohol before getting clean. He admits he questions how he survived this, after his uncle Andy, aged just 30, died as a result of myocarditis after the use of cocaine had weakened his heart. "Eventually, you have to forgive yourself. You've got to live your life and accept it, God's got a plan, I don't know what it is, but I'm here for it," he said. Growing up with a global icon as a dad, Stephen quickly had to discover who his real friends were. "The Bee Gees were still a very big band, the hardest thing is knowing who your real friends are," he said, adding: "That's a process, you might have to blow your life up for you to figure out who your real friends are, but you do. ‌ "The big misconception a lot of people have is that because a family is famous, it's somehow not affected by certain things that everyone else is affected by. The fact of the matter is, like most celebrities that I've met in my life, are real people that have problems, just like everybody else – it's just that they have this unimaginable skill or gift that they're able to bestow upon the world. It comes with a price." Growing up, he followed his dad on the road and to the studios, but around the ages of eight and nine, he soon realised that not everybody's dad was a singer, never mind a global icon. "My dad and his brothers, we used to be a very close-knit, large family, we spent a lot of time together," he said, adding: "We would have cookouts at Maurice's house. The most powerful memories that all of us have, I can't speak for everybody, many nights after dinner, they would sit around and sing other people's songs, their favourite songs to entertain us. ‌ "I don't think it dawned on me until I was a little bit older, how special, unique and powerful their contributions were and are. You grow up as the oldest son of a guy that a lot of people know. The thing I'm most grateful for, I knew what it looked like, I knew what it took to be good at something that you really loved. It took obsession for my dad, all of them, 100 per cent commitment. "You could be the greatest thing in the world, had the Bee Gees not gone back to the UK, what could have happened? Maybe nothing. It's an incredible gift and honour to be in a family that created something that has, up to this point, outlived them. I think as I get older, that's more and more rare with each passing year." ‌ He revealed he had to have his fair share of challenges, rites of passage, admitting he had a "bit of a chip on his shoulder" as a child, because of his dad's fame. "It does make life a little bit more challenging for your kids." One of these challenges was fans of Barry's turning up at their family home when Stephen was a child. "I've had one or two of them say they were my real mum, my dad and them and me were going to run away together," he joked, adding: "It's odd, it comes with its odd things, as I've gotten older, I work just as hard as anybody else I know that does what I do. There's no free lunch; it doesn't matter if you're Barry Gibb's son or John Lennon's son; they're not going to make it easy for you. It's a double-edged sword. ‌ "It's like 'Oh, your son has a band, does he sound like his dad?' I don't, people get disappointed that you have your own fingerprint." That fingerprint left Stephen "terrified and excited" for Kill The Robot's debut album. He admits it's "hard" to get people to listen to a new band, but the record is a "labour of love." "Making this album with some of my best friends, we had a lot of fun doing that," he beamed. He hopes that the record will please and entertain new fans, as well as fans who have stuck by him over the years. "My hope is now that it's out, people will see what Kill The Robot is as a band, they can find something that's comfortable for them in our music." ‌ Although the record experiences waves of different emotions, it has a slight touch of grief following the death of Brett Cosmo Thornberry, a friend of the band. Brett sadly died during the coronavirus lockdowns, when Gil had asked Stephen whether he wanted to write music, which he leapt at the chance, having believed he had already played his last gig. The record opens with Mothership, a metaphor of going to heaven, which is a conversation between Stephen, Gil and Brett. Another track, Western Shores, is dedicated to Foo Fighters icon, Taylor Hawkins, a dear friend of Stephen and his dad. "That was a tough one," he said of losing Taylor, who died in March 2022 after consuming 10 different drugs, including THC, tricyclic antidepressants, opioids, and benzodiazepines. ‌ "I just spoke to him days prior to losing him; it was a real shock for me and my dad. My dad was really close with him, and they would speak often at that time. Dad took it really hard. I'll never understand why some people get to stay and some people have to leave. Taylor was the best. The thing is, he was the real embodiment of pure rock and roll love I've ever seen in a human being. "He really loved it. The world will never forget him, and it won't be because of a song I wrote. I wrote that song because I loved the guy. I'll never get to make music like we planned on doing. This was a little love letter to a guy that should be getting loved on forever. He was the real thing, a heart of gold and one of the greatest drummers in history. "He accomplished what he set out to do here, I think, I hope for his sake, but God, I love him and I know the world loves him."

