
What to Watch: Dexter: Resurrection, the Tour de France, Too Much, Foundation S3
And by that we mean killing people. Lots and LOTS of people.
This revival is a continuation of the original crime drama that ran from 2006 to 2013, which saw Jeff Lindsay's serial killer novels translated to the small screen.
During its initial run, the series gained widespread acclaim, scooping up Golden Globes for Hall, who played Miami-based blood spatter analyst turned serial killer Dexter Morgan. Its initial premise was genius: Dexter isn't just your run-of-the-mill killer — he only goes after people who deserve to die. Viewers connected with it, and the story kept being spun off, with 2021's Dexter: New Blood (2021-22) and the prequel series Dexter: Original Sin (2024).
This latest picks up after New Blood's sensational finale, and sees Dexter miraculously recovered from his near-fatal gunshot wound. He winds up in New York in a frantic search for his son Harrison (Jack Alcott), who was the one who tried to off his dad.
I can't tell you much more as there are iron-clad embargoes in place, but I will say this: if you've been a Dark Passenger on Dexter's journey so far, you won't want to miss this latest instalment, which boasts a superb guest cast including Uma Thurman, Peter Dinklage, Eric Stonestreet and the return of David Zayas as Angel Batista.
Grab your lycra, we're rolling out. The world's most famous cycling race kicks off on Saturday, with the peloton starting out from Lille. The 184 riders will leg it across 3337km to end up at the Champs-Elysees in Paris on Sunday July 27. All 21 stages of this year's Tour will take place in France for the first time in five years, so get ready to armchair your way across some spectacular countryside.
All hail Michael Portillo and his purple linen blazer! Eight seasons on and I'm still obsessively tuning into this show despite having zero interest in locomotives. I can't explain my fascination with this series, which sees Portillo (with his trusty 1936 Bradshaw's travel guide) criss-crossing the world. But if it's on, I'll tune in. Slow TV + a man in a fedora + some nice scenery = a night well spent. Adore this show and its purple-suited host.
Lena Dunham is behind this series, which sees Hacks' Megan Stalter playing Jessica, a workaholic New Yorker who relocates to London after a difficult break-up. She meets left-of-centre musician Felix (The White Lotus' Will Sharpe) and this series, based loosely on Dunham's own experiences with husband Luis Felber (the show's co-creator), is about how their two worlds collide. Dunham fans will want to check this one out.
Three seasons on, and this sci-fi series, based on Isaac Asimov's famous work, has managed to do the impossible, not only growing its (admittedly niche) audience, but also attracting the kind of universally favourable reviews most other genre TV series can only dream about. There's a big time jump, so it may take a while to wrap your head around this latest season and the new characters. Worth discovering.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


West Australian
7 hours ago
- West Australian
What to Watch: Dexter: Resurrection, the Tour de France, Too Much, Foundation S3
Dexter's back — again. Apparently, there's just no keeping a good vigilante serial killer down, and almost 20 years, eight seasons and two spin-offs later, Michael C. Hall's twisted anti-hero is back doing what he does best. And by that we mean killing people. Lots and LOTS of people. This revival is a continuation of the original crime drama that ran from 2006 to 2013, which saw Jeff Lindsay's serial killer novels translated to the small screen. During its initial run, the series gained widespread acclaim, scooping up Golden Globes for Hall, who played Miami-based blood spatter analyst turned serial killer Dexter Morgan. Its initial premise was genius: Dexter isn't just your run-of-the-mill killer — he only goes after people who deserve to die. Viewers connected with it, and the story kept being spun off, with 2021's Dexter: New Blood (2021-22) and the prequel series Dexter: Original Sin (2024). This latest picks up after New Blood's sensational finale, and sees Dexter miraculously recovered from his near-fatal gunshot wound. He winds up in New York in a frantic search for his son Harrison (Jack Alcott), who was the one who tried to off his dad. I can't tell you much more as there are iron-clad embargoes in place, but I will say this: if you've been a Dark Passenger on Dexter's journey so far, you won't want to miss this latest instalment, which boasts a superb guest cast including Uma Thurman, Peter Dinklage, Eric Stonestreet and the return of David Zayas as Angel Batista. Grab your lycra, we're rolling out. The world's most famous cycling race kicks off on Saturday, with the peloton starting out from Lille. The 184 riders will leg it across 3337km to end up at the Champs-Elysees in Paris on Sunday July 27. All 21 stages of this year's Tour will take place in France for the first time in five years, so get ready to armchair your way across some spectacular countryside. All hail Michael Portillo and his purple linen blazer! Eight seasons on and I'm still obsessively tuning into this show despite having zero interest in locomotives. I can't explain my fascination with this series, which sees Portillo (with his trusty 1936 Bradshaw's travel guide) criss-crossing the world. But if it's on, I'll tune in. Slow TV + a man in a fedora + some nice scenery = a night well spent. Adore this show and its purple-suited host. Lena Dunham is behind this series, which sees Hacks' Megan Stalter playing Jessica, a workaholic New Yorker who relocates to London after a difficult break-up. She meets left-of-centre musician Felix (The White Lotus' Will Sharpe) and this series, based loosely on Dunham's own experiences with husband Luis Felber (the show's co-creator), is about how their two worlds collide. Dunham fans will want to check this one out. Three seasons on, and this sci-fi series, based on Isaac Asimov's famous work, has managed to do the impossible, not only growing its (admittedly niche) audience, but also attracting the kind of universally favourable reviews most other genre TV series can only dream about. There's a big time jump, so it may take a while to wrap your head around this latest season and the new characters. Worth discovering.


