
Love Island USA's Amaya and Bryan Represent the Latine Love Story We Kinda Needed
To some, Amaya and Bryan's victory is a simple pop culture newsbite. But to others, it's the healthy Latine representation we desperately need right now.
Love Island USA viewers met 25-year-old Amaya in episode 4, when the Dominican-American arrived as a 'bombshell' meant to shake up existing couples. At first, she paired up with Islander Ace, but that connection ended when he complained about Amaya calling him 'babe' (yes, you read that correctly). She then tried her luck with contestants Austin and Zak, neither of whom reciprocated her feelings. Inside the villa, she might have felt helpless, but back home, Amaya captured the hearts of the entire country with her Shakespearean wordplay, her open displays of emotion, and her refusal to change for any man.
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"To some, Amaya and Bryan's victory is a simple pop culture newsbite. But to others, it's the healthy Latine representation we desperately need right now."
tess garcia
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Later in the season, Bryan, a 28-year-old of Puerto Rican and Guatemalan descent, flew under the radar when he joined Casa Amor, a getaway spot where female Islanders met new connections. But in episode 26, he flipped the script. As Ace, Austin, and Zak criticized Amaya for being too verbally affectionate, leaving her in tears, Bryan spoke out. 'Coming from a Hispanic household, calling someone 'babe,' 'mi amor,' 'mi vida,' that's just how we talk,' he said. 'You're telling her to meet you halfway? You've got to meet her halfway, too.'
The way we move through life is informed by the culture we grew up in. Bryan acknowledged this in front of the other Islanders, and in doing so, he created space for a real connection with Amaya, whose worldview is shaped by similar influences to his own.
By the Season 7 finale, Amaya and Bryan were a couple, with plans to test their relationship in the outside world. In the finale's Declarations of Love segment, they stood unapologetically in their admiration for each other, and they did it con sazón — Bryan even referenced a Bad Bunny lyric in his heartfelt speech to Amaya.
This season of Love Island USA was plagued by scandals centering Yulissa Escobar and Cierra Ortega, two other Latinas in the cast. Both were rightfully removed from the villa for using racial slurs in previous interviews and social media posts. Their actions are symptomatic of the pervasive racism and ignorance within the Latine diaspora. Yet when juxtaposed with the actions of Amaya and Bryan, who are best known for singing in the mirror and getting freaky in the Hideaway, we're reminded that Latines are not a monolith. As members of this community, it's our job to combat the racism and prejudice within it. In order to do so, we must uplift those whose values we do align with. Amaya and Bryan's win was exactly the ending we needed.
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" As members of this community, it's our job to combat the racism and prejudice within it. In order to do so, we must uplift those whose values we do align with. Amaya and Bryan's win was exactly the ending we needed."
tess garcia
'
Last summer, Season 6 of Love Island USA pushed the 'spicy Latina' trope with its few Latina contestants, who were portrayed as fiery and hypersexualized by their male counterparts. This year, Amaya and Bryan turned that narrative on its head. When Amaya went from crying over rejections to running around with the 'zoomies,' viewers got to see her as the layered individual she is. When Bryan, unprompted, defended Amaya's self-expression, it became clear that his respect for her ran more than skin deep. Some viewers feel Bryan may have pursued Amaya because he knew she was the fan favorite, but he stood up for her before the cast participated in the now-infamous ranking challenge, which revealed Amaya Papaya's status as America's sweetheart. His actions prior to that challenge set the stage for their budding romance.
Bryan also challenged machista stereotypes just by being himself. Machismo discourages Latino men from displaying sensitive emotions, but Bryan's tears flowed freely when he received a surprise video message from his mother. In his first one-on-one chat with Amaya, he spoke about his choice to defend her like it was a no-brainer, even though it meant arguing against three of his friends. 'I don't want anybody to feel alone,' he said.
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"On Love Island USA, Amaya and Bryan forged a bond built on cultural competency and outspokenness, two values that stand in direct opposition to Donald Trump's government-sanctioned ethnic cleansing of the United States."
