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‘I loved every day I worked with Seán and will miss him': tributes paid to beloved RTÉ presenter Seán Rocks

‘I loved every day I worked with Seán and will miss him': tributes paid to beloved RTÉ presenter Seán Rocks

Irish Times2 days ago
President
Michael D Higgins
, friends and colleagues have paid tribute to
Seán Rocks
, the
RTÉ
broadcaster and actor, who died on Wednesday after a brief illness, aged 64.
Rocks presented the nightly arts and culture show Arena on RTÉ Radio 1 since the show's inception in 2009. He was also an actor, appearing in plays at the
Gate
, Peacock and
Abbey
theatres, and he was recognised and admired for the knowledge and empathy he brought to his role interviewing some of the country's best known arts figures.
In a statement, the President said Ireland had lost 'one of its finest broadcasters and advocates for the arts'.
[
Seán Rocks: Ireland has lost one of its great cultural champions
Opens in new window
]
'Seán's show Arena on Radio 1 was an example, for all generations of listeners, of the deep, wide and supportive curiosity that he delivered from a rich insight into all aspects of the arts and culture. Seán's interest in all forms of the arts shone through on every topic and he expanded so many people's appreciation of performance and culture of all kinds,' the President said.
READ MORE
Sinéad Egan, series producer of Arena, told The Irish Times that Rocks's time as an actor gave him a 'fascinating' perspective. 'It meant that he appreciated how important every single piece of art was to the people involved, no matter the scale,' she said.
'Seán was beloved in RTÉ radio and within the arts community. It is impossible to overstate Seán's warmth and empathy as a person and as a broadcaster. He knew that for guests on Arena, art is life. Making radio with Seán was a privilege and a joy. Time and again, the best writers, visual artists, musicians, actors and film-makers came to Arena to talk to Seán because they knew he would engage fully with their work and ideas. His loss is profound. I am devastated for Seán and for his beautiful family.'
Donal Ryan, author
Seán was a deeply warm, funny and kind man with an incredible intellect and vast empathy. He always made people around him feel special and appreciated. I remember meeting him years ago in the RTÉ canteen and he could tell that I was nervous. He put his arm around me and said, 'Ah Donal, you'll be grand,' and I was. There was nothing like turning on the radio on a long drive home and hearing that Arena was about to start. It was miraculous, to have such a rich, entertaining and expansive show every day, presented with such easy brilliance. Seán is a huge loss to all of us, but I can only imagine his family's devastation. My deepest sympathy to Catherine, Morgan, Christian and all of his loved ones.
Kay Sheehy, former series producer of Arena
If there is magic in radio it has to be on air, and Seán Rocks had plenty of magic moments. But for me, thinking back with sadness and love for my friend and colleague Seán, the magic I liked most was in our pre-show tussles. We just loved to have a good old barney about a play, book or performance we had seen. We'd bicker and bark with disbelief about what the other 'could possibly' have admired or hated. It may have got the critical juices flowing for the show ahead, but for me it was fun, because he was fun. A producer's worst fear is some hare-brained idea they have being dismissed by an all-knowing presenter. That was never the case with Seán. 'Let's go to the Abbey and do a deep dive show on
Conor McPherson's
The Weir with the writer, director
Caitríona McLaughlin
, actor Brendan Coyle and cast interpreting the play?' He would jump at the chance. 'Let's do a Trad Fest special with Janis Ian, with others singing her songs as her voice is no longer up to it'? Again it was a yes. I loved every day I worked with Seán and will miss him.
Elaine Feeney, author
Seán Rocks was so brilliant and smart, he was deeply supportive of the arts (of all persuasion of arts), and his knowledge and understanding of culture was unparalleled. He understood what creativity meant, and was a light on the many evenings I listened to him, even on dark days when the whole world seemed off kilter, he was reliable and reassuring. I am so very sad to hear of his untimely passing.
(From Instagram)
Olan McGowan, former producer of Arena
Seán Rocks was the best, the most natural presenter I ever worked with. It was a pleasure producing Arena, going through material before the show and it was always a pleasure sitting in studio when he was in the chair. Nobody had a greater appreciation of the arts than Seán. His ability to go from the latest
Netflix
series to a highbrow author and then back to music of any genre, all in one show, was unparalleled. I always said Arena was a very good show with a very good team, but it was Seán that made it great. He is irreplaceable.
