
10 years of Masaan, film that gave us brilliantly restrained actor like Vicky Kaushal
Vicky Kaushal emerges as a promising talent'Masaan', which symbolises the crematorium, features Kaushal as Deepak, a civil engineering student at a polytechnic college in Varanasi, Uttar Pradesh, India. The actor imbibes the character of a vulnerable youth struggling with his career while navigating love in a society divided by class struggles. He plays, with the utmost ease through subtle nuances, a young man from the marginalised Dom family involved in cremating dead bodies at Ghats for generations.Ghaywan doesn't make a social statement with 'Masaan' through long monologues or heated debates, but situations that throw light on the contemporary realities of modern India. Kaushal and Ghaywan strike a brilliant creative partnership in a movie where the holy city of Varanasi almost becomes a third character. Kaushal brings out the pain, anguish, intensity and playfulness of a young man who has loved and lost amid bearing the burden of societal bias. "Ye dard kahe khatm nahi hota..." - makes Deepak's pain alive even after 10 years. The actor doesn't speak or try to act like Deepak, he becomes Deepak. No other actor could've so naturally embraced a character both deeply relatable and largely overlooked by the media and pop culture. 'Masaan' did not just introduce Kaushal, it defined his potential and versatility.Watch trailer here: Vicky Kaushal's evolution post MasaanThe actor's intensity and range were further witnessed in director Anurag Kashyap's 'Raman Raghav 2.0' (2016). His transition from a simpleton to a ruthless, corrupt cop, addicted to substance abuse, who has no shame in exploiting women was a surprise to cinephiles. He once again won hearts with director Meghna Gulzar's 'Raazi' (2018), in which he was paired opposite Alia Bhatt. A film about an army officer from across the border who honours his wife's agency is still admired as the ultimate green-flag character. Kaushal's abilities, akin to a chameleon, when it comes to his craft, are what makes one think about how he has never let down his fans since 'Masaan'.advertisementThe actor, earlier known for grounded roles, became the ultimate rage with director Aditya Dhar's action-thriller 'Uri: The Surgical Strike' (2019). He played an Army Major in the movie based on the Indian Army's surgical strikes as a response to the 2016 Uri attack. Apart from his convincing acting skills as a military official, Kaushal also gave his best shot with regard to the action scenes and physical transformation for the role. He once again paid tribute to the Indian military with his nuanced performance in the biopic of India's first Field Marshal, Sam Manekshaw. The actor's complete shape-shifting as the legendary Field Marshal in 'Sam Bahadur' (2023) blurred the lines between the art and the artist. His instinctive reactions and body language make it one of his milestone performances.Redefining cinema and artistryKaushal's mental framework as an actor and passion for experimental storytelling has set him apart from his contemporaries who have featured in historicals and biopics. In 'Saradar Udham' (2022), the raw vulnerability of a lone soldier bringing revolution against imperialism was explored by the actor with extreme sincerity. Director Shoojit Sircar's vision of creating the inner turmoil and sensitivities of a revolutionary was amicably depicted by Kaushal.advertisementThe actor's acting capabilities have only aged like a fine-wine with every challenging role offered to him. Kaushal's portrayal of Maratha warrior king Chhatarpati Sambhaji Maharaj's bravery and leadership looked convincing in 'Chhaava' (2025).From 'Masaan' to 'Chhaava', Kaushal has redefined what it means to get into the skin of the character. The way he has surrendered to the craft has been reflected in his performances over the years.The actor would be a part of many diverse roles in his cinematic career, but 'Masaan' would be credited for the churning which moulded him into an impeccable performer.- EndsMust Watch
IN THIS STORY#Vicky Kaushal

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Indian Express
39 minutes ago
- Indian Express
‘Alia Bhatt is self-made, ambitious unlike Ranbir Kapoor who is laidback,' says Mahesh Bhatt: ‘She has changed, matured after welcoming Raha'
