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Kolkata Social

Kolkata Social

Time Out15-07-2025
✍️ Time Out Sydney never writes starred restaurant and bar reviews from hosted experiences – Time Out covers restaurant and bar bills, and anonymously reviews, so that readers can trust our critique. Find out more, here.
The poetry of Tagore. Mother Teresa's Missionaries of Charity. The roar of a cricket match at Eden Gardens. Kolkata – once the capital of British India and formerly called Calcutta – pulses with poetry, politics and passion. And now, you can have a taste of the 'City of Joy' on Newtown 's vibrant King Street.
After spearheading Colombo Social, Kabul Social and Kyiv Social, man on a (social justice) mission, Shaun Christie-David, founder of Plate It Forward, opened Kolkata Social in March. You might remember Ukrainian eatery Kyiv Social won Time Out Sydney's Impact Award 2025, so we're excited to see what's on offer.
It's a sunny Sunday when we are seated in a cobalt blue room with a view to the open red-tiled kitchen where the chef Ahana Dutt is in charge. Kolkata-born, Dutt earned her culinary cred at Firedoor and Raja before Christie-David roped her in. With every set menu ordered, Kolkata Social donates meals to those in need – one in Sydney and one in Kolkata via their charity partner, Calcutta Rescue.
This isn't your typical Indian restaurant
There's no chicken tikka from North India, or idli sambar from the South. Instead, Kolkata Social is a celebration of Bengali cuisine – and we're here to savour it.
First up, our entrées. The dry chilli chicken features boneless chicken bits, batter-fried then tossed in a garlicky sauce with green capsicum and onions. One bite and we're transported straight to Kolkata's Chinatown, the birthplace of 'Indian Chinese ' (IYKYK).
Next, moong dal el boram. The menu says 'think falafels, but Indian', and most Indians will recognise them as dal vadas (lentil fritters) sold at street corners as an afternoon snack. Made from a mix of ground moong dal with spices and finely sliced green chilli for punch, these moreish morsels are deep fried and sent to our table piping-hot. We dunk them in the tamarind chutney and think how we'd gobble them up on a rainy day with a cup of chai.
Speaking of which, our drinks are served: a lebu cha which is refreshing lemon iced tea with a zing of marmalade; a lassi slushie made with crushed ice; and a glass of Majama Zibibbo – a floral Hunter Valley white with notes of Turkish delight. The drinks menu itself is a nod to nostalgia. Printed on a replica of an old-school Indian inland letter, it's got a variety of whites and reds, beers like Mountain Culture x Kolkata Social lager and the ever-popular Indian beer Kingfisher, as well as some interesting offerings like mini mustard Martinis and vodka-spiked lassi.
Our mains arrive – and this is where chef Dutt's homage to her Bengali roots shines
The barramundi is served in a smoked yoghurt sauce with a generous slick of mustard oil, the mainstay of any Bengali kitchen. The result? Subtle, smoky, sublime. While Aussies claim barra as their own, you also get Indian barramundi in the mangrove estuaries of West Bengal where it is called 'bhetki'. How's this for a fish curry that connects countries?
Our waitress tells us that the goat kosha has been slow cooked for more than six hours – evident from the way the meat falls off the bone into a thick, aromatic curry. We sprinkle the jhoori aloo bhaja – crisp matchsticks of fried potato – over the goat and this combo reminds us of Salli boti, a beloved Parsi dish.
Paired with our mains is the birista pulao, taken from Bengali Muslim households, where onions are fried until caramelised and stirred through fragrant, cardamom-scented rice.
And then, as a surprise from the kitchen, began and bori is brought to us. Instead of the smokiness of a baigan bharta, this eggplant is cooked down to a luscious sweet-sour pulp in panch phoron (Bengali five-spice) that's perfectly mopped up with some flat bread.
Kolkata Social is an ode to chef Dutt's mum Sharmila Basu Thaur and her home-style cooking – apparent from her mural by artist Marlon Dalton in the inner mustard-yellow room that's kissed by the afternoon sun. The menu is novel; the dishes are nuanced. There are no flourishes of this and foams of that, but the food is cooked with finesse. It is food that you can eat with your hands and comes from the heart. Food that makes us want to go in for just one more bite despite the waistband of our protesting jeans.
So we oblige, ordering a dessert to share. Not the familiar Bengali sweets of rasgollas or mishti doi, but patishapta, a jaggery and coconut-stuffed crêpe, flambéed in rum and nestled in custard. It's doused with a peg of rum and flambéed in front of us. Devoured in seconds, it's a fitting finale to an exceptionally fine meal.
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Family prevents Amit and Pooja from being together, with Pooja having an arranged marriage and singing this song on her wedding night and imagining what might have been. A real heartbreaker. 8. 'Kal Ho Naa Ho' Film: 'Kal Ho Naa Ho' (2003) An example of a song recurring throughout a film, the flute intro from the title track of 'Kal Ho Naa Ho' haunts this massively successful early noughties film. Sonu Nigam's rich, textured voice dreamily animates exquisite, poetic lyrics by Javed Akhtar (of screen-writing duo Salim-Javed, responsible for ' Sholay ' and ' Deewaar '), and soundtracks a love triangle with a terminal-illness twist. The entire soundtrack – by Shankar-Ehsaan-Loy – is brilliant and the phat hip hop production of Mahe Vee reflects twenty-first century Bollywood absorbing 'outernational' influences. 9. 'Aap Jaisa Koi' Flm: 'Qurbani' (1980) Considering mainstream 1970s disco has a certain OTT, kitsch appeal, Bollywood disco seems a match made in mirror-ball heaven – and here's the evidence. 'Aap Jaiso Koi' has roots in Britain with Bangalore-born, London-based producer Biddu (Kung Fu Fighting) behind the languid groove and glossy disco vibe of this Bollywood disco classic. Remarkably, its ethereal, fuzzy voice belonged to 15-year-old Pakistani schoolgirl Nazia Hassan, living in London, who went on to record a hugely successful album 'Disco Deewane' (produced by Biddu) with her brother, Zoheb. Tragically, Nazia passed away in 2000 aged 35. 10. 'Dum Maro Dum' Film: 'Hare Raama Hare Krishna' (1971) What do you do when you're Ashaji and your older sister is Lata Mangeshkar, the most in-demand, perfect playback singer in Bollywood? You develop a persona opposite to Lata's goody-two-shoes image, singing for racy, carefree and sensuous actresses (in this instance, 1970s vamp Zeenat Aman). This is a homage to hippies in India, as they pass round a chillum as Asha sings, 'take another hit' to a glorious, psychedelic Bollywood funk composition by RD Burman – who became Ashaji's hubby in 1980. 11. 'Awaara Hoon' Film: ' Awaara ' (1951) Raj Kapoor is the father of cinema in post-colonial India. The actor and director was behind a flurry of hits in the 1950s and 1960s – including 'Awaara' – and key to film becoming central to India's cultural imagination. The song 'Awaara Hoon' sees the actor cheerfully sing about being a drifter, tapping into the Partition of 1947 that saw around 10 million people displaced. His everyman charisma touched a nerve, and versions of this song appeared in the Soviet Union and China, with Chairman Mao reportedly a big fan of both film and song.

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