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Sarajevo street art marks out brighter future

Sarajevo street art marks out brighter future

The Australian4 days ago
Bullet holes still pockmark many Sarajevo buildings; others threaten collapse under disrepair, but street artists in the Bosnian capital are using their work to reshape a city steeped in history.
A half-pipe of technicolour snakes its way through the verdant Mount Trebevic, once an Olympic bobsled route -- now layered in ever-changing art.
"It's a really good place for artists to come here to paint, because you can paint here freely," Kerim Musanovic told AFP, spraycan in hand as he repaired his work on the former site of the 1984 Sarajevo Games.
Retouching his mural of a dragon, his painting's gallery is this street art hotspot between the pines.
Like most of his work, he paints the fantastic, as far removed from the divisive political slogans that stain walls elsewhere in the Balkan nation.
"I want to be like a positive view. When you see my murals or my artworks, I don't want people to think too much about it.
"It's for everyone."
During the Bosnian war, 1992-1995, Sarajevo endured the longest siege in modern conflict, as Bosnian Serb forces encircled and bombarded the city for 44 months.
Attacks on the city left over 11,500 people dead, injured 50,000 and forced tens of thousands to flee.
But in the wake of a difficult peace, that divided the country into two autonomous entities, Bosnia's economy continues to struggle leaving the physical scars of war still evident around the city almost three decades on.
'A form of therapy'
"After the war, segregation, politics, and nationalism were very strong, but graffiti and hip-hop broke down all those walls and built new bridges between generations," local muralist Adnan Hamidovic, also known as rapper Frenkie, said.
Frenkie vividly remembers being caught by police early in his career, while tagging trains bound for Croatia in the northwest Bosnian town of Tuzla.
The 43-year-old said the situation was still tense then, with police suspecting he was doing "something political".
For the young artist, only one thing mattered: "Making the city your own".
Graffiti was a part of Sarajevo life even during the war, from signs warning of sniper fire to a bulletproof barrier emblazoned with the words "Pink Floyd" -- a nod to the band's 1979 album The Wall.
Sarajevo Roses -- fatal mortar impact craters filled with red resin -- remain on pavements and roads around the city as a memorial to those killed in the strikes.
When he was young, Frenkie said the thrill of illegally painting gripped him, but it soon became "a form of therapy" combined with a desire to do something significant in a country still recovering from war.
"Sarajevo, after the war, you can imagine, it was a very, very dark place," he said at Manifesto gallery where he exhibited earlier this year.
"Graffiti brought life into the city and also colour."
'A way of resisting'
Sarajevo's annual Fasada festival, first launched in 2021, has helped promote the city's muralists while also repairing buildings, according to artist and founder Benjamin Cengic.
"We look for overlooked neighbourhoods, rundown facades," Cengic said.
His team fixes the buildings that will also act as the festival's canvas, sometimes installing insulation and preserving badly damaged homes in the area.
The aim is to "really work on creating bonds between local people, between artists".
Mostar, a city in southern Bosnia, will also host the 14th edition of its annual street art festival in August.
With unemployment nearing 30 percent in Bosnia, street art also offers an important springboard to young artists, University of Sarajevo sociology professor Sarina Bakic said.
"The social context for young people is very difficult," Bakic said.
Ljiljana Radosevic, a researcher at Finland's Jyvaskyla University, said graffiti allowed youth to shake off any "nationalist narrative or imposed identity".
"It's a way of resisting," Radosevic said.
al-cbo/al/cw
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Sarajevo street art marks out brighter future
Sarajevo street art marks out brighter future