The tag of nepotism has always chased Alia Bhatt despite her best efforts to negate that. After making her debut with Karan Johar's 2012 hit campus caper Student of the Year, Alia has proven her acting prowess over the years with critically acclaimed performances in films like Imtiaz Ali's Highway (2014), Abhishek Chaubey's Udta Punjab (2016), Meghna Gulzar's Raazi (2018), and Sanjay Leela Bhansali's Gangubai Kathiawadi (2022). Alia's father, veteran filmmaker Mahesh Bhatt, also believes his daughter is 'self-made.' 'I didn't launch Alia Bhatt. Karan Johar launched her. I didn't know she had so much thirst for acting in her. She gave the audition herself. I just got to know they loved her work. I was shocked because I hadn't seen any such traits in her even remotely. I'm very happy she's a self-made girl,' said Mahesh. On The Himanshu Mehta Show, the filmmaker further revealed that the young generation today approach her for pictures only to flaunt that they met Alia Bhatt's father. 'Alia has astounded me! What is unique about her is that she has a taste for taking risks and she's taken the detours into diverse narratives,' added Mahesh. Alia's father also pointed out that she's gone through 'an alchemical change' after the birth of her daughter Raha Kapoor in 2022. 'I see a new depth in her. With this young girl becoming a mother, there's a coming-of-age of a different kind, a different kind of maturity in her. I'm also looking forward to her new films which would be coming out now,' said Mahesh. Alia will be next seen headlining Shiv Rawail's spy thriller Alpha, which is a part of Aditya Chopra's YRF Spy Universe. Backed by Yash Raj Films, it's slated to release in cinemas this Christmas on December 25. Next year, Alia will also star alongside real-life husband Ranbir Kapoor and Vicky Kaushal in Bhansali's romantic drama Love & War. Mahesh Bhatt also revealed that even Ranbir is in awe of Alia. 'He says, 'Alia is made of different stuff.' When I ask him, 'What do you mean?,' he says, 'Her ambition to do more and more and more is unbelievably astounding!' While he's a person who's very laid-back and comforted, and he just wants to do enough. She's a go-getter,' added Mahesh. Also Read — Alia Bhatt likes people watching to cheer herself up on bad days: 'I'm not looking into their bedrooms, but..' The filmmaker agreed that while there are talented nepo babies like Alia and Ranbir, one can't deny the merit that the discussion around nepotism holds. 'Nature is very fair. It's not important that the rose would bloom in only your garden. Nature spreads its jewels across the world. Nepotism is a reality, but it's also not. Just because my child is talented, that doesn't mean I disqualify them,' argued Mahesh. 'But it's definitely easy for them. Because access is success. Talented people don't even get access for years. It's important to understand that the voice that's been raised against nepotism, there's a collective anger behind that. That's why we get to hear about that every other day,' added Mahesh Bhatt.


Hans India
3 hours ago
- Hans India
‘Sarzameen' review: Familiar emotions, predictable execution
Rating: 2/5 Sarzameen, starring Prithviraj Sukumaran, Kajol, and Ibrahim Ali Khan, sets out to blend patriotic fervour with deep familial conflict, but ends up retreading overfamiliar territory. With a plot that evokes Mission Kashmir and Raazi, the film tries to strike an emotional chord but rarely ventures beyond cliché. At its core, Sarzameen tells the story of army officer Vijay Menon (Prithviraj), a strict father with a traumatic past who expects his son Harman (Ibrahim) to mirror his toughness. Harman, however, is sensitive, stammers, and seeks validation. Between them is Mehr (Kajol), a protective mother trying to bridge the emotional distance. The family dynamic has potential, with hints of generational trauma and emotional disconnect, but the storytelling fails to elevate it beyond surface-level drama. Set in the conflict-ridden backdrop of Kashmir, the film introduces a high-stakes plot when Harman is kidnapped by terrorists. The ransom? Releasing imprisoned militants. From here, the film leans heavily into melodrama and expected twists, including Harman's return under mysterious circumstances—an arc reminiscent of Mission Kashmir's central conflict. While Kayoze Irani's directorial debut shows flashes of promise, his treatment feels bogged down by an unoriginal screenplay. Writers Soumil Shukla and Arun Singh create a structure too predictable to maintain tension, and the 'suspense' reveal arrives too late to leave any lasting impact. Performance-wise, Prithviraj and Kajol carry their roles with ease. Kajol, in particular, brings quiet strength to her part and emerges as the emotional anchor. Ibrahim Ali Khan makes a sincere attempt, showing potential in a demanding debut, but the script doesn't support his efforts with enough depth. Technically, the film delivers high production values, but the music is underwhelming and adds little to the storytelling. Dialogues by Kausar Munir and Jehan Handa lack punch and fail to carve a unique voice for the film. In the end, Sarzameen is a missed opportunity. Despite strong performances and a promising setup, it struggles to rise above derivative storytelling. What could have been a gripping exploration of identity, patriotism, and familial love gets diluted by overused tropes and flat emotional beats. Sarzameen carries noble intentions and solid actors but stumbles under the weight of familiarity and weak writing. It's watchable, but not memorable.


