logo
Ryan Coogler's production company Proximity Media is thriving — and 'Sinners' is just the beginning

Ryan Coogler's production company Proximity Media is thriving — and 'Sinners' is just the beginning

There was a time when the only person who believed in Ryan Coogler was his wife, Zinzi.
Back in the early 2000s, when Coogler was playing football at Saint Mary's College of California, he began thinking about life beyond the gridiron and whether becoming a storyteller could possibly be his next passion. He was told that if he were serious, the first thing he had to do was get the software that all scribes in the business use to write their stories: Final Draft.
But barely surviving off the scholarship money he had, he couldn't afford it.
"She bought it for me," Coogler told Business Insider over a video chat while sitting next to Zinzi, who gave a shy smile in response.
Five movies and two Oscar nominations later, it turned out to be money well spent, as Coogler has become one of Hollywood's top visionary filmmakers.
But he's not stopping there.
Alongside Zinzi Coogler and producer Sev Ohanian, the trio launched the production company Proximity Media in 2018, which handles everything from feature films to documentaries and podcasts.
Their efforts helped bring the 2021 best picture Oscar nominee "Judas and the Black Messiah" to the screen. They also teamed with LeBron James for the remake of "Space Jam" in 2021 and launched the popular podcast "In Proximity."
The three formed a close bond in the 2010s when Ohanian was Ryan's classmate at USC (Zinzi and Ryan, who have known each other since they were teens, married in 2016). There was even a time when Ohanian was sleeping on the Cooglers' couch while they were making Coogler's debut feature, "Fruitvale Station," in 2013. Five years later, the three went into business for themselves, forming Proximity.
"We were young people trying to make it in this business before we started the company," Coogler said. "We are a company that was built on that feeling of not being taken seriously because of our age and constantly being told we're doing it wrong because we want to do right by people. That has been the common theme; it's a blue-collar aspect."
That blue-collar approach has become the company's guiding light. While many production companies led by Hollywood heavyweights are locked into first-look deals at a studio, Proximity has taken the less-traveled path and is a free agent in the business. This has led to them being busy all over town, working with Marvel Studios on the upcoming "Black Panther" spin-off series "Ironheart" and landing Coogler's latest directing effort, "Sinners," at Warner Bros. following a heated bidding war.
"When we know we're doing something right, it's often when we can approach things unconventionally and not necessarily industry standard," Ohanian said.
But Proximity isn't focused on just the moving image. Under the leadership of Oscar-winning composer and longtime Coogler collaborator Ludwig Göransson, the company was behind the soundtracks for " Creed III" and "Judas and the Black Messiah," the latter of which earned an Oscar nomination for best original song. The company will also be releasing the "Sinners" soundtrack. Meanwhile, Paola Mardo is heading its audio division, Proximity Audio, focused on continuing to grow the Webby Award-winning "In Proximity" podcast.
"We have had Jordan Peele and Michael B. Jordan sit across from Ryan, but the pie in the sky is to keep having those intimate and in depth conversations about how we do what we do, to just give perspective on the many different things it takes to put something on screen for audiences to enjoy," Zinzi Coogler said.
With a staff of around 25, the founders describe Proximity as a scrappy working environment fueled by the underdog mentality from which the company was born. They often hire people who, like them, once had little to no industry experience, just a drive to work in the business. This has led to Proximity's much-sought-after paid internship program.
"At any given time, there are brilliant young filmmakers and podcast makers that are in and out of our company getting college credit and getting paid to learn," Ryan Coogler said. "It has gotten to the point that some of these people have gone on to be assistants to major Hollywood players."
" Sinners" shows off the fruits of Proximity's labor. The genre-bending thriller, written and directed by Coogler and produced by the Cooglers and Ohanian, had the biggest opening weekend for an original movie since the pandemic, making $48 million domestically. In addition to handling the soundtrack, Proximity also used its podcast "In Proximity" to give a deeper insight into the movie and its themes, with its latest episode featuring a conversation between Coogler and Göransson.
"Our first goal was to make a film that would be very music-oriented if not a full-blown musical, and I think with 'Sinners' we've accomplished that," Ohanian said.
While "Sinners" is poised to continue its success at the box office, there's plenty more in the pipeline at Proximity. An adaptation of the New York Times bestselling novel "California Bear" and an adaptation of the graphic novel series "A Vicious Circle" are both in development. They're also in production on an as-yet-unannounced docuseries following the success of "Stephen Curry: Underrated," which was released by Apple TV+ in 2023.
I ask Zinzi if she ever imagined that buying Ryan Final Draft would lead to all this.
"Not at all," she said softly. "I mean, we grew up with parents who had very practical jobs. I had zero expectations. I just knew it was something that he was very interested in and curious about."
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Charlize Theron is choosing to be single, she told ‘Call Her Daddy': That can be ‘a sign of strength,' says relationship expert
Charlize Theron is choosing to be single, she told ‘Call Her Daddy': That can be ‘a sign of strength,' says relationship expert

