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Netflix fans 'can't sleep' after watching twisted film that streaming giant is taking down

Netflix fans 'can't sleep' after watching twisted film that streaming giant is taking down

Daily Mirror17-07-2025
A controversial thriller that left fans feeling uneasy is leaving Netflix soon
Netflix subscribers have just a limited time to stream a controversial thriller that left fans unable to sleep.

American Psycho was released in 2000, and is the film adaptation of the 1991 bestselling novel of the same name, written by Bret Easton Ellis.

Directed by Mary Harron, the horror thriller stars Christian Bale as Patrick Bateman, a narcissistic banker living in New York during the 80s, who is leading a double life as a serial killer.

Seeming normal to the outside world, behind closed doors Patrick is hiding an extreme violent streak as he commits unhinged and brutal acts of murder and torture.
Packed within its 102 minute run-time, American Psycho has plenty of kills, drug-taking and sex. In one notable scene, an axe-wielding Patrick goes on a killer rampage, murdering Jared Leto's character Paul Allen.

The cast of the film - which developed a cult following in the decades since its release -also includes stars like Willem Dafoe, Justin Theroux and Reese Witherspoon.
What's more, the critical response to American Psycho was fairly good. On Rotten Tomatoes, it was given a 68% "fresh" rating based on over 100 reviews from 2000 to 2023.

The movie - which leaves Netflix on August 10 - fared pretty well at the box office too, grossing $34 million from a $7 million budget.
As for fan reaction, American Psycho certainly left people divided. Online, one person said: 'It was so twisted I loved it.' Someone else fumed: 'Not a fan, gross and too violent for me.'
A third chimed in: 'I couldn't sleep after watching it! One of those that sticks with you for sure.' Another also wrote: 'It's my favorite movie and it's the movie I've seen the most times. I never get bored of it since there are so many great details.'

Meanwhile, last year it was reported that Austin Butler is set to take on the role of Patrick in a modern remake of American Psycho.
Best known for his Academy Award-nominated performance as Elvis Presley in Baz Luhrmann's Elvis, Austin is said to be collaborating with acclaimed director Luca Guadagnino for a fresh cinematic interpretation of the film.
Variety confirmed the casting and announced that the project is being developed by Lionsgate and will bring a bold new vision to the 2000s thriller.
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I have to warn you after watching 'heart-stabbing' Netflix film My Oxford Year
I have to warn you after watching 'heart-stabbing' Netflix film My Oxford Year

Metro

timean hour ago

  • Metro

I have to warn you after watching 'heart-stabbing' Netflix film My Oxford Year

Netflix has just released a new film that has fan up in arms about its ending, questioning its classification as a rom-com – and I'm afraid to say, is also just a bit crap. Fans have swarmed social media to reveal they are 'speechless', 'devastated' and generally crying their eyes out over the movie, while others have taken it to task for being 'so boring' and leaving them 'feeling nothing' for any other characters. And I wholeheartedly agree. Not only does My Oxford Year take a very long time to introduce any stakes, but before we get there it's a painful watch for British fans not particularly interested in the film's tourist porn shots of the titular city and university. 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Obviously, they are reminding us that not everyone fatally ill looks or acts that way (and nor should they have to), but it's a clumsily made point when the film decides to give Mylchreest his first topless scene while receiving chemotherapy. And then they belatedly whack out the greyish face make-up for one scene later on. My Year at Oxford's ending reveals that Jamie does indeed die after catching a critical case of pneumonia, sharing the news surprisingly subtly as Anna lies in bed with Jamie, narrating the stops of the grand European tour they intended to go on. While the montage initially shows the couple happily together exploring Amsterdam, Venice, Paris and the Temple of Poseidon at Sounion in Greece, the camera then swings around to reveal Anna on her own taking the trip instead – and fine, yes, okay, I got a little burning behind the eyes at this, but it is not a high bar to pass for a film to manipulate me intro crying. It proved even more emotionally effective for others though. 'Did I finish the movie or did the movie finish me?' asked fan Agnes on X over My Oxford Year's traumatic conclusion. 'Thought I was signing up for a chill romantic movie with a few clichés. Instead, My Oxford Year wrecked me emotionally, stabbed me in the heart and walked away like nothing happened. That ending?? RUDE. Yeah. I'm not okay. Not even a little bit,' ranted user @_httpSea_, echoing a lot of the shocked reaction to the film. 'My Oxford Year is the biggest Trojan horse ever seen. I thought I was watching a silly romcom and I just got depressed with the ending of it,' tweeted @JENNIEDEMIE. 'Why did nobody warn me that it ended like that and why am I bawling over a movie I thought would be a cute and silly rom com,' complained Lily-Rose, while Mel shared: 'Netflix really thought the book My Oxford Year wasn't sad enough, so they proceed to change the ending to send us in therapy.' 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If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. MORE: Netflix fans declare 'weekend is sorted' as addictive TV series drops 6 new episodes MORE: 17,000,000 Netflix users risk £1,000 fine for watching WWE SummerSlam MORE: 'I'm a TV critic – I'm convinced Netflix's August thriller will blow me away'

