The 21 Best TV Shows of 2025 (So Far)
When my colleague Josh Rosenberg and I updated this list in the spring, we couldn't shut up about how floored we were by 2025's initial TV efforts. Right off the bat, the small screen smothered us with future Emmy contenders: The Pitt, Paradise, The Studio, The Last of Us, The White Lotus, and Severance. Insane, right? In 2024, I would've been entirely satisfied if those were the only top-tier shows we saw all year.
Turns out, it was time for a heat check. As soon as we published our update in April, the TV calendar slowed down to a screeching halt. Save for a few (also exceptional) shows that you'll see below—Andor, The Rehearsal, and The Bear, mainly—it's been a quiet summer for TV fans. Thankfully, we're staring down a loaded fall TV season, which will include another Pennsylvania-set throwdown from the Mare of Eastown creator (Task), the prestige sci-fi series we've been waiting for (Alien: Earth), and a long-awaited spin-off of The Office (The Paper).
But let's not get too ahead of ourselves. For now, here are the best TV shows of the year so far.Andor
Over two months since Andor aired its series finale, I'm still in awe of how creator Tony Gilroy and co. managed to land such a searing political statement on Mickey Mouse's streaming service. In season 1, the prequel to 2016's Rogue One established itself as the best thing a Star Wars-branded anything has done since, well... Rogue One. But its Andor's second and (criminally)final season that cemented its legend. Gilroy pulled off too many triumphs to list here, but chief among them is an achingly relevant takedown of authoritarianism—and cowardly, power-hungry leaders. And the fact that Diego Luna was not nominated for an Emmy for his work in Andor? It's a shame.—Brady Langmann
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See the original post on YoutubeThe Rehearsal
It's no secret that Nathan Fielder's brand of comedy isn't for everyone. It's a brutal fact that haunts the comedian himself, despite his genius writing. So, it's entirely understandable that his HBO comedy series aims to help people rehearse important moments in their lives so that they seem less awkward when the big day arrives. In season 2, Fielder sets his sights on solving problems in the airline industry—specifically, communication between pilots before a crash. As with everything Fielder explores, this niche issue becomes a metaphor for humanity's failure to effectively communicate in any setting in the world. Add in a dash of Evanescence needle drops and Sully Sullenberger puppets and you have one of the most essential comedies on TV.—Josh Rosenberg
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See the original post on YoutubeAmerica's Sweethearts: Dallas Cowboys Cheerleaders
We're officially living in the age of Peak Sports Documentary—but that doesn't mean all of them are good. In fact, most of them are... well, not good. Allow me to cleanse your palate with America's Sweethearts: Dallas Cowboys Cheerleaders, which (aside from the phenomenal direction of Greg Whiteley, whom you'll hear more about below) which does far more than chronicle the life and times of the NFL performers. Season 2 of the docuseries is a portrait of friendship, young adulthood, and what it means to stand up to an institution to reap what you're worth. Also, "Thunderstruck" still rocks. —B.L.
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See the original post on YoutubeThe Bear
After The Bear filled season 3 with celebrity cameos and drawn-out performances that led to a 'To Be Continued…' cliff-hanger, season 4 remembered what made The Bear work in the first place. The Bear isn't just about the restaurant; it's about the people who work there—especially Carmen Berzatto (Jeremy Allen White). So, season 4 finally explores the consequences of Carmy's breakdown at the end of season 2, and how his changed perspective will affect the restaurant moving forward. It culminates in a brilliant finale that just might set up the end of the series as we know it. —J.R.
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See the original post on YoutubeMobLand
Tom Hardy, Pierce Brosnan, and Helen Mirren lead this mob drama for Paramount+ about a London crime family who are in way over their heads. Brosnan and Mirren play the batshit and highly entertaining leaders of the Harrigan family, while Hardy acts as the fixer called in clean-up the problem after they muck it up. It's a hard job, especially because the Harrigans can create quite the mess. Is MobLand's plot a little nutty? Sure. Is it full of powerhouse performances from A-listers who feel like they don't belong in a show called MobLand? You bet. —J.R.
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See the original post on YoutubeOvercompensating
There's only been a few TV show pitches from TikTok creators that actually pan out—and Overcompensating, starring celebrity impressionist Benito Skinner, is by far the best yet. The Prime Video comedy series follows a closeted former high school football star who goes off to college and attempts to emulate the straight and cis males at his new school. Of course, they're overcompensating to impress their toxic peers as well. Overcompensating smartly displays a vicious cycle where everyone is hiding their true selves and acting out just to fit in. —J.R.
