Vogue Online Shopping Night 2025: Best Fashion Deals
Starting at 12pm on the Thursday, 8th May and ending at 12pm on Sunday, 11th May, Aussies have 72 hours to save big.
We have our eye on the Levi's Ribcage Straight Ankle Jeans, currently on sale for $127.96. The flattering jeans are universally loved and have thousands of rave reviews online.
Hannah Paine, news.com.au checkout editor, previously trialled them and said they were the 'the cool girl jeans of my dreams'.
We're also going to be checking out Witchery which has up to 30 per cent off at THE ICONIC. Some of our top picks include the Fluffy Crew Cardigan ($160.30, down from $229), the Gather Front Long Sleeve Top ($62.30, down from $98) and the Classic Trench Coat ($279.30, down from $399).
Check out the rest of the great deals on offer below.
As always please remember that prices and deals are current at the time of publishing but items can move quickly during sales, so be quick if you don't want to miss out.
BEST VOSN DEALS
The Iconic
20-30 per cent off VOSN
20-30 per cent off elevated styles
20-30 per cent off accessories
40 per cent off wardrobe essentials
20-30 per cent off footwear
Up to 30 per cent off sports styles
20 per cent off top beauty picks
Meshki
20 per cent off flash sale
MJ Bale
25 per cent off full priced styles
25 per cent off Orlando Leisure Coat, $524.25 (down from $699)
25 per cent off Lloyd Jacket, $374.25 (down from $499)
25 per cent off Bristow Shirt, $82.50 (down from $110)
Wedgwood
20 per cent off full priced styles
20 per cent off Gio 16 Piece Set, $591.20 (down from $739)
20 per cent off Gio Ethereal Bowl, $48 (down from $60)
20 per cent off Gio Rectangular Serving Tray 32cm, $111.20 (down from $139)
Cosette
Step One
20 per cent off
Samsung
Up to 35 per cent off – Use code: VOSN72 at check out
Save 20 per cent on the Galaxy S25 Series
Save 30 per cent on the Buds3Pro Series
Save 30 per cent on the Wach7 Series
Bugaboo
20 per cent off using the code VOGUE25
20 per cent off Bugaboo Butterfly transport bag
20 per cent off Bugaboo Butterfly seat pram
20 per cent off Bugaboo Fox Cub bassinet and seat pram
Inika Organics
Three for two
Nuage Interiors
20 per cent off
Katya Komarova
20 per cent off
Femme Connection
25 per cent off
Bassike
20 per cent off sale
Christopher Esber
20 per cent off
Paris Georgia
20 per cent off
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ABC News
an hour ago
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Together is a horrifying look at co-dependency. It's based on the director's relationship
Australian director and writer Michael Shanks has the disembodied torso of Hollywood A-lister Dave Franco hanging on his study wall. It's a prosthetic, of course, from Shanks's upcoming film, Together, which stars Franco and his real-life wife, Alison Brie, as a couple whose relationship is on the rocks. "I found it in storage after the film wrapped," Shanks says. "He was wrapped in plastic, like Laura Palmer. I was like, 'No, he's got to be on my wall.'" In part, that could be because Together has proven to be a breakout moment for the Melbourne local. Shanks has spent more than a decade building a profile as a writer, director and special effects artist. He's racked up millions of YouTube views on his cinematic parodies, landed a script on the coveted Black List (Hollywood's list of best unproduced screenplays), and his award-winning short film, Rebooted, is adorned with more laurel leaves than a forest. But Together has surpassed all of that. When his body-horror/romance/comedy premiered at Sundance Film Festival in January, it ignited a bidding war that even Shanks — who wrote, directed and created most of the film's jaw-dropping special effects — didn't see coming. "We had been in this room, just myself and an editor and the editing assistant, and we made this little movie, and we thought it was pretty good," he says. "Then suddenly I'm in Utah for some reason, at Sundance, and I have to introduce a film in front of an audience of 2,000 people. "At the afterparty, different studio people were saying, 'Hi, we'd like to buy the film.' That was really special." Together eventually sold to Neon, the US distributor behind Oscars Best Picture winners Anora and Parasite, for $US17 million ($26 million). It was one of the richest deals in the festival's history. But for Shanks, the marvel is in the fact that his fusion film was made at all. Together could masquerade as a regular romantic dramedy, if not for the evocative promotional materials featuring fused body parts, hinting at a much more sinister story. The film opens on aspiring, but aging musician Tim (Franco) and his dedicated long-term partner Millie (Brie) moving out of the city so she can take up a new teaching position. There's still