The Australian

time4 days ago

  • The Australian

Sarajevo street art marks out brighter future

Bullet holes still pockmark many Sarajevo buildings; others threaten collapse under disrepair, but street artists in the Bosnian capital are using their work to reshape a city steeped in history. A half-pipe of technicolour snakes its way through the verdant Mount Trebevic, once an Olympic bobsled route -- now layered in ever-changing art. "It's a really good place for artists to come here to paint, because you can paint here freely," Kerim Musanovic told AFP, spraycan in hand as he repaired his work on the former site of the 1984 Sarajevo Games. Retouching his mural of a dragon, his painting's gallery is this street art hotspot between the pines. Like most of his work, he paints the fantastic, as far removed from the divisive political slogans that stain walls elsewhere in the Balkan nation. "I want to be like a positive view. When you see my murals or my artworks, I don't want people to think too much about it. "It's for everyone." During the Bosnian war, 1992-1995, Sarajevo endured the longest siege in modern conflict, as Bosnian Serb forces encircled and bombarded the city for 44 months. Attacks on the city left over 11,500 people dead, injured 50,000 and forced tens of thousands to flee. But in the wake of a difficult peace, that divided the country into two autonomous entities, Bosnia's economy continues to struggle leaving the physical scars of war still evident around the city almost three decades on. 'A form of therapy' "After the war, segregation, politics, and nationalism were very strong, but graffiti and hip-hop broke down all those walls and built new bridges between generations," local muralist Adnan Hamidovic, also known as rapper Frenkie, said. Frenkie vividly remembers being caught by police early in his career, while tagging trains bound for Croatia in the northwest Bosnian town of Tuzla. The 43-year-old said the situation was still tense then, with police suspecting he was doing "something political". For the young artist, only one thing mattered: "Making the city your own". Graffiti was a part of Sarajevo life even during the war, from signs warning of sniper fire to a bulletproof barrier emblazoned with the words "Pink Floyd" -- a nod to the band's 1979 album The Wall. Sarajevo Roses -- fatal mortar impact craters filled with red resin -- remain on pavements and roads around the city as a memorial to those killed in the strikes. When he was young, Frenkie said the thrill of illegally painting gripped him, but it soon became "a form of therapy" combined with a desire to do something significant in a country still recovering from war. "Sarajevo, after the war, you can imagine, it was a very, very dark place," he said at Manifesto gallery where he exhibited earlier this year. "Graffiti brought life into the city and also colour." 'A way of resisting' Sarajevo's annual Fasada festival, first launched in 2021, has helped promote the city's muralists while also repairing buildings, according to artist and founder Benjamin Cengic. "We look for overlooked neighbourhoods, rundown facades," Cengic said. His team fixes the buildings that will also act as the festival's canvas, sometimes installing insulation and preserving badly damaged homes in the area. The aim is to "really work on creating bonds between local people, between artists". Mostar, a city in southern Bosnia, will also host the 14th edition of its annual street art festival in August. With unemployment nearing 30 percent in Bosnia, street art also offers an important springboard to young artists, University of Sarajevo sociology professor Sarina Bakic said. "The social context for young people is very difficult," Bakic said. Ljiljana Radosevic, a researcher at Finland's Jyvaskyla University, said graffiti allowed youth to shake off any "nationalist narrative or imposed identity". "It's a way of resisting," Radosevic said. al-cbo/al/cw

Sarajevo street art marks out brighter future
Sarajevo street art marks out brighter future

News.com.au

time4 days ago

  • News.com.au

Sarajevo street art marks out brighter future

Bullet holes still pockmark many Sarajevo buildings; others threaten collapse under disrepair, but street artists in the Bosnian capital are using their work to reshape a city steeped in history. A half-pipe of technicolour snakes its way through the verdant Mount Trebevic, once an Olympic bobsled route -- now layered in ever-changing art. "It's a really good place for artists to come here to paint, because you can paint here freely," Kerim Musanovic told AFP, spraycan in hand as he repaired his work on the former site of the 1984 Sarajevo Games. Retouching his mural of a dragon, his painting's gallery is this street art hotspot between the pines. Like most of his work, he paints the fantastic, as far removed from the divisive political slogans that stain walls elsewhere in the Balkan nation. "I want to be like a positive view. When you see my murals or my artworks, I don't want people to think too much about it. "It's for everyone." During the Bosnian war, 1992-1995, Sarajevo endured the longest siege in modern conflict, as Bosnian Serb forces encircled and bombarded the city for 44 months. Attacks on the city left over 11,500 people dead, injured 50,000 and forced tens of thousands to flee. But in the wake of a difficult peace, that divided the country into two autonomous entities, Bosnia's economy continues to struggle leaving the physical scars of war still evident around the city almost three decades on. 'A form of therapy' "After the war, segregation, politics, and nationalism were very strong, but graffiti and hip-hop broke down all those walls and built new bridges between generations," local muralist Adnan Hamidovic, also known as rapper Frenkie, said. Frenkie vividly remembers being caught by police early in his career, while tagging trains bound for Croatia in the northwest Bosnian town of Tuzla. The 43-year-old said the situation was still tense then, with police suspecting he was doing "something political". For the young artist, only one thing mattered: "Making the city your own". Graffiti was a part of Sarajevo life even during the war, from signs warning of sniper fire to a bulletproof barrier emblazoned with the words "Pink Floyd" -- a nod to the band's 1979 album The Wall. Sarajevo Roses -- fatal mortar impact craters filled with red resin -- remain on pavements and roads around the city as a memorial to those killed in the strikes. When he was young, Frenkie said the thrill of illegally painting gripped him, but it soon became "a form of therapy" combined with a desire to do something significant in a country still recovering from war. "Sarajevo, after the war, you can imagine, it was a very, very dark place," he said at Manifesto gallery where he exhibited earlier this year. "Graffiti brought life into the city and also colour." 'A way of resisting' Sarajevo's annual Fasada festival, first launched in 2021, has helped promote the city's muralists while also repairing buildings, according to artist and founder Benjamin Cengic. "We look for overlooked neighbourhoods, rundown facades," Cengic said. His team fixes the buildings that will also act as the festival's canvas, sometimes installing insulation and preserving badly damaged homes in the area. The aim is to "really work on creating bonds between local people, between artists". Mostar, a city in southern Bosnia, will also host the 14th edition of its annual street art festival in August. With unemployment nearing 30 percent in Bosnia, street art also offers an important springboard to young artists, University of Sarajevo sociology professor Sarina Bakic said. "The social context for young people is very difficult," Bakic said. Ljiljana Radosevic, a researcher at Finland's Jyvaskyla University, said graffiti allowed youth to shake off any "nationalist narrative or imposed identity". "It's a way of resisting," Radosevic said.