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See the original post on YoutubeThe Pitt
If you forced me to declare the best show of the year right now, The Pitt and Severance are my 1A and 1B. Who has the edge? The Pitt, if only because I don't want to live in a world where we don't have The Pitt. Out of what felt like nowhere, The Pitt gave us 15 episodes depicting one 15-hour shift at a Pittsburgh hospital, with no music and at least a dozen performances worth shouting out. The commitment of The Pitt's creative team—including ER veteran Noah Wyle—to maintaining medical accuracy while tackling what feels like all of America's problems at once? I truly can't find words for it. Wyle deserves the Emmy. —B.L.
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See the original post on YoutubeSeverance
There's so much to love—admire, really—about what Severance pulled off in its sophomore effort. (And I mean that. My recaps this season went well past 2,500 words each.) For its shout-out here, I just want to say how damn well written season 2 is. Season 1 lobbed up a wild amount of characters, storylines, and mysteries for its next batch of episodes to deal with. Somehow Severance was not only bold enough to answer so many of its biggest questions, but it did so in a way that somehow satisfied just about all of its rabid fans. And while I'll give The Pitt my best-of-the-year crown for now, Severance has the greatest episode of the year in the Jessica Lee Gagné–directed 'Chikhai Bardo.' —B.L.
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See the original post on YoutubeAmerican Primeval
American Primeval asks the question: What is the worst time to live in American history? Director Peter Berg decided on the Utah War of 1857—and after watching all six episodes, it's hard to say he wasn't dead-on. The limited series on Netflix starring Taylor Kitsch and Betty Gilpin is violent, dark, and unforgiving. It's also one of the most entertaining (and contained!) tales of the old West that I've seen on TV today. And I've watched a lot of Yellowstone. —J.R.
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See the original post on YoutubeThe White Lotus
My (occasional!) frustration with this season of The White Lotus is well-documented. Still, a down year for series creator Mike White is much better than the rest of 2025's slate. In season 3's jaunt to Thailand, White explored themes of spirituality, violence, generational trauma, and the depths of the North Carolina accent. Not every character's arc resonated this time around, but as usual, a stellar ensemble cast—Parker Posey, Carrie Coon, and Aimee Lou Wood are easily this season's MVPs—made for genuine appointment viewing. And I doubt that will change when season 4 rolls around. —B.L.
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See the original post on YoutubeParadise
Looking for twists? Every episode of Paradise ends in the cliff-hanger of the decade. Let me give you an example. The president of the United States (James Marsden) is assassinated in the first episode, and that isn't even the most exciting thing that happens over the course of the series. No, the real kicker is that Special Agent Xavier Collins (Sterling K. Brown) and the entire town of Paradise lives in a man-made bunker deep in the Colorado mountains because a cataclysmic event occurred on Earth's surface. Created by Dan Fogelman (This Is Us), Paradise is a campy, wild ride that makes for excellent popcorn TV. —J.R.
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See the original post on YoutubeThe Last of Us
The Last of Us broke a Hollywood curse during its first season. The postapocalyptic drama starring Pedro Pascal and Bella Ramsey was the first series to successfully adapt a video game to the screen with near universal critical acclaim. Sure, it helps that The Last of Us's source material is basically an interactive movie. But Chernobyl director Craig Mazin and the game's creator, Neil Druckmann, still managed to pull off an incredible feat. As they look to expand the story by adapting the second game over (potentially) three more seasons, it looks like Mazin and Co. have achieved the impossible yet again. —J.R.
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See the original post on YoutubeHacks
In its fourth season, Hacks could've simply repeated the hits—meaning, some light bickering between Ava (Hannah Einbinder) and Deborah (Jean Smart) leading to a happy, feel-good crescendo. But Hacks is too smart for that. Instead, just at the point when many long-running comedies slow down and fade away, Hacks dials up Ava and Deborah's hostility into a this-is-almost-not-funny-anymore place. Einbinder's and Smart's performances only deepen and grow more complex—and outright exciting—because of it. Also, Meg Statler and Paul W. Downs remain national treasures. —B.L.
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See the original post on YoutubeYour Friends & Neighbors
Jon Hamm playing a rich dude with rich-dude problems? It should not only sound familiar but also better make you proceed past your Apple TV+'s free trial post-Severance. At times, Your Friends and Neighbors feels like someone smashed all of the top Apple TV+ series into one—the gooeyness of Ted Lasso, the divorced-dad antics of Shrinking, and the A-list bona fides of The Morning Show. Somehow, it works. Most of that, admittedly, is an unsurprisingly stellar performance from Hamm. —B.L.
