NCIS fans left feeling vindicated as two characters return in spin-off series
Nine years after last appearing on-screen together, Michael Weatherly and Cote de Pablo have reunited for their own project, playing Tony DiNozzo and Ziva David.
The news follows Weatherly's special guest appearance in an episode paying tribute to David McCallum, the actor who played Dr Donald 'Ducky' Mallard in the long-running crime procedural. He died in September 2023.
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When the project was announced, no title was set – but it's now been revealed the series will be called NCIS: Tony & Ziva.
The show will reintroduce viewers to Tony and Ziva who, after last seeing each other in Paris, find themselves embroiled in a dangerous plot that causes them to go on the run with their daughter.
NCIS fans are joyously responding to the trailer, with many long-time fans of the couple, nicknamed 'Tiva', feeling vindicated by the news.
'CBS has a lot of faith that the NCIS franchise still has plenty to offer. Looking forward to this one,' one fan wrote, with another adding: 'It's finally happening, I can't believe it.'
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Others said the spin-off news has lured old viewers back in. 'Me? Watching NCIS again in the year 2024? 12 year old me is dying at this news,' one person wrote.
'How is this real? Are we in 2012 again?' another added.
Speaking about the new show, Weatherly and de Pablo, who left the show in 2016, said: 'We've been talking about this story for many years, and now with John McNamara at the helm, we are ready.
'NCIS: Tony and Ziva' (Paramount+)
'The world of Tony and Ziva (and daughter Tali) promises to be an action-packed roller coaster fueled by love, danger, tears and laughter. We also want to acknowledge and thank the fans from around the world who supported the 'Tiva' movement for years.
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'To this day, they say hello in grocery stores and on the street to tell us how much these characters mean to them and ask what Tony and Ziva are up to now. This is for you!'
McNamara, whose previous credits include The Magicians, added: 'I'm incredibly excited to step into the NCIS universe with Cote and Michael and thrilled to explore it from a few new angles.
'Given that the franchise is such a global sensation, I think it's phenomenal that CBS Studios and Paramount+ have given us the green light to shoot in Europe. As to the title of this series, if I told you what it is, I'd be violating the Espionage Act.'
NCIS: Tony & Ziva, which will be released later this year, is not the only new spin-off to be commissioned; there will also be a prequel series focused on a young version of Gibbs (Mark Harmon).
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Forbes
5 minutes ago
- Forbes
This Billionaire Is Partnering With The Ellisons On The Paramount Deal
T he year-long saga of Skydance Media's $8 billion Paramount takeover is fit for its own Paramount+ mini-series. There's political intrigue with critics slamming departing boss Shari Redstone's apparent capitulation to Donald Trump to get the deal approved, including Paramount's agreement to pay $16 million to Trump's future presidential library to resolve a lawsuit over a 60 Minutes segment on Kamala Harris followed by CBS News' announcement that it was cancelling popular Trump critic Stephen Colbert's late-night show in 2026 (supposedly for financial reasons). Trump celebrated both announcements vociferously. Then there is the potential family intrigue worthy of a Succession spinoff: David Ellison, the Skydance founder and former Biden backer behind such films as 'Top Gun: Maverick' and 'True Grit', is teaming up with his staunch Republican father Larry Ellison who is the second richest person in the world and founder of software giant Oracle. Flying under the radar, beneath all the high-stakes drama, is Gerry Cardinale, a private equity investor who is poised to be an influential figure in the new-look Paramount. His firm RedBird Capital Partners is a shareholder in Skydance, having first invested in 2020. Now the firm is putting in $1.8 billion towards the $8 billion purchase price. Cardinale will join Paramount as a director and will appoint a yet-to-be-named second director. Jeff Shell, former CEO of NBCUniversal who chairs RedBird's sports and media business, will join Paramount as president. Andy Gordon, head of RedBird's West Coast office, will become Paramount's chief operating