logo
John Cleese to feature in new documentary film about his life on tour

John Cleese to feature in new documentary film about his life on tour

BreakingNews.ie12 hours ago
Actor John Cleese will feature in a new documentary film that will show a 'different side' to the comedian as he embarks on his European tour.
The 85-year old, best known for Monty Python and Fawlty Towers, will take audiences behind the scenes of his life on the road in John Cleese Packs It In.
Advertisement
Performing 23 shows in 16 cities across six weeks, the feature film will capture the star in what may be his final European tour.
John Cleese (Ian West/PA)
Cleese said: 'For the first time, audiences will see a different side to me – not just the dashing, devil-may-care, devastatingly handsome bon viveur, but also the decrepit, addled, nasty old geriatric that my PR team work day and night to hide from the public.
'You will see with your own eyes what it's really like for a moribund 85-year-old to struggle through a 23-city European tour, desperately trying to squeeze a few laughs from audiences who are clearly disappointed that they've wasted their hard-earned cash on over-priced tickets.
'This hatchet job is not just shocking, it's also hilarious, as audiences everywhere laugh, not with me, but at me.'
Advertisement
The 90-minute feature documentary will take audiences on the road with Cleese as he reflects on his career, fame, and growing older in the public eye.
Cleese's six-decade-long career kick started after co-founding the comedy troupe Monty Python which included Sir Michael Palin, Terry Gilliam, Eric Idle, Terry Jones and the late Graham Chapman.
Michael Palin, Eric Idle, Terry Jones, Terry Gilliam and John Cleese (Ian West/PA)
The group became known for their sketch comedy series, Monty Python's Flying Circus before moving into film with the release of Monty Python And The Holy Grail, Life Of Brian and The Meaning Of Life.
Cleese also co-wrote the BBC Two sitcom Fawlty Towers, which ran for two series in 1975 and 1979 and followed the unfortunate exploits of highly-strung Torquay hotelier Basil Fawlty (Cleese) and his wife Sybil, played by Prunella Scales, as they tried to keep their hotel and marriage afloat.
Advertisement
In 2019, the show was named the greatest British sitcom of all time by a panel of television experts for the Radio Times magazine.
Five decades after the first episode was filmed, the series debuted on London's West End after Cleese adapted two episodes for the stage.
Cleese received the Light Entertainment Performance Bafta award in 1980 for Fawlty Towers and later won the leading actor award in 1989 for his role as Archie Leach in A Fish Called Wanda.
John Cleese Packs It In will be in cinemas from November 13th.
Advertisement
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Life Cycle of a Moth by Rowe Irvin review – captivating story of maternal love and male violence
Life Cycle of a Moth by Rowe Irvin review – captivating story of maternal love and male violence

The Guardian

time37 minutes ago

  • The Guardian

Life Cycle of a Moth by Rowe Irvin review – captivating story of maternal love and male violence

