Baldwin County EMA concerned about FEMA's uncertain future as hurricane season approaches
Baldwin County hit-and-run suspect enters plea in 2024 incident
The Federal Emergency Management Agency was an integral part of that recovery. But, changes at FEMA have left a climate of uncertainty at the Baldwin County Emergency Management Agency.
'There is an awful lot of talk about what they will do and how they will interpret the public assistance guidance,' said Baldwin County EMA Director Tom Tyler.
The Trump administration has indicated that it wants to slash funding for FEMA or even abolish the entire agency and let the states pay for their disasters.
'A very super large event would necessarily exceed the state's capacity to respond, and we would need additional help,' said Tyler.
Getting through the initial storm is not in question, according to Tyler.
'I don't worry about people pulling together and our agencies working together. I think we are as well prepared this year as we have ever been.'
It's the calm and recovery after a major storm or disaster that is uncertain.
Gulf Coast wins big at Academy of County Music Awards
'Putting things back the way they used to be is a very essential part of what we want to do, and that will present challenges for sure,' said Tyler.
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
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Newkirk: A lot has happened in the time since we put out Floodlines. The pandemic started to really shut everything down the day we put out the show, and it's been one thing after another since then. There's been economic chaos. There were elections. There was an insurrection. There've been fires and hurricanes and floods. There's been a lot of death and a whole lot of grief. A lot of people live different lives than they did in 2020. Hell, I know I do. Five years ago, when I was making Floodlines, I'd been thinking about Richard, the enslaved man who survived the hurricane in 1856 at Last Island, Louisiana. Newkirk (Floodlines clip): The next morning, the only building still standing on Last Island was that stable. Richard and the old horse had made it. Many other folks weren't so lucky. Newkirk: I was interested in memory and what disasters reveal about a place. My reporting took me to meeting somebody who, quite frankly, changed my life. Williams (Floodlines clip): We'll have the trumpet player, the trombone player, the snare-drum player, the bass-drum player, and the tuba players will have sticks blowing. Newkirk: Le-Ann Williams. You remember Le-Ann. She was 14 years old. Newkirk: She grew up around Treme and Dumaine Street— Williams (Floodlines clip): —and Fonso was the point guard. Newkirk: —living in the Lafitte housing projects, when Hurricane Katrina came and the levees broke. Newkirk: She and her family went on an odyssey after the flood. And she came back to a totally different city. Archival (Floodlines clip): 3,000 people a day heading to Texas. Archival (Floodlines clip): Arkansas will take 20,000 people. Archival (Floodlines clip): I'm not going back to New Orleans. I don't wanna go back to New Orleans. Williams (Floodlines clip): If you push us out, what's gonna be left? Just come look at things, like a museum. Just come and looking at historic places and buildings? That's it? If you push us out, where the culture gonna come from? Newkirk: If you haven't listened to Floodlines, I recommend starting from the beginning. In 2020, when we put the show out, I honestly didn't know if it would matter that much with so much going on. But I found out that I was wrong. Newkirk: — or FEMA's response to Hurricane Helene— Archival (news clip): The deadliest hurricane for the U.S. since Katrina in 2005. Newkirk: —people kept coming back to Hurricane Katrina as a point of reference. Russell Honoré: That's rumor gets spread. You know, we dealt with that in Katrina too, Laura. Newkirk: As it turned out, this show about generations of New Orleanians contending with catastrophe, grief, memory, displacement, and being left behind by our government still had some important lessons for the present. In 2020 we left the show's narrative unfinished, on purpose. 