logo
The Virginia has been entertaining Somerset since 1920s

The Virginia has been entertaining Somerset since 1920s

Yahoo13-06-2025
SOMERSET, Ky. (FOX 56) — Somerset is a spot for food fanatics, lake lovers, and art admirers. The city is also not without history.
The Virginia has been entertaining Somerset since the 1920s. As expected, the historic venue has changed since the doors first opened.
It opened in 1922 as a local movie theater and for more than 70 years became part of the city's fondest memories. But the family-owned business fell on hard times, sitting vacant and deteriorating for nearly three decades.
In 1994, The Virginia closed after an ice storm caused its roof to collapse.
Somerset coffee shop looks to bounce back after being destroyed in May tornado
The Virginia has been entertaining Somerset since 1920s
Somerset looking to capitalize on growth through occupational tax hike
Several years ago, Somerset bought the property from the city's downtown development corporation, spending $2.3 million to bring the theater back to life ahead of its 100th anniversary. The historic space is now more than a cinema, renovated into a multi-use venue.
'The Virginia Theater, what I like to call the artist formerly known as the Virginia Cinema, was one of the movie theaters located in downtown Somerset. One of the others was the Kentucky, which is now a parking lot. That was one of the main reasons why this community really banded together to try to refurbish this theater was to not let it become a parking lot and to let it be a part of the rich history of this community,' said John Alexander, the Pulaski County government's communications director.
Last month, it hosted the 606-strong tornado relief benefit concert to raise money for storm survivors of May's horrific tornado that damaged parts of the area.
Alexander is proud to have an iconic piece of the city back in play. He said if the lake is the city's lifeblood, then The Virginia is its heart.
Read more of the latest Kentucky news
'The community was very welcoming of it. I like to use the quote that Humphrey Bogart used in The Maltese Falcon: it's 'the stuff that dreams are made of.' This has been our dream for decades and to have it back open, to have it accessible to the public, and to be in a form that it's never been in before and to have a building that is modern, that does have modern sensibilities, then also a throwback to the past,' Alexander said.
Alexander also hosts a classic movie series at the theater once a month.
'To me, it's a chance again to show people Somerset that when they visit here, when they visit the lake, when they visit this area, that it's something that they can come see that's modern but then also looks towards the past as well,' said Alexander. 'They can't stay on the lake 24 hours a day, seven days a week. So, to have things like this in downtown Somerset for people to go do outside of the lake and outside of that regular Memorial Day to Labor Day lake season is something that benefits everybody.'
Friday night, the band Who's Bad: The Ultimate Michael Jackson Experience is performing at the Virginia. The show starts at 8 p.m. For a list of other shows and events, click here.
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘If You Love It, Let It Kill You' turns navel-gazing into art
‘If You Love It, Let It Kill You' turns navel-gazing into art