Music rings through Moresby as police bands jam
Music rings through Moresby as police bands jam

The Advertiser

time6 days ago

  • The Advertiser

Music rings through Moresby as police bands jam

When Pacific police make the news, it's usually little to do with clarinets and trombones. But when officers from Australia and six Pacific Islands nations recently arrived in Port Moresby for the inaugural police tattoo as part of Papua New Guinea's 50th anniversary celebrations, the spotlight was squarely on music and marching. The Royal Papua New Guinea Constabulary led the July 22 bash following a Pacific policing forum. A tattoo is a musical performance or display by armed forces. Visiting outfits from Fiji, Solomon Islands, Tonga, Nauru, New Zealand and Samoa participated along with the Australian Federal Police Pipes and Drums band. AFP assistant commissioner for the Pacific Nigel Ryan said the tattoo ran like clockwork "and if you know anything about the Pacific, that's pretty amazing to be able to co-ordinate all of those bands and all of those musicians". Music was a key part of Pacific culture and way of life, which gave police an opportunity to build trust and confidence within communities, he said. "What we've been able to do is harness that music and the culture and bring it all together," he told AAP. "I think that probably the greatest outcome is actually being able to really connect across the entire Pacific with our communities." There was already interest in a second tattoo parade, which could become an annual or biannual event after Fiji expressed interest in hosting the next one, the assistant commissioner said. "You only had to look around at some of the police chiefs watching on with their band, how proud they were and how everyone came together to know that it was very, very significant," he said. "Not just the event but what it meant to them to be showcasing schools and their police forces across the Pacific." AFP band member Stephen Ladd said bringing the cultures together boosted important partnerships. "Music bridges culture and language barriers and brings everyone together," he said. Fiji Police Force's band master assistant superintendent Bausema Lillnatabua said music was important in her culture because it was a way to pass on knowledge, customs and culture through generations. For a lot of officers from the Solomon Islands, it was the first time they left the country to perform music and that was a great honour, Constable Fred Maedola said. It also boosted connections with other Pacific Islands officers as well as Australian and New Zealand counterparts, as musicians practised with those who played the same instrument rather than in their force's band, he said. "That's how we ease in and mingle together and we get to know each other," he said. When Pacific police make the news, it's usually little to do with clarinets and trombones. But when officers from Australia and six Pacific Islands nations recently arrived in Port Moresby for the inaugural police tattoo as part of Papua New Guinea's 50th anniversary celebrations, the spotlight was squarely on music and marching. The Royal Papua New Guinea Constabulary led the July 22 bash following a Pacific policing forum. A tattoo is a musical performance or display by armed forces. Visiting outfits from Fiji, Solomon Islands, Tonga, Nauru, New Zealand and Samoa participated along with the Australian Federal Police Pipes and Drums band. AFP assistant commissioner for the Pacific Nigel Ryan said the tattoo ran like clockwork "and if you know anything about the Pacific, that's pretty amazing to be able to co-ordinate all of those bands and all of those musicians". Music was a key part of Pacific culture and way of life, which gave police an opportunity to build trust and confidence within communities, he said. "What we've been able to do is harness that music and the culture and bring it all together," he told AAP. "I think that probably the greatest outcome is actually being able to really connect across the entire Pacific with our communities." There was already interest in a second tattoo parade, which could become an annual or biannual event after Fiji expressed interest in hosting the next one, the assistant commissioner said. "You only had to look around at some of the police chiefs watching on with their band, how proud they were and how everyone came together to know that it was very, very significant," he said. "Not just the event but what it meant to them to be showcasing schools and their police forces across the Pacific." AFP band member Stephen Ladd said bringing the cultures together boosted important partnerships. "Music bridges culture and language barriers and brings everyone together," he said. Fiji Police Force's band master assistant superintendent Bausema Lillnatabua said music was important in her culture because it was a way to pass on knowledge, customs and culture through generations. For a lot of officers from the Solomon Islands, it was the first time they left the country to perform music and that was a great honour, Constable Fred Maedola said. It also boosted connections with other Pacific Islands officers as well as Australian and New Zealand counterparts, as musicians practised with those who played the same instrument rather than in their force's band, he said. "That's how