From Kanaappa and Sarzameen to Mandala Murders and Samshayam: Watch latest OTT releases on Netflix, JioHotstar, Prime Video
Indian OTT platforms are set for a blockbuster weekend on July 25, 2025, with a diverse range of releases across languages. Viewers can anticipate action thrillers, emotionally charged dramas, and gritty web series on platforms like Prime Video, Netflix, and JioHotstar. The lineup includes star-studded casts and gripping narratives, promising something for every taste.
Watch out for these OTT releases. As July 25, 2025, approaches, Indian OTT platforms are gearing up for a blockbuster weekend with a diverse slate of releases across languages. From action-packed thrillers to emotionally charged dramas and gritty web series, there's something for everyone. Here's a look at the major films and shows dropping this weekend across Prime Video, Netflix, JioHotstar, and more:July 25
Prithviraj Sukumaran, Kajol, and Ibrahim Ali Khan headline Sarzameen, a military drama making its direct-to-OTT debut on July 25. The Kayoze Irani-directed film explores the emotional and political fallout of an army officer's family caught in a storm of terrorism and national duty. Available in multiple languages.July 25
Mandala Murders drops on Netflix with Vaani Kapoor and Surveen Chawla in the lead. Set in the fictional town of Charandaspur, the mystery thriller revolves around detectives investigating a string of ritualistic killings linked to ancient secrets and cryptic prophecies. Expect a twisted, high-stakes narrative.July 25
Viineet Kumar Siingh leads the quirky drama Rangeen, premiering on Prime Video. The story follows Adarsh, a quiet man whose life spirals after discovering his wife's betrayal. Mixing humour with emotional introspection, the nine-episode series is backed by Kabir Khan and promises a wild, reflective ride.
Streaming now
Jackie Shroff and Suniel Shetty reunite in Hunter 2, streaming from July 24. In this high-octane action series, ACP Vikram Sinha dives into a darker maze to save his daughter while confronting a charming yet dangerous villain. Season 2 promises more action and emotional depth.
July 25
Manchu Vishnu's mythological epic Kannappa is all set to make its OTT debut on Prime Video. Directed by Mukesh Kumar Singh, the visually grand film first hit theatres on June 27. With a star-studded cast including Prabhas, Mohanlal, Akshay Kumar, Kajal Aggarwal, and Mohan Babu, this retelling of Indian mythology promises an immersive experience.
July 25
Naveen Chandra's crime thriller Show Time arrives on Sun NXT on July 25. The film explores the devastating ripple effects of an accidental murder on a middle-class family. As guilt and fear take over, their bonds are tested in a spiral of lies and paranoia. The film also stars Kamakshi Bhaskarla and VK Naresh.
July 25
After a theatrical release on June 27, Vijay Antony's Maargan gears up for its digital premiere on Prime Video in both Tamil and Telugu. Directed by Leo John Paul, this gripping crime thriller features Ajay Dhishan, Samuthirakani, and Brigida. Antony not only headlines the film but also composed its music. Now streaming
Vinay Forrt and Sharaf U Dheen lead the cast of Samshayam, a feel-good Malayalam family comedy that quietly impressed at the box office. Now streaming on Manorama Max, the film is appreciated for its clever storytelling and relatable themes.
Now streaming
From acclaimed writer-director Shahi Kabir, Ronth follows rookie cop Dinnath and his senior Yohannan as they navigate the gritty realities of night patrol duty. Though it earned praise for its authenticity, the film stirred debate online for some of its controversial portrayals.
