
Vivienne Westwood and Rei Kawakubo paired for the first time in blockbuster exhibition at the NGV
It has been more than 20 years since Westwood's work has been exhibited extensively in Australia, and the NGV show will be the first since the designer's death in December 2023.
Curated by the NGV, with works drawn from the museum's extensive fashion collection supplemented by loans from the Metropolitan Museum, the V&A and others, Westwood | Kawakubo will open in Melbourne on 7 December.
Sign up for the fun stuff with our rundown of must-reads, pop culture and tips for the weekend, every Saturday morning
Westwood came to prominence as the designer behind the tattered, torn and often obscene garments of London's 1970s punk scene, before moving towards irreverent but historically grounded tailoring and corsetry in the early 1980s. Later her climate activism became a critical component of her life and work.
After establishing Comme des Garçons in her native Japan, Kawakubo appalled the fashion establishment when she began showing in Paris in 1981. Her deconstructed and distressed designs won her a fervent underground fanbase and, with the hindsight of history, they have gained critical approval too. In 2017 Kawakubo was the subject of a rare standalone exhibition at the Metropolitan Museum; it was only the second time the Costume Institute had run an exhibition of a living designer, the first being Yves Saint Laurent in 1983.
Sign up to Saved for Later
Catch up on the fun stuff with Guardian Australia's culture and lifestyle rundown of pop culture, trends and tips
after newsletter promotion
Katie Somerville, the NGV's senior curator of fashion and textiles and the exhibition's co-curator, says while Westwood and Kawakubo's works are aesthetically distinct, there is 'a lovely symmetry' in the designers' lives and practices. Both designers were self-taught and they were born a year apart. They also built businesses in an industry that was, and remains, male-dominated in its upper echelons.
When planning the exhibition, Somerville researched whether the pairing had ever been made before, 'and no one had', she says. 'So that's always a really exciting space to be in … when you can present an exhibition concept that does break new ground.'
Rather than a chronological retrospective, the exhibition will be curated thematically, with rooms devoted to punk, the designers' engagement with the body and their historical influences.
More than 140 works will be on display, including early-career punk ensembles by Westwood, alongside a tartan gown worn by Kate Moss in the designer's 1993-94 Anglomania collection. From Comme des Garçons there will be a custom dress worn by Rihanna to the 2017 Met Gala and 40 garments donated by Kawakubo for the exhibition.
The NGV has become known for its double-bill blockbusters, including Warhol | Ai Weiwei and Keith Haring/Jean-Michel Basquiat: Crossing Lines. Westwood | Kawakubo will be the first fashion pairing and the first to feature female artists. 'I think when you bring two individual artists together … [there are] wonderful new ways of seeing their work that come out of that comparison,' Somerville says.
'We're not for a minute saying that they're the same or similar, but there's enough there that connects them to make that sort of back and forth of looking at their work together … really exciting and productive.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mail
44 minutes ago
- Daily Mail
Aussie consumers issued urgent warning about viral Labubu toys
An urgent warning about a cult toy craze that's sweeping the globe has been issued to Aussies, as eager buyers lineup for hours to get their hands on the in demand item. NSW Fair Trading took to social media on Wednesday to alert consumers to a spike in fake Labubu toys being sold online. They warn that scammers are cashing in on the hype by flogging off counterfeit 'Lafufu' products or failing to deliver on orders altogether. Fair Trading shared a visual guide to help buyers spot the difference between genuine Labubu figures and some of the knock-offs that are making their way into the country. Key details include matte packaging for the real toys versus shiny packaging for the fakes, along with design differences. Authentic Labubus have ears that sit closer together and feature nine distinct pointed teeth. Authorities are urging shoppers to only buy from reputable retailers, steer clear of suspiciously cheap listings on overseas websites, and always check seller reviews before purchasing. The official toys, sold by PopMart, retail for about $32 but are often snapped up by resellers who hike the price to well over $100. NSW Fair Trading has encouraged consumers who have been scammed or have not received their item to report it immediately. Labubus, which originated in Hong Kong, first gained popularity in Asia through 'blind-box' collectible culture and social media hype. Its quirky design and limited releases quickly turned them into a sensation among collectors around the globe. The toys are a popular fashion accessory, and have been seen attached to the handbags and clothing of a number of celebrities and social media personalities. PopMart's valuation has skyrocketed on the back of Labubu's global success. The company is now estimated to be worth $68.47 billion, surpassing major toy giants like Hasbro and Hello Kitty creator Sanrio.