CNBC

timea day ago

  • CNBC

Charlize Theron is choosing to be single, she told ‘Call Her Daddy': That can be ‘a sign of strength,' says relationship expert

Oscar-winning actress Charlize Theron has had her share of romantic relationships. Among the most famous were her relationships with Third Eye Blind frontman Stephan Jenkins and actor Sean Penn. But these days, the mother of two is choosing to be single, she recently told Alex Cooper on podcast "Call Her Daddy." For her, building her family was about "being honest with who I am and what I can give right now," she said, adding that she realized she "was not somebody who should be having kids with another person." Here's why Theron chose to be a single mom, and why relationship experts support her decision. For Theron, there were two main motivations. First, Theron's parents had a tumultuous relationship. "There was a lot of alcoholism in my family," she said, "on both sides." And she grew up seeing the repercussions of that painful dynamic and wanted to avoid repeating what she saw at home. Second, it was a recognition of how she functioned in a romantic relationship. "I used to be someone in relationships that would lose herself," she said. She would often attract narcissists, which meant "walking on egg shells, trying to protect ego," she said. And she avoided conflict, preferring to placate to them than to fight. Ultimately, it was about "being very honest with myself and understanding that I did not have the capability of being healthy in a relationship," she said. Sara Nasserzadeh, sexuality and relationship expert and author of "Love by Design: 6 Ingredients to Build a Lifetime of Love," lauds Theron's decision. "I hear a woman choosing alignment," she says. "She is not turning away from love, she is choosing not to recreate cycles that would compromise her ability to live and love truthfully." She also sees Theron's choice as one made by an awareness of her surroundings. Historically, women have relied on men for financial stability, for example. "For many, partnership was a necessity more than a preference," Nasserzadeh says. "Charlize has the clarity, the support, and the resources to choose otherwise, and that is powerful." Psychotherapist and author of "13 Things Mentally Strong Women Don't Do" Amy Morin has seen many women make a similar choice. "Some were moms who didn't want to expose their children to their dating lives," she says, adding that, "others had done a lot of work on themselves but didn't want to practice their new relationship skills while the kids were around." Others, still, simply felt their lives were full. They didn't need the romantic relationship. "Some have experienced backlash as others question if they're truly happy or make jokes that there must be something wrong with them," says Morin. "But choosing to stay single can certainly be a sign of strength, not weakness."

The director of 'Jurassic World Rebirth', Gareth Edwards, explains why he put Steven Spielberg easter eggs in the film
The director of 'Jurassic World Rebirth', Gareth Edwards, explains why he put Steven Spielberg easter eggs in the film

Business Insider

timea day ago

  • Business Insider

The director of 'Jurassic World Rebirth', Gareth Edwards, explains why he put Steven Spielberg easter eggs in the film

