Netflix Rom-Com ‘Voicemails For Isabelle' Adds Nick Offerman, Lukas Gage, Harry Shum Jr., Ciara Bravo & More To Cast
Newcomers to the ensemble include Nick Offerman (Sovereign), Lukas Gage (Companion), Harry Shum Jr. (Everything Everywhere All at Once), Ciara Bravo (Last Days), Megan Danso, Toby Sandeman (Running Point), McKendrick, Spencer Lord (The Last of Us), and Gil Bellows (Patriot).
More from Deadline
Netflix's Untitled Newfoundland Limited Series Adds Kaleb Horn, Ruby Stokes & Willow Kean As Production Begins
2025 Premiere Dates For New & Returning Series On Broadcast, Cable & Streaming
Netflix's Corporate Culture Under The Microscope Again In Latest Misconduct & Discrimination Suits
The film tells the story of Jill, who copes with her sister's death by leaving her voicemails chronicling her chaotic life in San Francisco. When the number is unknowingly reassigned, an elusive Austin real estate agent begins receiving the hilariously confessional messages.
Producers on the project include Todd Black, Becky Sanderman, Jason Blumenthal, and Steve Tisch for Escape Artists. David Bloomfield is exec producing for Escape Artists.
Offerman is repped by UTA and Jackoway Austen Tyerman; Gage by WME, Luber Roklin Entertainment, and Goodman, Genow, Schenkman; Shum Jr. by Paradigm, Triniti Management, and Goodman, Genow, Schenkman; Bravo by UTA and Myman Greenspan Fox; Danso by The Characters Talent Agency; Sandeman by Gersh and Authentic Talent and Literary Management; McKendrick by UTA, Kaplan / Perrone Entertainment, and McKuin Frankel Whitehead; Lord by Red Management and UTA; and Bellows by Red Management, The Characters Talent Agency, Mainstay Entertainment, and i10 Media.
Best of Deadline
2025-26 Awards Season Calendar: Dates For Emmys, Oscars, Grammys & More
Men of Steel: Every Actor Who Has Played Superman - Photo Gallery
'Michael' Cast: Who's Who In The Michael Jackson Biopic
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
23 minutes ago
- Yahoo
Movie Icon, 64, Admits He's Slowing Down: ‘I Don't Have 50 Takes in Me'
Movie Icon, 64, Admits He's Slowing Down: 'I Don't Have 50 Takes in Me' originally appeared on Parade. George Clooney may be a silver fox, but the Hollywood heartthrob faces barriers in acting as he gets older. The A-lister gave fans a glimpse into what it was like filming the upcoming Netflix movie Jay Kelly during a Monday, August 4, interview with Vanity Fair. George will portray Jay Kelly, a famous actor whose manager is portrayed by Adam Sandler, and Laura Dern as his publicist. 'When you're an actor in my position, at my age, finding roles like this aren't all that common,' George admitted to the publication. 'If you can't make peace with aging, then you've got to get out of the business and just disappear. I'm now the guy that, when I go running after a bad guy, it's funny — it's not suspenseful. That's OK. I embrace all of that.' The Oscar-winning actor reflected on filming the movie under the guidance of director Noah Baumbach, who is known to make actors shoot multiple takes of a scene. 'I literally said to him, 'Noah, look, I love the script. I love you as a director, but I'm 63 years old, dude — I can't do 50 takes,'' George said. ''I don't have it in me. I've got the acting range from A to B.'' George compared his career to his character's role, admitting that he 'doesn't give a s--t' if people think he only plays himself 'There aren't that many guys in my age group that are allowed to do both broad comedies like O Brother [Where Art Thou?] and then do Michael Clayton or Syriana,' he listed. 'So, if that means I'm playing myself all the time, I don't give a s--t … Have you ever tried playing yourself? It's hard to do.' After landing his breakthrough role as Douglas Ross , M.D. in the series E/R, George made it to the top of the Hollywood list, starring in Blockbuster films including Batman & Robin, Ocean's 11 and more. 🎬 SIGN UP for Parade's Daily newsletter to get the latest pop culture news & celebrity interviews delivered right to your inbox 🎬 Movie Icon, 64, Admits He's Slowing Down: 'I Don't Have 50 Takes in Me' first appeared on Parade on Aug 4, 2025 This story was originally reported by Parade on Aug 4, 2025, where it first appeared. Solve the daily Crossword


Tom's Guide
34 minutes ago
- Tom's Guide
Netflix just set a release date for Richard Linklater's new comedy-drama — and I can't wait to watch
