
The Red Wall at 78 Grosvenor: A teaser campaign with a bite for Bryanston
Turns out, the real masterminds were property developers Craft Homes, using guerrilla-style marketing to build intrigue around its next big launch, Bryanston Country Estate.
Now that the cat is finally out of the bag, we can see the strategy behind the spectacle. Bryanston Country Estate is set to be one of Johannesburg's most exciting new residential offerings - a curated collection of 1- and 2-bedroom apartments, and 3- and 4-bedroom duplexes, nestled in one of the city's most desirable suburbs.
The development is being branded as a luxury lifestyle. I've always found Bryanston to be such a large, leafy and established suburb, so a development of this kind talks to the terrain. A modern country aesthetic inspires the architecture, characterised by classic pitched roofs, soft whites, timber textures, and earthy tones, all brought together with crisp lines, large windows, and a warm, grounded feel. It's Bryanston charm, reimagined.
The interiors will lean into comfort and natural finishes: warm wood, matte metals, cosy textures, and clever layouts designed to let light in. As a lover of light, I am obsessed with the emphasis on large windows and natural light.
From young professionals to established families, the development is built for how Joburgers actually live with space, flow, and soul.
Whether you've lived in Bryanston your whole life or you're dreaming of your first move there, this development strikes a beautiful balance between heritage and forward-thinking design.
Craft Homes isn't new to this. They've been around the block (and the construction site) for more than 30 years. As part of the Abcon Group, they bring a solid mix of expertise and attention to detail.
They've made waves recently with a string of high-impact projects, each one designed with metered backup water and electricity, and a specific lifestyle in mind:
The Hive Oxford in Rosebank: A silver winner at the Reside Awards, it's a sleek, investor-friendly development tailored for corporate tenants. Bright, stylish, and ideally located for the work-life crowd.
Riverstone Wetland Estate in Fourways: Surrounded by wetlands, with solar and water backup systems, pet-friendly ground floors, and fibre-ready homes. Green, grounded and designed for off-grid-conscious living.
Iconic in Melrose: Launching soon with studio to 3-bedroom options, this one is aimed at urban living with all the sleek and central trimmings.
Craft Homes has built a reputation for more than just delivering buildings - they're about lifestyle design. Each development feels like it has its own identity. It's not just about ticking boxes; it's about crafting spaces that people actually want to live in.
As someone who has been marketing real estate for close to 15 years, the Red Wall campaign was such a refreshing surprise in our traditional industry. Something we are not used to in the way property is marketed in South Africa.
What made the red wall work was its playfulness. It sparked curiosity without giving everything away. They also adapted the campaign and held their own to humour global brands like Tabasco and Spar – this gave the wall life. It got the public involved, from playlist scavenger hunts to blood donation selfies.
The success of the campaign wasn't just about visibility - it was about talkability. Creating content that is shareable and inspires conversation. It got people to ask, 'What is this?' 'Who did this?' 'When can I buy in?'
The Red Wall in Bryanston may have started as a mystery, but it's ending as a masterclass in modern real estate storytelling. If this is the future of property marketing in South Africa, I am here for it. Keep your eyes on the wall and your ears on the playlist for her next chapter of development – the real heat has only just begun.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Economic Times
a few seconds ago
- Economic Times
The RSI myth: Does this popular trading indicator actually work?
A 25-year backtest of RSI strategies across Indian indices reveals that long-only approaches yield promising results, particularly the RSI 30-70 reversal method for patient investors. Active traders may find faster RSI strategies beneficial for capital rotation. While not a magic formula, RSI proves useful when integrated into a broader, well-defined trading strategy. Tired of too many ads? Remove Ads Understanding RSI: What makes it so popular? A high RSI indicates strong recent gains, possibly signaling overbought conditions. indicates strong recent gains, possibly signaling overbought conditions. A low RSI suggests recent price declines, potentially highlighting oversold levels. RSI 30-70 reversal strategy: Buying when RSI recovers from oversold territory (crosses above 30) and selling when it dips from overbought levels (falls below 70). Buying when RSI recovers from oversold territory (crosses above 30) and selling when it dips from overbought levels (falls below 70). RSI 50 cross strategy: Buying when RSI rises above 50 (signaling upward momentum) and selling when it drops below 50. Buying when RSI rises above 50 (signaling upward momentum) and selling when it drops below 50. RSI EMA crossover strategy: Comparing RSI with its Exponential Moving Average (EMA) to identify smoother momentum shifts. Tired of too many ads? Remove Ads Putting RSI to the Test: What 25 years of data revealed Long-only RSI strategies