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See the original post on Youtube1923
Yellowstone creator Taylor Sheridan took on his most ambitious project yet with his limited-series prequel 1923. Starring Brandon Sklenar, Harrison Ford, and Helen Mirren, the period western told the story of the Dutton family in circa-1920s Montana with epic gunfights, long treks across America, and bitterly cold winters. I'd be lying to you if I didn't say it was one my most anticipated shows of the year. Thankfully, Sheridan delivered with an epic two-hour finale that ranks among some of his best work yet. —J.R.
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See the original post on YoutubeThe Studio
When I finished The Studio, I ran to a meeting and loudly (slash obnoxiously) declared it the best comedy of the streaming era. In the moment, it felt like a take I'd back down from later, but... it hasn't at all. Seth Rogen nails his takedown of modern Hollywood in a way only Seth Rogen can—with love, affection, razor-sharp satire, and that big goofy laugh on top of it all. The list of celebrities riffing on fictionalized versions of themselves—you're the GOAT, Martin Scorsese!—is too massive to name-check here. But rest assured, the main cast of Rogen, Chase Sui Wonders, Catherine O'Hara, Kathryn Hahn, and Ike Barinholtz absolutely eat the heck out of every single scene. —B.L.
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See the original post on YoutubeAdolescence
The term 'essential viewing' is a TV-critic cliché—but I have to break it out here, because Adolescence absolutely is essential viewing. In telling the tragedy of the Miller family, whose young son commits a heinous crime in a fit of rage, Adolescence bottles up everything that is troubling about teenage boys right now. In only four hours, the series manages to put all of their loneliness, anger, and confusion on full display. The icing: a career-best turn from Stephen Graham, as well as the thundering introduction of 15-year-old actor (and surefire future star, if he isn't already) Owen Cooper. —B.L.
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See the original post on YoutubeThe Righteous Gemstones
It's sad that every time I return for one of these lists, I'm saying goodbye to another one of TV's greatest comedies. Last year, both Curb Your Enthusiasm and What We Do in the Shadows aired their final seasons. That was painful enough! In 2025, Hollywood adds The Righteous Gemstones to the list of dearly departed comedies. The megachurch family romp starring Danny McBride, John Goodman, Walton Goggins, and Adam DeVine will live forever in our hearts. Now can I get an amen? —J.R.
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See the original post on YoutubeThe Clubhouse: A Year with the Red Sox
I swear that I write some combination of these words every year: Sports documentarian Greg Whiteley's work is some of the most essential storytelling on TV right now. And just as baseball season rolls around every year, so does a new docuseries from the man behind Wrestlers, Last Chance U, Cheer, and America's Sweethearts: Dallas Cowboys Cheerleaders. This time, a major professional sports team—the Boston Red Sox—finally allowed Whiteley inside its doors. Whiteley's profiles of Red Sox stars Triston Casas, Brayan Bello, and Jarren Duran are nothing short of incredible. Even if you're not known as someone who would show up to Fenway Park just to sing 'Sweet Caroline,' you don't want to leave The Clubhouse out of your queue. —B.L.
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See the original post on YoutubeThe Traitors
After hearing everyone talk about The Traitors on end for two seasons, I finally dabbled with the Mafia-esque competition show for season 3. The Bachelor's Gabby Windey and RuPaul's Drag Race's Bob the Drag Queen were two large draws for me as an occasional reality-TV fan (though admittedly not a reality-TV stan), but my main concern was that I was not entering the series knowing the backstories of the multiple Survivor, Big Brother, and Housewives alums. Turns out, none of that mattered. These reality-TV personalities are here because they're entertaining enough on their own. Plus, there isn't enough praise in the world for how much Alan Cumming commits to the bit. —J.R.
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See the original post on YoutubeRunning Point
If The Studio didn't exist, I'd tell you that Running Point is far and away the best comedy of the year so far. Kate Hudson's basketball sitcom does something ingenious: It effectively makes a half-hour comedy out of Los Angeles Lakers president Jeanie Buss's life and career. (Buss is a co-executive producer on the series.) The series follows Isla Gordon (Hudson), who is the new president of the fictional Los Angeles Waves basketball squad. She faces all sorts of things that I bet Buss faces in real life—meddling brothers, diva-like superstars, Pat McAfee–esque talking heads—and the result is (I have to say it, sorry) a slam dunk. Oh, and Chet Hanks has a prominent role in the series. And he is damn good. —B.L.
