New ‘Freakier Friday' trailer, Mia Goth set for ‘Star Wars: Starfighter,' Samuel L. Jackson heads to Taylor Sheridan's ‘NOLA,' and the rest of today's top stories
Mia Goth to star in The MaXXXine actress has signed onto the Shawn Levy-directed movie, which already has Ryan Gosling on board. The news comes hot off of reporting that recent Oscar winner Mikey Madison turned down the project over pay. Starfighter is currently scheduled for a May 2027 release.
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Patricia Arquette's 'Severance' character talks like that because 'she thinks that's what power sounds like'
Samuel L. Jackson joins the Taylor Sheridan Cinematic Universe Deadline is reporting that the honorary Oscar winner has signed onto NOLA King, a spin-off of the Sylvester Stallone-starring Tulsa King. According to the trade, Jackson will appeared in episodes of Tulsa King's upcoming third season before spinning off down to the Big Easy. Dave Erickson from Mayor of Kingstown is set to write.
drops new trailer Disney released a fresh look at its sequel reteaming Jamie Lee Curtis and Lindsay Lohan. The film, which hits theaters on Aug. 8, also stars Julia Butters, Sophia Hammons, and Manny Jacinto.
Luc Besson's looks a lot like Francis Ford Coppola's The first trailer for a new Dracula adaptation starring Caleb Landry Jones and Christoph Waltz suggests that the Besson-directed adaptation is lifting heavily from 1992's Bram Stoker's Dracula.
Jim Jarmusch's next movie set for Venice Mubi CEO Efe Cakarel told the audience at SXSW London that Father Mother Sister Brother, starring Cate Blanchett, Adam Driver, and Vicky Krieps will premiere at the Venice International Film Festival in August, according to Variety. The movie is apparently a triptych, telling three stories focusing on family relationships.
American Music Awards numbers are in The 2025 edition of the award show, hosted by Jennifer Lopez, reached 10 million viewers across its original airing on CBS and three encores on other Paramount networks. The original broadcast alone drew 5.2 million viewers in Nielsen Live+7.
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USA Today
an hour ago
- USA Today
'Fantastic Four' isn't about fame, says Pedro Pascal: 'It's about what we feel'
The Fantastic Four and the Fab Four came along at around the same time in the early 1960s, and thinking of The Beatles helped Vanessa Kirby find the right mindset for her Marvel movie superhero group. As in the original comic books, 'The Fantastic Four: First Steps' (in theaters July 25) explores its heroes not just as do-gooders but also as wildly popular public figures. So Kirby, who plays invisible woman Sue Storm, would send her co-stars – Pedro Pascal, Joseph Quinn and Ebon Moss-Bachrach – old videos of the British band at the height of Beatlemania. 'They didn't strive to be famous. They just made music,' Kirby says. Same with the Fantastic Four: 'They just had these powers that then made them famous. This idea of a global phenomenon that's been thrust upon you, that was always a useful comparison.' Join our Watch Party! Sign up to receive USA TODAY's movie and TV recommendations right in your inbox 'Fantastic Four' introduces an alternate-reality 1960s made retrofuturistic courtesy of the technological innovations of Reed Richards. Among fellow New Yorkers, the Four are role models since returning from space four years ago with superpowers and fighting the good fight ever since. 'But it's not celebrity in the way Tony Stark is a celebrity,' director Matt Shakman says. 'They serve a civic role of bringing the world together, but they also are inspiring. They are the leading lights of their age.' Reed is a super-stretchy innovator and such 'a man of ideas,' Moss-Bachrach says. 'He lives in a world of total abstraction. It's hard for him to negotiate reality, let alone celebrity.' Adds Pascal: 'It doesn't compute.' Sue, however, is head of the Future Foundation, the movie's version of the United Nations, and is the steady leader everyone listens to when the planet-devouring Galactus (Ralph Ineson) is on his way to Earth. (She's also really good at turning invisible and creating force fields.) For inspiration, Kirby looked to Jane Fonda, 'because I had to imagine that Sue was someone that had convinced the world to give up their armies,' the actress says. 