Washington Post

time15 hours ago

  • Washington Post

‘If You Love It, Let It Kill You' turns navel-gazing into art

A few weeks ago, David Brooks ran out of things to write about in the New York Times and so decided to pour more water over some old tea bag about the death of literary fiction. 'America is now wholly given over to a damned mob of scribbling women,' he wrote, and 'the public taste is occupied with their trash.' No — wait — that was Nathaniel Hawthorne back in 1855, but you get the idea. Our latest novels, Brooks wrote, have grown timid and insular. As someone who's been reviewing fiction every week for three decades and often feels moved and dazzled, I could sense a rebuttal swelling in my evidently easily pleased brain. Just over the last few months, Bruce Holsinger's 'Culpability' tackled the ethical implications of AI, Susan Choi's 'Flashlight' explored the abiding tragedy of North Korea, Karen Russell's 'The Antidote' conjured up a magical tale of environmental destruction in the American West, and Chimamanda Ngozi Adichie's 'Dream Count' followed the intertwined lives of women in the United States and Africa. Timid and insular, sir? I think not. But it was then, perched atop my high dudgeon, that I noticed I was reading Hannah Pittard's 'If You Love It, Let It Kill You.' Pittard, as you may know from her 2023 memoir, 'We Are Too Many,' is an English professor in Kentucky whose husband cheated on her. Now she's written a novel about an English professor in Kentucky whose husband cheated on her. It sounds like the kind of book you'd want to keep on the bottom shelf if you had to debate David Brooks about the ambition and audacity of contemporary American fiction. At times, you might even wonder whose side Pittard is on. Early in 'If You Love It,' the narrator admits, 'I'm a chronicler of the everyday mundanities of life.' She imagines her students complaining, 'Where's the plot?' Her partner tells her, 'You're a family of navel gazers.' He's not wrong, but that Brooksian dismissal hardly tells the whole story, because the success of such a novel depends on the navel and the gazer. For all its quirky self-referentiality and cramped plot, 'If You Love It' is an account of female anxiety, depression and sexual dissatisfaction. For decades, male anxiety, depression and sexual dissatisfaction passed as capacious themes for fiction (See: 20th-century novels by White guys named John). That such audacious writers as Pittard, Kate Folk, Ada Calhoun and Miranda July are turning those themes on the lathes of their own sharp fiction isn't just fair play, it's cause for celebration. Pittard's special contribution is her ability to braid strands of pathos and comedy. The melancholy narrator, an avatar of the author trimmed down to 'Hana,' feels besieged by the close presence of family, including her sister's household next door; her severely unbalanced father, who wants to be a charming character in one of her books; her eccentric mother, who's dating three men simultaneously online; and her partner's 11-year-old daughter, who has surely heard Hana say she doesn't like kids. What's worse, Hana has just learned that her ex-husband is about to publish a novel about their ruined marriage that portrays her as a smug, insecure hack. The publisher will be using her full name in the publicity material. 'You can't use fiction as a means of making false accusations about living people,' Hana says. 'It's unethical. Fiction isn't a platform for revenge.' These indignant lines are funnier if you're tuned into the literary kerfuffle that's been rumbling between Pittard and her ex-husband, Andrew Ewell, who did, in fact, publish a novel last year called 'Set For Life' inspired by their ruined marriage. But what's pertinent to most readers is that this story follows a mad woman, a woman mad at life, who lives too much in her head, is dogged by erratic erotic urges and suspects there might be something troubling about her desire to play dead. 'It's all happening too quickly,' she thinks, 'and it couldn't be over too soon.' Hana's humor keeps rolling over these adamantine terrors like waves, but periodically when that tide of comedy pulls back, we find ourselves stranded with a middle-aged woman crying, 'oh my god this is not what my life was supposed to be, is it?' At such moments, 'If You Love It,' feels almost too heartbreaking to bear. But Pittard doesn't leave us there. For one thing, Hana imagines her writing students critiquing her story as it takes place. And they aren't particularly kind — 'Is this some sort of plot device?' they ask impatiently. Hana doesn't hold back on them, either. She portrays her students as chronically unimaginative writers always pestering her for permission to add vampires and talking cats to their work. Until, what do you know, a particularly acerbic kitten paws into Hana's life and starts mewing no-nonsense advice. And with that surreal intrusion, 'If You Love It' tilts another few degrees away from reality's plumb line. If memoir is that pious figure who vows to tell the truth and then lies, autofiction is the cheeky kid who wants extra credit for confessing her deceit up front. Is Pittard working through her own private catastrophes in this novel? Of course — but so is every other novelist. She's just letting us see the splintered timbers of her experience clearly enough to recognize our own. 'This book,' Hana tells us, is 'neither a comedy nor a tragedy but something much worse: real life.' And what is that, really, besides the long struggle to understand — and appreciate — that we're all characters in each other's stories. Ron Charles reviews books and writes the Book Club newsletter for The Washington Post. He is the book critic for 'CBS Sunday Morning.'

