Photography workshop highlights Pakistan's beauty
The workshop served as a meaningful extension of the exhibition's themehighlighting Pakistan's beauty, diversity, and cultural richness through photography.
Acclaimed photojournalist Amir Khan and visual storyteller Shahzad Ahmad graced the occasion.
The workshop brought together students and photography enthusiasts for an engaging and informative session. Amir Khan shared insights from his experiences documenting life in Pakistan's remote regions, emphasising the power of visual storytelling and the ethical responsibilities of photojournalism.
Shahzad Ahmad offered practical tips on capturing everyday life through the lens, focusing on light, composition, and narrative depth.
The session provided a unique opportunity for participants to interact directly with the photographers whose works are currently featured in the exhibition.
Attendees praised the workshop for its informative content, approachable teaching style, and inspirational atmosphere.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Express Tribune
2 hours ago
- Express Tribune
Moving image exhibit opens at PNCA
"Seeing, Seen" a landmark exhibition exploring the moving image as a medium of resistance, memory, and reimagination, opened at the Pakistan National Council of the Arts (PNCA) on Wednesday evening. Inaugurated by Federal Minister for National Heritage and Culture, Aurangzeb Khan Khichi, the opening ceremony included remarks by Muhammad Ayoub Jamali and curator Sarah Rajper, followed by an engaging artist panel discussion. Supported by the British Council and organised by LUX and Art South Asia Project, the exhibition presents innovative works by artists from Pakistan and the UK, exploring themes of language, identity, history and perception through video, film and animation. In his address, Khichi praised the initiative, stating, "This wonderful exhibition, connecting Pakistani and UK-based artists, is a powerful example of cultural collaborationone that not only reflects our shared human experience but also strengthens the global standing of Pakistan's creative community." In her address, curator Sarah Rajper emphasised the significance of fostering support for new media and experimental forms in the region: "Moving image is still vastly under-supported in Pakistan despite its immense potential to reflect and reshape our realities. With "Seeing, Seen" we're not just showcasing art, we're building infrastructure for dialogue, risk-taking, and critical inquiry. It's a call to invest in the future of storytelling." The artist panel featured Kaiser Irfan, Mahnoor Ali Shah, M4HK, Ujala Khan and Rajper, who reflected on their practices and the role of moving image in Pakistan's cultural landscape. The exhibition features a wide range of mediums including video, animation, film, lenticular print, mixed media painting and stop-motion, as well as art from the British Council Collection. Participating artists include Abdul Haadi, Farida Batool, Kaiser Irfan, Mahnoor Ali Shah, M4HK, Rabeeha Adnan, Ujala Khan and UK-based duo John Wood and Paul Harrison. Highlights include Kaiser Irfan's "Language of the Birds", a meditative video exploring asemic writing and myth, Mahnoor Ali Shah's "Memory Flashbacks", which reflects on neurodivergence and memory, Farida Batool's lenticular works on trauma and perception and Rabeeha Adnan's "Field Reset", which uses glitchy VHS textures to explore desire and dissonance.
Express Tribune
4 days ago
- Express Tribune
Exhibit showcases new media art
The Pakistan National Council of the Arts (PNCA) is hosting Seeing, (Seen): Reframing the Moving Image in Pakistan, a groundbreaking exhibition bringing together artists from Pakistan and the UK to explore the transformative potential of the moving image as a medium of resistance, disruption and reimagination. Seeing, (Seen) engages with themes of memory, identity, and temporality, positioning the moving image as a fluid, uncontained force in contemporary visual culture. It contributes to the evolving discourse on new media and experimental art within Pakistan's unique cultural context. The exhibition features works by prominent Pakistani artists Abdul Hadi, Farida Batool, Kaiser Irfan, Mahnoor Ali Shah, M4HK, Rabeeha Adnan and Ujala Khan, alongside UK-based artist duo John Wood and Paul Harrison, with additional selections from the British Council Art Collection. A dynamic public programme will run throughout the exhibition, including artist talks, panel discussions, workshops, lectures and presentations focused on film, media, identity, and perception. Curated by Islamabad based curator and designer Sarah Rajper, the exhibition reframes film, video and new media as powerful tools for questioning how we see, sense and experience the world. The exhibition is the culmination of Rajper's participation in the prestigious Art Exchange: Moving Image curatorial fellowship - a year-long international programme, supported by the British Council and organised by LUX (UK) and Art South Asia Project. The fellowship included opportunities for mentorship, critical exchange and research visits to major UK institutions such as Tate Modern, Somerset House, Barbican Centre and the British Film Institute. The exhibition opens with a public reception on 30 July 2025, from 4.00pm to 8.00pm, featuring the Artist Panel Discussion from 6.00pm to 7.00pm, and will remain on view until 8 August 2025. Daily viewing hours are 10.00am to 4.00pm (closed Saturdays) at PNCA, Islamabad. Organised in partnership with the Lahore Digital Arts Festival and PNCA, this cross-cultural showcase offers audiences a chance to engage with boundary-pushing work at the intersection of art, technology and social commentary.
Express Tribune
19-07-2025
- Express Tribune
Sufi classic enchants audience
The timeless mystique of Sufi romance came alive on stage as the classic Punjabi folktale Saiful Malook was performed at the Pakistan National Council of the Arts (PNCA). The event, organised in collaboration with Dolphin Communication, celebrated Pakistan's literary and spiritual heritage through a theatrical tribute to the iconic poem by Hazrat Mian Muhammad Bakhsh. Directed by renowned writer and Dolphin Communication CEO Asma Butt, the production paid homage to the legendary Sufi poet whose verses continue to resonate through generations with themes of divine love, sacrifice, and spiritual awakening. The play's rich narration and soulful performances transported the audience into the ethereal world of Prince Saif and Fairy Badiul Jamal. The audience, which included artists, writers, intellectuals, and students, was immersed in a visually and emotionally moving experience that highlighted the enduring depth of Punjab and Kashmir's oral storytelling traditions. Member of the National Assembly Shazia Farid, who attended as the chief guest, lauded the performance and praised Asma Butt's vision. "Bringing Saiful Malook to life on stage is not just storytelling — it's cultural preservation. This production reflects the emotional depth of our folklore and the artistic sensitivity of our performers," she said. Other notable attendees included PNCA Programme Organizer Dr Waqar Azim; Judge Raheel Yousafzai; Saeen Ejaz; Naveed Kanwal; Naeem Pasha; Shakeel Awan; and Abid Abbasi. All expressed admiration for the revival of such meaningful and heritage-driven content. The cast featured a talented ensemble of actors from Rawalpindi and Islamabad, including Kaleem Khan, Nirmal Ali, Arshad Khan, Shazia Adeeb, Jhalak Ali, Raiha Yousaf, Shama Adil, Afzal Latifi, Raheel Ejaz, Shabbir Shah, Aslam Mughal, Arshad Mehmood, Mehboob Ilyas, Muhammad Ali, Mumtaz Khan, Farooq Jani, Noor, and others. A standout moment came during Afzal Latifi's powerful recitation of Mian Muhammad Bakhsh's verses, which evoked a spiritual ambiance and drew spontaneous applause. The play's evocative direction, traditional music, and atmospheric set design combined to deliver a fully immersive theatrical experience. In her closing remarks, director Asma Butt called the production "a labour of love." She added, "Our goal was not just to entertain but to reconnect audiences with their roots, their language, and the beauty of our folk traditions."
