Everything to know about the ‘Poop Cruise' follow-up, ‘Trainwreck: Storm Area 51': Watch the trailer
"This is the story of the greatest sh-tpost ever made," Netflix teases about Trainwreck: Storm Area 51. The plot centers around then-20-year-old Matty Roberts, who created a Facebook event in 2019 inviting everybody he knew to storm the classified Air Force facility called Area 51 in search of extraterrestrial life. "They can't stop all of us," Roberts wrote in his infamous post.
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Thousands of people responded, vowing to take part in the event in the Nevada desert. That outpouring drew the interest of the U.S. Air Force, the FBI, the military, and the Federal Aviation Administration, who in turn threatened trespassers with deadly force. In the end, only about 150 people reportedly appeared at the military base's entrances, with none breaching the perimeter. Roughly 1,500 people instead attended two nearby music festivals.
Netflix released the trailer for Trainwreck: Storm Area 51 on July 2. In the 90-second video, one painted-up conspiracy theorist shouts, "We're here to arrest you, the aliens!" Another interview subject confesses that she dressed as a "sexy alien" in the desert in the hopes of "getting probed." And the reason they all took part in the wild event? It's simple, really. As one man explains, "Because the internet told us to."
Netflix promises that Trainwreck: Storm Area 51 will feature "an epic ensemble cast of meme lords, military commanders, UFO hunters, sexy aliens, and YouTubers." The project is being billed as "the ultimate story of the internet bursting into the real world."
Matty Roberts, the creator of the Facebook event, is also interviewed by the doc's filmmakers. "I had no idea what I'd started," he declares. He has gone on the record stating that his intentions were purely in jest and disavowed responsibility had there been any actual attempt to raid the Air Force base.
Trainwreck: Storm Area 51 comes from director Jack Macinnes, executive producer Alex Marengo, series producer Ben Rumney, and production companies Raw and BBH.
The Trainwreck brand has covered (or will be covering) such disastrous events as Woodstock '99, Poop Cruise, The Cult of American Apparel, The Real Project X, Balloon Boy, and P.I. Moms.
Last week, Trainwreck: Poop Cruise blew up on Netflix for its depiction of the 2013 Carnival Triumph luxury ship disaster, which stranded 3,000 customers and 1,000 crew members without power and plumbing in the Gulf of Mexico after an engine fire. "No way we're changing the title," director James Ross told Gold Derby about the name of the documentary. "It was Poop Cruise from the start, and if the suit fits, wear it." He also suggested he'd be open to making a sequel, declaring, "Maybe people want more, so if they do, yeah, why not?"
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USA Today
23 minutes ago
- USA Today
From 'Sinners' to 'Heads of State,' 10 movies you need to stream right now
Love movies? Live for TV? USA TODAY's Watch Party newsletter has all the best recommendations, delivered right to your inbox. Sign up now and be one of the cool kids. Does it get more patriotic than John Cena as the president of the United States? Just in time for Fourth of July weekend, the 18-time wrestling champ and Charlize Theron are in action-hero mode as they hit your streaming services. Several films are just arrived on Netflix, Hulu, Amazon's Prime Video, Disney+ and more, from theatrical releases finally coming home (Ryan Coogler's vampire-filled horror hit) to original fare (a recorded version of the "Frozen" stage musical). Here are 10 new and notable movies you can stream right now: 'Ash' A trippy paranoia space thriller that turns into a gonzo gore-fest. Eiza González plays an astronaut who wakes up on an alien planet, not knowing who she is but seeing a bunch of dead crew members around, and she needs to figure out if her rescuer (Aaron Paul) is on the level or not. Where to watch: Shudder 'The Day the Earth Blew Up' Who better to stave off an alien invasion than ... wait, what? Daffy Duck and Porky Pig?! This Looney Tunes animated comedy features the iconic 'toon twosome as roommates and coworkers at a chewing gum factory who uncover a mind control plot when the launch of a new flavor turns people into zombies. Where to watch: Max 'Frozen: The Hit Broadway Musical' "Frozen" fans who never got to see the musical version on Broadway now have their chance – and even if you've seen the original 1,000 times, the stage show hits different. This live recording of a West End production features Samantha Barks (who starred in 2012's "Les Misérables" movie) letting it go with gusto as Elsa. Where to watch: Disney+ 'Heads of State' John Cena plays an action-movie star elected president of the USA. Idris Elba is the British prime minister (and ex-soldier) who has no time for his tomfoolery. The two world leaders have to work together to save the day in this breezy action comedy, and Cena and Elba are aces working their macho chemistry as rival frenemies. Where to watch: Prime Video 'The Old Guard 2' Based on the comic-book series, the action sequel reunites Andy (Charlize Theron) with her crew of immortal warriors. Andy, however, is learning to live with a newfound mortality when she reunites with an old friend (Henry Golding) and faces an ancient enemy (Uma Thurman) who emerges as an existential threat. Where to watch: Netflix 'On Becoming a Guinea Fowl' In the amusing and gut-wrenching drama, Susan Chardy stars as Shula, a Zambian woman driving one night when she spots the body of her uncle in the street. She's supposed to help put together a funeral, but the aftermath leads to an emotional divide among the family as they deal with the uncle's history of sexual violence. Where to watch: Max 'My Mom Jayne' We knew Mariska Hargitay was one of TV's top cops. What we didn't realize is she's also a gifted documentarian. Hargitay was just 3 when her movie star mom, Jayne Mansfield, died, and the film is her way to figure out who Mansfield was. The documentary disconnects the sex symbol from the real person while also revealing the biological father Hargitay kept a secret. Where to watch: Max 'Please Don't Feed the Children' With her first feature film, director Destry Allyn Spielberg – yes, the daughter of that Spielberg – creates an intense world where a pandemic has stricken adults instead of kids and teens on the run are taken in by a stranger (Michelle Dockery). Then Spielberg shows her true mettle by pulling off a twist that proudly goes full horror. Where to watch: Tubi 'Sinners' Ryan Coogler's sinfully good period musical gangster vampire horror flick is one of the best movies of the year, period. Thrill to Michael B. Jordan as the Smokestack twins, who return to their Mississippi hometown to open up a swinging juke joint and have their opening night crashed by a band of bloodsuckers. Where to watch: Max 'The Woman in the Yard' Danielle Deadwyler stars as an injured widow and single mother knocked for a loop by tragedy when a mysterious woman in a black veil shows up out of nowhere to haunt her family's yard. It's psychological horror that digs deep into depression and mental health, with a harrowing ending that leaves much up to audience interpretation. Where to watch: Peacock


CNET
42 minutes ago
- CNET
I'm Still Obsessed With This Cult Conspiracy Thriller and Now It's on Netflix
Every once in a while, a TV show comes out of nowhere and changes the very fabric of the medium. Off the top of my head, I can think of five: Twin Peaks, Lost, The Sopranos, Game of Thrones and Breaking Bad. After Vince Gilligan's hit drug drama ended in 2013, I wondered what series would capture the cultural zeitgeist next. The answer came in the form of an edgy show about the internet, of all things. It starred a relatively unknown character actor as a flawed, neurodivergent hacker genius who gets sucked into a shadow government conspiracy. The show was lifted up by solid performances, relevant themes, slick writing, epic world-building and enough twists and turns to keep you guessing week in and week out. The program I am talking about is an Emmy-winner, a game-changer and one of the best thrillers to ever hit television. Now, for the first time ever in the United States, it is available to stream in full on Netflix. This is Mr. Robot. Read more: Netflix Review: Our Top Pick in a Sea of Streaming Choices Rami Malek plays Elliot Alderson in the hacker drama Mr. Robot. USA Network "Hello, friend," Rami Malek's hacker antihero Elliot Alderson says in the opening moments of the pilot episode. He's talking to the audience. But moreover, I took it to heart that he was talking to me. As someone who related to his antisocial, black hoodie-wearing, outcast vibe, it felt as if Elliot was the TV embodiment of me -- if my goth outcast phase of the '90s and '00s never ended. Without getting too into the weeds here, Mr. Robot follows Elliot, a computer programmer who works for a giant company, named E-Corp (or Evil Corp, depending on who you ask) by day and flexes his chops as a hacker at night. He gets recruited by a mysterious Anonymous-like organization that wants to crash corporate America. The only issue? He works for the company at the top of the greedy corporate food