logo
The 10 best new London restaurant openings in June 2025

The 10 best new London restaurant openings in June 2025

Time Out02-06-2025
News
Smashburgers, celeb-run restos, canal-side bistros and the return of Big Mamma feature in Time Out's best restaurants opening in the capital this month
Another month comes with another bunch of plucky cooks risking it all to launch themselves upon London's hungry masses. When it comes to new chain-y stuff, Lina Stores continues its eau de nil-shaded takeover via the medium of al-dente pasta with a Canary Wharf branch, while Harry's opens its fourth Italian restaurant in King's Cross. Meanwhile, Fortnum & Mason Royal Exchange will be home to a summer residency by seafood zaddy Rick Stein. Here's the best of the rest.
The 10 best new London restaurants opening in June 2025
1. The one with a famous person
Lupa, Highbury
Depending on your level of addiction to Deux Moi, the most compelling thing about this north London-based Roman-style trattoria isn't the supplì al telefono croquettes, but the fact that White Lotus alumni Theo James is part of the team. The dishy actor has joined forces with restauranter and Carousel co-founder Ed Templeton to open Lupa, and ex-Pidgin head chef Naz Hassan will be in charge of the kitchen. Expect carbonara, puntarelle, and a steady influx of flustered local mums. Lupa opens late June.
3 Highbury Park, N5 1UA
2. The Euro burger place
Dumbo, Shoreditch
French smashburger titans Dumbo are opening their first London location in mid-June. Their first joint outside of Paris, the powerfully brief menu sees them serving up cheeseburgers, veggie burgers, fries (French, of course) and chicken nuggets. And that's basically it.
119 Bethnal Green Road, E2 7DG
3. A telly chef branches out
Gina, Chingford
You might have been following pastry chef, author and Junior Bake Off presenter Ravneet Gill's journey to opening her new restaurant on Instagram (and Substack) in which she and chef husband Mattie Taiano go into furious detail about 'launching our first restaurant in the worst year for restaurants ever'. Intense! The family-run chophouse opens on June 11.
92 Station Road, Chingford, E4 7BA
4. The trendy one by the water
Canal, Westbourne Park
With perfect summer timing comes the June 30 opening of Canal. With a prime position next to the Grand Union Canal, it comes from the same sturdy stable as Crispin and Bistro Freddie. New York chef Adrian Hernandez Farina is helming a very 2025 menu of bistro bangers, from polenta flatbreads to seabream crudo with burnt blood orange and ricotta agnolotti with cavolo nero and pecorino. But the slickest thing about Canal? Nicholas Daley has designed the staff uniforms – including a kilt.
11B Woodfield Road, Westbourne Park, W9 2BA
5. The new Big Mamma one
Barbarella, Canary Wharf
It's been a while since Big Mamma launched one of their outre trattorias in London, but Barbarella is making up for lost time, with a massive mirrored glass bar, 1970s-style chrome lounge area, and walls draped with silk. A pervy kind of paradise, by the sounds of things. Food is set to be equally over-the-top; caramelised tomato tatin with Parmigiano cream, a mega 1.2kg T-bone steak, and a one-metre long spaghettone. Barbarella opens June 20.
YY Building, 30 South Colonnade, Canary Wharf, E14 5HX
6. The fabulous fish one
Noisy Oyster, Shoreditch
A fishy new spot from Madina Kazhimova and Anna Dolgushina from Soho's Firebird, Noisy Oyster is all about seafood classics from Italy, Spain, Portugal, and France but made with local, UK catches. The menu is inventive, verging on the pleasantly unhinged; oysters come with a smoked tomato water and horseradish mignonette, while scallops are dressed with pickled raspberry, chilli and basil oil, There's also a confit tuna nicoişe, pressed skate schnitzel with mixed peach panzanella, and crab, bisque and fennel orecchiette. Mini martinis are the move when it comes to drinks. Noisy Oyster opens June 20.
2 Nicholls Clarke Yard, Shoreditch, E1 6SH
7. The new Chilean hotspot
Mareida, Fitzrovia
Chilean cuisine isn't overly represented in London, which makes the opening of Mareida all the more intriguing. The Chilean team includes head chef Trinidad Vial Della Maggiora and Carolina Bazán, who was voted Latin America's Best Female Chef in 2019 by the World's 50 Best. Expect very good things.
160 Great Portland Street, W1W 5QA
8. An all-day Vietnamese canteen
Lai Rai, Peckham
Bringing all-day bánh mì to the masses, Lai Rai is a 'new school' Vietnamese coffee spot by day and a snack shop and beer house by night. Come for fried prawn on sugarcane stalks with peanut and nước chấm satay sauce, papaya jellyfish salad with pineapple, and twice-cooked crispy chicken.
181 Rye Lane, Peckham, SE15 4TP
9. The spruced up pub
William The Fourth, Leyton
Exale, one of our favourite breweries in London, is behind this revamped grand Victorian boozer. Reopening on June 12, it'll come with the arrival of Short Road Pizza – also in residence at Exale's Bethnal Green pub Three Colts – a Romana thin crust style pie with American-leaning toppings, and, yes, plenty of hot honey. Expect pints and cocktails as well as DJs, big games on the telly, quiz nights, and karaoke.
816 High Rd, Leyton, E10 6AE
10. Surf and also turf
Island, King's Cross
Big chef lads Brad Carter and Tom Brown are coming together to launch a new restaurant takeover at the King's Cross outpost of Mare Street Market. Island – which you'll find in the venue's Chandelier Room – is tribute to surf and turf, with the duo pushing a coastal-take on the classic American steakhouse. Expect caviar crisps, pickled cockles, oyster caesar salad, trout pastrami and quail stuffed with prawn paella on the fishy side of things, as well as a mighty mixed grill.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Influencer sues Guardian for defamation in Mumford & Sons review
Influencer sues Guardian for defamation in Mumford & Sons review

