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Rain and new rules don't dampen Somerville's PorchFest

Rain and new rules don't dampen Somerville's PorchFest

Boston Globe10-05-2025
Somerville's PorchFest began in 2011 and has grown steadily since. Last year, driven by a performance from Guster, a popular 1990s and 2000s band from the area, the event reached new heights, with countless thousands of people completely packing many of the city's streets.
The city became so packed that it — in collaboration with some musical artists — changed the rules this year in an effort to keep Somerville's primary arteries clear for traffic and emergency vehicles. The rules prohibited performances on 13 streets including Broadway, Summer Street, and Highland and Somerville avenues which hosted several dozen shows last year.
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Also new this year is a team of 'ambassadors' to help guide foot traffic, point newcomers in the right direction, and serve as liaisons for bands performing in the same areas. They handed out maps with the locations of Porta-Potties, which were more numerous in an effort to keep people from relieving themselves on anyone's lawn.
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The city also encouraged bands to coordinate time slots to space out performances.
Still, Somerville was bustling. Groups of people who looked to be in their 20s and 30s roved the streets stopping every half block or so to check out the latest show they'd stumbled across. Traffic on the highway exits leading into town backed up in barely-moving lines of brake lights. Powder House Square was a disaster. Parking spots were fever dreams.
'It's a great day for local music,' said Croteau's bandmate Dan Oshiro, 25. Done by 1 p.m., the guys planned on making the rounds and seeing what else was going on.
And the sounds of guitars and drums reverberated down every street. There was a variety of acts, from DJs to brass bands, but many had some flavor of rock. Often, it included 90s covers — think 'The Bends'-era Radiohead, Nirvana's 'Heart Shaped Box,' or Smash Mouth's 'All Star."
Chad Wishner and Hayley Lynch, both 27, stood on Hall Avenue suspiciously eyeing one particularly adventurous DJ who'd spun a trap remix of Lit's 'My Own Worst Enemy," another 90's anthem.
'It's the age everyone is,' Wishner said. 'It's music from when we all were kids.'
But the real draw, Lynch said, was the local acts. She provided quick directions to a good rock band and a fun horn section that performed with a vibraphone nearby.
'I love seeing all the local bands,' she said. 'It's really their time to shine.'
The event, as it always does, had a game-of-telephone feeling to it. Many people wandering around had a couple of spots they planned to hit. There, they'd be meeting a friend of a friend, or maybe that person's cousin, who is, perhaps, playing drums or bass on some other guy's porch.
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Such was the case for 27-year-olds Kalina Korzec, Parth Dhruve, and Ali Bacon, who'd paused briefly near Davis Square to listen to the vibraphone act that Lynch had described. They planned to see someone they knew who was in an a cappella group, as well as a mutual friend's coworker, who was playing a show somewhere else.
Dhruve grinned: 'That's PorchFest.'
Sean Cotter can be reached at
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Baltin: Did making the film solve the mystery a little bit of why this album speaks so much to you? Berg: I think it did. I don't know that it solved the mystery, but I think that it did what I set out for it to do, which was to create the experience of Grace in a visual hour and 46-minute sitting. So, I feel like that is where my joy landed on this. I felt like you could experience Baltin: I think part of what makes Grace special is there is a mystery to it. No one else in the history of the world that could have made this record. Berg: Right. But I think the added intimacy of his story helps to make it more tactile for me. Baltin: The film is wonderful, and I learned a lot about Jeff, even though I've been a fan and written about him extensively for years. It's an amazing story. 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Because probably not even he knew what was happening at that time. Berg: No, but I've noticed since that a lot of the most empathetic artists that I've done some research on had similar behavioral traits of just thinking they were invincible and lacking impulse [control]. And I think that goes along with this empathetic persona. Baltin: Who are the artists you found to be similar? Berg: Chris Cornell, who he was very close with, would do somersaults downstairs and go from one balcony to another. And I've heard similar things about Kurt Cobain in terms of impulsive behavior. And other similarities, according to Andy Wallace, who produced Jeff's album, there were a lot of similar character traits that they had carried. Baltin: Chris said something so interesting to me once. He said that great frontmen don't come out of high school standouts or athletes or whatever, they come out of the outcasts. 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Berg: Right, but then there's also a theory that your 20s is for figuring that out and then in your 30s, you figure out how vulnerable you want to be, how exposed you want to be to the world. But there's so much beauty in his vulnerability.

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