Perth Now
12 hours ago
- Perth Now
Emma Roberts reveals her White Lotus ambition
Emma Roberts would love to play the next murder victim on The White Lotus. The 34-year-old actress is a huge fan of the hit HBO series, and Emma would jump at the chance to star on season four of the show. She told PopSugar: "I'm unwell from The White Lotus. I want to be on next season, but that's such a dumb thing to say because who doesn't?" Emma would even love to play the murder victim on the next season of the show. She said: "I'll just be the body." Emma is "totally addicted" to The White Lotus, even though she was "late to the party". The actress explained: "I'm always late to the party. "I always read and watch things after everyone's already talked about it, and then everyone's like, 'Shut up, we've already talked about it.' So I was late to The White Lotus and now I'm totally addicted." Emma has already achieved huge success in her career, starring in movies such as Palo Alto, Valentine's Day and We're the Millers. But the actress previously claimed that the public underestimates the challenges faced by so-called nepo babies. The Hollywood star - whose aunt is actress Julia Roberts and whose father is actor Eric Roberts - said on the Table for Two with Bruce Bozzi podcast: "People kind of only see your wins because they only see when you're on the poster of a movie. They don't see all the rejection along the way. "That's why I'm always very open about things I've auditioned for and haven't gotten the part for. "I think it's important to talk about - otherwise people just think everything's been so great and linear and easy, and no, it's not at all. But of course it looks like that to the outside perspective or to the naked eye." Emma suggested that having family ties to Hollywood can be a double-edged sword. She said: "I think there's two sides of the coin. People like to say, you know, you have a leg up because you have family in the industry. "But then the other side to that is you have to prove yourself more. "Also, if people don't have good experiences with other people in your family, then you'll never get a chance."

Sydney Morning Herald
a day ago
- Sydney Morning Herald
Is this Aussie film set in Mongolia a giant leap or a small steppe?
The Wolves Always Come At Night ★★★ While Berlin-based Australian filmmaker Gabrielle Brady is currently developing her first fully fictional feature, The Wolves Always Come At Night marks her second foray into what she calls 'docu-feature', a hybrid storytelling form that merges observational documentary with elements of fiction, driven by the subjects of the film. Her first was Island of the Hungry Ghosts, which was set on Christmas Island and used the visually arresting annual migration of land crabs as a metaphor for the journeys of asylum seekers across the world. A counsellor called Poh Lin Lee served as a kind of focal point in that movie, helping give individual human shape to stories of mass movement. Lee is involved in the new film too, credited as 'narrative therapy consultant'. Also returning is Aaron Cupples, whose work on the ethereal land- and windscape-inspired score is just as impressive as it was on the earlier film, and cinematographer Michael Latham, whose images are once again stunning. Set in Mongolia, The Wolves… focuses on the hard-scrabble existence of goat herder Davaa (Davaasuren Dagvasuren) and his wife Zaya (Otgonzaya Dashzeveg). They are raising four young kids in their ger (circular tent), surrounded by animals and occasionally interacting with neighbours in a far-off community hall, where the conversation revolves around the weather and the birthing of livestock. 'How has your spring been?' 'Good.' That sort of thing. The first shot of Davaa is on horseback, riding hard across the Gobi desert on his stocky pony. The film ends with him and his horse together again. But in between, it's all about the forces that are moving man and beast apart – motorisation, urbanisation, exploitation of the land for minerals, and above all, climate change. Davaa and Zaya are stoic presences, not given to great slabs of articulation, and not especially expressive. Dagvasuren and Dashzeveg are credited as co-writers here, but I hope they weren't paid by the word. To be frank, not a lot happens in The Wolves… If you were feeling mean-spirited, you might say it is exactly the sort of film Marg Downey so brilliantly sent up on Fast Forward 30-plus years ago as 'the SBS woman'.