logo
Fragrance mists: When lightness and accessibility conquer selective perfumery

Fragrance mists: When lightness and accessibility conquer selective perfumery

Fashion Network3 days ago
On TikTok, the hashtag #bodymist has racked up over a billion views. This figure underlines the growing popularity of fragrance mists, which are particularly appealing to Gen Z's seasoned and versatile young consumers. At the crossroads of perfume and skincare, these colorful, accessible bottles are renewing the codes of classic perfumery. Sprayed on the body or hair, or layered with other scents, they embody a new art of perfuming.
A phenomenon born in the 2000s
Although the trend is now enjoying a second wind, it's not a new phenomenon. Back in the 2000s, mists from the American lingerie brand Victoria's Secret were already all the rage. Their sweet, fruity, or floral scents were often the gateway to fragrance for a generation of young American consumers and beyond, long before the advent of social networking.
Another iconic brand of the 1990s/2000s, the American Calvin Klein, creator of the famous CK One, one of the first gender-neutral fragrances, intends to capitalize on this revival. On July 1, the brand launched a collection of four body mists: Cotton Musk, Nude Vanilla, Sheer Peach, and Silky Coconut. Priced at 28 euros per 236 ml, the products are formulated with glycerine to moisturize the skin, and the scents were created by perfumers from Mane, Givaudan, and DSM- Firmenich.
For the Coty Group, which holds the perfume license for Calvin Klein, this launch is therefore strategic. At a press presentation on May 20, Laurence Lienhard, Coty's director of prospective and research, pointed out that almost 40% of young consumers worldwide practice "layering," i.e., the art of layering several fragrances to create their own trail. A perfect playground for mists.
Sol de Janeiro, the big winner in the mist department
On the French selective market, sales of fragrance mists are exploding. According to Circana figures, they now represent the most dynamic perfume segment. They are worth 37.6 million euros, with 1.7 million units sold over a rolling year to the end of March 2025, representing 106% year-on-year growth. In two years, sales have quadrupled.
American cosmetics brand Sol de Janeiro, owned by the L'Occitane group, is the leader in terms of volume and value. Its Brazilian Crush Cheirosa mist (28 euros per 100 ml) and its gourmet variations, such as vanilla, pistachio, and salted caramel, are becoming benchmarks not only at retailers like Sephora, but also on social networks, where videos reviewing the brand's various references are multiplying.
Faced with this success, all brands are getting in on the act. In June, Coty launched a collection of mists for its Adidas brand. French affordable perfume brand Adopt has also just launched its first body mists, a collection of nine references selling for 14.95 euros per 200 ml.
From mass market to luxury, all brands are surfing the trend
Premium and niche brands also want to ride this olfactory wave. Thus, after launching into fragrance in 2017, American beauty brand Glossier, which is currently rolling out in France via Sephora stores, has just unveiled its Body Spritz, two mists for body and hair, designed to be layered (42 euros per 100 ml).
The same goes for Florence by Mills, the beauty brand of actress Millie Bobby Brown, which, after a first foray into classic perfumery in 2023 with Wild Me, has launched four scented mists (15.50 euros per 100 ml) since March.
On the luxury side, Valentino is releasing a mist version of its Born in Roma Donna fragrance this summer. This product, enriched with argan oil, retails for 49 euros per 90 ml, compared with 87.50 euros per 50 ml for the classic fragrance.
What makes these products so successful is, first and foremost, their affordability. While the price of some exceptional perfumes flirts with the 300-euro mark, the price of mists ranges from 20 to 40 euros for a generous format, often in excess of 100 ml.
On the other hand, luxury perfume houses tend to offer mists in more classic formats, with more modest price differentials between perfumes and mists. Dior, for example, offers some of its La Collection Privée Christian Dior fragrances as hair mists. A 40-ml product costs 102 euros, compared with 175 euros for the 50-ml perfume.
Low prices, light formulas: the formula for success
Lighter formulas, with lower alcohol concentrations (between 1% and 3%), also appeal to consumers, who collect and layer them. What's more, these lighter fragrances often have virtues other than fragrance, such as moisturizing.
"The craze is driven by the younger generation, with a strong influence from social networks, affordability, a new fragrance gesture, and a focus on well-being mixed with a touch of nostalgia," summarized Mathilde Lion, expert at Circana.
Perfumed mist, once perceived as a fancy perfume, is now a mainstream phenomenon. In the bathroom of young consumers, it is no longer a simple alternative to perfume. For once, two segments at opposite ends of the spectrum are driving the market. On the one hand, there are mists, affordable and fun products, and on the other, exceptional perfumes driven by innovation and creation, where prices are skyrocketing.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Paris couture: Elie Saab, By Fang Couture and ArdAzAei
Paris couture: Elie Saab, By Fang Couture and ArdAzAei