(From Instagram)
Edel Coffey, author and former RTÉ radio researcher
I started working on Arena a long time ago, which is how I got to know and love Seán Rocks. He was always brilliant and interested and smart and informed, but also he was always kind and funny and great fun. I have lovely memories of chair-dancing in the studio with him as we reviewed albums. He was very special, a total gentleman. This is devastating news for him, his family, the arts community and radio broadcasting.
Joseph Chester, singer-songwriter
Going on to Arena to talk to Seán was always a bit more nerve-racking than any other interview simply because his knowledge of the arts was so deep and you knew he would never let you get away with blather and cliches. You had to be prepared for an interview with Seán. For that reason I think that his interviews had a depth and understanding that few others had. He was also so supportive to me, inviting me on the show whenever I had an album coming out. I was in with him just a few weeks ago, talking about Françoise Sagan, sadness and life and playing a few pieces for him. He was in great form, curious and warm and talking off air about his family. He will be so missed.
(From Instagram)
Roisín O'Donnell, author
People talk about feeling seen, and I think that's what Seán did for everyone who walked into his studio. He had that rare gift for making people feel seen, heard and understood. Back in 2016, I was a very nervous young writer, just starting out, but Seán put me instantly at ease, and talked about my stories with such insight and empathy. I walked out of there feeling like a million dollars. His wit, intelligence and passion for the arts in all forms was truly remarkable. The Irish arts scene has lost a real legend.
(From Instagram)
Sinéad Gleeson, author and Arena contributor
I am – along with so many in the Irish arts community – devastated to hear about the death of Seán Rocks, presenter of
@rte_arena
. An intelligent, curious, warm broadcaster who lifted us all up, but more importantly, was a wonderful person. A total gentleman, always smiling who put people at ease. I loved the studio chats before the mic was live, where we often talked about our kids. I was only on air with him nine days ago and I couldn't make it to studio, and now I wish I had. He was one of a kind and will be so missed.
(From Instagram)
Nadine O'Regan, Irish Times journalist and Arena contributor
Seán Rocks was one of the most lovely people you could ever encounter. He was gas off air – with plenty of anecdotes and wisecracks – and professional, good-humoured, thoughtful and wise on air. There were so many lessons you could take from Seán as a presenter. He was a brilliant listener, with a finely tuned ear for a turn in a conversation, or a change in tone. He was extremely respectful to his guests – whether you were a huge star or a small contributor, he treated everyone the same. He was ego-free. And he was consistent – he always gave the show his all. Just the other week, I was saying to one of Arena's team how brilliant the show was, and how much I enjoyed contributing to it. 'Everything stems from the presenter,' she said. 'Seán is the same off-air as on – and he brings that atmosphere with him.'
Éilís Ní Dhuibhne, poet and author
Dinner with Seán Rocks
A year ago I started having dinner with Seán Rocks.
I light the candles, pour a glass of wine
And set my plate upon the table.
Then Arena starts. 'Imagine turning up
For an interview with that!' he says.
Novelists and singers. My favourites are the film critics:
so frank and honest.
It's March. I turn on the radio.
The dark locked garden calls for candles.
After the clock springs on
In April they're not really needed.
But still I persist. Dinner with
Seán Rocks, at seven every evening.
It's March again.
A year has passed,
The year of Covid.
I light the candles, set
My plate upon the table.
Rice and chicken. 'I want to
Finish with something I know you love!'
You know what I like about Seán Rocks?
He's nice. He has a melodious voice.
He's not pompous, never perky.
He speaks decent Irish.
'Anois an Nuacht ó Mháire de Bhailís'
He says before his show begins.
'That is our lot for this evening.'
Much has happened
Since last March. Birth and death.
And yet
'Tá sé díreach in am do John Creedon.'
