logo
Brad Pitt embraces Tom Cruise at F1: The Movie premiere

Brad Pitt embraces Tom Cruise at F1: The Movie premiere

Leader Live5 days ago

Pitt was sporting a green suit while attending the premiere in London of the motoring film, which follows a Formula One driver, Sonny Hayes, who comes out of retirement to help mentor a younger driver.
On the carpet, the 61-year-old was seen embracing Mission: Impossible star Cruise and posing in front of a sports car.
The pair previously worked together on the 1994 horror Interview With A Vampire.
Pitt recently told E! News that Cruise was 'so sweet' for showing support for the film, and when asked about working together again in a movie he said: 'I am not going to hang my ass off airplanes like that.
'When he does something again that's on the ground.'
Cruise is known for performing extreme stunts in the Mission: Impossible franchise, including scaling Dubai's Burj Khalifa skyscraper and riding a motorcycle off the edge of a cliff.
Pitt was also seen posing with his girlfriend Ines de Ramon, as well as his co-stars, including The Banshees Of Inisherin's Kerry Condon and Snowfall actor Damson Idris.
The cast posed next to Formula One Ferrari driver Sir Lewis Hamilton, who was dressed in all black.
Pitt is known for films including Fight Club, 12 Years A Slave and Moneyball and has received six Oscar nominations, winning two including best actor in a supporting role for Quentin Tarantino's Once Upon A Time… In Hollywood.
He is also known for Tarantino's Inglourious Basterds, in which he played Lieutenant Aldo Raine.
He was formerly married to actress Angelina Jolie who he shares six children with.
The pair split up after Jolie filed for divorce in September 2016, which led to an eight-year legal battle with a settlement reached in December.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Brad Pitt's F1 gamble: does Hollywood's golden boy still impress us much?
Brad Pitt's F1 gamble: does Hollywood's golden boy still impress us much?

Times

time5 hours ago

  • Times

Brad Pitt's F1 gamble: does Hollywood's golden boy still impress us much?

T hroughout the Nineties and Noughties Brad Pitt was the go-to movie star — the surefire answer if there were ever a Family Fortunes question that asked 100 people to name a famous actor: 'Our survey says … Brad Pitt!' Behind him came George Clooney, Tom Cruise, Leonardo DiCaprio and Johnny Depp. This leading-man sex appeal was debuted in 1991 when Pitt appeared topless in a cowboy hat in Thelma & Louise — sparkling blue eyes, devilish grin, effortless cool. He went on to star in a string of varied Nineties hits, cementing his status as the apex celebrity. He was the only actor who could play Tyler Durden in Fight Club, the Übermensch that every man aspired to be. But times change. It has been six years since Pitt's last undeniably great film, Quentin Tarantino's Once Upon a Time… in Hollywood, and even that was an outlier amid a run of expensive war movies that few remember. At times in the past decade the 61-year-old Pitt has felt like a star who became a supernova — an impression not helped by a lengthy divorce from Angelina Jolie, whose lawyers accused the actor of assaulting her and two of their children. Pitt denies the allegations.

Less death, more social media: Formula One films decades apart reveal a changed world
Less death, more social media: Formula One films decades apart reveal a changed world

The Guardian

time10 hours ago

  • The Guardian

Less death, more social media: Formula One films decades apart reveal a changed world

'Let's try to get the season off to a good start, shall we? Drive the car. Don't try to stand it on its bloody ear.' Have you watched the movie? It's about a rule-breaking American Formula One driver, the kind who blows past blue flags and crashes into his own teammate. You must have heard of it. They shot it in real race cars, across some of the most prestigious circuits in the world. It even had contemporary world championship drivers making notable cameos on the track. If you've never watched 1966's Grand Prix, now is the time to do it. This summer's blockbuster slot may belong to F1; and its director, Joseph Kosinski, may have gone to extraordinary lengths to capture the visceral speed of the fastest class in motor sport. But John Frankenheimer got there first. The close parallels between the two films have gone largely unremarked in the reviews. Six decades ago, when the glamour of the sport was peaking, Frankenheimer set out to capture its thrill, daring and inescapable danger. He fixed cameras to the chassis of Formula Two cars – the same substitute Kosinski has used – that hared round Brands Hatch, Spa, Monaco. Like Kosinski, he spliced real race footage into his own. His American lead, James Garner, did his own driving, just like Brad Pitt. There are even occasional shots in Kosinski's film that seem to pay tribute, intentional or not, to its predecessor – the moment that recalls Frankenheimer's stylistic use of split-screen, or when Pitt jogs around the old Monza banking. F1 the Movie, to be clear, is a billion-dollar industry giving itself a full valet – shampooed squeaky clean and buffed to an impossible sheen. But it's also the kind of sports-washing I'm prepared to indulge for the sake of the pure adrenaline thrill. After watching Top Gun: Maverick at the cinema, I walked straight back in for the next screening and sat in the front row so I could pretend to be in the cockpit. At the Imax this week I was practically climbing into the screen. I was definitely the only woman my age leaning into the turns, and wishing they would stop cutting back to Pitt's face so that I got more track time. For a bit of perspective, I had gone with my father, a man with a decades-long following of motor sport and a habit of nitpicking at movie details. Ten minutes into F1's opening track sequence he leaned over, and I braced for a critique of the pit crew's refuelling technique. 'We can go home now,' he whispered. 'It's good enough already.' A movie that can impress my father with its motor racing action deserves all the hype it gets. But neither he nor I had anticipated just how much it would remind us of Grand Prix – or how well that 59-year-old work would stand up in comparison. The Silverstone marching band, paraded past the clubhouse by a moustachioed sergeant-major, has given way to night-race fireworks in Las Vegas, and the ruinous cost of running an F1 team has jumped from a few hundred thousand to £100m. The stomach-buzz as the asphalt whizzes beneath you remains the same. Putting the two stories side by side does, however, show you interesting ways the sport has changed. Grand Prix's opening lingers, fetishistically, over images of working pistons and twisting wrenches. Such lowly mechanical details are almost entirely absent in F1, where the team headquarters looks like a space station and every element of the engineering process is rendered in gleaming sci-fi. There's also a lot less death. Frankenheimer's crashes are genuinely shocking – not because the stunts are realistic (and they are) but because of the bluntness of their outcome. Drivers are catapulted from their seats to fall on whatever part of the landscape they meet first. Spectators aren't safe either. The fact that horrifying incidents are a part of the public's fascination with Formula One is a recurring theme. F1 still plays on the life-or-death stakes, but does it in a very different way, as you'd expect from a film licensed by the governing body as a big-screen advert for the sport. It's also pretty keen that everyone you meet on screen shows motor racing in a good light. Team principals are loving family men! Drivers' managers are cuddly BFFs! People cycle eco-consciously to work! Everyone is so empathic and good at giving advice! It was the latter that had me balking at the chutzpah. There's a point where our hero tells the rookie to stop thinking about his social media. The hype, the fan engagement – 'it's all just noise,' he says. This in a movie that was produced, at phenomenal cost, as a method of growing hype and fan engagement. The film's only baddy, meanwhile, is a corporate investor, who we know must be a bad 'un because he spends his time schmoozing The Money in hospitality. Here's a game for you when you're watching F1: try to go two minutes without seeing or hearing the name of a brand that's paid to be there. I left the auditorium still blinking the name of accountancy software. By contrast, Frankenheimer's film seems bracingly honest. In Grand Prix, the drivers may have moments of self-reflection but they're also uncompromisingly selfish in their pursuit. The philosophical Frenchman Jean-Pierre Sarti suggests they live in denial: 'To do something very dangerous requires a certain absence of imagination.' 'Why do we do it? Why not tennis, or golf?' It's the question at the centre of every motor-racing film. In Le Mans, Steve McQueen answered by stripping out everything but the sound and feel of the track. F1's hero describes the feeling when he's 'flying' (not for nothing does he arrive walking down the tarmac, carrying a duffel like a certain fighter pilot). Perhaps that's what makes motor racing ripe for big-screen treatment – it's the most literally escapist form of sport there is. If F1 gives it the glossy treatment, Grand Prix sees beneath the sheen.