Tess Garcia
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As I write this article, Latines all over the country are being kidnapped by U.S. Immigration and Customs Enforcement. A new detention center dubbed ' Alligator Alcatraz ' recently opened in South Florida. According to Congressman Maxwell Frost (D-FL), its inmates are being caged in groups of 32 people, with only three toilets per group. A culture of fear now permeates Latine communities nationwide, with many afraid to speak their native language publicly or even leave their homes for fear of being detained, regardless of their immigration status.
Meanwhile, two Latine twenty-somethings just shamelessly expressed themselves on summer's hottest TV show, and it won them the grand prize. On Love Island USA, Amaya and Bryan forged a bond built on cultural competency and outspokenness, two values that stand in direct opposition to Donald Trump's government-sanctioned ethnic cleansing of the United States.
This season of Love Island USA was stressful to watch. So is the news. So is the current state of the world. Amaya and Bryan's compassion, giggles, and hair-brained schemes gave us a breath of fresh air, if only temporarily. It's no wonder Latine fans are as proud of them as we would be of our own family members. Even if they decide they're better off as friends someday, Brymaya is still a win for Latines. Maybe it's not that deep to you, but to some of us, it is.
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Buzz Feed
12 minutes ago
- Buzz Feed
Love Island UK's Double Standard: Women vs Men
"Weirdo", "embarrassing", and "sidechick final boss." These are just a handful of the words used by online users and lovers of Love Island UK to describe season 12 contestant Helena Ford, despite her arguably being a victim of the "manipulative ways" of fellow contestant and partner Harry Cooksley. Over the last 12 seasons of the show — and its handful of spin-offs — it has become clear that the female contestants are becoming more criticised and judged in comparison to their male counterparts. But why? ITV In the last few weeks, we have seen a Love Island UK cast like no other. With no real strong 'OG' couple, the group of hot, young singles have been playing ' Wife Swap ' as the Islanders have described, constantly changing their couples and partners. However, it's been the boys who have found themselves in hot water, particularly Harry Cooksley and Dejon Noel-Williams. Both have had their share of questionable actions, failing most of the "tests" that come their way by getting to know other bombshells, even going as far as to kiss and share a bed with them, before returning to their couple. But more so this year than ever, it has been their partners that have faced the online backlash. Dejon's partner Megan "Meg" Moore has forgiven the semi-professional footballer on several instances for his "disrespectful" actions, yet has been consistently dragged online by users. Despite never really owning up to his behaviour, Dejon has continued to "explore connections" with at least four "bombshells," despite being coupled up with Meg since day one, and Meg making it very clear she is not comfortable with that. ITV He has lied to her several times about the extent of his "connection" exploration, with Meg making it clear she isn't okay with these actions, before the argument is resolved. Words such as "nasty", "f**"**" loser", and even the suggestion to "include a 'stonin' challenge" [on the show] have been used to discuss Meg online. And despite Dejon's actions, he seemingly remains scot-free. The internet has shown a similar response to Helena and Harry. Another semi-professional footballer, Harry has also failed most of the "tests" that have come his way, snogging several bombshells, sharing a bed with them, and returning to Helena as if nothing had happened. ITV The iconic Movie Night delivered as always, and all of Harry's poor behaviour came to light in front of the islanders, while they watched unseen footage. From sharing a bed with a girl in Casa Amor, to telling the islanders he fancied his real-life ex-girlfriend Emma Munro — who also made a surprise appearance on the show — over his current partner Helena. But no apology was needed, as Helena graciously forgave her man. In response, the internet dug up photos of Helena before her alleged cosmetic procedures, negatively commenting on her appearance and looks. She has been described as "desperate," "stupid," and a "cockroach" by viewers, while Harry has received little backlash in comparison. ITV In this week's episodes, Harrison Solomon and Lauren Katie Wood took their relationship to the