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Forbes
2 hours ago
- Forbes
Walton Goggins Talks Spicy New Role In Doritos Golden Sriracha Film Short
Walton Goggins stars in "A Spicy But Not Too Spicy Plummer." Walton Goggins has plenty of reasons to be happy right now. Goggins just scored an Emmy nomination for his role as Rick Hatchett from The White Lotus Season 3, which comes a year after scoring a nod for playing The Ghoul in Fallout. And now, Goggins is happy that he had a blast filming his latest film and even happier that said film is as close to making an adult film without being in an adult film as he's ever going to get with his new short, A Spicy But Not Too Spicy Plummer. That's what I thought when they came to me with this,' Goggins said, laughing in reference to the adult film analogy during a recent Zoom conversation. 'It's gonna have this music, Everybody's gonna kind of have this [adult film] Instead of being a Boogie Nights reboot, the film — which is appropriately titled A Spicy But Not Too Spicy Plummer — is a 3-minute laugh-out-loud funny, double-entendre-filled Doritos Golden Sriracha Film to promote Doritos Golden Sriracha Tortilla Chips. Like the film, the Doritos Golden Sriracha chip flavor seems like it's going to be too hot and spicy, but beneath the surface is a taste that knows where the line is drawn. Or, as Doritos puts it, the Golden Srirachas chip delivers a 'perfectly balanced blend of yellow and green srirachas' that 'delivers a sweet, tangy subtle spice that slowly warms things up without ever getting too explicit.' "A Spicy but not Too Spicy Plumber" poster. 'It was very cool, the messaging in this, because it's a short film and the story is the chip itself is a story,' Goggins said. 'You expect one thing and you get something else. People think of sriracha that's sitting in our refrigerator … and you have this idea of what this is going to taste like as if you're gonna have to run and drink a glass of water.' And, Goggins discovered, the new Doritos chip delivers on the promise. It's spicy, but not too spicy. 'I tasted the chip before we started filming — and all of a sudden it's this savory, kind of sweet, soft thing that kind of sits in your mouth for a long time — even that can be that could be used as a commercial,' Goggins said, laughing. Of course, the fun part for Goggins' is that in A Spicy But Not Too Spicy Plummer, Goggins title character arrives at a house with some that presents a seedy scenario thanks to the short film's suggestive tone, music and characters, including The Bombshell (Katie Baker), The Roommate (Mark St. Cyr) and The Cougar (Carolyn Hennesy). As it turns out, the Plumber is just there to do his job and fix some pipes under a kitchen sink. 'This is exactly what they're saying with this world of A Spicy But Not Too Spicy Plummer, that says things that can be taken with a sexual kind of undertones, when in fact, he's just being literal,' Goggins explained. 'There is something big in my pocket — and it's a wrench that I'm going to fix your pipe with because I think your pipes need fixing.' You can watch the entire short film below. Walton Goggins Says He Made One Big Suggestion For 'A Spicy But Not Too Spicy Plumber' Of course, Walton Goggins has done short films before — remember his Baby Billy Freeman's Miracle Elixir spot in The Righteous Gemstones? — and clearly knows about getting into a character's frame of mind when doing so. For realizing the read on the Plumber, Goggins relied on the A Spicy But Not Too Spicy Plummer's Björn Rühmann — the short film's director of innuendo (that's how he's billed in the credits) — to set the stage for the short but very eventful 3-minute ride. 'Björn is so adept at this medium and telling a story in a very specific way with his storyboards and working with Frito-Lay,' Goggins said. 'They were so spot on and so specific. They had a vision from the very beginning.' While Goggins followed Rühmann's lead for the film short, he said he did make one suggestion that helps conclude the short film, where a pizza deliveryman shows up at the house and one of the characters asks, 'Who ordered the sausage?' 'I said, 'Listen, I think you've got to bring it back around until the story is complete. You think this guy is one thing, and then he looks at the camera and says, 'I did,'' Goggins said, laughing. 'So, this party can go anywhere, right? You're playing with expectations versus the reality and that's the experience of these chips.'