Telegraph

timea few seconds ago

  • Telegraph

Influencer sues Guardian for defamation in Mumford & Sons review

A Right-wing influencer is suing the Guardian for defamation over its review of a new Mumford & Sons album. Andy Ngo, an American social media influencer and journalist, has filed a High Court claim against Guardian News & Media (GNM) over allegations about his political leanings in a recent article. The 200-word review was published in March in The Observer, when GNM still owned the Sunday title. The Observer was taken over shortly afterwards by news start-up Tortoise Media. The Telegraph is not reproducing the part of the text believed to be allegedly defamatory. The scathing two-star review described Mumford & Sons' latest album Rushmere as 'utterly insipid balladry', adding that the mood was 'self-pitying and self-justifying'. The article referred to the fact that the folk rock band have reverted to being a trio following the departure of guitarist and banjo player Winston Marshall in 2021. Mr Marshall, the son of Sir Paul Marshall, the co-founder of GB News, left the band in a storm of controversy after he praised Mr Ngo's book Unmasked, a critical account of the Left-wing Antifa movement. In a post to Mr Ngo on social media, Mr Marshall wrote: 'Congratulations. Finally had the time to read your important book. You're a brave man.' Following an outcry, Mr Marshall stepped back from the band saying he would 'examine my blind spots', before quitting just weeks later. In a blog post, he wrote: 'The truth is that my commenting on a book that documents the extreme far-Left and their activities is in no way an endorsement of the equally repugnant far-Right. 'The truth is that reporting on extremism at the great risk of endangering oneself is unquestionably brave.' Mr Ngo, who is represented by London-based Patron Law, is a senior editor at The Post Millennial, a Canadian news website. He is an outspoken figure who has garnered controversy for his coverage of Antifa and Muslims. Reposted by Elon Musk The influencer, who lives in the UK, wrote an opinion piece published in the Wall Street Journal in 2018 titled 'A visit to Islamic England'. He has live-streamed coverage of rallies and protests to his 1.6 million followers on X. Mr Ngo's political views and prominence on social media have brought him into contact with Elon Musk, who has reposted the influencer's videos. In 2022, several high-profile Left-wing Twitter accounts were banned after Mr Ngo and other prominent figures urged Mr Musk to take action against the 'large number of Antifa accounts' operating on the site. A Guardian spokesman said: 'This relates to a 190-word review published by the Observer in March.' The lawsuit comes as the Guardian awaits a judgment in a separate defamation claim filed by Kidulthood actor Noel Clarke. Mr Clarke is suing GNM for libel over seven articles and a podcast in which more than 20 women accused him of sexual misconduct. Mr Clarke denies the allegations. GNM is defending its stories, with editor-in-chief Katharine Viner telling the court there was a 'very high public interest' in reporting the claims.