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Williams: We're gonna tear you in them spades. Newkirk: I don't know. I ain't lost in a minute. (Laughs.) Newkirk: I paid Le-Ann a visit, and talked to her family. And met her daughter, Destiny, for the first time. Newkirk: When we last spoke, you were what? Eleven? Williams: Yeah. Newkirk: Eleven years old, and Le-Ann told us a whole lot about you, so, and she posts about you on Facebook all the time. Williams: Look what you do. Richardson: Always. Newkirk: Always. I've seen the honor roll. (Laughs.) You got the honor roll. Richardson: Yup, honor roll every year. Newkirk: Congratulations. Richardson: Two times in a row. Newkirk: Congratulations. Richardson: Thank you. Williams: I'm a proud parent, of course. Newkirk: Catch me up; catch me up. What's been going on with you the last five years? Williams: I changed jobs; I moved. I'm in a different spot. And I'm in a different place than I was five years ago. Newkirk: What kind of place? Williams: I'm at a peace state, like letting things go that don't mean me no good, you know, I'm trying to just go a different route. Newkirk: I wanted to know more about that different route. So I stayed a little while. [ Music ] Newkirk: From The Atlantic, this is a special episode of Floodlines, 'Part IX: Rebirth.' It's Sunday, after church time, when we meet Le-Ann. We're trying to hurry up and talk so we can get back across town to catch a second line before it rains. We're in Le-Ann's new home, and the living room is full of family, everybody just shooting the breeze. She rents here and lives with her mother, Patricia, and with Destiny. It's a quiet street. Newkirk: What's this neighborhood we in? Williams: We in Pontchartrain Park. Newkirk: Pontchartrain Park. It's a historic neighborhood. Williams: Yes, it is. Newkirk: So last time we met you were out in the East. Newkirk: Back then, in 2020, Le-Ann lived in a smaller place off a busy road in New Orleans East. 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They don't even have activities like that no more, so it's easy for the youth to get into things and get in trouble. There's a lot of carjacking. They're doing that now—for fun. Newkirk: The East had felt like a magnet for tragedy. And sure enough, in 2023, when Destiny was around the same age Le-Ann had been during Katrina, catastrophe struck again. But this time, it was a more personal kind of storm. Le-Ann's stepfather, Jeffrey Hills, the man who'd helped raise her and who'd tried to protect her during Katrina, died suddenly in his sleep, at the age of 47. Talking there in Le-Ann's living room, the loss still felt recent and present. Williams: That was two years ago. Newkirk: People say that's a long time, but that's not a long time. Williams: That's not. Newkirk: Yeah. How you dealing with it now? Williams: Better than two years ago, you know? But we still take it day by day. Newkirk: The room got a little quieter. Everyone was still grieving. Patricia, Le-Ann's mom, had lost her husband and partner: for Le-Ann, a father in everything but blood. Jeffrey was smart and he loved books, and he'd always taken pride in her academics. Destiny was his only grandchild, and you know he spoiled her. But Jeffrey wasn't just a cornerstone of the family. He was a special part of the whole community. If you were in New Orleans, you knew Jeffrey. He was a veteran tuba player in the city, and he'd played with basically all the big brass bands. He taught and mentored young musicians. I'd seen him play before I even met Le-Ann. His name gets mentioned with all the legends who've come through here. And just like it had been for them, for Tuba Fats and Kerwin James and all the rest, when he died, his comrades played in his honor. [ Music ] Newkirk: They played for days. And when it came time to put Jeffrey to rest, they threw a second line like you ain't never seen. All back in the heart of the Sixth Ward, where Le-Ann used to live. Williams: And when he had his funeral and everything, and it felt like the New Orleans before Katrina. His friends from the band, everybody, musicians, every musician we knew was there for him. And it was Jazz Fest time. A lot of people didn't go to Jazz Fest; they came. He had gigs lined up for Jazz Fest and everything. So a lot of the musicians didn't go to the Jazz Fest. They came there for his funeral. And my family all was together, everybody was laughing, and it just felt like the Treme area where I grew up in. Newkirk: It was like a trip back in time. Back when cousins lived down the street and they used to play pitty-pat. It was bittersweet that it took death to bring back a little bit of the old magic. But there would be more death before long—more people to grieve and more reasons to reminisce on the old days. The day after Jeffrey's funeral, Le-Ann found out her brother Christian was gone too. Williams: My brother was staying with me. He died—he got killed two blocks from my house as soon as he left from my house. He got