For Elvis, death has proved disturbingly good business
For Elvis, death has proved disturbingly good business

Telegraph

time3 hours ago

  • Telegraph

For Elvis, death has proved disturbingly good business

Elvis lives. A 'new' Elvis Presley album is out this week, Sunset Boulevard, comprising fresh mixes of songs recorded in Los Angeles between 1970 and 1975, two years before the King died. This was a period when Elvis was arguably at the top of his game as an entertainer, relentlessly touring America with a big, super-tight ensemble of outstanding musicians, flying in on his jet and collecting a million dollars a show. Yet he was at a critically low ebb, derided for embracing Las Vegas's cheesy showbiz values and pouring out subpar albums overstuffed with middle-of-the-road material barely fit for his stellar talents. Yet here we are, still sifting through his recordings for lost gems. An extended five-disc box set that includes 89 rarities, mainly rehearsals and out-takes, more than half of which have never come out officially before. Its chief selling point is that it features songs stripped of excess overdubs to give Elvis a more raw and contemporary sound. It makes you wonder where they find this stuff? What dusty vault still contains unreleased Elvis recordings more than half a century since he died? Elvis put out 24 studio albums and 17 soundtracks within a 21-year period between his recording debut aged 19 in 1954 and death aged 42 in August 1977. Since then, there have been a mind-boggling 307 posthumous compilations, 21 remix albums, 80 box sets and 271 special collectors' releases in the Follow That Dream series. That is a lot of music, and a lot of it is the same music, repackaged over and over again. The 'Elvis lives' slogan started appearing in the immediate aftermath of his televised funeral procession, as the world grappled with the sudden disappearance of this lightning-bolt figure who had symbolised such virility. Nearly half a century later, what started out as a kind of sentimental wish seems manifestly true in terms of the way Elvis has persisted as a fixture of popular culture. The curation of the Elvis legend and management of his estate have become object lessons in the commercial exploitation of posthumous music careers. Where Elvis treads, every ageing pop brand (and their heirs) can only aspire to follow. Mercifully it is not all exploitative tat like the much derided 'interactive experience' Elvis Evolution that opened in London in July, charging up to £300 for a bit of pimped-up video footage and some over-familiar memorabilia. Elvis racks up huge streaming numbers, with more than 20 million monthly listeners on Spotify. A close look at the statistics is fascinating. His key modern audience (according to music industry site Chartmetric) are not old rock'n'roll diehards but women between the ages of 25 and 34. His most popular song is not even one of his classic rockers but dreamily romantic 1961 ballad Can't Help Falling in Love, which has garnered over a billion Spotify streams. Connecting to new generations is crucial to posthumous longevity. You have to remain present in the streaming and social media mix, with constant new releases (archive or remixes), documentaries and films (Baz Luhrmann's 2022 Elvis biopic provided a huge boost to his income and image) and even live (or almost live) performances. The best example is probably Queen, who are Spotify's most streamed vintage musical artists at number 37, and have toured with substitute singers Paul Rodgers and Adam Lambert since the death of Freddie Mercury in 1991. View this post on Instagram A post shared by Elvis Presley's Graceland (@visitgraceland) If we include the Beatles (at 55), Nirvana (111), Bee Gees (335) and the Cranberries (482), there are just 14 deceased vintage 20th-century artists in Spotify's all-time top 500 streamers (Michael Jackson at 78, Bob Marley, 122, Tupac Shakur, 157, Elvis, 205, Frank Sinatra, 208, David Bowie, 224, the Notorious BIG, 249, Whitney Houston, 294, and film composer John Williams, 446). There are also a number of late contemporary 21st-century stars, including Amy Winehouse (343), Aviici (74) and rappers Juice Wrld (21), XXXTentacion (20), Mac Miller (70) and Pop Smoke (97). Ozzy Osbourne and Black Sabbath's streams skyrocketed this week following Osbourne's death, increasing between 1,000 and 2,000 per cent, hurling them into Spotify's current top 200 and establishing Ozzy as the number one heavy metal artist in the world. I wonder if Sabbath might be tempted to tour again with another singer, Queen style? The three surviving members were on incredible form at Ozzy's farewell concert, and it would almost be a shame if they let that music fade away. There would be no shortage of contenders, with great singers from pop star Yungblud to Rival Sons' Jay Buchanan and Lzzy Hale of Halestorm giving powerful renditions of Sabbath classics at that moving show. Death can be disturbingly good for business, as anyone who has pored over Forbes's ghoulishly fascinating annual chart of highest-earning dead celebrities can attest. Yet there are notable absences, too, from once-supreme bands and stars who appear to be fading from the firmament, such as the Doors, Marvin Gaye and even Jimi Hendrix. To protect your legacy, you have to work it. Elvis Presley's personal fortune at death was a modest $5m (around $20m/£15m adjusted for inflation). By 2022, it was estimated at more than $1bn, and he is still raking in around $100m a year, with his granddaughter, Riley Keough, his sole beneficiary following the death of her mother, Lisa-Marie, in 2023. Elvis is literally worth more dead than alive. Sunset Boulevard is out now On the Record I've been listening to Lord Huron's fine new album, The Cosmic Selector Vol. 1, a slice of atmospheric Americana with thoughtful lyrics, pitched somewhere between such unmodern influences as the Band and Chris Isaak. Movie star Kristen Stewart lends her moodily dramatic delivery to one track. The surprising thing is how popular this old-fashioned, rootsy US quartet are. One of their songs, The Night We Met, has accrued more than three billion plays on Spotify since its release in 2015. It is the 22nd most popular song of the streaming age, putting it ahead of anything by Taylor Swift (whose Cruel Summer is number 28 in all-time streams). Come critical lists and award season, I expect Jim Legxacy to be a contender for his intriguing second album, Black British Music. He is a singer, rapper and producer with an experimental bent married to sinuous pop craft, blending indie, rock and folk with quirky electronica and grime influences. It hints at the shapeshifting potential of such groundbreaking American producer-songwriters as Frank Ocean and Kanye West, and provides an interesting snapshot of a kind of uniquely British take on modern musical forms.