Netflix movies often don't get a theatrical release date. But that's exactly what's happening for "Nouvelle Vague," the latest film from Richard Linklater. If that name sounds familiar, there's a good reason. Linklater has quite possibly made one of your favorite movies — "Dazed and Confused," "Before Sunrise", "Boyhood" and "School of Rock," just to name a few. Will "Nouvelle Vague" join that prestigious list? Netflix is counting on it. It bought the U.S. distribution rights for this movie about Jean-Luc Godard and the making of the French Nouvelle Vague (New Wave) film "Breathless," after "Nouvelle Vague" premiered at the Cannes Film Festival earlier this year. That premiere earned an 11-minute standing ovation. Granted, the "Let's All Go to the Lobby" animation would probably get a standing ovation at a film festival, but 11 minutes is still impressive. Netflix is also putting the movie in theaters, which is another vote of confidence. The streaming service essentially only does this when it wants a movie to contend for awards (to win an Academy Award, a movie has to have played in theaters), meaning it thinks Linklater's film has the juice to bring home Oscar gold. If you're in one of the lucky few markets to get a theatrical screening, "Nouvelle Vague" will hit the big screen on Oct. 31 before premiering on Netflix two weeks later on Nov. 14. No matter where I get to see it, "Nouvelle Vague" is already one of my most anticipated movies of the year, and it was high up my list even before critics gave it rave reviews at Cannes. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. I will freely admit, though, that this movie is not necessarily for everyone. Linklater is a fairly accessible director, but this is a French-language film in black and white about making a French-language film in black and white. It's very much for cinephiles. The trailer certainly doesn't seem to be shying away from that expectation either. Poorly executed, such an endeavour could be a conceited, or worse — boring — arthouse film about art. But critics seem to think Linklater nailed it, giving the movie an 86% "fresh" rating across 44 reviews on Rotten Tomatoes. "An elegant love letter to the influential era in French cinema," wrote Tomris Laffley for Elle. "In stunning black and white, and with the grainy sound quality of the era, Linklater gives new life to period picture, making it romantic, exquisitely detailed, and timeless." "It shouldn't work," wrote Justin Chang for The New Yorker, echoing some of my concerns about the film. "But really it does... A playful Who's Who of late-fifties French film, a wittily engrossing and ultra-disciplined execution of a conceit that sounded self-indulgent on paper." So, whether you watch it at your local cinema or at your TV at home, just make sure to add "Nouvelle Vague" to your watchlist. Malcolm has been with Tom's Guide since 2022, and has been covering the latest in streaming shows and movies since 2023. He's not one to shy away from a hot take, including that "John Wick" is one of the four greatest films ever made. Here's what he's been watching lately:

Business Insider
35 minutes ago
- Business Insider
Brain rot summer
We like to see ourselves as individual free thinkers. But when a hot summer trend hits — a style, a song, or even a meme — we can't resist wearing it, blasting it, and posting it. But what about this summer? It's August — schools are reopening, football is returning — and no big trend has taken hold. Summer 2025 feels squishy, undefinable, and chaotic. This season's most anticipated movies are all franchise revivals, like "Jurassic Park," "Superman," "Lilo & Stitch," and the "Fantastic Four." Netflix just set a record for biggest opening of any in-house film: the sequel to the 1996 classic "Happy Gilmore." Where indelible songs of the summer have consistently broken through in years past — "It's Gonna Be Me" in 2000, "Gangnam Style" in 2012, "Espresso" in 2024 — this year lacks a clear winner. At this writing, "Ordinary" by YouTuber-turned-crooner Alex Warren is atop the Billboard Hot 100, a moody tune poised more for overuse as a wedding first dance than it is to be a poolside bop. The most hyped tour of the summer was Beyonce's Cowboy Carter, which promoted an album that dropped 16 months ago. "Should we be concerned that it's August in a week and so far the song of the summer is 'nothing beats a Jet2 Holiday '?" one TikToker asked, referencing the viral sound meme that uses the audio vacation ad from British company Jet2holidays. It has appeared in millions of videos to juxtapose a fun vacation melting down into disaster. Even fashion and visual aesthetic trends have come undone. 2024 was lime green Brat summer, 2023 was bubble gum pink thanks to Barbenheimer and Taylor Swift's Eras Tour, Beyonce's "Renaissance" chrome shone in 2022. As Vogue recently noted, "There is almost always one color that dominates. That said, this season seems to be the exception to the rule. There wasn't one single shade that reigned supreme." Welcome to brain rot summer. AI slop has infected TikTok, Facebook, and X, and people can't tell that even a herd of bunnies jumping on a trampoline is AI generated. The biggest monoculture moment we've seen so far was the Coldplaygate affair, a moment so cringe it cut through all our FYPs. I'm watching snippets of vacations gone wrong on TikTok and the Jet2holidays ad is living rent free in my head. The internet is piling on Sydney Sweeney and American Eagle with accusations that an ad for jeans was actually a Nazi dog whistle, and in the past few months Katy Perry