officer and chief strategic officer. Under the new ownership structure, RedBird will hold 22.5% of Paramount's voting rights, while David Ellison will hold 50% and Larry, who is Skydance's biggest investor, will hold the remaining 27.5%. This complicated familial-financial dynamic is likely to make Cardinale a pivotal voice in scenarios where the Ellisons butt heads. Paramount will become Cardinale's highest-profile investment but it's hardly his first big bet. In the worlds of sports, entertainment and media, the 57-year-old investor has been striking high-stakes deals for over a quarter of a century, first at Goldman Sachs and for the last decade at RedBird, which he founded in 2014. RedBird bought Italian football club A.C. Milan for $1.2 billion in 2022, and has backed household names like Lebron James, Dwayne 'The Rock' Johnson, and Ben Affleck and Matt Damon in their independent entertainment ventures. It has also hired big names like Jeff Zucker, former CNN president, who is now leading its acquisition of British broadsheet The Telegraph (alongside co-investor Abu Dhabi-based firm IMI) for $675 million. The firm has also invested a smaller portion of its funds capital ($1.5 billion) on financial services companies. Its willingness to dive into the nitty-gritty of portfolio companies and their operations has helped RedBird grow to $12 billion in assets under management with 100 investment professionals across six global offices. 'I like playing shadow entrepreneur and solving problems with capital,' Cardinal said on Bloomberg podcast The Deal last year. It's been a winning recipe so far: RedBird has delivered 2.5 times gross multiple of capital and a 33% internal rate of return, according to a person familiar with the matter. Cardinale owns 100% of RedBird, filings show, and Forbes estimates he is worth $1.8 billion. (He declined to comment on his net worth or be interviewed for this article). W all Street glory was not always in the cards for Cardinale, who once harbored dreams of being a diplomat. Born in 1967, he grew up in the leafy Main Line suburbs outside Philadelphia, the son of a trial attorney. He later studied social studies at Harvard, where he rowed heavyweight crew and graduated with honors before studying politics and political theory at Oxford as a Rhodes Scholar. Later on, he took a job at a Japanese think tank in Tokyo where he got a front-row seat to the effects of globalization. At the time, he was still considering law school, or getting his PhD in political theory. 'I wasn't one of these Wharton kids who knew I wanted to go to Wall Street from day one,' Cardinale recalled on The Deal. But meeting with investment bankers in Tokyo convinced Cardinale that finance would be a rewarding (and no doubt lucrative) career path. He joined Goldman Sachs as an analyst in 1992, the same year he published an article on Japanese anti-American sentiment and rising trade tensions in the academic journal Asian Survey . (His strong interest in Japan is something he shares with Larry Ellison, who has a Japanese art collection and modeled his Woodside, California home after a 16th century Japanese emperor's palace.) Cardinale worked at the bank's Hong Kong and Singapore offices before settling in the New York office in 1997 to work in the telecom, media and technology group as an investment banker. He later joined the bank's principal investment division, where he made his name persuading Yankees owner George Steinbrenner to launch the YES regional sports network in 2001. The project was finalized the day before September 11, and Goldman Sachs ended up backstopping the deal with a $335 million private equity investment after another investor pulled out. Though risky, the deal turned into a huge success, and Goldman made Cardinale a partner in 2004. A few years later in 2008, he persuaded Dallas Cowboys' billionaire owner Jerry Jones to team up with Steinbrenner to create the sports stadium concessions business Legends Hospitality, which investment firm Sixth Street Partners acquired a majority stake of in 2021. Cardinale left Goldman in 2013 and briefly worked at merchant bank BDT, founded by fellow Goldman alum Byron Trott, whom he'd previously done deals with. (BDT later merged with Michael Dell's family office to become BDT & MSD, and the firm has advised outgoing Paramount boss Shari Redstone). Cardinale founded RedBird in 2014 and raised $665 million for an inaugural fund from high-net-worth backers he'd met while at Goldman (their identities