Tom Cruise's all time best movies ranked including 'breathtaking and moving' 80s classic
Tom Cruise's all time best movies ranked including 'breathtaking and moving' 80s classic

Daily Record

time12 hours ago

  • Daily Record

Tom Cruise's all time best movies ranked including 'breathtaking and moving' 80s classic

A full list of Tom Cruise's movies has been ranked from best to worst, according to their Rotten Tomatoes scores, with some surprise entries doing better than you might expect Tom Cruise, the quintessential '80s Hollywood heartthrob, has been dazzling audiences for decades, and now we've got the definitive list of his best and worst films. Rotten Tomatoes, the esteemed review aggregator, has crunched the numbers, using authentic critiques to sort through Cruise's extensive filmography. The rankings may throw up a few surprises, with some of Cruise's more obscure roles securing spots in the top 10, while others are expected entries thanks to widespread critical praise. ‌ Topping the charts as the actor's most celebrated work, according to viewer ratings, is the high-octane Mission: Impossible-Fallout. The 2018 blockbuster, which is the sixth instalment in the Mission: Impossible saga, has garnered an outstanding 98% rating, making it a clear fan favourite. ‌ One critic said: "Mission: Impossible - Fallout is hands down one of the best action movies I've seen in a while. The stunts are absolutely wild, and knowing Tom Cruise actually did them makes it even crazier." They added: "The pacing keeps you locked in from start to finish-there's never a dull moment. The story ties in nicely with the previous films but still stands strong on its own." Cruise's reputation for performing his own death-defying stunts has certainly paid off, influencing the high ranking of his stunt-laden features, with the recent hit Top Gun: Maverick soaring into second place in the 2022 charts. Unexpected entries have climbed the rankings out of 44 films, with the 2002 Steven Spielberg hit Minority Report making a notable appearance. It's closely tailed by Spielberg's 1988 classic Rain Man, which is just a whisker behind with an 88% rating, followed by The Color of Money in tenth place. ‌ Discussing Rain Man, the Mirror US reports that one film enthusiast remarked it is a "comedy that brings you to tears when the credits role". They added: "A breathtaking and moving film with such fantastic acting from both lead roles, with Tom Cruise showcasing that he can be more than a blockbuster protagonist who runs and jumps. It is a lost gem, and I hope it gains more attention as years go on." ‌ Languishing at the bottom of the pile, in 44th place with a mere 9% score, is the romantic comedy Cocktail. In this early Tom Cruise vehicle, he plays a New York bartender with grand ambitions that take him to Jamaica to open his own bar. The general view labels the film as rather "average," though some critics are more scathing. A review stated: "Yes, Tom Cruise has charisma. All that doesn't change the fact that this film isn't that good. Much like Cruise's character, Brian, this story drifts along without any real purpose." It continued: "And while the acting isn't terrible, the writing is watered down, and the characters are one-dimensional. It seems that the filmmakers didn't get the mix right when it comes to Cocktail." The Top 10 Rotten Tomatoes ranking Mission: Impossible - Fallout (2018) Top Gun: Maverick (2022) Mission: Impossible - Dead Reckoning Part One (2023) Mission: Impossible - Rogue Nation (2015) Mission: Impossible - Ghost Protocol (2011) Risky Business (1983) Edge of Tomorrow (2014) Minority Report (2002) Rain Man (1988) The Color of Money (1986)

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store