his bike out the yard, and somebody killed him. Newkirk: Now she had to grieve her stepfather and her brother, and to be a support for everyone else. All the trauma of Katrina, all the moving and all the setbacks, all the big life changes like becoming a mother: It had all forced Le-Ann to grow up early. Christian's and Jeffrey's deaths were like a second growing-up. For Le-Ann, what this all meant was that she would have to try to be the kind of cornerstone that Jeffrey had been. She felt like the family was being driven apart, and she wanted to do what she could to hold everything together. Williams: You know, I'm grown, grown now—you know, people depending on me and things like that. I gotta make sure our family get together. (Laughs.) Newkirk: Do you feel like it's harder to keep up with people now that you're spread out? Williams: Yeah, it is. We probably, you know, say a thing or two on Facebook with each other. Newkirk: On Sundays like this one, Le-Ann tries to get as many people in one place as she can, to eat and chat or watch Saints games. And during Mardi Gras season, she goes all in. The main event for the family is Endymion. It's one of the biggest Mardi Gras parades, and every year thousands of people march. It's a time. Williams: I made a Facebook page: 'Family is going to Endymion.' And we get on there, we say who's bringing what, and what time, you know, who's holding the spots down. And we all get together for Endymion every—since I was a kid. And you know, I just kind of keep the tradition going on for our kids. Newkirk: For her kid. For Destiny. Newkirk: I know she's sitting right here, but can you tell us a little more about Destiny? Williams: Oh my god. Destiny—she's smart, she is kind, very headstrong. I have a good baby. I do. Beautiful. Newkirk: She sound like you: smart, headstrong. Patricia Hills: Yes. Newkirk: Oh, you think so? Newkirk: Le-Ann's mom, Patricia, is there behind me. Hills: Very smart. Yes. Newkirk: Mm-hmm. Hills: Very smart. Just like her mom, very smart. Williams: Yeah, I'm proud of her. (Laughs.) I am. I'm a proud parent. Like, you know, you tell your child things, and you know it go in one ear and out the other sometimes. But when they actually listen and do what you say, that's a blessing. Newkirk: And we heard, you told us Destiny just got your first job, right? Richardson: Yeah. Newkirk: How long you been working there? Richardson: Probably like, what, a month or two now? Williams: About two months. Richardson: About two months. Newkirk: So what's that, two, three paychecks so far? Richardson: Yeah, I think so Williams: Three paychecks. Richardson: Yeah. Newkirk: All right, how does that feel? Richardson: Good. It feels good to have your own money (Laughs.) and buy your own self stuff. I like my job, though. It's nice. It's fun. And then you meet a lot of people from, like, all over the world, cause there is like a tourism mall. Newkirk: In a lot of ways, Destiny is just like any other 16-year-old. She wants to get her license. She had a little marching-band drama. She's spending those paychecks. She goes to the mall with her friends. But she's also dealing with things that would be hard for anyone, let alone a teenager. She's coping with loss and has witnessed her fair share of violence. Aside from the get-togethers her mom organizes, she doesn't always have the same closeness to family that Le-Ann did before the flood. It's like there's some ghost of Katrina that haunts parts of her life. It's eerie to see that ghost whenever she watches the old footage in documentaries. Newkirk: How do you think about Katrina? What's the first thing that comes to mind? Richardson: A disaster. It's like when I watch it, sometimes it'll be heartbreaking to watch it because you see the people like with their family, babies and all that. It's hot, nobody to help them. You're like, these people was really out here for days doing this, trying to get food, nobody coming to help them, water everywhere, clothes sticky. I don't want to be like that after the hurricane. (Laughs.) It, it was just a lot. Like, a lot to take in, especially for the people I know. It was a lot for them. People dying. Richardson: That's a lot. Newkirk: Well, you look at those documentaries and imagine your mama going through that? Richardson: I could see her, she's (Laughs.)