Kneecap banned from entering Hungary ahead of Sziget
Kneecap banned from entering Hungary ahead of Sziget

The National

time2 days ago

  • The National

Kneecap banned from entering Hungary ahead of Sziget

The group, who are outspoken supporters of Palestine, were due to perform at Sziget Festival on August 11 and remain on the line-up on its website. Government spokesman Zoltan Kovacs wrote on social media platform Twitter/X that the decision to ban Kneecap was due to its 'members repeatedly engage in antisemitic hate speech supporting terrorism and terrorist groups'. READ MORE: 'One that belongs to you': Jeremy Corbyn reveals temporary name of new party 'Hungary has zero tolerance for antisemitism in any form. 'Their planned performance posed a national security threat, and for this reason, the group has been formally banned from Hungary for three years. 'If they enter, expulsion will follow under international norms.' Kneecap have had several shows cancelled in recent months, including the TRNSMT festival in Glasgow. The group organised a replacement gig at the city's O2 Academy, which sold out within minutes. They are set to perform again at the OVO Hydro arena in November. The trio – comprised of Liam Og O hAnnaidh, Naoise O Caireallain, and JJ O Dochartaigh – were formed in Belfast and released their first single in 2017. READ MORE: Comedian cancels Fringe show over 'terror' charge bail conditions' They hit the headlines recently after O hAnnaidh, who performs under the name Mo Chara, was charged with a terror offence relating to allegedly displaying a flag in support of Hezbollah. In May, the Metropolitan Police said the group were being investigated by counter-terrorism police after videos emerged allegedly showing them shouting 'Up Hamas, up Hezbollah' and 'Kill your local MP', which has since been dropped. The group apologised to the families of murdered MPs and said they have 'never supported' Hamas or Hezbollah, which are banned in the UK. They were also investigated over their set at Glastonbury Festival in June, but last week Avon and Somerset Police confirmed they would be taking no further action.

Lewis Capaldi to join Sydney Sweeney as fashion ambassador in new campaign
Lewis Capaldi to join Sydney Sweeney as fashion ambassador in new campaign

Daily Record

time4 days ago

  • Daily Record

Lewis Capaldi to join Sydney Sweeney as fashion ambassador in new campaign

Lewis is partnering with a fashion brand for their latest campaign. Lewis Capaldi has been revealed as a brand ambassador for footwear brand HEYDUDE in their brand new campaign. ‌ The Scots singer joins Hollywood actress Sydney Sweeney who is also an ambassador for the brand. ‌ Fresh off his legendary Glastonbury Festival comeback, the release of his chart-topping single 'Survive' and ahead of his sell-out tour, Capaldi, who is renowned for his no-nonsense attitude and his vocal advocacy for mental health, perfectly represents the HEYDUDE brand which is intended to celebrate self-expression, comfort, and stepping out in the world as your full, unfiltered self. ‌ The HEYDUDE Country campaign invites new fans to experience the brand through expansive storytelling and in-real-life moments, with the goal of building community and connectivity, and encouraging fans to be their most authentic selves. The partnership with Capaldi will kick-off with an exclusive short film that offers an intimate look at Lewis' journey as an artist. From navigating the pressures of fame to reconnecting with what truly matters, the film captures personal reflections, candid moments and the humour that's made him a fan favourite. At its heart, it reveals how the Scots singer found his own version of HEYDUDE Country. ‌ Lewis said: 'It's been great to partner up with HEYDUDE who are all about feeling right in yourself. Making music is something that brings me a lot of comfort. You have to make music for you and then you hope that people find some of themselves in it'. Michael Anthes, SVP and General manager for HEYDUDE International, said: 'Lewis is the perfect fit for HEYDUDE Country - he embodies the spirit of our brand like no other. He's authentic, effortlessly relatable, and lives the comfort-first lifestyle we celebrate. ‌ "This campaign is about more than just footwear; it's about confidence, self-expression, and finding that unique headspace where you can be unapologetically yourself. Lewis doesn't just wear HEYDUDE, he is HEYDUDE Country, and we can't wait to share that energy with the world.' The launch of the global HEYDUDE Country campaign builds on the brand's explosive growth in the US, where it's quickly becoming a cultural favourite among Gen Z. The partnership with Capaldi is an important milestone for the brand as it looks to expand HEYDUDE Country internationally, with dedicated focus in the UK. This announcement follows with an official launch event set to take place in Lewis's hometown of Glasgow. The campaign will continue rolling out across Europe with a series of unexpected brand-inspired experimental moments and pop-up activations, all inviting people to find their own, unique version of 'HEYDUDE Country' where they can come together through shared creative experiences, personal passions, and meaningful connections.

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