has gone to space with Lauren Sánchez and Gayle King, split with Orlando Bloom, and is hanging out with Justin Trudeau, a summer romance gossip that feels like a Mad Libs concoction. It's easy to feel the absence of a universal vibe this summer, but the lack of a ubiquitous pop culture hit may be the result of a longer shift, says Joel Penney, a professor in the College of Communication and Media at Montclair State University. "There's been this huge pattern of media fragmentation that's been going on for a very long time." Because more people stream music and TV, "the catalog becomes just as important as anything new," Penney says. Sequels are safer bets for Hollywood to make, and Spotify spins up personalized playlists that feature older songs. Popular content creators with podcasts or large social media followings may seem big, but they also filter us into smaller media bubbles. The privilege of crystallizing and spreading our trends to massive audiences used to rest with late-night hosts, but their influence is waning: Stephen Colbert performed the viral "Apple" dance to go along with the "Brat" song last summer, but this summer his show is facing cancellation. There's been this huge pattern of media fragmentation that's been going on for a very long time. Joel Penney The news cycle, also popular late-night fodder, is fast paced and relentless. President Donald Trump is dominating news headlines in ways few other politicians ever have, from speculation around what's in the Jeffrey Epstein files to how tariffs will affect the economy to his posts on Sydney Sweeney. "Trump takes up all of the oxygen," Penney says. That's been true since he took office for the first time, with a report from Harvard' Shorenstein Center finding Trump was the topic of 41 percent of all news stories, tripling the coverage of past presidents. "There's just so much Trump all the time in the news that it kind of becomes pop culture," leaving little room for other pop culture moments to reach escape velocity. The big summer trends are often driven by, or at least seized by, marketers. "Barbie" had a $150 million marketing budget, more than the budget for the movie itself, and it paid off: The movie earned nearly $1.5 billion globally. If today we don't have one pop princess or color reigning supreme, maybe it's just an off year when no major, resonating work dropped just as the weather warmed up. But it could be an indication that people are growing tired of the mainstream, and weary of their social feeds being driven by algorithms over people. "The brain rot is super real," says Andrew Roth, founder and CEO of the Gen Z-focused research firm DCDX. "This summer is almost an escape from all of that, where people are going offline." DJs are turning coffee shops into spaces to vibe. Friendship and IRL dating apps are becoming popular as young people shirk traditional swiping. The hottest item to buy this summer is a Labubu; a toy made for adults whose appeal lies part in childhood nostalgia, and part in the IRL anticipation of opening a box without knowing exactly what you'll get. "Niche passions in communities are rising up to be an escape from that mainstream narrative that's everywhere," Roth says. "It doesn't feel like everyone wants to be a part of the same Barbenheimer or Brat summer experience. It's more of an individualized, spontaneous one." Maybe after two summers with blockbuster trends, we're feeling burned out and relishing in a break from monoculture. Critics and consumers alike have been feeling like the 2020s are culturally shallow for years, and attitudes about our entertainment landscape are pessimistic. A 2024 YouGov poll found people were most likely to say the 2020s has the worst TV, sporting events, radio programming, music, fashion, and movies, compared to every other decade over the past century. These opinions could be more nostalgia-driven than honest (the 2020s have spurred a deluge of water-cooler talk around highly acclaimed television series like "Severance" and "Succession"), or they could capture the growing frustration with the massive amounts of content we now have to choose from, and the age-old adage that quantity does not trump quality. Trends have shorter lives in our world where short-form video and algorithms dictate who sees what. Brat summer was maybe not just the winner of 2024, but such a massive hit that it became the exception and dragged on for so long that Charli XCX had to declare it over herself. In April, she suggested a litany of artists who could take up the torch. None have. No forced marketing campaign has led to the mass proliferation of one style, song, or movie. So how will we remember the Summer of 2025? Will it be the Astronomer affair? The coupling up of "Love Island's" Nicolandria, or the very public breakup of Elon Musk and Trump? Maybe we'll all have different memories of what defined the season and what we watched and listened to this summer — a patchwork that reflects the chaos that summer brought.