Roger Daltrey accuses Zak Starkey of ‘character assassination'
Roger Daltrey accuses Zak Starkey of ‘character assassination'

The Independent

time30 minutes ago

  • The Independent

Roger Daltrey accuses Zak Starkey of ‘character assassination'

Roger Daltrey, the frontman of The Who, says that comments made by axed drummer Zak Starkey after leaving the band were "incredibly upsetting" and a "character assassination". Starkey, the son of Ringo Starr, was dismissed from the band twice, with conflicting accounts regarding the reasons for his departure, including a disputed onstage error. Daltrey said that the dispute stemmed from issues with electronic drum sound affecting his in-ear monitors, not a direct criticism of Starkey's playing. Daltrey said that he and Pete Townshend are the core of The Who, viewing other members as "session players". Starkey, who was replaced by Scott Devours, has said that The Who is unpredictable and has an "addiction to friction".

Peaky Blinders star Sam Claflin: ‘Jeremy Irons spoke to a dummy for four minutes thinking it was me'
Peaky Blinders star Sam Claflin: ‘Jeremy Irons spoke to a dummy for four minutes thinking it was me'

Telegraph

timean hour ago

  • Telegraph

Peaky Blinders star Sam Claflin: ‘Jeremy Irons spoke to a dummy for four minutes thinking it was me'