—I could just see her scared, nerves bad. She already nerve-racking, now, (Laughs.) so I could just see her (Laughs.) when a hurricane hit there after. Probably worrying my grandma, worrying everybody in the house. Hills: Yes, yes. Newkirk: Naturally, Destiny doesn't have the same fears and anxieties that Le-Ann has. She likes to poke fun at her mother for being skittish whenever a storm comes around. But Le-Ann says she's learned her lesson. She's evacuating every time. It doesn't matter how much Destiny jokes about it. Richardson: She'll leave even if it's a one-category storm—hurricane. She'd be so scared: We leaving, let's go, we leaving. We ain't waiting to see if it gets stronger or not. We leaving. Williams: But she never experienced something like that before, and she never will, because we're leaving. Richardson: She leaving. She says she sure won't go through nothing like that again. Williams: I don't care what! No, indeed, I have a child, so I know how my mom and them felt. Hills: You know, I just remember my baby being scared. Newkirk: Le-Ann and Patricia walked through the floodwaters together. They have a shared story, and shared memories that I'd heard before, from Le-Ann. Now, hearing things from Patricia's point of view, as a parent myself, helped me really understand just how agonizing it all was. Hills: She was the oldest and she got the most experiences, and she knew about it and she was scared and stuff like that. Williams: Yes indeed. Hills: When Hurricane Katrina hit and I just remember my baby being scared and asking if Momma, we going to die? And I said, No, we're not. Honey, I said, God got us. We gonna get outta here. Newkirk: In that moment, Le-Ann had come to understand just how vulnerable she was. It wasn't just the storm or the flood. The city and the federal government had turned their backs on her. It all left a mark. Williams: I said, They gonna leave us here to die. They don't care. I, I said, I hear stories about, oh, you, you know, Black and this and that and poor communities and you know, these things I hear about, but they actually go through something and live it—that's something different. Like, Nobody's coming to save us? I mean, newborn babies out there, they have dead bodies just laying—older folks can't take it. They just dropping. I'm like, My God, this is real. Newkirk: And so you said, Never again to that. Williams: I'm not taking—she's not going through that. She's not. Now, just in her mind to worry about something like that, so young, to worry if she's gonna die or if somebody's coming to save—no, she would never. Not if I have breath in my body. She's not waiting on nobody to rescue her. I'm gonna be the one. [ Music ] Newkirk: When I last sat down with Le-Ann, way back in 2020, I played her tape from my interview with the ex–FEMA director Michael Brown. Michael Brown (Floodlines clip): So you tell Le-Ann I'm sorry, but you tell Le-Ann that her responsibility is to understand the nature of the risk where she lives and to be prepared for it. Knowing that somebody's not going to come—the shining knight in armor is not going to come and rescue her when that fear sets in. Newkirk: It feels like Le-Ann's response to that is to become the knight in shining armor for everyone else. To take care of people. To make sure that her daughter and her family never feel abandoned like she did. I asked her if she saw Destiny's childhood as like an alternate-reality version of her own, one without that abandonment. Newkirk: You were 14 when you had to leave the city. Destiny is 16. Do you see, maybe, in Destiny what that childhood could have been like without that disaster? Williams: I think about it. I used to think about it a lot—like, where would I have ended up? Would my life, you know, still be the same? Or would I have went off to college like my daughter wants to do? But now I'm like, I'm where I'm supposed to be exactly. This is where God wants me to be, you know? I'm where I'm supposed to be today. [ Break ] Williams (Floodlines clip): It's crazy. There's nowhere in the world I'd rather be than here. I love it. It's my home. It's my home. I love New Orleans. I done been to Arizona, Texas, Mississippi after Katrina. Nothing like New Orleans. Nothing's like New Orleans. Newkirk: One of the things Le-Ann talks about a lot is how much she loves her new neighborhood. She says it's safer, and her street is quiet and peaceful. And it's a bit closer to where she grew up. Newkirk: It's better out here? Williams: Yeah, it's much better. Newkirk: It's pretty out here, and you got the levee right there. You was on the levees in the east, too, so you go up on both. (Laughs.) You still go up there with daiquiris or not? Williams: (Laughs.) We have wine. We have wine. Newkirk: You have wine? Okay, so it's a classy establishment. We have wine. Williams: Yes, wine. We