next level, in a physical sense, despite Harrison having an on/off relationship with fellow islander Antonia "Toni" Laites. ITV Despite Harrison being perceived by many viewers and by the women on the show as being in the morally grey area here, and eventually confessing his remaining feelings for Toni, it's Lauren's Instagram posts that have been branded with words such as "slut" and "desperate", whilst Harrison has been added to the Love Island boys' "hall of fame." But why does the internet give more stick to the ladies? Perhaps it's down to the higher standard women are held to in the dating world. ITV Women are often encouraged to be demure, unproblematic, and contained, whilst men have continued to coin the phrase "boys will be boys." But when shown in explicit detail on the big screen, on a show like Love Island, does the reality of this presumption become more obvious? Maybe Love Island inadvertently brings the expectations put on women in the dating sphere to light, showing that women will never be able to navigate dating correctly. If you stand up to your man, you're "explosive"; if you don't, you're "embarrassing." There have been past contestants who have stood up to their men's poor behavior, most notably Maura Higgins from season five and Kady McDermott from seasons two and 10. They too faced comments online after standing up for themselves and were labeled "fiery" and "hot-headed." But the overall response was far more positive in comparison to our season 12 girls. X It seems as if, as a society, we have become too quick to turn to keyboard warriors, particularly towards women, using offensive phrases and words, and doing our best to dig up embarrassing moments, even when there seems to be no right path or game plan in the Love Island villa. Maybe it's time for viewers of Love Island to turn the magnifying glass over to the male Islanders, and question why all these men can't seem to maintain their concentration towards their own couples. Or perhaps why has it become normal to 'explore connections' through intimacy in the bedroom rather than through conversations? And you can catch up on all things Love Island UK on Hulu now!


Atlantic
14 minutes ago
- Atlantic
This Is Love for Precarious Times
The first time I watched Too Much, Lena Dunham's return to scripted television after a seven-year hiatus, it felt impossibly disappointing—visually flat, almost defiantly unfunny, more cringeworthy in its reliance on Anglo-American culture clashes for charm than Mary-Kate and Ashley trying to get a royal guard to crack a smile. The premise: Jess (played by Hacks ' Megan Stalter) is a New Yorker working in advertising production who's offered the chance to move to London when her relationship catastrophically implodes. (Dunham, as ever daring us to try to like her characters, has Jess, in the first episode, breaking into her ex's apartment and terrorizing his new influencer girlfriend while brandishing a garden gnome.) Arriving in London, Jess has a chance encounter with Felix (Will Sharpe), a broke musician, in a particularly vile pub toilet. Both are hapless in different but complementary ways—Jess tells Felix how to wash his hands, Felix helps Jess get home when she accidentally orders her Uber to Heathrow. These are hard times to be a romantic, especially on Netflix. Two years ago, on a New Yorker podcast lamenting the modern state of the rom-com, Alexandra Schwartz noted that the most crucial quality for any romance is this: 'You have to believe that these two people want to be together, and you have to buy in.' On this front, Too Much barely even tries. Stalter is wackily endearing as Jess, and Sharpe adds brooding complexity to Felix's offhand charm. But as screen lovers, the pair have almost negative chemistry, coming together with a shrug and staying together out of what feels like inertia. Initially, this set my teeth on edge—two characters with seemingly little interest in each other being paired off with the chaotic insistence of a child making her soft toys kiss. But the more I've come back to the show, the more its slack, unromantic approach to love looks intentional. Jess and Felix couple up not because they're giddy with feeling, drunk on proximity and intimacy and connection, but because each offers something specific that the other person needs. Too Much is co-produced by Working Title, and the names of its episodes nod to some gooier rom-coms served up by the company in bygone days: Four Weddings and a Funeral, Notting Hill. But in the place where the show's heart should be is instead pure pragmatism: This is love for a cold climate. If you compare Too Much with Celine Song's