The other day, a director started talking to Sam Claflin about the unexpected shape of his career. 'He said to me, 'What happened to you? You were going up and up in this direction, and then, suddenly,' Claflin stretches his arm out horizontally, ''you went over there.'' Claflin shrugs. 'I don't know if that swerve in ­direction damaged my career or not. But I needed to shake the tree.' For a long time it seemed (not least to Claflin himself) that he was barely in a film that didn't require him to take off his shirt. He was frequently bare-chested as the sword-wielding hunk Finnick Odair in The Hunger Games franchise. He whipped off his shirt as William in 2012's Snow White and the Huntsman. The first time it happened, during the fourth instalment of Pirates of the Caribbean, in 2011, in which he played the missionary Philip Swift, showing his abs wasn't even part of the script. 'They decided a week before filming that I was going to take my top off,' he says. 'I was like, what? I hadn't done any of that Hollywood thing, such as eating properly or going to the gym. Instead, I'd been drinking beer and eating like a ­student. So to be told you had to go shirtless, in your first Hollywood movie, with only a week to prepare, was slightly terrifying.' Moreover, still barely out of drama school – he graduated from Lamda in 2009 – he lacked the courage to resist. 'It happened at a time in my career when I was so young, I felt I couldn't say no. Call it imposter syndrome, but I was really afraid of being caught out, of ­people thinking I couldn't act. Of course I was saying, 'Yes sir, yes sir, whatever you need me to do.'' So, several years ago, Claflin, 39, decided to change tack. Realising that he was on a trajectory that on one level might easily result in blockbuster-level stardom, but which also might mean playing what he calls 'the same character over again but in different costumes', he set about going against type. He was up for the role of Miles Richards in The Riot Club, but pol­itely persuaded the casting director to let him read for the more obnoxious character of Alistair Ryle, too – which he got. He successfully auditioned for the part of the murderous rapist Hawkins in the 2018 Australian thriller The Nightingale, despite the director telling him he wasn't quite right. 'Which only made me more determined to prove them wrong,' he says. He's portrayed Oswald Mosley in Peaky Blinders and Sherlock ­Holmes's malicious brother Mycroft in Enola Holmes. 'Before The Riot Club, I'd only ever played the good guy, the one who got the girl,' he says. 'I was very conscious of being pigeonholed. I knew I needed to take riskier roles. Who knows if it paid off?' According to the Golden Globes, it has – last year, he was nominated for his portrayal of the narcissistic rock-band frontman Billy in Amazon's adap­tation of the hit novel Daisy Jones & the Six. And now he's back on screen in Bille August's TV adap­tation of The Count of Monte Cristo, in which he plays Alexandre­ Dumas's dreadfully damaged, magnificently unforgiving, 19th-­century French avenger, who, after spending 14 years in a stone-walled island prison, having been framed by his fiancée's jealous cousin, is implac­ably focused on retribution. 'The hardest part was, once I'd escaped from prison, having to act like someone who was utterly dead inside,' says Claflin, who admits the most vindictive he gets in real life is becoming a little bit cross when someone cuts him up at the traffic lights. 'I'd have the scenes with my former fiancée, Mércèdes, who'd be crying [she marries the count's ­nemesis in his absence, unaware of what he has done], and, because of the sort of person I am, I'd instinctively want to hug her. But the point about Cristo is that his rage and hatred over what has happened to him is overpowering. So that was a challenge.' On one level, The Count of Monte Cristo plays to Claflin's natural appeal as an epic adventure hero, not least because August's production is exquisitely filmed and much of it has the photographic beauty of a magazine shoot. Yet the story's swaggering melodrama – it's a relentless tale of betrayal, fury and forgiveness, which sees the count adopt many masks in his pursuit of justice – also showcases his talent for combining a delicate emotional sensitivity with a more savage, muscular darkness. The show also stars Jeremy Irons as his benevolent cellmate, Abbé Faria: how did he find working with him? 'He's very vivacious, but also quite eccentric. At one point, the producers had a dummy of my body made for the scene in which I'm thrown off a cliff. During filming, Jeremy came across it and started talking to it, assuming it was me. For four whole minutes. Obviously, 'I' didn't say a word in response during that time, but he carried on regardless.' I've met Claflin in a central ­London hotel during a day of back-to-back interviews. He has a repu­tation for being terribly nice, and in person he emanates a lovely, shy sweetness, as though he still can't quite believe anyone would want to talk to him. He is nearly 40, but even now has an undeniable, chiselled boyishness. Yet for years he felt deeply insecure about his looks, his self-perception at odds with the way the film industry saw him. 'I was always really short until I was 18, so I never thought of myself in any way as a leading man,' he says. 'As a kid, I played Dodger in Oliver!, Zoltan Karpathy in My Fair Lady. I assumed I'd become a character actor. When I was cast in Pirates, I thought, 'What on earth am I doing here?'' It wasn't an entirely healthy feeling and soon Claflin was going to extremes to fit in. 'There is this Hollywood assumption that it's the men with the six packs who sell the movie. So there was a pressure that that was what I needed to look like. As a result, I developed a form of body dysmorphia. It wasn't quite an eating disorder, and I'm not blaming anyone but myself, but it was definitely because of the industry I'm in.' Does he think young male actors find it harder to protest against this sort of pressure than actresses, who have become much more vocal in recent years at the reductive roles many of them are expected to play? 'We're men and we are not allowed to talk about our feelings,' he says. 'But I've got much better. These days, I'm definitely not afraid of speaking about how I feel. And I also realised I didn't want a career in Hollywood. I wanted to come home and become a dad.' Claflin, who has two children under 10 with his ex-wife, the actress Laura Haddock, whom he married in 2013, grew up in ­Norwich. A keen footballer, he had no intention of becoming an actor until an injury forced him to find something else to do with his time – 'anything that didn't involve reading or writing, basically'. He fell in with a local drama club and loved it, but when he told his parents he wanted to become an actor, they were shocked. 'They thought that meant I was going to do musicals for the rest of my life. With my upbringing, acting as a career was unheard of. I went to a very rough school. Most people from where I come from become a mechanic or go into the army.' He won a place at Lamda, but his student grant didn't cover the costs of living in London. So he took part-time jobs within the college to make ends meet – working as a waiter at functions and hired by teachers at week­ends to help with their ­gardens. 'My parents have always been wonderfully loving and supportive, but I've got three brothers and there was never any money. There's no way they could have afforded to send me. And there is no way I could have survived if the ­college hadn't helped.' Much has been written about the way in which drama schools are becoming increasingly prohibitive for working-class actors. 'The odds are against us, definitely,' says Claflin. 'That's not to say the whole industry is geared more towards middle- and upper-class people, but there are definitely more of those actors in the pool because they have more oppor­tunities to be there in the first place. That's a ­systemic issue. I was bullied at my drama club because I spoke in a working-class accent. I adopted this posher accent to survive.' It must have been a bit exhausting, being inside the younger Claflin's head. Besieged by self-doubt, constantly worrying about his identity and how he came across. Today, he is self-assured and calm, thanks in no small part to undergoing therapy after the break-up of his marriage. He has a raft of projects coming out this year, including Harlan Coben's Lazarus, for Amazon Prime, in which he stars alongside Bill Nighy; and after years of feeling terribly homesick and unhappy in Los Angeles, is now settled in west London, close to Haddock, being a normal dad who happens to have a second life as a film star. 'When I was younger, I was so desperate to do a good job, I was overthinking it. I probably failed to have as much fun as I should have. But I'm nearly 40 now. I can now think, 'I've been doing this for 15 years. I only need to please myself.' And so the pressure is off.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store