have our wine nights. Newkirk: Now Destiny's the one who goes up to the levee most often, but to walk her mom's dog, an adorable French bulldog named Frenchy. Richardson: No, right here! Newkirk: Right up there? Richardson: Nah, right here. Newkirk: I wanted to check it out, so we took a walk together. It's not like the levee at the old place, where you could climb up and see into the water, which Le-Ann loved to do. But up here, maybe it's best that the water is out of sight. The levees here overlook the Industrial Canal, where it meets the lake. It's a critical point in the complex system of flood control that defines New Orleans. In 2005, certain parts of this very neighborhood stood under 15 feet of water after the levees were overtopped. There's a new floodgate now, built by the good old Army Corps of Engineers, that's supposed to stop that from happening again. Le-Ann is not so sure. Williams: We're sitting in a bowl. Mississippi, Pontchartrain—we're just surrounded by water. We're below sea level. So just imagine, the water's on top of us, and the city's just down here. The water sits like that, so that's why we're below sea level, so the wind is just going down. You can't go up; you're going down! So that's the scary thing about, too, where we live. We're below sea level. I told you that before. Richardson: Yeah. Williams: Like, I explained it. Richardson: Now you see why I won't stay down here? That's another cue for me to go. Williams: Keep moving, huh? Newkirk: Destiny is kinda over it. She's heard a lot about Katrina from her mother. When she was younger, Le-Ann even made her sit through a class she put together for Destiny and her friends. Williams: Yeah, I had a classroom. I fed them every day. They had lunch and everything, breakfast. They had their lunchtime and then they had their time when their parents come pick them up. Newkirk: So were you rolling your eyes? Richardson: Was I? Williams: And one day we had—they watched the documentary of Katrina and they had to write about it, like different things. Richardson: Yes. My grandpa Jeffrey was in the documentary! Walking in the water with my auntie. Williams: He was walking with auntie. He in there. Newkirk: Even with all the teenage eye-rolling, you can tell Destiny is proud of her family's story, especially of her grandfather. And that brought Le-Ann and Destiny back to talking about Jeffrey. About how much he meant to them, and how he represented what New Orleans used to be. They pulled up a video of his funeral and started reminiscing. Williams: The band came in the funeral home. Newkirk: Oh wow! Williams: Look at how packed it was. Richardson: It was so pretty. Williams: My pastor say, I've never seen a celebration like this, my God! The band come in the funeral home? Richardson: Yes, that was nice. [ Music ] Newkirk: Standing here in the grass, by the levees, the sun slipping behind a cloud, we watched together. Richardson: They had so many people out there and so many people in the funeral home. Williams: When they opened the door. Richardson: When they open the door, that's when you really saw the people. All the people wasn't even in the funeral home. Williams: Yes. Richardson: They had beaucoup people standing outside. Williams: He was well known—a tuba player. Richardson: They had 11 tubas out there for him. Newkirk: Oh, wow. Newkirk: It seems to me like they weren't just mourning Jeffrey, but also how they'd lived, and who they were. It got Le-Ann to thinking about her childhood in the Sixth Ward, and to telling Destiny stories she'd already heard 100 times. Williams: We just did that. If my cousin had a tambourine, we'll sit on a curb and they'll just make a beat. And we'll just start doing, like, little songs and stuff like that. That's what we did with each other. We all say something. Richardson: Y'all, it's raining. Newkirk: And then it started to rain. Newkirk: We got to move. Williams: Look at that. Oh Lord, we don't want the sugar to melt, huh? Newkirk: I got a gel in my hair. What you talking about? Williams: Okay! Newkirk: We split up, and dried out for a little bit. I put some more gel in my hair. [ Music ] Newkirk: In the evening, we met back up with Le-Ann and Destiny at an ice-cream parlor uptown. Richardson: S he's getting a Creole Clown. He's dressed up like a clown, the ice cream. I want to take a picture of him for the aesthetic. Newkirk: Destiny did get that Creole Clown ice cream. For the aesthetic. Newkirk: So they serve it upside down? Richardson: And they got whipped cream. Williams: Girl, he is too cute. Richardson: Yes. Newkirk: I thought it would be nice to end my time with Le-Ann and Destiny with an ice cream. Back during Katrina, when Le-Ann was escaping the flood, after she'd waded through rat-infested waters, cut her foot stepping on something sharp, and climbed up onto the baking-hot freeway, she saw a man with a cooler who handed her and her family ice creams. Williams (Floodlines clip): He saying, Ice cream! Ice cream! It's hot. I got ice cream, cold drinks, and water! Come on, baby. Get y'all something to drink, and, I know y'all, you know, thirsty and stuff. Newkirk: She told us she got a strawberry shortcake. Williams (Floodlines clip): A strawberry shortcake. You know? You ever had one of those? Yeah. It's good. I got one of them. Newkirk: The moment has always stuck with me as a symbol of how we misunderstand disaster and, by extension, what really happened during Katrina. There's still, even today, a misconception that disasters—that this disaster in particular brought out the worst in people. That it exposed some latent savagery or lack of morals. But what I've seen, over and over again, is that Katrina really showed just how much people loved each other. How much they loved their communities and their city. What was exposed, though, was how little the country and that city loved them. It feels like, in her own way, Le-Ann is trying to rectify that. Newkirk: Do you feel like you are like the heart of the family now? Williams: Yes. And sometimes that get overwhelming. It does. Newkirk: What do you do when you feel overwhelmed? Williams: Pray. I pray a lot. Newkirk: She's overwhelmed a lot. Being the person everyone else relies on is hard, and it can feel like every single thing is on her shoulders. She's doing her best to take up the role Jeffrey played, but now she understands how much of a toll that takes on a person. Williams: It feel like I'm always responsible for everybody, like, everybody. And sometimes I'm like, Who responsible for Le-Ann? You know, having everybody's back and making sure everybody's good. And sometimes you're like, you know, Who has my back? Newkirk: But she also takes pride now in the fact that people around the city know her and know her story. Newkirk: Do you feel like, you know, between us and all the other stuff, are you—would you call yourself an ambassador now for New Orleans, for the city? Williams: Yes, I want to put my city on; I wanna, you know, bring light to my people, you know, in New Orleans, no matter what race you is or not, because we family down here, and I just want to bring attention to that. [ Music ] Newkirk: Le-Ann still believes in her city, and she wants to stake a new claim to it. She wants to own her own home in New Orleans. She's working as a phlebotomist, and doing her best to support everybody and build up her credit. Williams: It's going to take a minute, but I'm going to do it. Newkirk: So ideally, what's your dream house look like? Williams: Oh. Look, I think about it all the time when I just see houses. I'm like, Oh my God, I can't wait to —especially to have something that, you know, that I got that I can probably leave my child. You know, something I can call my own. Me and Destiny, we right by the lake, we love looking at those houses. We just go through looking at houses, like Oh my God. Richardson: We'll be like, Ooh that pool big, their backyard big. That house so big! Williams: Oh my God, this is living right here. We just, you know— Newkirk: What color is your dream door? Williams: I want to say red. (Laughs.) Richardson: Red? Williams: Old-school. Richardson: Yes. Newkirk: She wants a red door, just like her grandma's house on Dumaine Street had. Richardson: A big, big backyard. Williams: We have to have a big backyard. Ooh, yes, indeed. My family is big—I got to have a big backyard. Newkirk: Le-Ann wants to be able to leave Destiny something of her own in New Orleans. But Destiny is looking at colleges out of state. Newkirk: So Destiny, if you leave, do you ever see yourself coming back? Richardson: Probably not. I'll probably come back for like, events and stuff—probably, like, Mardi Gras and all that. But as far as coming back to stay, no. Newkirk: It's the place where mother and daughter seem to differ most. Le-Ann was forced across the country, and then across the city, and has spent her whole life since trying to get back. Destiny wants to see the world for herself, to get out. She's working hard in school, and she's looking at colleges out of state. She's got the grades to leave. Newkirk: Have you taken any visits yet? Richardson: No, I ain't taken no visits yet. They