News18
15 hours ago
- News18
Gajraj Rao Compares Raanjhanaa AI Ending To Sholay: ‘We Got Lucky Back Then'
While reacting to Varun Grover's take on the AI-altered ending of Raanjhanaa, Gajraj Rao expressed relief that AI didn't exist during Sholay. In the wake of the ongoing dispute about the AI-altered re-release of Aanand L Rai's 2013 film Raanjahanaa, actor Gajraj Rao voiced his concerns over the impact of AI (Artificial Intelligence) on storytelling. He reacted to Varun Grover's video criticising the AI-edited ending of Raanjhanaa, in which he recalled his uncle suggesting a change to the ending of Masaan. Reacting to this, Gajraj Rao humorously remarked that he was glad Ramesh Sippy's uncle didn't have similar thoughts while making Sholay. He further expressed relief that AI was not available back then, or it might have altered the film's memorable moments including Amitabh Bachchan's emotional farewell. He pointed out that AI-generated approach could have ruined some of the best cinematic moments in Bollywood. Soon after Varun Grover shared the reel criticizing Raanjhanaa's AI-altered ending on Instagram, Gajraj Rao shared it to his Instagram stories and wrote, 'Shukr hai, Ramesh Sippy (director of Sholay) saab ke mama ji ke khayalat aise nahi they, aur AI to khair paida hi nahi hua tha, varna Gabbar ka nishaana chook jaata aur Amit ji ka kirdar, duniya ko alvida na kehta…Bach gaye hum log (Thank God, Ramesh Sippy's uncle didn't have such thoughts, and AI didn't exist. Otherwise, Gabbar's aim would've missed, and Amitabh Bachchan's character wouldn't have been able to say 'Alvida' to the world… We got lucky back then)." Check out his Instagram story below! What Did Varun Grover Say About Raanjhanaa's AI-Edited Ending? In the video, Grover humorously recounts his uncle's reaction to the first showing of Masaan. His uncle praised the film but suggested altering the ending to ensure its success. Grover amusingly describes how he had to invent logistical reasons to avoid making such a change, citing a lack of budget, time, and actor availability. View this post on Instagram A post shared by Varun Grover (@vidushak) He then wryly notes that someone else's uncle seemed to have the resources to use AI to edit Raanjhanaa, giving it a happy ending and re-releasing it. 'But apparently, someone else's uncle has enough to AI-edit Raanjhanaa, make it a happy ending, and re-release it. So, whoever's uncle it is, namaste to them," he said. Raanjhanaa AI-Altered Ending Dispute Twelve years after its original release, Aanand L Rai's Raanjhanaa is set to return to theatres in Tamil Nadu as Ambikapathy on August 1, 2025. Promotional posters for Ambikapathy suggest that the film now features an 'AI-powered" alternate ending in which Dhanush's character does not die, deviating dramatically from the original tragic conclusion. Director Aanand L Rai also expressed his disappointment, and said that the film did not need a new climax. He also raised serious concerns about the legal, ethical, and creative consequences of using AI to tamper with films and performances without consulting their original creators or actors. Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.