Kids often dream of becoming police officers or doctors. For "Jurassic World Rebirth" director Gareth Edwards, however, his childhood dream was a bit more specific: working with iconic director Steven Spielberg. And now it's finally come true with the latest in the dinosaur action film franchise. Edwards has found the Hollywood moviemaking sweet spot: directing major blockbusters that are also creatively satisfying. He found geek boy superstardom when he made the first-ever spin-off in the " Star Wars" franchise, 2016's " Rogue One: A Star Wars Story." It's gone on to be regarded as one of the best ever within the beloved galaxy far, far away (though he disagrees with that opinion). He followed that up by creating an original idea out of the studio system, a rarity these days, when he released 2023's "The Creator." The movie stars John David Washington as a special forces agent hired to hunt down and kill an AI. Now, Edwards is taking on the legacy IP genre by helming "Jurassic World Rebirth," out now. Taking place decades after the events of "Jurassic World Dominion," the story, penned by " Jurassic Park" screenwriter David Koepp, follows Scarlett Johansson as the leader of a team of operatives who travel to an island research facility to take genetic material from dinosaurs. For Edwards, making the movie checked off a childhood dream of working alongside Steven Spielberg, who was heavily involved in the filmmaking process. And it shows as "Rebirth" features several hat tips to the master, ranging from "Jurassic Park" to "Jaws." "I hate the word IP, but there are only two franchises I would absolutely drop everything for and just do them. I already did one of them with 'Star Wars,' and this was the other one," Edwards told Business Insider. "So when Steven gives you this script, you're just checkmated immediately. The idea that you turn Steven Spielberg down is impossible." BI spoke with Edwards while he was in New York City about the hourslong conversations he had with Spielberg while making the movie, his thoughts on "Rogue One" as it nears its 10th anniversary, and whether he'd ever consider making another "Star Wars" movie. After "The Creator," I started the process of what am I going to do next. There was a thing in my mind that I was excited about. And in that process, a sequence from "Jurassic Park" entered my mind, and I forgot how they pulled it off, so I just put it on to get a refresher. I'm doing this with "Jurassic" and the next day my friend saw on the internet that Universal was looking for a director for a new "Jurassic" movie. So I sent that to my agent, and I just typed in the text with the link to the story, "Is this stupid?" hoping he'd say, "Yes, stay away." And hours later, my agent got back to me, and the ball started rolling. Be careful what you wish for. What I really enjoyed about "Rebirth" is its stand-alone feel. Was that intentional? It was in David Koepp's script. That's why I really liked it. What the best sequels have in common is that the first one didn't know it was part of a trilogy or the start of sequels. It was just this self-contained story. So that's the way to go, to try to tell the best film you can. It's then a high-class problem after that. And I'm not joking, but I haven't had a single conversation about a sequel with anyone from Universal or the producers. That was my follow-up. Nobody tapped you on the shoulder and suggested a more heavy-handed way to tease another movie? No. It was even a joke with the actors. But the movie also has a lot of nostalgia, with hat tips ranging from "Jurassic Park" to "Jaws. " Did that come organically? When I got the script, it felt like a magical ticket back to being a kid again. So a lot of that was already in there, and half of it I probably brought with me. I mean, you're making a movie for Amblin that features a giant creature in the water. Of course, you're going to lean into "Jaws." Yeah. The script said, "They're chasing a giant dinosaur in the water, on a boat, with a rifle leading out the front," and you're like, "Guys, I don't know if you've ever seen this movie called 'Jaws,' but I don't know how we escape those visuals." So it was a difficult situation, and the only way I got through it was this being a giant love letter to Steven Spielberg. Whenever there's a gap, I'm going to put something in that is a reflection of something from his movies that we love. You have now worked with two faces on the Mt. Rushmore of American cinema, George Lucas and Steven Spielberg. Compare and contrast working for them. Well, George had retired when we started "Rogue One," so he was totally happy for us to go do our thing. But I did have the more surreal moment of showing him around the set of "Rogue One." But what I did to take the pressure off myself, seeing I was doing a "Star Wars" spin-off, I was competing with the likes of the holiday special and Caravan of Courage, the Ewok adventure. So I jokingly framed those movie posters in my office as a reminder to me that I just have to do better than those. Then, one day I was told George is here, and he just walked into the office, and I was blown away. And as I was talking to him, I realized the posters on the wall. So I'm trying to be as animated as possible so he wouldn't look at the wall. Steven developed the story with David, so he was fully engaged from the start. He was in the meetings during preproduction. He would call me when I started shooting. He watched the dallies every day. We even sent him the first cut of the movie. I would have hour and a half phone calls with him giving me feedback. Were you prepared he'd be so hands-on? It was definitely the right amount, but going in I didn't know if I'd see him once or all the time. I didn't know how it was going to play out. And I remember on day one, the first meeting at Universal, I get there early, and the next person who walked in was Steven Spielberg. I'll never forget the first interaction I ever had with him. It was right after "Godzilla." I got an email from ["The Lord of the Rings" creator] Peter Jackson, and there's a video attached. I hit play and it's Steven Spielberg. Peter Jackson was filming Steven Spielberg at George Lucas' birthday party. Steven had just seen "Godzilla" and was saying really nice things about it, so Peter sent it to me. I watched it and collapsed and burst into tears. There are moments as a filmmaker where everything you're doing in your life, you ask, Why am I doing this? What is the goal? You don't know. That is the answer to why I'm doing this; for that moment, for that little video. We're coming close to 10 years of "Rogue One" coming out in theaters. Do you appreciate your contribution to "Star Wars"? It's arguably the best "Star Wars" movie since Disney bought Lucasfilm, and it's up there as one of the best out of all the movies. Can you appreciate that? I don't agree with it, but I appreciate it. I'm very grateful that people say nice things. But what's super interesting about it, which you have to keep in your pocket as you go through making other films, is that it's not about how people feel the day it gets released, it's how people feel about it 10, 20 years from now. When you make a movie, you're living at least a year from now. You're trying to imagine what it's like, all these decisions you're making, what they are going to be like a year from now when this movie is released. What's the audience going to think? And as the movie comes out, you go, "I'm going to pretend I'm living 10 years from now and it doesn't matter what people say in the moment." It's the kid who comes up to you 20 years from now and goes, "Oh my god, I loved that movie!" I think that's the reward. Would you ever go down that road of doing "Star Wars" again? It's the thing that was in my life before I knew what a film was. And so it's like your mom; it's like something so a part of you. I'm always fascinated by what they're doing. I never stop loving that trilogy, but I'm very happy to move on and do my thing.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store