have not been disclosed) and an anchor investment from the Ontario Teachers' Pension Plan, which he also had a preexisting relationship with. RedBird became Skydance's second largest investor in 2020 when it led a $275 million capital raise. It backed Skydance again in 2022 when it raised another $400 million at a $4 billion valuation. RedBird's $1.8 billion cash outlay to buy Paramount represents 15% of its total assets under management. T he potential rewards from investing in Paramount are great but so are the risks: Between the inexorable decline of linear television, competition between streaming platforms, an existing $14.2 billion long-term debt load, and possible viewer blowback to perceived capitulation to Trump, Paramount faces a raft of challenges under its new ownership group. '[It] has the potential to overwhelm RedBird's portfolio,' Paul Wachter, the founder of Main Street Advisors, said earlier this year in a Harvard Business Review case study on RedBird. 'Turning Paramount around is going to be an enormous amount of work.' (Wachter also said he believes the investment will be a success 'because the executives are smart and highly motivated.') From Cardinale's perspective, the new Paramount—with its more than 1,200 film titles, distribution rights to another 2,400 films, and roster of television networks emblazoned in the American viewer psyche—is the perfect candidate to receive the RedBird treatment. 'What we do at RedBird is we look for ways of monetizing world-class IP. This is an over 100-year-old business…with really high-quality intellectual property,' he said last year on The Town, Puck founder Matthew Belloni's podcast, after the Skydance-Paramount deal was announced. 'We're not just deal guys looking to do a deal; we're not just private equity guys looking to go buy something.' While investors eye the numbers, media critics and consumers will be waiting to see how Skydance follows through on what the FCC described as its 'written commitments to ensure that the new company's programming embodies a diversity of viewpoints from across the political and ideological spectrum' and to 'adopt measures that can root out the bias that has undermined trust in the national news media.' There are reasons to believe the new Paramount will be less Trumpy than some fear: David Ellison gave around $1 million to Joe Biden's reelection campaign, and Cardinale, while not a megadonor, has previously given to both Democrats and Republicans. In any case, Cardinale has more to worry about than politics. With its massive debt load and facing structural headwinds, the new-look Paramount is crying out for a financier who understands the industry and is willing to stake his reputation on it. The test begins when the deal closes - which could happen any day now. More from Forbes Forbes How The World's Second-Richest Person And His Son Pulled Off The $8 Billion Paramount Deal By Phoebe Liu Forbes Inside Private Equity's $29 Trillion Retirement Savings Grab By Hank Tucker Forbes Want To Hedge Against Inflation? Buy A Forest By William Baldwin Forbes The New Owner Of The San Diego Wave Soccer Team Is The World's First Woman Private Equity Billionaire By Giacomo Tognini


Fox News
an hour ago
- Fox News
CBS staffers speculate on Gayle King's future as network bosses push 'editorial shift' on struggling AM show
CBS staffers are speculating whether their longtime morning show star Gayle King will have a long future ahead of her as network bosses implement changes to her program. King, the liberal co-host of "CBS Mornings," has struggled to give CBS a ratings lift despite having a roster of A-list pals like Oprah Winfrey and her mega salary ranging from $10-15 million per year, according to reports. During the month of July, CBS' marquee morning program averaged 1.8 million total viewers, trailing behind ABC's "Good Morning America" with 2.6 million and NBC's "Today" with 2.4 million. "A lot of people like how she says off-the-wall things. But also there's people that don't like it," one CBS staffer told Fox News Digital about how King's colleagues feel about her. "Anytime you have a big name, they are going to be a target." King is "generally liked" within the network and "still has a lot of power in the morning when it comes to things she wants." "She is insulated by her team and ["CBS Mornings" executive producer Shawna Thomas] a good bit. But so are [co-hosts Nate Burleson and Tony Dokoupil] to an extent," the staffer said. Perhaps puncturing a hole in King's bubble