flickering love between the pair but it's struggling to breathe underneath the tense weight of shared history. Things take a turn for the horrific after a bushwalk sees Tim and Millie tumble into a mysterious cave with an ominously alluring water source. From this point the film transforms into shriek-inducing terror, where hypothetical fears about co-dependant relationships become sickeningly real. And it's all based on Shanks's relationship with his partner of 16 years, Louie. "When I first told her the idea, she was a little wary," Shanks laughs. "She said something like, 'I'm a little upset that you're writing it but you should write it.'" She quickly became Shanks's sounding board, conceptualising some of the film's most evocative scenes (one of which involves a giant, prosthetic penis) during the writing process. "I would sometimes knock on our home office and ask, 'Hey, you know, that argument we had a couple of years ago where you called me a piece of shit? What did I call you back?'" he says. While Shanks says his relationship has a firm foundation, he's prepared for his film to potentially break up those on rockier ones. In fact, it might have, already. "So many people have told me this reminded them of a previous relationship, or current relationship. There's a universality to it," Shanks says. "It's scary to share a life with somebody, and hopefully you can push through and find something lovely, or you are brave enough to recognise that splitting apart is an OK thing to do." There's a strong family feel to Together. Shanks cast his partner and friends as extras in party scenes, as well as weaving references to his siblings' names into the film. "All these people have been supporting me to chase this impossible filmmaking dream for over a decade, so it's been really lovely to bring them along for the ride," Shanks says. And despite the American-accented leads, Together was filmed in Melbourne, about 15 minutes from Shanks's home. The local crew rallied around Franco and Brie, who not only supplied brilliant dramatic performances, but put their bodies on the line to pull off the script's extreme physical demands. "A stunt performer was doing something of Alison's, and [Alison] was like, 'That's not hard enough. I'll do it.' Dave was climbing ropes that we didn't ask him to do because it was better for the performance," Shanks says. "They have a bruise journal from the film. We tortured them every day, and they still showed up for work the next day with a smile." Shanks has long dreamed of seeing his work on billboards, but becoming an international name has brought both positives and negatives. Back in May, while still riding the Sundance high, Together was hit with a US copyright lawsuit from production studio StudioFest which claimed the film ripped off ideas from Patrick Phelan's 2023 black comedy, Better Half. In response, Shanks released a public statement asserting not only how painfully personal Together is to him, but also that he registered his script to the Writers Guild of America in 2019 — three years before Shanks was connected with Franco, and a year before StudioFest's filings claim Phelan's script was sent to Franco and Brie's representatives. "To now be accused of stealing this story — one based on my own lived experience, one I've developed over the course of several years — is devastating and has taken a heavy toll," his statement read. Shanks told ABC Entertainment that being a public figure has taken some adjustment. "Since the film has made headlines for all sorts of reasons, I have become somebody that is being commented on," he says. "I've been so lucky to travel with this film. I went to a film festival in Mexico, and people were telling me how much they love the movie. That's been so sweet. Together is riding high on a wave of internationally successful Australian horror productions from Colin and Cameron Cairnes's Late Night With The Devil, to Michael and Danny Philippou's latest screamer, Bring Her Back. However, these productions — as well as Shanks's — had to venture outside the country to secure the support needed to bring them to life. Shanks says it's essential the local industry invests in young, upcoming talent. "Me and Michael and Danny [Philippou], we came from a time where we had to prove our storytelling abilities to an international audience to get opportunities in the local industry," he says. "I'd love for there to be pathways for younger filmmakers to tell stories they're passionate about, rather than the generation above, that are still kind of locked in some of those positions. "Hearing stories from younger people and from people of more economically diverse backgrounds, that's the stuff that I'd be really keen to see." Together is in cinemas now.