Los Angeles Times
5 hours ago
- Los Angeles Times
This year's Emmys are on CBS. A Stephen Colbert win would be sweet revenge
When I interviewed Stephen Colbert eight years ago, Donald Trump was in Year 1 of his first term in office and Colbert was finishing his second year of hosting his CBS late-night show. 'The Late Show With Stephen Colbert' had gotten off to a bumpy start as Colbert struggled to adapt to a new form and find his own voice after playing a 'well-intentioned, poorly informed, high-status idiot' for a decade on Comedy Central's late-night news satire 'The Colbert Report.' 'I was not indulging my own instincts,' Colbert told me of his tentative early days at CBS, adding later that he had 'stepped away from politics to a fault.' When we spoke, Colbert's program was the No. 1 late-night talk show on the air by a wide margin. Now, eight years later, déjà vu: Donald Trump is in Year 1 of his second term, and 'The Late Show With Stephen Colbert' still reigns as the late-night ratings champ. But there's one difference. As of next May, Colbert will no longer have a job with CBS, the network having canceled his show last month. That abrupt move has led to all manner of anger (CBS' statement saying it was 'purely a financial decision' seems dubious) and hand-wringing (RIP late night). Colbert was the first to mock his newfound sainthood status. Noting that Trump had posted on social media that he absolutely loved that Colbert was fired, Colbert read Trump's follow-up post: 'I hear Jimmy Kimmel's next.' 'Absolutely not, Kimmel,' Colbert said. 'I am the martyr. There's only room for one on this cross and I gotta tell you, the view is fantastic. From up here, I can see your house.' 'The Late Show With Stephen Colbert' has never won a series Emmy, routinely bested in its early years by 'Last Week Tonight With John Oliver' until Oliver's wins became so routine that the Television Academy created an entirely new category, outstanding scripted variety series. Shuttling Oliver's show accomplished two things: It allowed some other program to take talk series (so far it's only been 'The Daily Show') and gave voters an easy out to finally stop voting for 'Saturday Night Live.' But even if Colbert was competing this year against his fellow 'Daily Show' alum and old friend Oliver, you'd have to think that Emmy voters would be seizing the moment and giving Colbert's show its first Emmy, an award that would be well earned — and also make for a delicious piece of theater. The 77th Primetime Emmy Awards will be held Sept. 14 at the Peacock Theater. The ceremony rotates among the four broadcast networks, and this year that broadcast partner happens to be CBS, whose parent company, Paramount Global, just landed Federal Communications Commission approval for its $8-billion merger with Skydance Media. That FCC thumbs-up came less than a month after Paramount paid $16 million to settle Trump's lawsuit against CBS News and a few days after CBS canceled Colbert (again, 'purely a financial decision'). This means that when (not if) 'The Late Show With Stephen Colbert' wins the talk series Emmy, Colbert will take the stage with his team and, one would presume, have something interesting to say. I'm curious where he'll go. Colbert is gracious and polite, keeping a quote from the French Jesuit priest Pierre Teilhard de Chardin — 'Joy is the most infallible sign of the presence of God' — affixed to his computer and remembering the quote his parents would often invoke from French philosopher Léon Bloy, who said that the only sadness is not to be a saint. 'That's the great sadness, not to be perfect, meaning not to be a saint, not to see the world the way God does,' Colbert says. 'Which is that everyone is going through a battle you know nothing about.' But Colbert also relishes a good fight and can't resist a verbal poke-in-the-eye when he feels it's warranted. 'How dare you, sir,' Colbert responded on air to Trump celebrating his show's demise. 'Could an untalented man be able to compose the following satirical witticism?' Pause. 'Go f— yourself.' When Trump was first elected, Colbert told viewers, 'We drank too much of the poison' and that Americans needed to focus on what we have in common. Arguably, you could say that he has done just that in the ensuing years. Shouldn't we all share a common distaste for ever-widening income inequality, masked federal agents snatching people off our streets with no criminal convictions and rewriting history in the name of patriotism? (I could go on.) But Colbert has also fallen short of his ideals. 'That poison cup, man,' he told me. 'It's very hard not to drink from. It's very tasty.' Some say if Colbert didn't indulge so often in a taste (or, let's be real, a chug-a-lug) from that poison cup, his ratings would be better. 'Why shoot for just half an audience all the time? You know, why not try to get the whole?' former 'Tonight Show' host Jay Leno recently told Ronald Reagan Presidential Foundation Chief Executive David Trulio. 'I don't understand why you would alienate one particular group. I'm not saying you have to throw your support or whatever, but just do what's funny.' Was Leno ever funny on 'The Tonight Show'? That's a question for another time. But, yes, the politicization of late-night shows hasn't helped their ratings, though the dominance of the internet and social media have played more of a role in the format's decline, a fact Colbert acknowledged after the cancellation. 'Some people see this show going away as a sign of something truly dire,' he said. 'And while I am a big fan of me, I don't necessarily agree with that statement. Because we here at 'The Late Show' never saw our job as changing anything other than how you felt at the end of the day, which I think is a worthy goal — or, rather, changing how you felt the next morning when you watched on your phone, which is why broadcast TV is dying.' And, yes, I watched that clip not on my television in real time, but on my phone the next day.