Daily Mail
an hour ago
- Daily Mail
Kate Middleton just stepped out in an effortlessly stylish outfit everyone will be wearing this summer - here's her exact look plus high street alternatives
Daily Mail journalists select and curate the products that feature on our site. If you make a purchase via links on this page we will earn commission - learn more The Princess of Wales once again embodied her signature effortless style during a visit to the RHS Wellbeing Garden at Colchester Hospital. Kate opted for her go-to Blazé Milano blazer, teaming it with a new Ralph Lauren Collection striped shirt and tailored cigarette trousers. She finished the look with a pair of classic Veja trainers - a staple in her wardrobe. This marks the fourth time she's worn the blazer - and it's easy to see why. The timeless pinstripe design and breathable linen blend make it ideal for warmer days. Her sleek cotton shirt also stood out. The tan stripes subtly echoed the tones of her blazer, tying the look together perfectly. While both the blazer and shirt are no longer available, we've found some great lookalikes from the brands' current collections, as well as high street alternatives so you can recreate Kate's ensemble at any price point. The good news? Her exact Veja trainers and Cartier earrings are still available - though the latter come with a royal-worthy price tag. Pinstripe blazers TOP PICK: Blazé Milano Heretique Blazer £913 Shop £740 Shop Cigarette trousers Mixed metal earrings £3,050 Shop


Daily Mail
an hour ago
- Daily Mail
Conde Nast mocked for advertising Anna Wintour's iconic Vogue role to the public on LinkedIn
Ready for your next career move? Maybe the Head of Editorial Content for US Vogue is the position for you. The hiring process has begun for Anna Wintour 's highly-coveted role at Vogue after the style icon stepped down from one of her positions at the fashion bible following 37 years at the helm. While it's expected that a high-profile editor already known to the company is likely to be appointed the position, job seekers were amused to find Condè Nast are advertising the role to the public on LinkedIn. The position was posted on the social networking platform, which is specifically designed for professionals, and shared by the official Condè Nast account. Featuring a collage of pink couture dresses in various shades, the banner across the center read: 'We are hiring.' 'Condè Nast is hiring a Head of Editorial Content for US Vogue,' the accompanying text read, along with an email to send resumes to. While it's not unusual for roles to be shared on the platform, the seniority and prestige of the role being shared to the general public had prospective applicants amused. 'Crying at Condè Nast pretending to consider applications for the top Vogue job from people on LinkedIn,' one user posted, sharing a screenshot to X, formerly known as Twitter. 'Acting like they're not finishing up negotiations with the candidate already,' one user joked in response. 'What if all of this is just marketing for Devil's Wear Prada 2?' chimed in another. 'So weird seeing this role advertised, I thought it would have been recruited behind closed doors,' observed another. Someone else agreed, writing: 'Can't wait for us to hear about the replacement they 100% selected before posting this and we find out it's a big name who probably hasn't seen a job application in decades.' 'A million girls would kill for this job,' wrote another, using an iconic line from The Devil Wears Prada, said to be based off Wintour herself. Last week, Wintour told staffers that she will be hiring a new head of editorial content at American Vogue. She will continue to hold her position as Condé Nast's global chief content officer and global editorial director at Vogue, and the new head of editorial content will report directly to her. As chief content officer, Wintour oversees every brand globally, including Wired, Vanity Fair, GQ, AD, Condé Nast Traveler, Glamour, Bon Appetit, Tatler, World of Interiors and Allure - among others. Last week, Wintour told staffers that she will be hiring a new head of editorial content at American Vogue She will continue to hold her position as Condé Nast's global chief content officer and global editorial director at Vogue, and the new head of editorial content will report directly to her Wintour first became editor in chief of Vogue in 1988 and is credited with completely transforming the famed fashion magazine. She is also behind making the Met Gala what it is today - a red carpet event attended by the fashion elite, as she handpicks the celebrities and makes sure to greet them personally. Wintour's first job was on the now-defunct Harpers & Queen. Before she took over at Vogue as editor-in-chief, she was its creative director. She then went back home to British Vogue, where she served as editor-in-chief from 1985 to 1987, before rejoining American Vogue. Her famed covers included appearances from A-listers such as Oprah Winfrey, Madonna, Ivana Trump, Kate Moss, Naomi Campbell, Christy Turlington and Cindy Crawford.