is the "editorial shift" being pushed by CBS News president and executive editor Tom Cibrowski and his No. 2 Wendy Fisher, the network's senior vice president of editorial. "They're changing story selection and tweaking the show some," the CBS staffer said. "I know Tom has been involved in the show heavily though… He wants us to focus on stories outside of major cities and in the middle of the country. Stories that affect real people and that they're talking about at home. Lots of economic stories." "You can see Tom's work in the show- they've added [former "Good Morning America" meteorologist Rob Marciano] full-time, tweaked teases, and you even see more camera movement and dramatics similar to 'GMA,'" they continued. "I don't know that Shawna has pushed back on Tom, but I do know he has had his hand in tweaks on the show especially recently." Cibrowski joined CBS News in March after a 30-year stint at ABC News, following in the footsteps of Fisher, who similarly joined the network in April 2024 after a three-decade stint at the Disney-owned rival. "Everyone I've talked to is super happy with him," the CBS staffer said of Cibrowski. "He's a steady hand and has a proven track record. He's extremely respected internally. So is Wendy." The staffer is convinced that the changes Cibrowski has implemented over the past couple of months are him "putting his mark on the division" and have nothing to do with the parent company Paramount's settlement to President Donald Trump or the forthcoming Paramount-Skydance merger set to close Thursday. "The editorial changes I've seen feel more focused on growing the shows and stories that resonate better than making changes based on pressure from up top," they said. "He just got here in the spring so he's just getting to a point now where he knows everyone and everything and is changing things based on his vision is the impression I get." Expect more editorial changes in the coming weeks, the staffer says, before "CBS Mornings" packs up and leaves its studio in Times Square and returns to CBS Broadcast Center on 57th Street in New York City in September. There has been a lot of chatter about Skydance CEO David Ellison and how he envisions the future of CBS News, including whether it includes King. The CBS staffer suggests the current network leadership has a contingency plan, as they "started to groom" Adrianna Diaz as the "heir" to the 70-year-old host when she was tapped to co-host the third hour of the program, dubbed "CBS Mornings Plus." "People are talking about it because Gayle is our biggest star, but also I don't think anyone cares that much," the staffer said. "I think everyone just wants stability, so from that standpoint, people want her to stay." CBS News did not immediately respond to Fox News Digital's request for comment.


Geek Girl Authority
an hour ago
- Geek Girl Authority
Computer, Please End Program: 6 STAR TREK Holodeck Malfunctions
On Star Trek, one of the most famous pieces of technology is the holodeck. But unlike most Starfleet equipment, this device is just as likely to malfunction as to operate correctly. For more evidence that this is true, just check the most recent episode of Star Trek: Strange New Worlds. 'A Space Adventure Hour' reveals the first time that a holodeck was tested on a Starfleet ship. And, well… you can probably guess what happens next. For this week's Trek Tuesday, we're recalling six times the holodeck malfunctioned. Did we include your favorite? Cover image credit: Marni Grossman/Paramount+ The Practical Joker The episode that first introduced the holodeck was Star Trek: The Animated Series Season 2's 'The Practical Joker.' In this episode, the holodeck was called 'the rec room.' This is referenced in Strange New Worlds' 'A Space Adventure Hour,' when Christopher Pike (Anson Mount) calls the holodeck the 're-creation room.' RELATED: Two Takes Trek: A Holodeck Whodunnit In 'The Practical Joker,' the computer of the U.S.S. Enterprise under the command of James T. Kirk (William Shatner) gains sentience. This leads to the computer playing 'practical jokes' on the Enterprise crew. Some are more harmless, like printing 'Kirk is a Jerk' on the back of Kirk's uniform. But the situation is more dire for Leonard 'Bones' McCoy (DeForest Kelly), Hikaru Sulu (George Takei) and Nyota Uhura (Nichelle Nichols). They end up trapped in the rec room, where the safety protocols are turned off, leaving them threatened by the simulated elements. Elementary, Dear Data The series that fully introduced