chain. That's the nutshell explanation but there's more going on here than that. Add in a V for Vendetta-style anarchist cult, a mysterious mentor figure (conveniently named Mr. Robot) and a complicated mental health struggle and you have one heck of a layered onion to unpeel. Mr. Robot is an absolute banger of a TV show. It was different from anything else on television (and pretty much, still is). It was clear from the jump that this series was going to move the needle; it was a programming paradigm shift and it had a lot to say. Christian Slater plays Mr. Robot opposite Rami Malek as Elliot Alderson in Mr. Robot. USA Network Christian Slater plays Mr. Robot, whose recognizable cadence and smirky, sardonic delivery make Elliot's sidekick a compelling character who can be charismatic and abhorrent in the same breath. Cocky, confident, and a bit sociopathic, Slater's Mr. Robot is the antithesis of Malek's Elliot. Their relationship dynamic is reminiscent of the one between Brad Pitt's Tyler Durden and Edward Norton's Jack in David Fincher's 1999 cult classic, Fight Club. Mr. Robot explores a slew of heavy themes that can be tough to stomach. It's the rare occurrence where the use of voice-over narration elevates the whole story instead of feeling like a storytelling shortcut. Elliot regularly addresses the viewer and his narration is never ham-fisted. Carly Chaikin as Darlene and Rami Malek as Elliot in the hacker drama Mr. Robot. USA Network In fact, Malek is on another level here. Emotionally resonant, intense, vulnerable -- his range runs the gamut -- and he's simply enthralling as Elliot. As his world unravels and he's forced to question the chaos happening around him, he regularly breaks the fourth wall to talk with us at home -- which is welcoming and unnerving -- and invites us deeper into his reality. In the series' opening moments, all it took was hearing him say, "Hello, friend," and I was fully invested in the slippery slope of insanity that followed. Mac Quayle's Emmy-winning, techno-laden score kept me nodding my head, even during the show's twistiest twists. Rami Malek as Elliot and Joey Bada$$ as Leon in Mr. Robot. USA Network Slater and Malek are the powerhouses here, and their characters' storylines are the lifeblood of Mr. Robot. The supporting players also bring their A-games. Carly Chaikin, Portia Doubleday, Martin Wallström, BD Wong, Michael Cristofer and Joey Bada$$ deliver memorable performances that succeed in building out Esmail's sleek yet bleak world. The aforementioned hip-hop artist is an absolute delight. Recently, I wrote about FX's Legion and the ways in which that Marvel series pushed the envelope with what can be done on basic cable. Esmail did the exact same thing with Mr. Robot (on the USA Network, no less) by infusing style elements into the city streets and cold buildings, reminiscent of the aesthetic the Wachowskis brought to The Matrix. Elliot (go with me here) can even be viewed as a Neo but without all the supernatural sci-fi minutiae that came with that story. As kooky and bizarre as things get, Esmail manages to keep things grounded and believable. His attention to authenticity, like using real Linux code every time Elliot is seen typing on-screen, is on point. I said earlier that this was a TV show about the internet and, really, it's probably the most accurate-feeling representation of the dark web subculture I have ever seen on television. A hacker series winning Emmy awards? Yes, that happened. Yet, Mr. Robot was anything but mainstream, which, funnily enough, is what made it mainstream. Rami Malek won an Emmy for his performance as Elliot Alderson in hacker drama Mr. Robot. USA Network Even though things get pretty dark, Esmail came prepared. There is a surprising amount of humor threaded throughout the series that helps to offset the bleak nature of the show's looming dystopia. He uses pop culture nostalgia and disruptive production techniques to keep us on our toes. One specific episode featured a reality-altering flashback, curious visuals and an iconic '80s sitcom alien that made me sit up and yell at the television like Leonardo DiCaprio in Once Upon a Time in Hollywood. It's been a decade since the conspiracy thriller first hit the USA Network. It was a time before TikTok, misinformation, deep fakes and AI. Yet, through all these social media and technological advancements, the show holds up. In fact, the overarching themes like political corruption, corporate greed and untreated mental health issues, somehow make Mr. Robot even more relevant today. If I'm being honest, friend, I really can't think of anything I'd rather binge this Fourth of July holiday weekend.