Fashion Network

time16 hours ago

  • Fashion Network

Paris couture: Elie Saab, By Fang Couture and ArdAzAei

Often, the greatest progenitors of couture – a very French concept – are born thousands of kilometers from France. Three such talents – Elie Saab, By Fang Couture and ArdAzAei – offered up impressive visions of revived couture classicism. None of them were born in France. Elie Saab: Royal court couture 'I dreamed of a royal court,' beamed Elie Saab, after one of his most opulent and sculptural collections to date. Staged inside the Pavillon Cambon, opposite Chanel 's HQ, the cast marched down the Belle Époque wrought-iron staircase into a packed house for the Lebanese couturier's latest show. Keeping to the regal theme, Elie sent out three veteran runway princesses to open the show. The ever-defiantly moody Dutch blonde beauty Lara Stone, swaddled in charcoal and crème caramel silk shantung, sculpted into a stunning gown. Russian beauty Sasha Pivovarova followed up in a décolleté black velvet jacket, laced at the back, and paired with crepe knickerbockers and a moiré satin train. Isabeli Fontana completed the trilogy in a va-va-vroom curvy velour gown, held together with diagonal lace stitching. Their hair left tousled, the throats looped in black ribbon, this was the sexiest Saab opening in eons. And no harm in that. Then Elie sent his famous atelier into overdrive with beautiful gowns made in magnified spring flowers, finished with bugle beading, strass and crystals. One technique of knotting folds of fabric at the front, used on duchess satin gowns, was the work of a master couturier working his magic. While his pyramidal pink feather dress was a work of astounding skill, as was his reinvented and seductive French corsetry. Composed in a fresh macaron palette of nude, rose coral pink, faint blue, and mint, with dollops of imperial black and gold, this felt like a magnificent court. For those who desire their couture to blend beauty with technical excellence, Saab and his atelier are second to none on their day. No wonder Elie won a standing ovation. As the cast assembled on the staircase, he took his familiar modest bow. By Fang Couture: Zhezhi chic at the Eiffel Tower East dialogued with West this season at By Fang Couture, an elegant indie label that staged its first show on a terrace facing the Eiffel Tower. Created by China-born Fang Yang, a graduate of noted Paris fashion college Esmod, By Fang is all about blending great European fabrics and silhouettes with clever Chinese techniques. The collection's key idea was using Zhezhi, the Chinese art of paper folding, a little like their version of origami, which ranged from handkerchiefs folded into wee flowers to some beguiling dresses made of dexterously folded duchess satin. The result was a very refined series of folded lattice dresses, such as a ruby red sheath finished with tiny buds of jade beads. Yang founded the brand with her life partner Grégoire Caillol, and together they have dreamed up a marque with a distinctive point of view. In 2015, she opened the couture maison By Fang. By Fang also showed breastplate tops made in puckered black organza finished with crystals, or a pair of beautiful chiffon lattice bustier dresses decorated with tiny amethysts – in red or softer beige. 'I wanted to work with silk and other fabrics the way I had worked with paper. It's a homage to my heritage and also to my idea of Parisian elegance,' explained Yang in a pre-show preview. As the sun descended, Yang staged her show, the refined delicacy of the clothes happily contrasted by the raw power of the tower across the Seine. East rather at ease with the West, just like this collection. ArdAzAei: Folded sea, fine food Charles Darwin would have loved the latest collection by ArdAzAei, and the audience certainly did too. Darwin believed – quite rightly – that the origin of life was the meeting of land and sea, which was why he studied mollusks on the shores of the North Sea, while a student at the University of Edinburgh. Like the great scientist, ArdAzAei's designer Bahareh Arkadani found inspiration from the sea, more specifically the sea urchin, with its unlikely pentaradial geometry and mythical status as 'talismans of protection.' Entitled The Folded Sea, the collection played on the ideal shape of sea urchins, whose shells decorate seaside homes from Galway to Gothenburg, Nantes to Naples. The result was a hyper-original collection of undulating shapes, ribbed formers, and unexpected drama. Suggesting the curvature of a bivalve with opening black crepe blazers and bustier dresses. The glistening finish of crustaceans in techy ecru pantsuits. Or playing visually on a stormy sea in a superb, layered lurex gown, finished with bold cut-outs. Everything looked elegant and noble in the midday light of the airy ground floor of the Cartier Foundation. To ArdAzAei fell the honor of being the first couture house to show there since the art center's recent restoration, in some savvy management. Though highly eco-conscious, Arkadani is not afraid to use advanced fabrics – like the 'armor-plated' cocktail with protective straps that sat three inches off the shoulders, made of silk, cotton and stainless steel. Arkadani could do with a little self-editing. Quite a few looks had one too many swirls, dissections or ruffles. But this was still a special fashion statement, using the power of fabric and fashion imagery to suggest a more beautiful, and understanding, world. Staged at a slow speed, surprisingly to a soundtrack that included a lovely quirky industrial track named Metabolism by Baintermix, this was one of those shows one only ever sees in Paris couture. Celebrated with delightful food courtesy of the happening Danish chef Claus Meyer, a new star of Nordic cuisine. Hand-dived scallops on caviar with white sturgeon caviar, topped by a sprinkling of fennel. Oyster emulsion with pickled cucumber and flowers, all washed down by an excellent Spanish biodynamic wine, Can Sumoi Ancestral Montonega. Come to think of it, Darwin would have approved of the food too.

