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Ranking the 7 Jurassic Park and Jurassic World films with Rebirth hitting theaters

Ranking the 7 Jurassic Park and Jurassic World films with Rebirth hitting theaters

USA Today14 hours ago
As hard as it is to believe, we're already at film number seven in the Jurassic franchise as Jurassic World Rebirth roars into theaters across the country.
Life has certainly found a way for the Jurassic films since Steven Spielberg's 1993 masterpiece, built on the continued audience interest (and lucrative box office return) in watching dinosaurs go rogue.
Of course, no Jurassic film will ever touch the original, but we can still rank the six sequels against each other as we take in the latest the series has to offer. Let's do just that. Hold on to your butts.
7. Jurassic World Dominion
Jurassic World Dominion has its moments, but the entire legacy sequel juice got squeezed out of the franchise with this bloated installment that tries to close out the Chris Pratt/Bryce Dallas Howard trilogy and bring back Sam Neill, Jeff Goldblum and Laura Dern back to the franchise all at once for the first time since the first film. Some of the dinosaur action is fun, but the film has a messy overload streak that's hard to deny.
6. Jurassic Park III
Joe Johnston is an underrated assignment director, probably one of the best journeymen of his generation, but his Jurassic film felt more diverting than meaningfully digestible. The third act ramps up the tension and craft with a terrific scene in a foggy jurassic aviary, but the film jogs through the motions until it really starts running. It's admirably lean for where the series ultimately wound up, but it's evident there was only so much on the bone to chew on for the filmmakers and cast. Coming off two Spielbergs, it's a meaningful drop.
5. Jurassic World: Fallen Kingdom
J.A. Bayona understood honest-to-goodness terror as well as any filmmaker who has worked on one of these films not named Spielberg. While Fallen Kingdom opens the Pandora's box on the franchise gobbledygook that ultimately held Dominion back, some of the best non-Jurassic Park thrills await within. The erupting volcanic island and the dinosaur mansion hunt felt like two of the freshest concepts post-Spielberg, giving Jurassic World the same kind of darker sequel the original film got. It has its faults, but the best of it earns its stripes.
4. Jurassic World Rebirth
After Jurassic World: Dominion maxed out whatever legacy sequel juice was left in Spielberg's original masterwork, Jurassic World Rebirth plays like a refreshing purification exercise. Shedding most all of the world-building established in the previous Jurassic World films, Rebirth feels like a genuine rebirth. The trouble with a Jurassic sequel is that you're constantly giving viewers variations of the same ride they took in 1993 or at any time since then.
Read our review.
3. Jurassic World
One of the biggest critiques of Jurassic World was a question of how would the people in this make the same grand mistake of the first film? Well, look around! History is filled with repeated mistakes, and Jurassic World is the best Jurassic film we've gotten in this century because of how intriguing it is to finally see the park in motion, to see just enough guardrails lasting so long to give this new meltdown a larger audience. Sure, you can knock the raptor taming all you want, but this is easily the best Jurassic film not to be made by Spielberg.
2. The Lost World: Jurassic Park
Spielberg seemed to know with his Jurassic Park sequel that he just couldn't recapture the awe and horror of his original masterwork. The ideas aren't as strong here, but Spielberg in his nasty sequel territory is always a fun time. He subverts your expectations with a gnarlier beast more likely to pounce at any given moment. This is easily the scariest Jurassic film, the one where your main characters feel the most in danger. Sure, this isn't one of Spielberg's best films by any means, but it's certainly the closest to gnawing at the heels of the original.
1. Jurassic Park
Spielberg changed the game twice on the summer blockbuster, first with Jaws and second with Jurassic Park. The maestro's second masterpiece of a monster movie dealt with the wonder of nature and the devastations of creation under a false sense of control. The film masterfully balances its white-knuckle dinosaur escapes with heady rumination the consequences of playing God. A modern-day Frankenstein with sharper teeth, there is a reason we keep coming back to Jurassic Park all these years later and why it towers over so many of the major blockbusters that stomped in after it. Spielberg again redefined what it meant to go to the movies in the summer, and we're still seeking our mainstream movies to reach the high bar set by the T-Rex and the raptors.
