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Devastated rocker reveals horrifying robbery as he appeals to fans for help

Devastated rocker reveals horrifying robbery as he appeals to fans for help

The Sun8 hours ago
BRIT music star James Bay has been left devastated after two of his vintage guitars were stolen from his car.
The singer-songwriter, 34, has appealed to his fans for help finding the 1960s Silvertone sunburst acoustic and cherry red, double P90 1969 Epiphone Al Caiola.
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He wrote on Instagram: "Hey everyone, this is my first experience of this (lucky to have avoided it until now). Tuesday 1st July, I had 2 guitars stolen from my car in North London.
"These are two vintage instruments of great sentimental value.
"If you see them or hear of them anywhere, please message me or email info@closerartists.com as I'd really love to get them back.
"Please ask any guitar players/collectors you know, or local or online stores. Any help would be greatly appreciated. Thanks x."
He then shared pictures of both instruments, which were pinched on July 1, in the hope it will lead to their return.
Bay, who lives in North London, is best known for his breakout hit Hold Back The River.
He's won two Brit Awards, an Ivor Novello and been nominated for three Grammys.
His latest album, last year's Changes All The Time, featured collaborations with big industry names like Noah Kahan, The Lumineers and The Killers' Brandon Flowers.
The latter came to be through a mutual friend and Bay found himself hanging out at a ski lodge in Utah that the band had turned into a studio.
He told us: "It had this double height hallway where they put drums in that sort of Led Zeppelin way — it's wonderful. It was very informal and we'd go for breakfast in the morning and Brandon would drive us there.
James Bay is joined by The Killers' Brandon Flowers on single Easy Distraction
'When I first played the track, some people would say, 'I can hear a bit of Killers in it' meaning they hear Brandon's writing input.
'But as much as I wanted it to sound 'Killersy', because I'm a fan, I'm proud to say that the germ of the idea that started that song is the verse and melody that I took in. That was my homework. I took it in, and I said, 'What do you think of this?'
'And Brandon had a listen and went, 'Oh, yeah, let's give that a go. Let's see if we can put some lyrics to it.' And he jumps up on a microphone and gets his phone out and jotted down all his lyric ideas. It was very prolific and unbelievable.'
Meanwhile, Kahan, who shares the same A&R team as Bay, hasn't forgotten days spent supporting Bay earlier in his career.
Now a huge arena and stadium filling act, he invited Bay out on his Stick Season tour last year including a date at Fenway Park (Boston's baseball stadium).
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Live Aid at 40: When Rock 'n' Roll Took on the World review – the moment Bob Geldof bursts into tears is astounding
Live Aid at 40: When Rock 'n' Roll Took on the World review – the moment Bob Geldof bursts into tears is astounding

The Guardian

time34 minutes ago

  • The Guardian

Live Aid at 40: When Rock 'n' Roll Took on the World review – the moment Bob Geldof bursts into tears is astounding

On the evening of 23 October 1984, Bob Geldof, singer with the waning pop act the Boomtown Rats, had a social engagement. He had been invited to Mayfair for the launch of a book by Peter York, profiler of London's most privileged bons vivants. But before he left the house, Geldof watched the BBC television news and a report by Michael Buerk about a hellish famine in Ethiopia. Among the many startling, blackly comic archive clips in Live Aid at 40: When Rock 'n' Roll Took on the World is footage of Geldof at that glitzy party, reeling from what he had seen on TV and remarking to a fellow guest that it was 'gross' for them to be enjoying champagne and canapes. That tension between glamour and guilt is at the heart of this three-part retrospective that doesn't ignore the flaws in Geldof's grand plan to use music to feed the world. It's a fascinating portrait of a complex man's imperfect attempt to solve an impossible problem. The grand achievement commemorated in the title of the series is Live Aid, the Geldof-organised mega-concert that took place in London and Philadelphia in the summer of 1985. Episode one, however, is all about the smaller but still massive cultural moment that resulted from Geldof's initial impulse to raise funds for Ethiopia: Do They Know It's Christmas?, a single by the hastily assembled supergroup Band Aid. Having written the song with Midge Ure of Ultravox, Geldof sets about convincing every pop star in Britain to gather at a recording studio in west London on 25 November 1984. For the first time but not the last, something that shouldn't be possible happens very quickly: Geldof has the balls to demand participation from A-list stars, who have all seen the Buerk report and are keen to help. Pop is far too globalised, atomised and digitised now for such a project to take off: at best in the 21st century, the equivalent celebrity charity effort would be a co-authored viral video. Geldof and Ure both make the point that in 1984, pop gods were overwhelmingly from working-class backgrounds, which is also much less true today. But however it came about, everyone turns up, from Spandau Ballet to Duran Duran, Phil Collins to Sting, Status Quo to Bananarama. The footage of them there together is still intoxicating. George Michael sings a line, looks dissatisfied then fixes it, changing 'but say a prayer' to 'BUT say a prayer' on the next take. Bono might be characteristically cringeworthy in his 2025 interview, with his talk of how he and fellow Irishman Geldof 'have the folk memory of famine' and are thus particularly attuned to the cause, but he also knows exactly what he's doing when a lyric sheet and a microphone are in front of him: having been given the song's darkest, most difficult line, he shifts 'Well tonight thank God it's them, instead of you' up an octave to the top of his register, doubling its impact. Once the single has sold a zillion copies, we witness Geldof's transformation from musician to activist. Before long he is meeting Mother Teresa ('She played the old lady shtick but boy, this was showbusiness') and telling world leaders what he thinks of them: the documentary has dug up a clip of him ambushing Margaret Thatcher over her initial insistence on collecting VAT on every record sold. In a situation where one could so easily think of the right thing to say afterwards when it's too late, Geldof rather magnificently knocks down her glib defence of western inaction there and then. He is even more unapologetic with the president of Ethiopia, swearing at him to his face, although sadly there's no footage of that and we have to rely on Geldof's recall. The most stunning moment is another Geldof recollection, from when he was in a desert in Ethiopia and heard Do They Know it's Christmas? on the radio: when he gets to the part about listening to that Bono line while looking directly at the horror it referred to, the present-day Geldof suddenly bursts into tears. 'All the rage, all the shame' is his bluntly eloquent summary of emotions that are still with him, and he is frank here about becoming a white saviour figure who placed himself in the spotlight – but had to do that to keep the media interested. Whether Geldof ultimately struck that balance is explored in the two further episodes, as is the question of how the money was distributed and how much self-interest drove the artists who performed at Live Aid. But there's no debating what an extraordinary phenomenon it was. Live Aid at 40: When Rock 'n' Roll Took on the World aired on BBC Two and is on iPlayer now.