Now Streaming
The 2019 Malayalam comedy-drama Ittymaani: Made in China gets a Telugu release on ETV Win on July 24. While the film didn't fare well at the box office initially, it stars fan favourites like Radhika Sarathkumar and Honey Rose, and is now reaching a new audience.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Indian Express
12 minutes ago
- Indian Express
Kyunki, saas bahu and suffering never go out of style
Old films re-releasing in theatres seem to have inspired the television industry to bring back the one bahu who ruled them all. Tulsi Virani and her family make a comeback in Kyunki Saas Bhi Kahi Bahu Thi (part deux or redux, take your pick) on Star Plus from the 29th of July. I can't help but wonder if I am nostalgic or disappointed. Nostalgic about the return of Tulsi on her moral high horse, or disappointed with the stagnation of television programming in India, that allows a 25-year-old show to remain relevant. Interestingly, I was working with the channel that broadcast the show when it went off the air in 2008. I recall it being a big deal that Tulsi Virani would no longer be on our screens. Well, not anymore. As Kyunki makes a return after all these years, and potentially opens the door for other erstwhile soap operas to return, or be rebooted, I can't help but wonder – what is it about watching a woman suffer and make unrealistic sacrifices that appeals to people? Or, for that matter, watching a family or home turn into a hotbed for indiscretions and crime? Does the chaos and unhappiness of someone else's home make us feel better about our own? Is it trauma bonding, where we feel like we are not the only ones suffering in a bad marriage or toxic family? Maybe in some cases, it's an opportunity to acknowledge toxicity and potentially course correct one's behaviour. Ekta Kapoor's rise coincided with the establishment of the daily soap as appointment viewing on Hindi GEC. The small screen czarina seemingly found inspiration in the closeted dysfunction of Indian homes. She went on to create multiple stories of love, marriage, suffering, tragedy and crime that audiences lapped up every evening, week after week, for years together. In a country where we once enjoyed shows like Buniyaad, Saans, Kora Kagaz, or Dekh Bhai Dekh, Kapoor single-handedly changed our viewing palettes and diets. Whether it was Kyunki, Kahaani Ghar Ghar Kii, Kasautii Zindagii Kay, Kkusum, Kasamh Se, Kayamath, Kabhii Sautan Kabhii Sahelii, Kundali, Kis Desh Mein Hain Meraa Dil, or Kkavyanjali, the K sagas shaped television programming in India for over a decade and made domestic upheavals the mainstay of our weeknight programming. What all these shows had in common, apart from an alphabet, was that they are/were drenched in the tears of the female protagonist whose life was an unending obstacle course of misunderstandings and misery. Along the way, she also sermonised like a priest about sanskaar and sindoor and cooked like bonded labour. The problem is not just that these daily soaps promoted regressive ideas like equating your spouse to your fate/destiny (Kumkum Bhagya), made marriage and motherhood the essence of a woman's life, or glorified women for tolerating infidelity, abuse and harassment to make their marriage work. The larger problem was that the pressure of producing five or more episodes a week irreversibly impacted the quality of content we were producing. Scripts were replaced with background score and sound effects, performances with VFX (remember the lightning strikes and freeze frames), and realism with melodrama. Add to this the pressure of weekly ratings, which meant that shows soon gave up on their resolve to differentiate themselves or stick to what the progressive launch promo promised. Take Kyunki Saas Bhi Kabhi Bahu Thi itself. The show, which was meant to celebrate Indian joint families and the values that hold us together, had characters across generations commit indiscretions and even sexual offences. The leading man, Mihir, whose death left an entire nation in mourning, had an extramarital affair with Mandira that produced an illegitimate son. Mihir and Tulsi's eldest son Gautam married thrice and his first ex-wife eventually married his cousin. Three female characters are raped, of which one was an instance of marital rape. Tulsi killed her son Ansh in a Mother India moment, and took her mother-in-law Savita off life support, though euthanasia is illegal in India. Babies were swapped or kidnapped, spouses were bumped off, and women constantly spewed venom at each other. Ironically, for a family that lived in Shanti Niketan, they rarely seemed to have a moment's peace. This was the summary of just one show. Multiple such shows were being broadcast simultaneously, or continue to be, each one with equal or more dysfunction than the next. Thanks to a lot of criticism and perhaps audience fatigue, the situation has marginally improved over the years. Though we still have the occasional bahu turning into a house-fly, snake, supernatural being, making a trip to the moon on a scooter, hanging on a kite or being romanced by a gorilla, Hindi GEC channels have made an effort to create shows that atleast begin with the promise of progressive thought. But sadly, most of them eventually devolve into sordid sagas or have repetitive conflicts. Also Read | Kyunki Saas Bhi Kabhi Bahu Thi 2, Traitors, IPL, Kapil Sharma: How streaming is replicating television, the very beast it wanted to tame There is a lot of nostalgia among the original audiences about the return of Kyunki, but it remains to be seen if the Virani family will strike a chord like they did two decades ago. The boomers and millennials who grew up watching Tulsi handle her family with tears, slaps, monologues, and, on occasion, even a gun, have all grown up or become older. They have had kids, grandkids, great-grandkids and been exposed to social media, OTT content and smartphones. One can only hope that, since a quarter of a century has passed since we first met the Viranis, they have evolved and their story has saas, bahu, but not half as much saazish. Kyunki, twenty-five years later, all of us deserve better.