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Daily Telegraph
2 hours ago
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Carrie Bickmore, Logies: Former Project host reflects on Gold Logie 2015
Don't miss out on the headlines from TV. Followed categories will be added to My News. Winning the Gold Logie in 2015 is a bit of a blur for Carrie Bickmore. While the then co-host of The Project gave the appearance of being effortlessly confident as she accepted her award with a speech about the need for more awareness of the toll of brain cancer, it was a different story behind the scenes. Having welcomed her daughter Evie just six weeks earlier, Bickmore was sleep-deprived, and secretly grappling with the anxiety that has dogged her since she was 19 years old and starting out in radio. 'I reckon I thought more that night about having a panic attack than I did enjoying the dinner or chatting to people – or the feeling of winning,' she tells The Watchlist. 'It's why it's beautiful to have this legacy of the beanie campaign from that night. It forces me to think about it more often and remember it.' 'I'm somebody that just likes an awards night!' Carrie Bickmore on the Logies. Picture: Michelle Tran for The Watchlist Soon after her speech, Bickmore made a mad dash to her baby, who was being looked after by her mum Jennie in a nearby hotel room. 'Mum met me in the lift and was like, 'You're just in time to feed her, great timing.' So it's funny – behind the glamour, there's all this other stuff happening.' Indeed, as she points out, Bickmore can tell what time photos of her were taken on the night 'purely based on the size of my cleavage'. 'When I was having the dress made, I didn't think about the fact that I needed to breastfeed. 'So as the night wore on, my boobs just got bigger and bigger.' A lot has happened since Bickmore was on the Logies dais. She has raised nearly $27 million for cancer research via her charity, Carrie's Beanies 4 Brain Cancer, and shifted focus to her drive-time radio show Carrie & Tommy for the Hit Network. Carrie Bickmore is on the cover of The Watchlist. Picture: Michelle Tran for The Watchlist She tells The Watchlist that while she does miss being on TV, 'Our radio show is filmed every day. A lot of people watch our show rather than listen to it. So weirdly, I don't really feel like I've left.' In any case, she'll attend tonight's ceremony as a guest. 'For me, it will forever hold a very special place in my heart,' she says of the Logies. Carrie Bickmore at the Logies last year. Picture: Jonathan Ng 'A special place in my heart!' With THAT Gold Logie in 2015. Picture: News Corp Australia 'But also, I just really like seeing friends I've made over the years from different networks. 'I like celebrating the industry that has provided me [with] so much and has such incredibly talented, creative people in it. 'And I'm somebody that just likes an awards night.' As for the show that brought her that Gold Logie a decade ago, Bickmore says she misses the people she worked with across her 14 years on The Project. And she believes that viewers feel the same way since the show was axed in June: 'The show is going to leave a massive hole. Not just from a TV perspective, but for its place in people's hearts.' And if she does eventually make a more permanent return to TV? Bickmore says it will be on her terms. 'I don't have that desire to prove myself,' she explains. 'I'm only going to do something that I really love, and right now, that opportunity hasn't popped up. 'I'm so happy doing what I'm doing that I just feel really at peace with where I'm at in my career. 'I've got so many creative ideas. The next thing I do, if I'm honest, I might even just create myself.' The TV Week Logie Awards air at 7pm tonight on Seven and 7Plus. Read the full story and see the cover shoot with Carrie Bickmore in today's issue of The Watchlist, inside The Sunday Telegraph (NSW), Sunday Herald Sun (Victoria), The Sunday Mail (Queensland) and Sunday Mail (SA). For more from The Watchlist and Stellar, click here. Originally published as Carrie Bickmore weighs up TV return: 'I don't feel like I've left'