be emailing me and stuff for visits, but I haven't took no visits. Williams: They gave her $500. Richardson: Oh yeah, I had got one of CASE scholarships for Mercer. It's at home in the envelope. Yeah, and if I go there, they'll give me $2,000 more, plus the scholarship I've been built up on when I graduate. Newkirk: You already getting scholarships? Richardson: Yeah. Newkirk: She's saying it real low-key-like. All right. Newkirk: But still, for as much as Destiny maybe wants to get out of New Orleans, she's got her mother's story with her. She might not know Katrina firsthand, but she knows the importance of taking care of people. Newkirk: Anybody tell y'all y'all are pretty similar? Richardson: Yeah, I hear that a lot. Newkirk: (Laughs.) Richardson: They say our personalities are similar. Williams: My cousin tell me all the time, she was like, You're hard on her, but she's really strong minded. You don't have to worry about her. Destiny knows her way. She was like, You need to give her more credit than what you're doing because she, you know, she's a good kid. Newkirk: Do you—when people compare you to your mother, is that something where you roll your eyes? Richardson: Yes, I be like, Oh my God. (Laughs.) They'd be, like, Aw, girl, you act just like your mama and how she acted when she was younger, but just a little bit more—better or something. I was like, Ah, girl. Here they go with this again. Newkirk: Le-Ann wants to protect Destiny, and to give her the things she didn't have. But I wonder if maybe she's got it backwards. Maybe her family has the thing that other families, rich and poor, Black and white, need. Maybe they've got what other people are searching for. The things we lost in our own personal floods over the past five years: family, community, and connection. We lost memory; we lost time. What we need is care. Newkirk: So how was the ice cream? Richardson: That was good. Williams: It was. Richardson: I'm gonna most definitely get that again. Newkirk: The clown, the clown was solid? Richardson: Yeah, he's still got his eyes and his hat. Newkirk: Okay. If I could eat dairy, you know— Richardson: You can't eat dairy? You should've told me! I would have picked something else. (Laughs.) Newkirk: No, this is fine. This is fine. Look, between the dairy and the shellfish, I come here and I fast. Newkirk: We finished our ice creams and walked out into the summer. And then Le-Ann and Destiny went home. [ Music ] Floodlines is a production of The Atlantic. This episode was reported and produced by me and Jocelyn Frank. The executive producer of audio, and our editor, is Claudine Ebeid. Our managing editor is Andrea Valdez. Fact-check by Will Gordon. Music by Chief Adjuah and Anthony Braxton. Sound design, mix, and additional music by David Herman. Special thanks to Nancy DeVille. You can support our work, and the work of all Atlantic journalists, when you subscribe to The Atlantic at
The Hill
a day ago
- The Hill
Texas flood survivors decry lack of aid, ‘toxic pit' conditions in special session
Communities hit by the deadly Independence Day floods face a desperate and confused recovery bereft of state and federal aid, survivors told a field hearing of the Texas legislature in Kerrville on Thursday. With no resources to drain Lake Ingram, it 'has become a toxic pit,' resident Ann Carr told the legislators. 'We've talked to divers that have been out there. They have found vehicles. We have asked them direct questions, 'Are there bodies in the water?' Their answers are yes,' Carr said. Now, the city of Kerrville is refusing to drain the lake, which bubbles with oil from submerged automobiles, Carr said. With $28 billion in the state rainy day fund, she added, 'I think the state of Texas can help us clean our lake out.' Others pointed to the consequences of the catastrophic flood damages, which hit a region where about 99 percent of residents didn't have flood insurance. With as much as $25 billion in uninsured losses, 'many landowners are at high risk of losing their land,' said Terri Hall, a Kerrville resident who runs an anti-property tax group. Hall said landowners lost outbuildings that neither insurance nor FEMA will pay for, leaving them easy pickings for private equity. The affected areas, she said, 'have a high vulnerability to having big corporations like Blackrock swoop in and buy up our beautiful riverfront and turn Kerr County into something that we won't recognize.' State leaders mostly listened and murmured their support to survivors. But earlier in the hearing, they were unsparing in their criticism of local officials on the subject of training and warnings. Lt. Gov. Dan Patrick (R) told County Judge Rob Kelly that he didn't 'know where you were on Day One, on July 4, but you should have been here. You should have been here directing that response. That is your responsibility.' 