India.com
12 minutes ago
- India.com
Meet Rajinikanth's heroine, who did only 15 films in her entire career, transformed herself in 7 years, where is she now? What does she do? Her name is…
Many actresses in the film industry have disappeared with time, but even now, when any of their films or songs come out, we suddenly remember that they too used to be an important part of the industry, but where are they now? Today, we are going to tell you about one such beauty, who started her career at the age of just 16, but is now completely missing from the Indian industry. Who is this actress who won the title of Miss Teen World? The actress we are talking about here has worked with many big superstars during her film career. Not only this, she even romanced a superstar 40 years older than her on the big screen, but now she is away from the industry. This beauty wanted to become a model and actress since childhood. This diva was raised in abroad, completed her studies there, she even started modeling at the age of 14, and won the title of Miss Teen World in 2009. The actress whom we are referring to is none other than Amy Jackson. When did Amy Jackson make her debut? Amy Jackson got a chance to work in the Indian film industry. Here we are talking about Amy Jackson, who started her acting career in 2010 with the Tamil film 'Madrasapattinam', in which she played the lead role without any acting experience. After this, she entered Bollywood in 'Ek Deewana Tha' (2012). After this, she appeared in hit films like Telugu film 'Yevadu' (2014) and Kannada film 'The Villain' (2018). Which film made Amy Jackson popular? However, she got real recognition from the role of 'Neela' in Robot 2.0 (2018), which proved to be a superhit. In her career, Amy Jackson has worked in more than 15 films, including Tamil, Hindi, Telugu, Kannada, and Hollywood films. She made her American TV debut in 2017 with 'Supergirl' (2017) and entered the British film industry with 'Boogie Man' (2018). Her film career has been about 15 years long. Who did Amy Jackson marry? Amy Jackson married British actor Ed Westwick in 2024. They have two children, a son Andreas, and a daughter. However, before marriage, while in the industry, her name was linked to many big stars, including Prateik Babbar and George Panayiotou. Apart from acting, she is also associated with many institutions. Amy is also an animal rights activist and has been a brand ambassador for PETA. Where is Amy Jackson now? What is she doing? Amy Jackson lives in London with her family and is quite active on social media. She has a very good fan following. According to media reports, her total net worth is around $6 million (about Rs 45 crore). She has worked with fashion brands like Hugo Boss, Cartier, and Bulgari. Her monthly income is more than Rs 50 lakh, and she charges around Rs 1 to 2 crore for a film.
News18
20 minutes ago
- News18
Mahavatar Narsimha Box Office Day 4: Ashwin Kumar Film Brings In Rs 22 Crore
Last Updated: Ashwin Kumar's Mahavatar Narsimha is a box office hit, earning Rs 22 crore in four days. Mahavatar Narsimha Movie Box Office Collections: Ashwin Kumar's Mahavatar Narsimha is turning out to be a pleasant surprise at the box office! The mythological action-drama, which released to decent buzz, is now picking up serious steam, raking in Rs 22 crore in just four days. The film seems to be connecting well with audiences. It has also become the highest-grossing Indian animated movie ever. Mahavatar Narsimha may have opened on a modest note with Rs 1.35 crore on Friday, but it picked up remarkable pace over the weekend. Saturday saw a strong jump with Rs 4.6 crore, marking a 150 per cent increase, while Sunday witnessed an even bigger leap as the film earned Rs 9.5 crore, a massive 600 per cent spike from its opening day. The momentum carried into Monday, with the film collecting an impressive Rs 6.15 crore, comfortably passing the crucial Monday test. With this, the Ashwin Kumar-starrer now stands at a solid four-day total of Rs 22 crore. Ashwin Kumar's Mahavatar Narsimha has now officially overtaken Hanuman (2005) to become the highest-grossing Indian animated film of all time. Directed by Ashwin Kumar and backed by Hombale Films, the makers of blockbusters like Kantara and KGF, Mahavatar Narsimha is winning hearts for its gripping story and impressive visuals. The screenplay is penned by Jayapurna Das and Rudra Pratap Ghosh. Presented in five Indian languages, Mahavatar Narsimha has been edited by Kleem Productions and produced by Shilpaa Dhawan, Kushal Desai, and Chaitanya Desai. The film retells the iconic story of Prahlad Maharaj, a young devotee of Lord Vishnu, whose unwavering faith ultimately led to the manifestation of the powerful Narasimha avatar to defeat tyranny. Mahavatar Narsimha is the first film in an ambitious animated franchise centred on the ten avatars of Lord Vishnu. Produced by Kleem Productions and Hombale Films, the series is expected to unfold over the next decade with titles such as Mahavatar Parshuram (2027), Mahavatar Raghunandan (2029), Mahavatar Dhawkadhesh (2031), Mahavatar Gokulananda (2033), and Mahavatar Kalki in two parts (2035 and 2037). The film, produced by Shilpaa Dhawan, Kushal Desai, and Chaitanya Desai, explores the well-known story of Prahlada and his tyrannical father, Hiranyakashipu. Despite being granted near-immortality by Lord Brahma, the king's attempts to harm his devout son fail, eventually prompting Lord Vishnu to intervene in the form of his fierce fourth avatar, Narsimha. Presented in five Indian languages, Mahavatar Narsimha has been edited by Kleem Productions and produced by Shilpaa Dhawan, Kushal Desai, and Chaitanya Desai. The screenplay, written by Jayapurna Das and Rudra Pratap Ghosh, has been particularly appreciated. First Published: Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.