French Word of the Day: Superproduction
French Word of the Day: Superproduction

Local France

time17 hours ago

  • Local France

French Word of the Day: Superproduction

Why do I need to know superproduction? Because your French cinephile friends might invite you to see one this summer – if only to spend some time in an air-conditioned room out of the scorching sun. What does it mean? Superproduction – yes, its two words glued together, and pronounced soo-pair-prodd-ucc-syon – is the French term for a big-budget movie, usually involving plenty of action and big-bang special effects, and refers to the significant financial and material resources needed to bring it to the silver screen. The anglophone term blockbuster – which has crossed the English-French linguistic barrier – surfaced in the 1940s and takes its inspiration from the Second World War bombs capable of destroying entire blocks of buildings. Advertisement Although the term has been around since the 40s, it only really gained traction in 1975 – when Jaws smashed box office expectations – taking in an astonishing $470 million globally on a budget of $7 million. Ever since, 'blockbuster' has also included recognition of a movie's commercial success. But the linguistically correct French term for a Hollywood blockbuster would be superproduction hollywoodienne. Use it like this Les Trois Mousquetaires a été un superproduction français qui a rapporté 100 millions de dollars – The Three Musketeers was a $100 million French blockbuster « Les Dix Commandements », de Cecil B DeMille, « Ben-Hur », de William Wyler, sont des superproductions – Cecil B DeMille's 'The Ten Commandments' and William Wyler's 'Ben-Hur' are blockbuster films.

France's prestigious Lumière Award 2025 goes to... Michael Mann
France's prestigious Lumière Award 2025 goes to... Michael Mann

Euronews

time18 hours ago

  • Euronews

France's prestigious Lumière Award 2025 goes to... Michael Mann

The great American filmmaker Michael Mann will be honoured with the Lumière Award at the 17th edition of the Lumière Festival in Lyon this fall. The Institut Lumière praised Mann's 40-year career marked by classics such as Manhunter, The Last of the Mohicans, Heat, The Insider and Collateral, as well as his direction of 'screen legends' including Al Pacino, Robert De Niro and Daniel Day-Lewis. The Lumière Award honours a figure for their entire body of work and their connection to the history of cinema. Previous Lumière honorees include some of the biggest names in Hollywood, including Martin Scorsese, Jane Fonda, Francis Ford Coppola, Quentin Tarantino, Tim Burton and Isabelle Huppert, who received the award last year. Lumière Institute and festival director Thierry Frémaux said honouring Mann with a Lumière Award was both 'a dream' and a 'source of pride'. 'Straight out of Hollywood mythology, he is a major artist whose mark on cinema is everlasting,' said Frémaux. 'A stylist and an auteur, Michael Mann has infused his films with a vision of the world and of history that is inseparable from a dazzling cinematic style. Welcoming him to Lyon this October will be a major event for all lovers of cinema.' Check out our eclusive interview with Thierry Frémaux, who spoke to us about celebrating the 130 years of cinema this year. Mann previously visited Lyon in 2017 for a screening of Heat introduced by Guillermo del Toro. He responded to the Lumière Festival's invitation by saying: 'The answer is : great, love to do it. The previous Lumière with Guillermo was a brilliant night. Pure cinema. And a great time. It all sounds brilliant. I'm in.' After making a festival comeback with the biopic Ferrari at Venice in 2023, Mann is now preparing to shoot Heat 2, the hotly anticipated sequel to his 1995 crime drama starring Pacino and De Niro. Mann will receive the Lumière Award on 17 October. The 17th edition of the festival will run from 11 – 19 October.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store