Former teen heartthrob who rose to fame on social media is now a dad at age 30
Former teen heartthrob who rose to fame on social media is now a dad at age 30

Daily Mail​

time4 hours ago

  • Daily Mail​

Former teen heartthrob who rose to fame on social media is now a dad at age 30

Former teen star Cameron Dallas has welcomed his first child with longtime girlfriend Madisyn Menchaca. The 30-year-old YouTuber and 24-year-old model announced the birth of their daughter in a joint Instagram post on Thursday. 'Landed my dream role ☆☆☆,' the new mother captioned a set of photos featuring the couple and their newborn. She revealed the baby's name and birthdate, writing, 'Indy Lee Dallas, 7/26/25.' Dallas shot to fame on Vine around 2014. At the time he was the 11th most-followed account. He currently has more than 26 million Instagram followers and nearly five million YouTube subscribers. Dallas shot to fame on Vine around 2014, when he boasted the 11th most-followed account; pictured in 2018 The 30-year-old YouTuber and 24-year-old model announced the birth of their daughter in a joint Instagram post on Thursday Cameron starred in a Netflix series called Chasing Cameron following his rise to social media stardom. He and Madisyn announced that they were expecting in a social media reel shared in mid February. The dad-to-be share a brief video on Instagram featuring his partner in a polka dot dress as they cradled her belly. She was barely showing a baby bump at the time, and Cameron wrote over the video: 'Baby coming July 2025.' The actor's 35-year-old sister Sierra Dallas commented under their announcement post on Thursday: 'Little toes and pink bows. auntie loves you. You did amazing Maddy!' A closeup photo showed the little one swaddled in a knit blanket as her tiny toes peaked out. The new parents also shared a photo of their intimate home birth, with Cameron supporting her as she prepared to give birth in a tub. In May Madisyn bared her growing baby bump in a patterned bikini as she awaited their baby's arrival. According to Just Jared, she and Cameron were first romantically linked in 2019, and the lovebirds went Instagram official in 2020. In January 2019 Cameron was arrested for assault in Aspen. He was a guest at the Hyatt Residences Grand Aspen hotel, where he was accused of punching a man, later facing a charge for second-degree assault. The star later addressed the incident on Twitter, posting, 'Unfortunately sometimes in life you find yourself in a situation where you have to protect yourself and the people you care about, have a safe and happy new year, 2019 is going to be an amazing one.'

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