In the woodland, beyond the fence, inside the old forester's hut, Maya and Daughter live in a world of rituals. The fence is secured with 'Keep-Safes' – fingernails, Daughter's first teeth, the umbilical cord that once joined them – to protect them from intruders. While their days are filled with chores, setting traps for rabbits and gathering firewood, every night they play a game they call 'This-and-That', in which they take it in turns to choose an activity – hair-brushing, dancing, copying – before saying their 'sorrys and thank yous' in the bed they share. From the beginning of British author Rowe Irvin's captivating debut novel, it is clear that Maya has created this life for herself and her daughter – who calls her mother 'Myma' – as a refuge from the brutality of the world beyond the fence's perimeter. Irvin's tale switches between two narrative strands: present-day chapters narrated by Daughter, a naive, spirited girl who is as much woodland creature as she is person; and more distant sections detailing Maya's rural upbringing with an alcoholic father and withdrawn mother, and the acts of male violence that led her to flee. Maya has taught Daughter only the words she needs for their existence, so although Daughter is 15, her language is childlike: 'Sweat dries in the furry unders of my arms.' Later, Daughter is out in the woods: 'Touch finger and thumb together now to make a circle for peering through. Move slow, pointing my seeing-hole at ground and tree and sky.' It's a feat that Irvin maintains this playful, almost incantatory voice in all Daughter's sections across these 300 pages. Maya tells Daughter that their rituals protect them against 'Rotters', people living beyond the fence, who are 'empty on the inside … hollow'. If a Rotter were to intrude on their sanctuary, they would be eaten away like 'gone-bad apples'. 'Shudder with the thought of it,' Daughter thinks. But as the novel progresses, the manner in which Maya controls Daughter's understanding of the world grows more frightening. When Daughter finds a glove in the woods – she thinks it is a 'blue hand blanket', and laughs at 'the way the long fingers flap empty at the ends' – she takes it to show her mother, thinking it will make her laugh too. It doesn't. 'It came from a Rotter,' Maya says. 'One must have got in during the dark and left it as a trick … You shouldn't have touched it.' Later, she is warned against being too inquisitive when she meets Maya in the ash copse, a rope around her neck and a stump beneath her feet. Maya tells her: 'If I step off my neck will snap and I'll be dead … The questions you ask, she says then, they can do damage, Daughter'. Daughter only has more questions when she finds the Rotter who dropped the glove. The intruder, a man named Wyn, is the first human she has ever seen apart from Maya. Her mother rages against Wyn, until a strange force stops her killing him. Once Maya convinces Daughter she has 'cut the Rot' from him, he is invited inside their dwelling, first roped-up and kept on the floor, and then given a seat at the table. More and more, Daughter questions Maya's logic. How did Wyn get over the fence, with all their Keep-Safes? And why is it suddenly OK for them to be around a Rotter? Wyn's outside perspective further reveals the extent to which the belief system they live by is simply Maya's coping mechanism for personal trauma. We know she has created this world out of a desire to protect herself and her kin. But with her love, she has also been deceptive, sometimes cruel. In impish yet tender style, Irvin thoughtfully explores what it means for a mother to care for a daughter in a world where male violence is everywhere. Life Cycle of a Moth is the very best kind of fiction: with the book open, you feel utterly transported; once you close it, you see how cunningly it holds a mirror up to reality. I can't wait to read whatever Irvin writes next. Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion Life Cycle of a Moth by Rowe Irvin is published by Canongate (£16.99). To support the Guardian buy a copy at Delivery charges may apply.

Aaron Taylor-Johnson cuts a low-key figure as he attends premiere of Prehistoric Planet: Discovering Dinosaurs after being tipped as new favourite to play James Bond
Aaron Taylor-Johnson cuts a low-key figure as he attends premiere of Prehistoric Planet: Discovering Dinosaurs after being tipped as new favourite to play James Bond

Daily Mail​

timean hour ago

  • Daily Mail​

Aaron Taylor-Johnson cuts a low-key figure as he attends premiere of Prehistoric Planet: Discovering Dinosaurs after being tipped as new favourite to play James Bond