recent film, Materialists, in which every character sizes up romantic prospects with the agenda of a hiring manager, you can sense a theme. Can we afford to actually fall in love now? In this economy? Dunham presents infatuation as nonsensical, or even destructive: The best episode of Too Much is one that details the breakdown of Jess's seven-year relationship with Zev (Michael Zegen), a wannabe music writer who appears like a white knight in a bar one night when she's lost her friends and her pizza (nobly, he secures another slice) and immediately dazzles Jess into submission, charming her family, devising kissing rituals scored to songs, even massaging her grandmother's feet. Quickly, though, he sours. When she moves in with him, he's outraged by the fact that so much of her stuff is pink. He sneers at her love for Miley Cyrus power ballads and mocks her need for affection. 'I swear you dress as a fuck you to people sometimes, Jess,' he tells her, when she puts on a sailor smock to go out. The longer she loves him, the more contemptuous he becomes. Felix, by contrast, is cool from the start. No one is better than Dunham at writing sympathetic fuckboys, men in varying stages of arrested development who are unpleasant in uniquely beguiling ways. At the pub, Felix treats Jess like a kind of curiosity (she is, in fact, wearing the very same sailor smock that we later learn Zev had been so cruel about). It isn't until he sees the coziness of Jess's rental apartment that something seems to click in his mind in an enticing way, like a modern-day Elizabeth Bennet reconsidering her feelings for Mr. Darcy after she first visits Pemberley. Jess, somewhat randomly, tries to kiss Felix; Felix, perturbed, admits that he has a girlfriend and leaves. He walks around for a bit listening to Fiona Apple and smoking, then goes back to Jess's place, where he finds her being hosed down in the shower by a baby-faced paramedic after having accidentally set her nightgown on fire. Somewhat incredibly, he stays. 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If their relationship skips the heady, obsessive crush phase to get straight into a comfortable, stolid, domestic mode, maybe it's because that's what both of them are really yearning for. Initially, something about Too Much 's insistence on citing rom-coms in its episode titles while so stubbornly resisting romance felt galling to me. The quality that draws us to, say, the tortured off-on dynamic of Connell and Marianne on Normal People or the unbreakable bond between Nora and Hae Sung in Past Lives is the idea that love is somehow transcendent, that it elevates humans above the level of mere existence. But realistically, what is love if not care and attention? And what are care and attention if not expressions of tenderness and regard? Dunham buries clues throughout Too Much that seem to suggest what she thinks about men and women: Matrimony, Felix's father tells his wife late in the show, comes from the Latin words mater, meaning 'mother,' and monia, meaning 'activity'—it's about preparing a girl to be a mother, and in many ways, a maternal dynamic is exactly what both Felix and Jess are craving. 'You're like this alien,' Jess tells him in the final episode, 'but you also feel like home.'


Newsweek
14 minutes ago
- Newsweek
Best Historical Home Tour
Andrew Low House Museum | Savannah, GA Photo courtesy of Andrew Low House Museum Photo courtesy of Andrew Low House Museum Once owned by Girl Scouts founder Juliette Gordon Low, the Andrew Low House Museum preserves the rich and complicated heritage of an 1850s Southern seaport city. Throughout, you'll see the family's prized possessions, from 18th-century porcelain to a rosewood writing desk often used by the Lows' famous visitors. And you can stroll through one of Savannah's only remaining antebellum gardens before relaxing under the shade of the Natchez crape myrtles. Biltmore Estate | Asheville, NC Photo courtesy of Daniel Wright/iStock by Getty Images Photo courtesy of Daniel Wright/iStock by Getty Images Hidden in Western North Carolina's mountains is the majestic Biltmore Estate, America's largest privately owned home. 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Gamble House | Pasadena, CA Photo courtesy of Kirkikis/iStock by Getty Images Photo courtesy of Kirkikis/iStock by Getty Images Stained glass windows, hand-carved wood at every turn, custom architecture that seamlessly blends into nature: the Gamble House is an icon of the American craftsman style. This 1908 artistic wonder offers all kinds of tours, including one-hour walks through rooms with original furnishings, behind-the-scenes looks at the house's exquisite craftsmanship, guided rambles through the gardens and in-depth explorations with a glass artist. Georgia O'Keeffe Home & Studio | Abiquiú, NM Photo courtesy of Ann Talbot/iStock by Getty Images Photo courtesy of Ann Talbot/iStock by Getty Images The Georgia O'Keeffe Museum invites you to tour the home of the famous American painter for a glimpse of what inspired her work. 