worked. Short-selling and combined long-short strategies failed to generate consistent returns. The RSI 30-70 reversal method delivered the highest average returns per trade — but signaled very few trades. Ideal for long-term, patient investors. RSI EMA Cross and RSI 50 Cross strategies generated faster, more frequent trades with smaller gains per trade — better suited for active traders focused on capital rotation. Tweaking RSI settings significantly improved performance. Longer periods (like 21-day RSI) boosted returns in reversal strategies, while shorter periods (7-day RSI) worked better for faster strategies. Key Takeaway: RSI is useful, but not foolproof (Disclaimer: The opinions expressed in this column are that of the writer. The facts and opinions expressed here do not reflect the views of .) For most investors and traders, technical analysis can often feel overwhelming filled with complicated charts, patterns, and unfamiliar terms. However, one indicator has managed to cut through this complexity with its simplicity and popularity: the Relative Strength Index ( RSI ).RSI is widely used to identify when a stock or index may be 'overbought' or 'oversold', helping traders spot potential turning points in the market. Over the years, it has become a go-to tool for both beginners and experienced market participants is a momentum indicator that measures the speed and strength of recent price movements. Plotted on a scale of 0 to 100, RSI values help traders understand whether a stock or index is potentially overbought (RSI above 70) or oversold (RSI below 30). RSI near 50 is typically considered practical terms:With this logic, many traders use RSI to time their entries and exits. Popular methods include:While these strategies are simple to implement, the real question remains: are they profitable?To separate myth from reality, conducted a 25-year backtest of these strategies across the Nifty 50, Nifty Next 50, Midcap 150, Smallcap 250, and Nifty 500 indices. The goal was clear: evaluate whether RSI-based strategies can generate consistent trading profits in Indian the world of trading, knowing when and how to use an indicator is just as important as knowing what it is. Tools like RSI are not shortcuts to success—they are decision-support mechanisms. When used thoughtfully and as part of a broader, well-defined strategy, they can help traders navigate the markets with greater discipline and structure. But relying on any single indicator in isolation is rarely a recipe for consistent 25-year backtest across India's major indices shows that RSI-based strategies can work, but not all of them perform equally. Long-only strategies delivered promising results for patient, long-term investors, while active traders may benefit from faster-moving RSI strategies focused on capital isn't a magic formula — but it's not irrelevant either.(The author, Nishchal Jain is Quant Researcher at )(Disclaimer: Recommendations, suggestions, views and opinions given by the experts are their own. These do not represent the views of the Economic Times)


Economic Times
a few seconds ago
- Economic Times
Earthquake of magnitude 4.5 strikes Tibet
Synopsis Tibet experienced a 4.5 magnitude earthquake on Sunday, following two other quakes earlier in the week. The shallow depth of these earthquakes raises concerns about potential aftershocks and increased damage. The region's seismic activity is attributed to the collision of tectonic plates. ANI Earthquake of magnitude 4.5 strikes Tibet Tibet: An earthquake of magnitude 4.5 struck Tibet on Sunday, statement by the National Center for Seismology (NCS) per the statement, the earthquake occurred at a shallow depth of 10km, making it susceptible to a post on X, the NCS said, "EQ of M: 4.5, On: 03/08/2025 09:17:04 IST, Lat: 29.76 N, Long: 92.55 E, Depth: 10 Km, Location: Tibet." on July 30, two earthquakes struck Tibet. One being of 4.0, and the other being 4.3 magnitude on the Richter a post on X, the NCS said, "EQ of M: 4.0, On: 30/07/2025 11:31:02 IST, Lat: 28.32 N, Long: 87.65 E, Depth: 10 Km, Location: Tibet." of M: 4.3, On: 30/07/2025 06:58:42 IST, Lat: 28.36 N, Long: 87.68 E, Depth: 10 Km, Location: Tibet." earthquakes are generally more dangerous than deep earthquakes. This is because the seismic waves from shallow earthquakes have a shorter distance to travel to the surface, resulting in stronger ground shaking and potentially more damage to structures and greater Tibetan Plateau is known for its seismic activity due to tectonic plate and Nepal lie on a major geological fault line where the Indian tectonic plate pushes up into the Eurasian plate, and earthquakes are a regular occurrence as a result of it. The region is seismically active due to tectonic uplifts that can grow strong enough to change the heights of the Himalayas' downpour in Tibet early on Wednesday morning triggered flood in rivers flowing in Nepal, prompting authorities to issue warning in three district of Rasuwa, adjoining the Tibetan side which was hit by a flash flood on July 8 had claimed seven lives with over a dozen still missing, after Lhende River swept infrastructure near Nepal-China rainfall in Tibet earlier this morning has triggered flooding in the Trishuli River, raising water levels in areas around Uttar Gaya in Rasuwa and the Trishuli 3B Hub in Kispang. Authorities have issued warnings as water flow continues to rise in the Rasuwagadhi area.