'And I just thought, who could possibly do that in the entire world? No politician we know. So she has to be something extra.' When Fonda is seen speaking with TV interviewers in her activist days, 'she's not combative. She's not rude to the person. She's very convincing and she's very calm and she's very feminine. She's so persuasive,' says Kirby, a best actress Oscar nominee for "Pieces of a Woman." So for Sue, 'the only thing that made sense was an emotional intelligence that meant that she just sees people and connects with them.' Sue's brother, Johnny Storm (Quinn), who flames on as the Human Torch, 'is incredibly famous because he's the hot rod of the group and the closest as you would get to a kind of teen idol of the time,' Shakman says. Quinn, who has had his own brush with cult fandom as Eddie Munson on Netflix's "Stranger Things," acknowledges that Johnny's relationship with celebrity is complicated. 'At times he feels quite bolstered and maybe it makes him feel kind of important." And Ben Grimm (Moss-Bachrach), aka the large rocky dude called the Thing, 'has a different kind of celebrity,' Shakman says. He loves going back to his Yancy Street neighborhood, which hasn't changed as much as the rest of New York has. 'Everybody knows him and he knows everybody. It's a little bit like 'Cheers,' and it's this wonderful collision of so many different cultures down there on the Lower East Side.' The Thing marks Moss-Bachrach's big movie breakthrough after his Emmy-nominated turn on "The Bear." And while thespians who play, say, Superman or Captain America might be forever tied to those roles, there's a certain amount of anonymity in playing a bighearted orange rock monster. "That's so cool," Moss-Bachrach says. "With acting, you want be able to have many varied experiences as you can." Then there's the fifth member of this crew who comes along, Reed and Sue's newborn son, Franklin, who puts all the celebrity and superhero stuff into perspective. 'What they are as public figures is so secondary to the kind of intimacies of their domestic life and the way that those intimacies inform how to face world-ending crisis,' Pascal says. 'How what we feel for each other emotionally is exactly the way to put the equation together on how to fight and how to save humanity. And so I forget that they're famous.' Pascal loves the movie's compassion and heart. And Quinn says that 'it's nice to feel good about the future in these times. We live in a complicated world, and it's always been a complicated world, but the negativity is a little deafening sometimes. The prevailing message was that of unity, that we're stronger together. 'These four people are very much the strength-in-numbers thing. They all bring something different to the table. The themes of love (and) sacrifice, that's heroic, and then new life as well.'
Black America Web
an hour ago
- Black America Web
Ryan Coogler's New Series Exposes the Real Story of Katrina & America
Source: Walt Disney Company / Walt Disney Company Two decades after Hurricane Katrina drowned New Orleans and exposed deep cracks in America's disaster response and racial divide, Black Panther director Ryan Coogler is helping to tell the story like it's never been told before. The Oscar-nominated filmmaker has teamed up with Oscar-winning producers Simon and Jonathan Chinn ( Searching for Sugar Man ) and director Traci A. Curry ( Attica ) for Hurricane Katrina: Race Against Time , a five-part National Geographic docuseries that brings viewers inside the storm—and the systemic failure that followed. 'This series goes beyond the headlines,' Coogler said. 'It reveals stories of survival, heroism, and resilience. It's a vital historical record and a call to witness, remember, and reckon with the truth of Hurricane Katrina's legacy.' Premiering July 27, the series opens in the sweltering summer of 2005 as Katrina barrels toward New Orleans. Episode one, The Coming Storm , sets the stage for what would become one of the most devastating natural disasters in U.S. history. But as the series makes clear, the tragedy wasn't just the hurricane—it was the government's failure to respond. Episode two, Worst Case Scenario , captures the terrifying moment the levees broke and the city began to flood 'like a bathtub.' With emergency services overwhelmed, everyday people risked their lives to save neighbors and strangers alike. Coogler, known for using his lens to amplify Black voices and lived experiences, said it was important that the story be told through the people who were there—not pundits or politicians. 'What happened in New Orleans wasn't just a natural disaster,' Coogler explained. 