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Hearst Castle | San Simeon, CA Photo courtesy of simonkr/iStock by Getty Images Photo courtesy of simonkr/iStock by Getty Images You may forget you're in California and not the European countryside as you take in the grandeur of Hearst Castle. Spanish ceilings from the early 1400s, ancient Egyptian and Greek art, the brilliant blue Neptune Pool—there's so much art and architecture to admire. There's a tour for every taste, whether you want to see the mansion's luxurious rooms, the cozy kitchen and guest cottages, or the moonlit sculpture gardens. Hills & Dales Estate | LaGrange, GA Photo courtesy of ablokhin/iStock by Getty Images Photo courtesy of ablokhin/iStock by Getty Images While the property's Callaway house, a stunning Georgian Italian villa built in 1916, is definitely worth touring, the 35 acres of formal gardens at Hills & Dales Estate is the big attraction. 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McFaddin-Ward House | Beaumont, TX Photo courtesy of pidjoe/iStock by Getty Images Photo courtesy of pidjoe/iStock by Getty Images The turn of the 20th century's opulence is on full display at the McFaddin-Ward House, a Beaux Arts beauty built during the first Texas oil boom. Tour guides take you through three furnished floors filled with history as well as seasonal exhibits (the glitzy holiday dresses and priceless dinnerware are popular draws) and the Carriage House's antique gym equipment. The best part? Tours are free! Molly Brown House Museum | Denver, CO Photo courtesy of Molly Brown House Museum Photo courtesy of Molly Brown House Museum Beautifully eclectic and Victorian, the charming Molly Brown House Museum celebrates the life of the Unsinkable Molly Brown, who became world famous for surviving the Titanic shipwreck. Once you pass the giant lions and sphinx that guard the entrance, you'll be ushered inside to see Molly's collections (almost 10,000 items!) from her years as a world traveler—including a library that's stacked from floor to ceiling with books and souvenirs. Pabst Mansion | Milwaukee, WI Photo courtesy of Pabst Mansion Photo courtesy of Pabst Mansion Take a trip back to the Gilded Age at the Pabst Mansion, where the family's famous brewery and love for European art shine. On Sundays, you can sip champagne as you wander the elegant home (Blue Ribbon beer tours are available too) and take in its music room that hosted the late 19th century's most popular musicians. All three floors are fully accessible, so everybody can admire the ornate decor. Taliesin West | Scottsdale, AZ Photo courtesy of Taliesin West Photo courtesy of Taliesin West Frank Lloyd Wright wanted a winter home and studio in a warm place with dramatic landscapes, so he chose the Sonoran Desert for Taliesin West. The nature-inspired complex almost disappears among the rocks and sand used to craft each building. Explore the visionary architect's workspace, including his draft room where some of the world's most iconic buildings were first put on paper. Photos are allowed, so snap some architectural inspiration! The House of the Seven Gables | Salem, MA Photo courtesy of The House of the Seven Gables Photo courtesy of The House of the Seven Gables Over 350 years old, this mansion by the sea brims with history: the House of the Seven Gables is one of the country's largest timber mansions still on its original foundation. The home features prominently in a Nathaniel Hawthorne novel, adding to its fame. When you're not perusing the Georgian splendor inside or treating your little historian to kid-friendly activities, check out the mansion's events, including spooky bashes in October. Winchester Mystery House | San Jose, CA Photo courtesy of Winchester Mystery House Photo courtesy of Winchester Mystery House The infamous Winchester Mystery House took 36 years to build, starting as an eight-room farmhouse and ending as a sprawling 160-room mansion. Filled with 19th-century curiosities, architectural oddities and paranormal activities, this bizarre home is a place of intrigue that's drawn millions of visitors over the decades. Each fall, the house comes to life during Festival Fright Nights with food, entertainment and special tours that might leave you haunted.