He may have emerged as the new favourite to play James Bond, but Aaron Taylor-Johnson looked worlds away from 007 as he stepped out on Tuesday. The actor, 35, cut a low-key figure as he attended the premiere of Lightroom at King's Cross' brand-new immersive show, Prehistoric Planet: Discovering Dinosaurs, in collaboration with Apple TV+. Sporting a thick brown beard, Aaron look was a far cry from the clean-shaven look that Bond has become known for, amid frenzied speculation over who will take over the coveted role. The star was joined by other big names including Billie Piper, Damian Lewis and Kate Garraway at the premiere of Lightroom's new family-friendly experience. Guests were taken on a breathtaking journey 66 million years into the past, with life-size dinosaurs brought to life through Lightroom's cutting-edge projection technology, never-before-seen illustrations and an epic score by Hans Zimmer. Damian Lewis, Narrator of Prehistoric Planet: Discovering Dinosaurs, said: 'Dinosaurs are one of those topics that holds timeless appeal for all sorts of audiences — there is such an incredible depth to this project both educationally and as a spectacular story to tell of the greatest creatures ever to walk on our planet. 'I'm so excited to play a part in telling that story and inviting audiences into Prehistoric Planet like never before. 'And doing it at Lightroom, with its amazing immersive space and unparalleled capabilities to transport people back in time and into jungles, deserts, canyons or oceans, is such a brilliant opportunity. 'Where else are you going to get to sidle up next to a life-size, living T-Rex in its natural habitat?' Aaron is odds on favourite to play the next James Bond, with Dunkirk actor Jack Lowden, also 35, and Netflix star Theo James, 40, following close behind. Bookmaker Coral have reported seeing a strong wave of support behind Aaron with the British actor as the 9-4 favourite for the role. Meanwhile Theo is second best in the betting at 4-1, while Jack is backed at 5-1. Elsewhere the betting site have Superman star Henry Cavill, 42, with odds of 10-1. Coral's John Hill said: 'We've seen another strong wave of support behind Aaron Taylor-Johnson in our next James Bond betting. Although other names have been linked with the role in recent weeks. 'The British actor remains the man punters are backing to replace Daniel Craig'. However, it is believe to not be possible for Spiderman star Tom to bag the role of 007 as he begins filming Spider Man 4 - which has the reported working name Spider-Man: Brand New Day - in the coming months. The studio announced on Wednesday that Denis Villeneuve - best known for directing Warner Bros.' two-part Dune adaptation - has signed on to direct the untitled film Bond film, via Amazon press release. The French-Canadian filmmaker, 57, will also serve as executive producer of the project alongside Tanya Lapointe. Amazon had previously announced Amy Pascal and David Heyman as the film's producers, after the studio parted ways with longtime 007 caretakers Barbara Broccoli and Michael G. Wilson. The news comes just over three years after Amazon completed its massive $8.5billion acquisition of MGM Studios that included the James Bond franchise. There hasn't been a Bond film since 2021's No Time to Die, the final instalment with Daniel Craig as the beloved secret agent. The director said in a statement, 'Some of my earliest movie-going memories are connected to 007. I grew up watching James Bond films with my father, ever since Dr. No with Sean Connery.' He added, 'I'm a die-hard Bond fan. To me, he's sacred territory. I intend to honor the tradition and open the path for many new missions to come.' The filmmaker admitted: 'This is a massive responsibility, but also, incredibly exciting for me and a huge honor.' He also went on to thank Bond producers Amy and David, adding they, 'are absolutely thrilled to bring him back to the screen. Thank you to Amazon MGM Studios for their trust'. Amy and David added, 'Denis Villeneuve has been in love with James Bond movies since he was a little boy. 'It was always his dream to make this movie, and now it's ours, too. We are lucky to be in the hands of this extraordinary filmmaker.' After Amazon acquired MGM in 2022, they obtained full creative control of the 007 franchise with a deal they struck with Barbara and Michael, the offspring of original James Bond producer, Albert R. Broccoli. Barbara and Michael had been overseeing the franchise since 1995, when their father ceded control of his Eon Productions company to them. Amazon reached an agreement with Barbara and Michael in March 2025, and while financial terms were not disclosed, it was rumored to be upwards of $1 billion. Villeneuve made his directorial debut in 1998 with August 32nd on Earth, which Amazon bosses are currently said to be considering locations in which to set the much-anticipated new film, which experts predicted is likely to be released at the end of next year or in 2027. Due to a filming ban being imposed in Central London next year, new locations are reportedly being considered - with Liverpool a frontrunner, according to The Sun. An insider told the publication: 'This will no doubt irk Bond purists who already fear Amazon taking over the 007 franchise may lead to them making big changes. 'But Liverpool is a well-known alternative to London for film-makers. 'It has appeared in everything from The Batman to Captain America and Harry Potter movies, doubling up as international cities.' The source added that it doesn't necessarily mean the story will be set in Liverpool - though eagle-eyed Merseysiders will no doubt spot their city centre in the background.

QUENTIN LETTS: From the workshy to immigration, what Norman Tebbit dared to say 40 years ago is more pertinent today than it ever was
QUENTIN LETTS: From the workshy to immigration, what Norman Tebbit dared to say 40 years ago is more pertinent today than it ever was

Daily Mail​

time2 hours ago

  • Daily Mail​

QUENTIN LETTS: From the workshy to immigration, what Norman Tebbit dared to say 40 years ago is more pertinent today than it ever was

Perhaps the most surprising thing about Norman Tebbit, who has died aged 94, was that in younger days he was a commercial airline pilot. One expects pilots to be suave personalities, murmuring honeyed reassurance via the intercom and banking the aeroplane into a seamless descent before it touches down with a sough of squishy tyres.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store