(from Facebook)
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[ From the archive: Daring to dream of an island of equals Opens in new window ] Geraghty went straight into work after school, including a stint as an RTÉ cameraman, before becoming a full-time union official in 1969. He also married the late Irish Times journalist Mary Maher: they later separated, but remained friends until her death in 2021. (Former Siptu economist Rosheen Callender has been his partner for many years.) Parallel to this, he was involved in politics, first as a member of the Workers' Party – he stood unsuccessfully for the European Parliament in 1984 – and then its post-split iteration, Democratic Left. He represented the latter in the European Parliament in the early 1990s, when he came in as substitute for sitting MEP Proinsias De Rossa. He did not stand for re-election, however – it was agreed he would return to Siptu. Apart from an unsuccessful Seanad run for Labour in 2002, he largely eschewed party politics. 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But after relenting under Lenihan's persistence, he was appointed as chair of the risk committee. He still remembers Central Bank official delivering a stark assessment of the debt accumulated by Irish banks. 'She had a white face,' he recounts. 'I said, 'give it to me straight, what is the situation?' Now, I'd been reading all the journals and papers saying €64 billion [in debt], and she said, 'it's closer to €120 billion'. That was a frightening situation – I couldn't sleep that night, I wondered was I mad taking this on.' What I see is that they're dehumanising all of us. It's not just Gaza; they're making this standard acceptable. It's the depths of depravity — Des Geraghty As it turned out, Geraghty remained on the board until 2019: 'I was confident enough in the period I was there that good decisions were made.' But while he says he learned a lot about banking, he still views economics on a human scale. 'Economic thinking tends to be dominated by classical economists, bankers, financiers, and they're all about the bottom line, but I've always argued that's a very narrow concept of economy,' he says. 'Every penny you give in social welfare is channelled into the economy – it's spent in the local shop, on clothes and books for school. Economy is about how people live, the bottle of milk that you buy in the morning.' This chimes with his wider outlook. 'I like the slogan the Greens came up with: think globally, and act locally. We have to understand the world we live it, and act locally, with the sense of the community we're in.' But for all his idealism Geraghty is aware that not everyone shares his vision of a shared society. 'I found in housing [he was previously chairman of the Affordable Homes Partnership] that I was taken aback by objections to housing projects in local authorities,' he says. 'It usually was an objection to traffic, but at the end of the day people in secure houses are never that wild about new people coming in. So the real threat comes from people who are insecure, and the real problem in fascism is the people who are insecure. And that's egged on by people who have vested interests in that – Brexit was a classic example.' Similarly, Geraghty is alive to the growth of anti-immigrant sentiment in Ireland. He understands some concerns about the impact of immigration in rural areas. 'I can see an ordinary, logical argument that the State needs to do better, without filling out the local hotels,' he says. 'But the basic thing is we have a responsibility to provide as best we can.' Des Geraghty: 'I think that music, poetry and song was the anchor that kept the spirit of the Irish alive over centuries.' Photograph: Nick Bradshaw He firmly believes Ireland has 'enormously benefited' from migration: his 2007 book 40 Shades of Green celebrated the contribution of immigrants, in line with his view of national identity as 'a jigsaw of many pieces'. 'We're a mosaic of these identities, and we shouldn't be afraid of them,' he says. 'We need to thrive on difference.' These days, his activism is international in focus. He is vocal about Israel's destruction of Gaza, while calling out European inaction on the issue. 'What I see is that they're dehumanising all of us,' he says. 'It's not just Gaza; they're making this standard acceptable – Putin has done the same thing, bombing cities. It's the depths of depravity.' [ A father in Gaza: Our children are dying as the world watches. We don't want your pity – we want action Opens in new window ] Still, Geraghty sees reasons for hope. He lauds Ireland's 'communitarian instinct', evident in the charity sector and grass-roots action on patient rights and homelessness. Likewise, he remains inspired by Ireland's cultural life. 'Seán O'Casey said something very interesting, that culture is the way we live,' he observes. 'Culture isn't something out there, it has to be part of your own existence.' It's advice Geraghty has always taken to heart, whether previously serving as chairman of Poetry Ireland or appearing this month at the Masters of Tradition festival in west Cork. 'I think that music, poetry and song was the anchor that kept the spirit of the Irish alive over centuries,' he says. 'Music can bring people closer to their own homeplace – pride of place is very important if we're going to deal with the environment – and it doesn't have to be mutually exclusive to anyone else.' Such idealism speaks of Geraghty's principles, but also his personality. He cheerfully greets people who come up to him during our encounter, and even when discussing dark subjects, he looks on bright side. 'My optimism is rooted in my experience with human beings,' he says. 'I think human beings fundamentally have the potential to be either good or bad. We've the potential for humanity and greatness and creativity, or we can go down another road of dog-eat-dog and doing down other people, where you encourage all the worst features. I don't like competition as a philosophy. I think people are at their best when they're co-operating, when they're sharing, when they're not trying to beat other people.' Des Geraghty appears in conversation with Martin Hayes at the West Cork Music Masters of Tradition festival on August 24th

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