
Music trade bodies concerned about BBC's changes to airing live performances
During the punk rap duo's set at the festival on June 28, they led the crowd in pro-Palestinian and anti-Israeli military chants like 'free, free Palestine' and 'death, death to the IDF.'
The BBC livestreamed the performance in full leading to a backlash from the government.
BBC Director-General Tim Davie ordered the content to not be featured in any other coverage. However, due to a technical issue the stream was available on the BBC iPlayer for about five hours.
Davie and BBC chair Samir Shah have both apologized. The BBC said in a statement: 'Warnings appeared on the stream on two occasions and the editorial team took the decision not to cut the feed. This was an error.'
Music industry trade bodies and experts now say the BBC is overreacting.
'The BBC is absolutely fundamental to the continued success of British music and particularly vital to supporting our new and emerging artists' development,' said David Martin, head of the Featured Artists Coalition, a UK trade body that supports music artists.
The FAC supported the network's public service broadcasting remit, which understandably came with responsibilities and standards, he said.
'If those standards have been breached, then there should be appropriate guidelines to follow. But the idea of preemptively grading artists according to their risk factor feels arbitrary and disproportionate and a dangerous step toward censorship.'
Such an approach could 'curtail artistic freedom' and 'inadvertently punish those who are simply expressing their views,' he said.
Naomi Pohl, general secretary of The Musicians' Union, stressed the importance of the BBC and its role in the music industry.
'It's such a shame there has been this shadow cast over this year's Glastonbury coverage, because it has had fantastic viewing figures. It's been all over iPlayer and people have been tuning in live,' she said.
'We need to talk to the BBC about it directly. But I don't want to see any broadcasters now broadcasting fewer live events because they don't want to take the risk. The whole of the music industry will be feeling that, because it's so crucial to us to have the BBC.'
A BBC spokesperson said the broadcaster stood by its decision to make changes to livestreaming music performances.
'We will continue to bring audiences a range of music performances, both live and on-demand and we respect artists' freedom of expression,' the person said.
'However, Bob Vylan's offensive and deplorable behavior on one of our Glastonbury livestreams was completely unacceptable and we are sorry it appeared on the BBC.
'This is why we have made immediate changes to livestreaming music events and these, alongside our editorial guidelines, will shape our plans going forward.'

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Al Arabiya
2 hours ago
- Al Arabiya
The Bayeux Tapestry will be displayed in the UK for the first time in nearly 1,000 years
The Bayeux Tapestry, the 11th-century artwork depicting the conquest of England, will be displayed in the UK for the first time in almost 1,000 years. Officials said Tuesday that the treasured medieval tapestry will be on loan from France and arrive next year at the British Museum, where it will star in a blockbuster exhibition from September 2026 to July 2027. The loan was announced during French President Emmanuel Macron's state visit to the UK. The fragile 70-meter (230-foot) cloth depicts the events leading up to the Norman conquest of England by William the Conqueror in 1066. The artwork is believed to have been commissioned by Bishop Odo of Bayeux and has been displayed in various locations across France, including most recently at the Bayeux Museum in Normandy. 'The Bayeux Tapestry is one of the most iconic pieces of art ever produced in the UK, and I am delighted that we will be able to welcome it here in 2026,' Culture Secretary Lisa Nandy said in a statement. 'This loan is a symbol of our shared history with our friends in France, a relationship built over centuries and one that continues to endure,' she added. In return, the British Museum will loan treasures from the Sutton Hoo collection–artifacts from a 7th-century Anglo-Saxon ship burial–to museums in Normandy. The excavation of Sutton Hoo was dramatized in the 2021 film 'The Dig,' starring Ralph Fiennes and Carey Mulligan. Other items to be loaned to France include the Lewis Chessmen, the mysterious medieval chess pieces carved from walrus tusks and whales' teeth dating from around the 12th century that were discovered on the Isle of Lewis in Scotland.


Al Arabiya
2 hours ago
- Al Arabiya
Stéphane Rolland Lets Couture Speak for Itself With Space-Age Glamor
Stéphane Rolland went back to what he does best on Tuesday: unadulterated couture. This season at Paris Couture Week, Rolland stripped away gimmicks and let the clothes do the talking, unveiling a dazzling palette of ivory, black, and red–with giant spangles shimmering like stardust or cosmic fish scales. A live string orchestra set the mood as Rolland's signature silhouettes reshaped the female form: mermaid gowns hugged the body, giant tulle trains trailed behind, and severe white dresses with razor-sharp shoulders brought a surreal, intergalactic edge. Space-age references ran throughout, from pointy shoulders to jewels worn as talismans–adorned on gowns or set on the forehead like interplanetary insignia. It marked a confident return to classic Rolland after recent seasons experimenting with format and mood. Last year, Rolland broke with tradition, staging a collaborative, student-led show inspired by the serenity of the desert. But on Tuesday, the focus was undiluted couture delivered with maximum impact. A celebrity favorite–counting Kim Kardashian and Cardi B among his fans–Rolland is one of Paris fashion's last couture independents. His trademark mix of sculptural tailoring, high drama, and Parisian mystique was on full display, proving that sometimes the boldest move is simply perfecting your own signature.


Al Arabiya
3 hours ago
- Al Arabiya
Music Review: English Post-Punks Wet Leg Level Up on Sophomore Album, 'Moisturizer'
A few songs into the second studio album from buzzy English post-punk Wet Leg, singer Rhian Teasdale yells 'level up!' And level up they have. The alt-rock duo-turned-group took their time to complete their sophomore release titled Moisturizer. It was worth the wait. The album is a terrific soundtrack for a long hot summer. The Grammy Award-winning Wet Leg emerged from England's Isle of Wight in 2021 with the quirky viral hit 'Chaise Lounge,' which released before they had ever performed live. The song immediately charmed audiences – a cheeky track centered on Teasdale's deadpan delivery and guitarist Heather Chambers' chunky, jagged bursts. They grew from there, releasing a self-titled debut album in 2022 that rose to the top of the UK charts. On Moisturizer, the two have greatly expanded their skills and range. But they've also retained the raunchy, goofy energy that gained them an adoring audience. The new version of Wet Leg is no longer just a duet. Their touring band – bassist Ellis Durand, drummer Henry Holmes, and guitarist/synth-player Joshua Mobaraki – have formally joined the project and share writing credit on several songs. The expanded band complements Chambers' oddball progressions and facilitates a bigger, more layered sound. The opening track 'CPR' opens with Holmes' drums and Durand's funky bassline before the guitars come in. The band can now groove as well as grind. The lyrics capture the silliness and dead seriousness of a bruising crush. Playing the dispatcher, Chambers asks 'Hello? 999. What's your emergency?' Teasdale answers 'Well… the thing is… / I… I… I… I… I… / I'M IN LOVE.' Across the album there are plenty of tracks that work to rattle car speakers and dominate summer festival mainstages. On the belligerent single 'Catch These Fists,' Teasdale declares 'I don't want your love / I just wanna fight.' On 'Pillow Talk,' Teasdale coos over an industrial metal drone and delivers some of the horniest lyrics in the band's notably graphic catalog. The slower songs show off the band's new tools. 'Davina McCall,' named after the English television presenter, begins bendy with some oddball chord changes and surprisingly delicate vocals. The slow jam '11:21' could sit next to the soft singer-songwriter Weyes Blood on a playlist. 'Don't Speak,' written and sung by Chambers, channels the bluesy energy and corny-sweet lyrics of late Replacements. In total, Wet Leg – now a full band – has a fuller sound. Fans will be wise to join them on the journey.