the holodeck to viewers was Star Trek: The Next Generation. And in The Next Generation Season 3's 'Elementary, Dear Data,' the show introduced the most memorable holodeck character: James Moriarty (Daniel Davis). The trouble begins when Geordi LaForge (LeVar Burton) instructs the computer to create an adversary capable of facing Data (Brent Spiner). Unfortunately, the computer succeeds in this task a bit too well. The hologram version of Moriarty is so smart, he becomes aware of the fact that he's a hologram. And he wants out of the holodeck! Moriarty would return again in The Next Generation Season 6 episode 'Ship in a Bottle.' Our Man Bashir What's worse than a holodeck malfunction? A holodeck malfunction combined with a transporter malfunction! In Star Trek: Deep Space Nine Season 4's 'Our Man Bashir,' Julian Bashir (Alexander Siddig) is enjoying a holosuite program that bears a striking resemblance to James Bond. Meanwhile, Benjamin Sisko (Avery Brooks), Kira Nerys (Nana Visitor), Worf (Michael Dorn), Jadzia Dax (Terry Farrell) and Miles O'Brien (Colm Meany) are returning from a mission aboard a runabout. RELATED: Star Trek : Tracing the Holodeck's History Michael Eddington (Kenneth Marshall) attempts to beam the away team off the runabout before it explodes. Due to the explosion, the officers are trapped in the transporter buffer. Eddington acts quickly to save them, but they end up taking the place of characters in Bashir's holosuite spy program. Heroes and Demons Thanks to its holographic doctor and being trapped in the Delta Quadrant, Star Trek: Voyager had its share of holodeck episodes. In the Voyager Season 1 episode 'Heroes and Demons,' The Doctor (Robert Picardo) gets to go on his very first 'away mission.' The action begins when Voyager beams aboard a sample of a protostar to study. But unbeknownst to the crew, they also inadvertently beam aboard a lifeform alongside the sample. This lifeform begins causing crew members to vanish into a Beowulf holodeck program. Thus, it is up to the Doctor to infiltrate the holodeck and rescue the crew from the program. Terminal Provocations Photo Cr: Best Possible Screen Grab CBS ©2020 CBS Interactive, Inc. All Rights Reserved. Sometimes, holodeck malfunctions can have lasting effects. Such was the case for Star Trek: Lower Decks Season 1's 'Terminal Provocations.' In this episode, Samanthan Rutherford (Eugene Cordero) is eager to show off for D'Vana Tendi (Noël Wells). He attempts this via a training hologram he created, Badgey (Jack McBrayer). RELATED: Star Trek: Picard Season 3: Everything to Know About Hologram Moriarty But unfortunately, part of Rutherford's younger and angrier personality affected Badgey's coding. When safety protocols fail, Badgey attempts to murder Rutherford. While Rutherford defeats Badgey in 'Terminal Provocation,' the patricidal hologram returns in many episodes over the course of the series. Su'Kal Photo Cr: Michael Gibson/CBS ©2020 CBS Interactive, Inc. All Rights Reserved. In the Star Trek: Discovery episode 'Su'Kal,' the crew of the U.S.S. Discovery is on a mission to rescue Su'Kal (Bill Irwin). This Kelpien has been stranded aboard a ship for over a century. And in order to keep him safe, the entire ship has been converted into a holodeck. When Michael Burnham (Sonequa Martin-Green), Hugh Culber (Wilson Cruz) and Saru (Doug Jones) beam aboard the ship, they are startled to find that the holodeck makes them appear as different species. While it takes until a subsequent episode, Saru is eventually able to convince Su'Kal to shut down the holodeck program, allowing everyone to safely escape from the Kelpien ship. The Star Trek episodes discussed in this article are currently available for streaming on Paramount+. Hit It: Best Quotes From STAR TREK: STRANGE NEW WORLDS' 'A Space Adventure Hour' Avery Kaplan (she/her) is the author of several books and the Features Editor at Comics Beat. With her spouse Ollie Kaplan, Avery co-authored the middle school textbook on intersectionality Double Challenge: Being LGBTQ and a Minority. She was honored to serve as a judge for the 2021 - 2024 Cartoonist Studio Prize Awards and the 2021 Prism Awards. She lives in the mountains of Southern California with her partner and a pile of cats, and her favorite place to visit is the cemetery. You can also find her writing on Comics Bookcase, the Gutter Review, Shelfdust, the Mary Sue, in the Comics Courier and in many issues of PanelxPanel, and in the margins of the books in her personal library.