Tom's Guide
5 hours ago
- Tom's Guide
Tom's Guide Awards 2025: Our favorite streaming services, movies and TV shows
Regardless of whether you want to see a new original movie, binge the latest hit TV show in one sitting or follow your favorite sports team as they go all the way, streaming your favorite content online has never been easier and we've tried all the best streaming services available today. From streaming live TV, to streaming new original shows and movies, to streaming sports, there's always something to watch no matter when you fire up your TV. To help you find what's actually worth your time and money, we've watched all of the big releases across a number of different platforms, both paid and free. Our team of experts has tested and reviewed all of the best streaming services for the Tom's Guide Awards 2025. Below, we highlight our favorite new movies and shows and of course, the services that make watching them effortless from the last 12 months to make your viewing experience the best it can be. HBO Max is built on HBO's legacy — decades of being the place for quality TV before streaming was even a thing. It's where the phrase 'prestige television' basically came from, and that standard still holds. Their current shows are top-tier: "The Last of Us," "The White Lotus," "The Pitt," "Hacks." Their back catalog may be even more impressive: "The Sopranos," "Game of Thrones," "Succession." The movie library backs it up with everything from big new releases to cult classics, including a steady stream of A24 gems. Netflix brings quantity, and the Disney/Hulu bundle is great value, but HBO Max feels curated, like your friend with excellent taste put together a streaming service. This year, I re-reviewed all six of the mainstream live TV streaming services you can get in the U.S. I went in with an open mind, despite the fact that I was already a YouTube TV subscriber, because I was curious if I needed to make the switch to a different live TV service. Ultimately, I still felt that YouTube TV was the best choice for most people, thanks to a combination of popular channels, great features and a clean user interface. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. It was close, though. Hulu + Live TV and Sling both are great values, and might be better bang for your buck depending on what you're looking for from your cable TV replacement. But they come with enough caveats and shortcomings that YouTube TV reigns supreme. Best sports streaming service is a tricky category. Is it about which service offers the most sports? Or is it about which service offers the best selection of sports? Maybe it needs to be about which has the best features for sports watchers? After examining these questions, I'm not sure there's a clear winner, but I landed on YouTube TV for a couple of reasons. Multiview, catching up with key plays and NFL Sunday Ticket integration are a combination of features that only YouTube TV can offer. That led me to the conclusion that YouTube TV was the best streaming service to watch sports on, even if it doesn't necessarily offer the most sports channels or most sports leagues of any streaming service. Tubi is my go-to for free streaming. It's like wandering into a video store from 1997 and finding everything from cult horror to forgotten sitcoms to the dumbest action flicks. Where else can I watch a forgotten '80s slasher, a conspiracy doc, and an Oscar winner back-to-back — all without paying a dime? The Roku Channel is solid, and Pluto TV scratches the live-TV itch when I'm feeling lazy. But Tubi gets the nod over them for live-streaming the Super Bowl this year, without a single glitch. Touchdown! I fought long and hard for "The Pitt" to win this award, but I was overruled by a good amount of the streaming team here at Tom's Guide. To be fair, I get it. "Adolescence" is an incredible show, and while I have "The Pitt" ahead of it for my best show of the past 12 months, there are some days I consider swapping their places. This Netflix limited series is intimate and chaotic and a technical marvel all at the same time. Watching it is akin to watching a play in four acts, each one of them leaving you emotionally raw at the end of it. I promise you, you won't watch anything else like it this year. There was decent competition for this slot, but 'Woman of the Hour' was the streaming movie that left the biggest impression on the team at Tom's Guide (myself included), and I can see why: it was Anna Kendrick's directorial debut… and what a debut it was. This genuinely chilling watch isn't the movie you expect it to be. It depicts the stranger-than-fiction story of serial killer Rodney Alcala (Daniel Zovatto) and aspiring actor Sheryl Bradshaw (Kendrick), who crossed paths when they were both cast on an episode of 'The Dating Game.' It's a compelling, tense, and well-composed feature, one that centers not on the killer, but the victims whose lives he cut short. Follow Tom's Guide on Google News to get our up-to-date news, how-tos, and reviews in your feeds. Make sure to click the Follow button.