Los Angeles Times
an hour ago
- Los Angeles Times
South Korea celebrates the transformative power of ‘Squid Game'
SEOUL — The third and final season of Netflix's 'Squid Game' broke viewership records on the streaming platform following its release on June 27, marking a fitting close for what has arguably been the most successful South Korean TV series in history. Although reviews have been mixed, Season 3 recorded more than 60 million views in the first three days and topped leaderboards in all 93 countries, making it Netflix's biggest launch to date. 'Squid Game' has been transformative for South Korea, with much of the domestic reaction focused not on plot but on the prestige it has brought to the country. In Seoul, fans celebrated with a parade to commemorate the show's end, shutting down major roads to make way for a marching band and parade floats of characters from the show. In one section of the procession, a phalanx of the show's masked guards, dressed in their trademark pink uniforms, carried neon-lit versions of the coffins that appear on the show to carry away the losers of the survival game. They were joined by actors playing the contestants, who lurched along wearing expressions of exaggerated horror, as though the cruel stakes of the game had just been revealed to them. At the fan event that capped off the evening, series creator Hwang Dong-hyuk thanked the show's viewers and shared the bittersweetness of it all being over. 'I gave my everything to this project, so the thought of it all ending does make me a bit sad,' he said. 'But at the same time, I lived with such a heavy weight on my shoulders for so long that it feels freeing to put that all down.' Despite the overnight global fame 'Squid Game' brought him (it's Netflix's most-watched series of all time), Hwang has spoken extensively about the physical and mental toil of creating the show. He unsuccessfully shopped the show around for a decade until Netflix picked up the first season in 2019, paying the director just 'enough to put food on the table' — while claiming all of the show's intellectual property rights. During production for the first season, which was released in 2021, Hwang lost several teeth from stress. A gateway into Korean content for many around the world, 'Squid Game' show served to spotlight previously lesser-known aspects of South Korean culture, bringing inventions like dalgona coffee — made with a traditional Korean candy that was featured in the show — to places such as Los Angeles and New York. The show also cleared a path for the global success of other South Korean series, accelerating a golden age of 'Hallyu' (the Korean wave) that has boosted tourism and exports of food and cosmetics, as well as international interest in learning Korean. But alongside its worldly successes, the show also provoked conversations about socioeconomic inequality in South Korean society, such as the prevalence of debt, which looms in the backstories of several characters. A few years ago, President Lee Jae-myung, a longtime proponent of debt relief, said, ''Squid Game' reveals the grim realities of our society. A playground in which participants stake their lives in order to pay off their debt is more than competition — it is an arena in which you are fighting to survive.' In 2022, the show made history as the first non-English-language TV series and the first Korean series to win a Screen Actors Guild Award, taking home three in total. It also won six Emmy Awards. That same year, the city of L.A. designated Sept. 17 — the series' release date — as 'Squid Game Day.' Although Hwang has said in media interviews that he is done with the 'Squid Game' franchise, the Season 3 finale — which features Cate Blanchett in a cameo as a recruiter for the games that are the show's namesake — has revived rumors that filmmaker David Fincher may pick it up for an English-language spinoff in the future. While saying he had initially written a more conventional happy ending, Hwang has described 'Squid Game's' final season as a sobering last stroke to its unsparing portrait of cutthroat capitalism. 'I wanted to focus in Season 3 on how in this world, where incessant greed is always fueled, it's like a jungle — the strong eating the weak, where people climb higher by stepping on other people's heads,' he told The Times' Michael Ordoña last month. 'Coming into Season 3, because the economic system has failed us, politics have failed us, it seems like we have no hope,' he added. 'What hope do we have as a human race when we can no longer control our own greed? I wanted to explore that. And in particular, I wanted to [pose] that question to myself.'