'It was the result of long-standing neglect, inequality, and abandonment. The people of New Orleans were left to fend for themselves.' As the episodes unfold— A Desperate Place , Shoot to Kill , and Wake Up Call —the series chronicles what happened in the days and weeks after the floodwaters rose. It is an unflinching narrative of survival and strength. Viewers are taken inside the Superdome, where thousands sought shelter in dire conditions. It shines a light on the chaos and confusion at the Convention Center, the militarized response, and the media-fueled narrative of looting that often overshadowed real stories of courage. Through it all, Race Against Time keeps its focus tight: the people who lived through Katrina. Their testimonies are raw, emotional, and unforgettable. Director Traci A. Curry brings a cinematic edge to the storytelling, with rare archival footage, urgent pacing, and cliffhanger endings that make each episode feel like a chapter in a larger American epic. Known for centering truth, dignity, and emotion in his work, Coogler said he approached the series the same way he approached Fruitvale Station or Judas and the Black Messiah —with deep respect for the lives behind the headlines. 'This is a story about community, about loss, but also about resilience,' Coogler said. 'The people of New Orleans didn't just survive—they resisted, they rebuilt, and they kept their culture alive.' The series also tackles the aftermath of the storm—how families were scattered across the country, how the city changed forever, and how, even now, the scars remain. While Race Against Time arrives 20 years after the storm, its urgency is very much present-day. It speaks to what happens when disaster meets inequality, when bureaucracy fails, and when Black lives are treated as expendable. 'This series is not just about what happened,' Coogler noted. 'It's about what we allowed to happen—and what we need to learn from it.' Hurricane Katrina: Race Against Time premieres July 27 at 8/7c on National Geographic. All five episodes will stream July 28 on Disney+ and Hulu. Source: Jazmyn Summers / Jazmyn Summers Article by Jazmyn Summers. You can hear Jazmyn every morning on 'Jazmyn in the Morning 'on Sirius XM Channel 362 Grown Folk Jamz . Subscribe to J azmyn Summers' YouTube . Follow her on Facebook and Instagram. SEE ALSO
Yahoo
2 hours ago
- Yahoo
This British Comedian Auditioned For A Role In Barbie – But Lost Out To Will Ferrell
Barbie was one of the most star-studded movies of the last decade, so it's no secret that competition was stiff to land a coveted role in such a stellar ensemble. Margot Robbie and Ryan Gosling starred in Greta Gerwig's Oscar-nominated movie about the iconic doll, completed by a cast that included Issa Rae, Kate McKinnon, Nicola Coughlan, Simu Liu, Ncuti Gatwa and many more. There was also a memorable supporting role from Will Ferrell, who played the rollerskating Mattel CEO. But before the gig went to the Anchorman actor, there was a British comedian up for the same role: James Acaster. The standup comic has been venturing into acting in recent years, having landed roles in Ghostbusters: Frozen Empire and last year's comedy-adventure film Seize Them! with The White Lotus star Aimee Lou Wood. View this post on Instagram A post shared by The Comedian's Comedian Podcast with Stuart Goldsmith (@comcompod) As revealed in a recently unearthed interview, the Off Menu podcast host also went for a role in the 2023 record-breaking blockbuster. Speaking on The Comedian's Comedian Podcast with Stuart Goldsmith last year, James opened up about his acting career when he was asked about projects he had unsuccessfully auditioned for. 'The Barbie movie. The part went to Will Ferrell,' James recalled, before adding: 'Come on, why are they even getting me in the room?' He also clarified that he 'liked the audition though', adding 'that's fun, it's learning'. Earlier this year, director Greta set the record straight following reports of a Barbie sequel. A spokesperson for the director insisted that there was 'no legitimacy' to the story that a follow-up was in the earlier stages, while Warner Bros. also called the reports 'inaccurate'. Meanwhile, Margot Robbie's film company is set to follow the success of Barbie by producing a new movie based on the Monopoly board game. Related... Type 1 Diabetes Barbie Has Taken The Internet By Storm – Here's Where To Buy Yours Barbie Director Greta Gerwig Sets The Record Straight After Fresh Sequel Reports From Minecraft To Barbie And Minions – Like It Or Not, Gen Alpha's TikTok Trends Are Shaping Cinema