Released WWE Superstar Teases AEW Move
Released WWE Superstar Teases AEW Move

Newsweek

time16 hours ago

  • Newsweek

Released WWE Superstar Teases AEW Move

Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. Former WWE Cruiserweight Champion Cedric Alexander has not ruled out an eventual move to AEW, despite having recently made his debut for TNA Wrestling. In a new interview, Alexander addressed the widespread fan speculation about a potential reunion with his former Hurt Business stablemates. While he is focused on his new path in TNA, he made it clear that nothing is off the table for the future. His comments will surely keep fans buzzing about where he might ultimately land. "Nothing Is Off The Table" Speaking on the Busted Open radio show, Cedric Alexander was asked about the rumors of him joining The Hurt Syndicate in AEW. He said he is happy that fans are speculating about his future, but his current priority is establishing himself as a singles star in TNA. "It's good to get people talking," Alexander said. "I'm glad people were wondering what can happen, cause that adds to the excitement of it all. Nothing is off the table, but right now I'm focused on me, focused on carving my own path, and being my own man, so to speak." More news: WWE News: Steve Austin Reveals Real-Life Vince McMahon Confrontation The Hurt Business: A Dominant Past The fan desire for a reunion stems from the massive success of the original faction in WWE. Known as The Hurt Business, the group, consisting of MVP, Bobby Lashley, Shelton Benjamin, and Cedric Alexander, was one of the most dominant and popular acts during the "ThunderDome Era" of 2020 and 2021. SAN DIEGO, CALIFORNIA - JANUARY 17: Nia Jax and Bianca Belair in action during Smackdown at Pechanga Arena on January 17, 2025 in San Diego, California. SAN DIEGO, CALIFORNIA - JANUARY 17: Nia Jax and Bianca Belair in action during Smackdown at Pechanga Arena on January 17, 2025 in San Diego, California. WWE/Getty Images With their sharp suits and legitimate fighting credentials, they ran roughshod over the Raw roster. At their peak, they held the WWE Championship (Lashley) and the Raw Tag Team Championships (Benjamin and Alexander) simultaneously. The group's sudden and widely criticized breakup by WWE creative is seen by many as a major missed opportunity, which is why fans are so eager to see them reunite. The Hurt Syndicate: A New Chapter in AEW That reunion has partially happened in AEW. Led by MVP, "The Hurt Syndicate" features Bobby Lashley and Shelton Benjamin, who are the reigning AEW World Tag Team Champions. The group recently and reluctantly allowed the controversial former AEW World Champion, MJF, into their ranks. With the group thriving in AEW, Alexander, who was released from WWE, seemed like the logical final piece of the puzzle. He recently made a surprise debut for TNA Wrestling, competing in a high-profile match against Mustafa Ali at the Slammiversary pay-per-view. While his current focus is on TNA, Alexander's comments have left the door wide open for a potential jump to AEW to complete the reunion down the line. More WWE News: For more on WWE, head to Newsweek Sports

‘Drumline' star Jason Weaver becomes honorary member of Kappa Kappa Psi
‘Drumline' star Jason Weaver becomes honorary member of Kappa Kappa Psi

Yahoo

time18 hours ago

  • Yahoo

‘Drumline' star Jason Weaver becomes honorary member of Kappa Kappa Psi

The post 'Drumline' star Jason Weaver becomes honorary member of Kappa Kappa Psi appeared first on ClutchPoints. Actor Jason Weaver recently hit a huge milestone in his career that also serves as a full-circle moment for a beloved character. Last week, Weaver was officially inducted as an honorary member of Kappa Kappa Psi National Honorary Band Fraternity. He shared the announcement on his social media accounts as he went to the national convention for the fraternity held in Lexington, Kentucky. 'I'm bringing in my birthday this year on a very high note this morning after officially crossing over as an honorary member of Kappa Kappa Psi National Honorary Band Fraternity,' he said in an Instagram caption on his page recapping his time at the national convention. 'Respectfully, I just want to publicly express/share that it is TRULY an honor to be a member who will proudly represent on behalf of this prestigious fraternity. The honor and privilege of becoming an honorary member of @ has actually been 25 YEARS in the making since playing the role of 'Ernest' in the classic film 'Drumline', and I want to personally THANK my good friend Dr. Donald Lee of @scsusga1896 for making this all happen for me. I waited a long time to be able to honorably accept and celebrate this special moment in my life, BUT I must say that it was well worth the wait.' As Weaver said in his caption, he played the role of 'Ernest' in the 2002 HBCU-centric film Drumline. In the movie, Ernest often find himself being secretive and evasive about his plans, most famously in a scene in a restaurant with some of his fellow Atlanta A&T band members as he quickly ate a burger and fries before running off. At the end of the movie, it was revealed that Ernest was working to become a member of Kappa Kappa Psi, and Devon Miles and his crew found him at his probate ceremony. Founded on November 27, 1919 at Oklahoma State University, Kappa Kappa Psi National Honorary Band Fraternity is an honorary fraternity for current and former university band members. Alongside Weaver, the fraternity boasts several notable members such as former President Bill Clinton, comedian and syndicated radio host Rickey Smiley, and legendary Singers Ray Charles and Lionel Richie. Related: Georgia, Tennessee added to Tennessee State's future football schedule Related: Fred Hammond becomes honorary member of Phi Beta Sigma Solve the daily Crossword

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store