'Everyone was here that day working their ass off, and you were nowhere to be found,' Patrick added. 'The three guys in Kerr County who were responsible for sounding the alarm were effectively unavailable. Am I hearing that right?' Houston-area state Rep. Ann Johnson (D) demanded of local officials. 'Is there a protocol that needs to be put in place? That, if the three folks who are responsible at this moment are not available for whatever reason, what should we do?' When Kelly told legislators that it wouldn't be hard to institute a better program of training, state Sen. Charles Perry (R) said that fact, while true, was 'sad.' 'I don't know how you can be good at what you do if you haven't practiced what you're supposed to,' Perry said. In addition to the need for state and federal aid, residents and survivors coalesced around a few consistent themes, including a muddled and chaotic official disaster response, which survivors testified sometimes featured state resources showing up too late or not at all — or sometimes being sent away by locals. 'We had an entire pallet of chainsaws that were donated to disappear overnight,' one Austin-area volunteer told the panel. Another said that officials had stopped giving out aid to those whose houses had been swept away because a truck from beloved state grocery store HEB had showed up. 'Well, HEB, at that point, was giving out small little bags of groceries to people — just enough for an evening,' they said. In Travis County, the state was almost entirely absent, said Timothy Mabry, who said he took trailers from the disaster site in Kerrville to Leander, just north of Austin, where local churches were running out of food, water and formula. In that region, Mabry said, 'It was not the state doing the cleanup. It was not the government helping. It was the citizens. It was Texans helping Texans who are doing the work, and they're still doing the majority of the work. It was only after many cries and pleas for help and coordination with myself and many others of why resources in the state finally acknowledged what was going on there.' 'Nobody came,' Leander resident Aubrey Gallagher told the committee. 'There were no resources. Other testimony focused on evacuation routes and warnings — or the lack thereof. Survivors described being trapped in deadly bottlenecks as they raced to escape the floodwaters, with steep ravines and fenced-off private land on one side and a rising river on the other — a direct consequence of the short notice that disaster was coming. 'Our home was 35 to 40 feet above the normal river water level, and by 3 a.m., the water was already at the house — and we had no warning,' one woman told the committee. She and her family raced to their cars and out onto Highway 39, but 'there was nowhere to get out, and the water was rising too quickly to make it to higher ground, so we climbed onto our cars and into the trees.' Perched there, she said, they watched 'other cars shoot down the river and massive trees, and prayed and planned for what we would do if our trees fell down.' They were lucky, she said — other friends and neighbors drowned that night. Many residents missed cell warnings, which went out late, because they didn't have cell service. Others who did found they didn't matter. Alicia Baker, whose parents and 11-year old daughter died in the floods, was in a cabin on stilts when the floodwaters hit. They had signal, but 'the alert said seek higher ground. We're on stilts. Where were we supposed to go?' Pulling at the shoulders of her blouse as she fought back tears, Baker urged the installation of smart flood meters — something the county had voted against in the past. 'We should actually have sensors in our water that would then alert sirens to go off,' she said. 'If I got an alert that said six to seven inches, I've been like, cool, that's the dock. It wouldn't have made that much of a difference. Now, when you're talking 30 feet, that's a whole other story.' There was a bigger elephant in the room, one Kerr County man argued: that Texas development codes haven't kept up with the rise in extreme weather, and permits construction in the path of floods. 'Who is going to talk honestly about land use? I'm not asking necessarily for zoning mandates, but people should be informed when they build in flood areas.'