we ease in and mingle together and we get to know each other," he said. When Pacific police make the news, it's usually little to do with clarinets and trombones. But when officers from Australia and six Pacific Islands nations recently arrived in Port Moresby for the inaugural police tattoo as part of Papua New Guinea's 50th anniversary celebrations, the spotlight was squarely on music and marching. The Royal Papua New Guinea Constabulary led the July 22 bash following a Pacific policing forum. A tattoo is a musical performance or display by armed forces. Visiting outfits from Fiji, Solomon Islands, Tonga, Nauru, New Zealand and Samoa participated along with the Australian Federal Police Pipes and Drums band. AFP assistant commissioner for the Pacific Nigel Ryan said the tattoo ran like clockwork "and if you know anything about the Pacific, that's pretty amazing to be able to co-ordinate all of those bands and all of those musicians". Music was a key part of Pacific culture and way of life, which gave police an opportunity to build trust and confidence within communities, he said. "What we've been able to do is harness that music and the culture and bring it all together," he told AAP. "I think that probably the greatest outcome is actually being able to really connect across the entire Pacific with our communities." There was already interest in a second tattoo parade, which could become an annual or biannual event after Fiji expressed interest in hosting the next one, the assistant commissioner said. "You only had to look around at some of the police chiefs watching on with their band, how proud they were and how everyone came together to know that it was very, very significant," he said. "Not just the event but what it meant to them to be showcasing schools and their police forces across the Pacific." AFP band member Stephen Ladd said bringing the cultures together boosted important partnerships. "Music bridges culture and language barriers and brings everyone together," he said. Fiji Police Force's band master assistant superintendent Bausema Lillnatabua said music was important in her culture because it was a way to pass on knowledge, customs and culture through generations. For a lot of officers from the Solomon Islands, it was the first time they left the country to perform music and that was a great honour, Constable Fred Maedola said. It also boosted connections with other Pacific Islands officers as well as Australian and New Zealand counterparts, as musicians practised with those who played the same instrument rather than in their force's band, he said. "That's how we ease in and mingle together and we get to know each other," he said. When Pacific police make the news, it's usually little to do with clarinets and trombones. But when officers from Australia and six Pacific Islands nations recently arrived in Port Moresby for the inaugural police tattoo as part of Papua New Guinea's 50th anniversary celebrations, the spotlight was squarely on music and marching. The Royal Papua New Guinea Constabulary led the July 22 bash following a Pacific policing forum. A tattoo is a musical performance or display by armed forces. Visiting outfits from Fiji, Solomon Islands, Tonga, Nauru, New Zealand and Samoa participated along with the Australian Federal Police Pipes and Drums band. AFP assistant commissioner for the Pacific Nigel Ryan said the tattoo ran like clockwork "and if you know anything about the Pacific, that's pretty amazing to be able to co-ordinate all of those bands and all of those musicians". Music was a key part of Pacific culture and way of life, which gave police an opportunity to build trust and confidence within communities, he said. "What we've been able to do is harness that music and the culture and bring it all together," he told AAP. "I think that probably the greatest outcome is actually being able to really connect across the entire Pacific with our communities." There was already interest in a second tattoo parade, which could become an annual or biannual event after Fiji expressed interest in hosting the next one, the assistant commissioner said. "You only had to look around at some of the police chiefs watching on with their band, how proud they were and how everyone came together to know that it was very, very significant," he said. "Not just the event but what it meant to them to be showcasing schools and their police forces across the Pacific." AFP band member Stephen Ladd said bringing the cultures together boosted important partnerships. "Music bridges culture and language barriers and brings everyone together," he said. Fiji Police Force's band master assistant superintendent Bausema Lillnatabua said music was important in her culture because it was a way to pass on knowledge, customs and culture through generations. For a lot of officers from the Solomon Islands, it was the first time they left the country to perform music and that was a great honour, Constable Fred Maedola said. It also boosted connections with other Pacific Islands officers as well as Australian and New Zealand counterparts, as musicians practised with those who played the same instrument rather than in their force's band, he said. "That's how we ease in and mingle together and we get to know each other," he said.

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