India Today
a few seconds ago
- India Today
Tamannaah denies rape of Avantika in Baahubali: It's finding herself through a man
Actor Tamannaah Bhatia, in an exclusive interview with The Lallantop, opened up about her perspective regarding the controversial scene featuring her and Prabhas in director SS Rajamouli's 'Baahubali: The Beginning'. In the scene, Prabhas' Shivudu starts stripping Tamannaah's Avantika and applying some natural make-up on her to remind her of the femininity that she had forgotten. This particular scene gave way to a discourse about how problematic it is and sparked a debate about a candid conversation addressing an article titled 'The Rape of Avantika', the actor defended the creative vision behind the controversial sequence while addressing broader issues of societal repression. Bhatia began by addressing what she sees as a fundamental issue. "This is my take. Jab log aapko control nahi kar sakte. woh ek technique istemaal karte aur woh hai shame and guilt. Kyunki woh hamesha aapko aisa mehsoos karate hai ki aap jo bhi kare uske baare mein aapko sharmanaak hona chahiye. jab woh aapko mehsoon kara sakte woh aap pe control paa sakte hain. (When people can't control you, they use a technique and that is shame and guilt. Because they always make you feel that whatever you do, you should feel ashamed about it. When they can make you feel that, they can gain control over you.). This is one aspect of the conversation."The actor also highlighted what she views as a deeply rooted hypocrisy in Indian society regarding natural human processes. She pointed out the contradiction in how society treats the very process that brings life into existence, noting that despite its fundamental importance, it remains heavily stigmatised. "In our country, people look down upon the idea of the process by which you and I are here today. If our parents didn't come together, I don't think you'd be here. Neither would I nor would anybody else be. And we look down upon it so much, we are so repressed," Bhatia on this societal contradiction, she said: "Jo itni pure cheez hai, usi ko ham sabse gandi nazar se dekthe hai. Woh nazariya jo hai, wo ham sabko aise mehsoos karate hain that we have we have to be ashamed about that aspect of our lives - to hide and not discuss, or we can't be open about that conversation). The thing that is so pure, we look at it from the dirtiest perspective. That perspective makes us all feel that we have to be ashamed of that aspect of our lives - to hide and not discuss or we can't be open about that conversation)."advertisementThe conversation took a more specific turn when Bhatia addressed criticism of certain film sequences, particularly defending the artistic vision of directors. "Log hamesha aapko mehsoos karane chahte hai ki aapne kuch galat kar diya. But, yeh sabse basic cheez hai life ki. Isiliye aaj hum hai. Ye mujhe aaj tak baath samajh mein nahi aayi ki log kyun - jab aap ek film dekhte hain - wo ek director ka vision hota hai (People always want to make you feel like you've done something wrong. But, this is the most basic thing in life. That's why we are here today)," she said, expressing confusion about why people judge films without understanding the director's intent. Bhatia recalled a conversation with renowned director SS Rajamouli, who explained his vision for the stripping sequence in 'Baahubali 1': "I remember when Rajamouli sir was explaining that entire sequence to me, he was like, 'she is that divine feminine, who is wounded. She is beautiful. She is feminine. She wants to be loved. But, she has gone through so much hardship in her life that she feels like she needs to push everybody away. She can't let anybody inside because they will always take advantage of her. So, she holds boundaries. But, here, there is a young man who is merely trying to woo her to make her see how beautiful she is.'"advertisementDescribing the visual storytelling approach, Bhatia explained: "Agar aapko yeh visually darshana pade, toh there was an entire sequence about, kuch baali shift ho jahte hai, bindi lag jahte hai - jab apne aap ko dekhte apna khud ka chehra dekhti hai - wo dekhti arrey mujhe hameesha se lagtha tha ki mujhe apna aap ko itna strong kar diya tha ki apni jo namrata hai wo kahi na kahi gum ho gayi thi. (If you had to show it visually, then there was an entire sequence about some bangles being worn, bindi appearing on her forehead - when she sees herself, sees her own face - she sees 'oh, I always thought I had to be my warrior.' She had made herself so strong that her essence, her innocence, had gotten lost somewhere. And this is Shiva's character who helps her reconnect with herself)."The actress emphasised how individual perspectives shape the interpretation of artistic content. "Yeh tha nazariya. Ab yeh unka nazariya hai. yeh har cheez ko vaise hi dekhthe hai. Kyunki everyone perceives. Aapna kuch bhi dikha liya vo sabse purest cheez dikha lijiye. Agar kiso lagta hai sex is a bad thing or your body is a bad thing, usko vohi dikhayi dega kyunki woh uska nazariya hai, uski soch hai. Ek filmmaker aapko kuch bahut hi beautiful dikhana chahta hai lekin aapko kuch aur dikhta hai. (This is how everyone sees everything. Because everyone perceives. Whatever you show them, even if you show the purest thing. If someone thinks sex is a bad thing and your body is a bad thing, that's what they'll see. Because that's their perspective. A filmmaker wants to show you something very beautiful, but you see something else. That's their thinking)," she conclusion, Bhatia firmly rejected negative interpretations of the artistic work, stating: "I don't think I take the burden of that and, as creative people, I don't think it was the rape of Avantika. It was Avantika finding herself through a young man who was wooing her."The actress's comments reflect ongoing debates in Indian cinema about artistic freedom, societal norms, and the interpretation of intimate or romantic scenes in films. Her stance emphasises the importance of understanding creative vision rather than imposing predetermined judgments on artistic expression.- EndsMust Watch