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Eager to get those samples back, Hammond dispatches mercenary Nick Harris on a search-and-recovery mission with the intention of creating a new strain of dinosaurs that can't reproduce, but can serve as a check on the marauding giant lizards that have already escaped their confines. Harris locates Nedry's missing shaving cream, but also discovers that he's not alone on Isla Nublar. The island is now in the control of the Grendel Corporation, which has its own designs on that DNA. The mercenary is eventually captured and flown to a remote castle in Switzerland where he learns Grendel's endgame — creating a squad of lethal soldiers that are made up of dog, dinosaur, and human genetic material. Faster than you can say "lizard people," though, that army turns on their creators as Nick aids them in bringing the Grendel Corporation down. In the closing moments, Harris announces that he returning the missing embryos to Hammond as a loose dino chomps down on the last remaining bad guy. 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It's been three years since Jurassic World: Dominion, the successful-but-well-liked trilogy capper, and in the timeline of movie studios, that's practically an eon. So the dinosaurs are once again walking the earth, this time with stars Scarlett Johansson, Mahershala Ali, and Jonathan Bailey. The seventh installment in the Jurassic series finds director Gareth Edwards and original Park adapter David Koepp attempting a more back-to-basics approach — to mixed results, according to critics, who have just begun to weigh in. More from Gold Derby The most likely Oscars nominations from the first half of 2025 2025's 10 best TV shows so far: 'Adolescence,' 'Cobra Kai,' and 'Severance' among our editors' top picks "Jurassic World: Rebirth serves as a reset of sorts, bringing back not a single one of its former cast members, but instead allowing screenwriter David Koepp to restore what worked so well about the original film," write Variety's Peter Debruge. But to what extent those efforts were successful is where the reviews are divided. Some, like The Hollywood Reporter's David Rooney, can appreciate a strong cast, even if they're working with some recycled (but still effective) thrills. "Returning screenwriter David Koepp cowrote the 1993 Spielberg original with sci-fi author Michael Crichton, on whose books the movies were based, as well as the 1997 sequel, The Lost World: Jurassic Park," Rooney writes. "While Koepp did not write Jurassic Park III, he had a hand in shaping the plotline. It's predominantly the first and third installments that yield the abundant déjà vu moments in Rebirth.... But whatever the new movie lacks in originality, it makes up for in propulsive narrative drive, big scares and appealing new characters played by a terrific cast — even if they are mostly cut from an existing mold." Others, like IndieWire's David Ehrlich, found the pulled-back scale of the story as somewhat vacuous, possibly the result of an over-involved studio. "Rebirth certainly isn't any better than the previous five sequels that have already hatched from the original (though I'm relieved to report that it's less bloated and self-impressed than the last three), but the sheer nothingness of its spectacle — combined with a complete non-story that feels like it was 65 million studio notes in the making — allows it to become a singularly perfect legacy for Steven Spielberg's classic about how people lack the power to control their own creations," he writes. What sort of "nothingness," you ask? It's a thread that Vanity Fair's Richard Lawson picks up in his review, which found Rebirth's attempts at both horror and wonder to be lacking. "That mellow tone becomes ever more of a problem as the film unfolds," he write. "Nothing is terribly urgent. The new genetically modified creatures are dull, needless modifications, including one that looks exactly like the Rancor from Return of the Jedi. There's some grief stuff thrown into the mix, because that is just part of the screenwriting equation these days, but otherwise this is a decidedly unserious movie. Edwards, a master at visuals but perhaps less keen as a storyteller, manages some grand imagery. Nighttime scenes are lit with beautiful washes of color; our intrepid heroes are surrounded by lush, primordial flora. But there is no real sense of consequence, not even when Edwards crassly trots out composer John Williams's gorgeous main JP theme from 1993 — hoping and failing to summon the ghost of an old wonder." The film currently has a middling score of 56 percent on review-aggegation sites Rotten Tomatoes and Metacritic. While the critics may be divided on things like character and story, there's one thing that most people in general can agree on: Jonathan Bailey. "Bailey has the purest, most moving moment in the film," writes Entertainment Weekly's Maureen Lee Lenker. "His electric joy and overwhelming awe at getting to actually touch a dinosaur after studying them for years are so earnest and charming that they have the power to make the entire audience feel like a child again. The scene and Bailey's abundant rapture serve as a poignant reminder of the movie-making magic that made Jurassic Park a hit in the first place." Jurassic Park: Rebirth opens in theaters on July 2. Best of Gold Derby Everything to know about 'The Batman 2': Returning cast, script finalized Tom Cruise movies: 17 greatest films ranked worst to best 'It was wonderful to be on that ride': Christian Slater talks his beloved roles, from cult classics ('Heathers,' 'True Romance') to TV hits ('Mr. Robot,' 'Dexter: Original Sin') Click here to read the full article.

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