How can I get to Ed Sheeran's Ipswich Portman Road concerts?
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BBC News

time43 minutes ago

  • BBC News

How can I get to Ed Sheeran's Ipswich Portman Road concerts?

Ed Sheeran returns home to Suffolk this week to perform three concerts at Portman Road global superstar will step on to the stage on Friday, Saturday and Sunday night at the home of his beloved Ipswich Town Football support acts are also lined up including Busted, James Blunt and more - organisers are expecting 30,000 fans to be in that many fans descending on Ipswich, how is it best to travel to the event and how can you avoid getting stuck in queues? Where can I park? A number of car parks will be available around Ipswich for the to Ipswich Borough Council, concert-goers can pre-book spaces at Layard House on New Road as well as Gyppeswyk Park on Ancaster House opens from 12:00 BST, apart from Friday when parking will be from 14:00, and it is limited to 180 Park is similarly open from 12:00 and is limited to 500 is also parking available at the council's short stay car Road A and D car parks will not be available, according to the council, and nor will Princes Portman Road B and C will be open from 08: parking will be available at West End Road Coach Park from 08: will be manning the car parks and confirming registration of cars that have council has warned drivers to expect delays getting in and out of the car parks and said staff would help ease traffic flow. What trains can I get? Train operator Greater Anglia has arranged extra services for Sheeran's will be additional services on the mainline from Ipswich after each performance across the final train services run as follows, according to Greater Anglia:Friday 11 July:23:47 Ipswich to London Liverpool Street (calling at Manningtree, Colchester, Marks Tey, Kelvedon, Witham, Hatfield Peverel, Chelmsford, Ingatestone, Shenfield, and Stratford) 00:22 Ipswich to Colchester (calling at Manningtree)00:45 Ipswich to Norwich (calling at Stowmarket and Diss)Saturday 12 July:23:50 Ipswich to London Liverpool Street (calling at Manningtree, Colchester, Marks Tey, Kelvedon, Witham, Hatfield Peverel, Chelmsford, Ingatestone Shenfield and Stratford)00:12 Ipswich to Colchester (calling at Manningtree)00:45 Ipswich to Norwich (calling at Stowmarket and Diss)Sunday 13 July:23:55 Ipswich to London Liverpool Street (calling at Manningtree, Colchester, Marks Tey, Kelvedon, Witham, Hatfield Peverel, Chelmsford, Ingatestone, Shenfield, and Stratford)00:15 Ipswich to Colchester (calling at Manningtree)00:50 Ipswich to Norwich (calling at Stowmarket and Diss)Greater Anglia has warned due to limited platform capacity, there will be no local services from Ipswich to Lowestoft, Felixstowe, Cambridge or Peterborough after the will be limited connecting services to Clacton-on-Sea on all three nights and extremely limited connecting services to Harwich Town on Friday and Saturday. Passengers are warned to expect large queues and very busy trains. Can I take other transportation? First Bus will be providing extra park and ride services from London Road in Copdock and Martlesham to Portman Road to help fans get to and from the details of departures to and from the stadium across the three days from both sites can be found for the service cost £3 per person and give people unlimited travel on the shuttle buses all tickets can be purchased on the day and customers are urged to ensure they keep their tickets for their return journeys. Other private bus companies in the area have also been advertising transport to the stadium for the concerts. What else should I be aware of? Gates for each show are expected to open at 16: is then expected that the shows will be finished by 22:30 each night. Some car journeys could be affected by roadworks in the Ipswich is currently ongoing on the Orwell Bridge and one lane will be closed in each direction on the days of the Sheeran concerts. Follow Suffolk news on BBC Sounds, Facebook, Instagram and X.

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