logo
Anita Dobson wins big for her surprise EastEnders return while Emmerdale's Amelia Flanagan is overcome with emotion as she accepts Best Young Performer gong at British Soap Awards

Anita Dobson wins big for her surprise EastEnders return while Emmerdale's Amelia Flanagan is overcome with emotion as she accepts Best Young Performer gong at British Soap Awards

Daily Mail​03-06-2025
Anita Dobson looked jubilant as she won Scene of the Year for her surprise EastEnders return, while Amelia Flanagan held back tears as she accepted her gong at the British Soap Awards on Saturday night.
Stars of the country's favourite soaps descended on London's Hackney Empire for the annual bash which was hosted by Jane McDonald.
And among the biggest moments of the night was Anita, 76, scooping an award for her reprisal of the iconic Angie Watts for EastEnders' special anniversary episode in February.
The actress returned as the Queen Vic's first landlady for the first time in 37 years for a heartbreaking cameo with daughter Sharon - played by Letitia Dean.
Her shock return left viewers stunned and in tears, with fans branding it the 'TV moment of the year', so her win came as no surprise.
From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new Showbiz newsletter to stay in the loop.
Anita Dobson looked jubilant as she won Scene of the Year for her surprise EastEnders return (left), while Amelia Flanagan held back tears as she accepted her gong (right) at the British Soap Awards on Saturday night
Anita won the prize over stiff competition from Mason's death in Coronation Street, Amy's deathly plunge in Emmerdale and Hollyoaks' Mercedes confronting of her mortality.
Meanwhile, Amelia was overcome with emotion as she was announced as the winner of Best Young Performer for playing April Windsor in Emmerdale.
The 16-year-old - who previously won the prize for Best Young Performance for the role in 2015 - couldn't hid her shock as she took to the stage to accept the trophy.
The actress beat out Corrie's Will Flanagan, EastEnders star Sonny Kendall and Hollyoaks' Noah Holdsworth for the win.
Another standout moment of the ceremony was Sir David Jason taking to the stage to present the coveted Best Soap award.
The Only Fools and Horses star, 85, cut a dapper figure in a classic black suit and bow tie as he announced EastEnders as the winner.
It capped off a good night for the residents of Walford, with the BBC soap coming out the victor of this year's awards with a whopping eight wins.
Following in their wake was Hollyoaks with three gongs, Emmerdale two and Coronation Street only receiving one win on the night.
Meanwhile, Amelia was overcome with emotion as she was announced as the winner of Best Young Performer for playing April Windsor in Emmerdale
The 16-year-old - who previously won the prize for Best Young Performance for the role in 2015 - couldn't hid her shock as she took to the stage to accept the trophy.
As well as their wins for Anita and Best Soap, EastEnders also nabbed the Best Episode award for Phil's Psychosis: The Mitchells In 1985.
Steve McFadden, who plays fan favourite Phil Mitchell, won the Best Dramatic Performance award while Patsy Palmer won Best Comedic Performance for her role as Bianca Jackson.
The popular progamme also scored Best Villain for Navin Chowdhry for his role as Nish Panesar, while Lacey Turner, who plays Stacey Slater, won the Best Leading Performer Award.
Rudolph Walker & Angela Wynter (Patrick & Yolande Trueman) delivered another win for EastEnders as they won Best On-Screen Partnership.
Hollyoaks' three awards started with Isabelle Smith who won Best Newcomer for her role as Frankie Osborne.
The Osbornes then won the Best Family award while Hollyoaks' sibling sexual abuse storyline received the Best Storyline award.
Emmerdale's camera operator Mike Plant took home the Tony Warren Award which is given to employees working behind the scenes.
Coronation Street's sole gong of the night was the Outstanding Achievement Award which went to David Neilson who has played Roy Cropper for 30 years.
Denise Walsh and Martin Kemp presented the Best Newcomer award together, before Denise was surprised with an award herself by Shirlie Kemp.
The actress was given the special CHEE award, standing for Corrie, Hollyoaks, Eastenders, Emmerdale, for someone who has appeared in all four soaps.
Last year's show was suddenly cancelled with no explanation after the nominees had been announced.
The June 2023 edition reached 5.7 million viewers in total with just under one million streams on ITVX and a peak of 3.2m viewers via its linear overnight broadcast.
Singer and self-confessed soaps lover Jane, 61, stepped in as a last-minute replacement for Phillip Schofield two years ago after he quit ITV after admitting to an affair with a young male This Morning colleague.
Host Jane said: 'I'm beyond excited to be hosting The British Soap Awards again as I had such a ball hosting the awards last time.
'You all know I love my soaps, so to be in a room giving recognition to all these wonderful actors and their fantastic hard work is simply joyous. I can't wait to get my glittery frock on and celebrate with everyone.'
Meanwhile, Gemma John-Lewis, Entertainment Commissioner ITV said: 'The British Soaps Awards are an opportunity to celebrate and shine a light on the incredible actors and production teams that deliver gripping drama and captivating stories throughout the year.
'We're delighted Jane McDonald, a self proclaimed number one soap fan, is returning to host the awards.'
The British Soap Awards airs on Thursday at 8pm on ITV1 & ITVX.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Country diary: Some bats need a little help to get through the night
Country diary: Some bats need a little help to get through the night

The Guardian

time23 minutes ago

  • The Guardian

Country diary: Some bats need a little help to get through the night

I remove a crumpled leaf from the lawn, but it moves as I touch it, soft and solid, not dry and brittle. I yelp. It's a bat. I grab a gardening glove and pick it up, noting the huge, gossamer-thin ears, each nearly as long as its body. A brown long-eared bat, mouth open, tiny little teeth showing. It makes a buzzing noise at me. The bat needs safety, so I find a cardboard box and try to drip a little water into its mouth. I leave it for half an hour in the shade, and when I come back, there is no movement. I think it's dead, but then the glazed open eye blinks – it's hanging on to life. Last summer, I erected a microphone on a two-metre pole attached to a device that records the frequencies emitted by bats. I share my garden with noctules, long-eared bats and pipistrelles in surprising numbers. I phone the Bat Conservation Trust helpline to seek advice. They're pleased that I wore gloves due to the risk of rabies. I'm given the number of some local volunteers, and soon Jane is on her way, returning from picking up a pipistrelle 40 miles away. She arrives and also wonders if the bat is alive – but it is, and thirsty too, rousing to accept water from a pipette. Jane says it is a female and likely pregnant. She finds a wound on her body, probably from a cat, and a tiny hole in the wing, which shouldn't be problematic for future flight. Jane will give her oral antibiotics, food and hydration – a chance to recover. She explains that lots of bats have needed help this year, possibly because the extended dryness is forcing them to fly lower to the ground to find insects, making them more vulnerable to predators. I get deeply attached to creatures I rescue, so I'm thrilled when my pregnant bat makes it through the night. A week later, Jane gets in touch to say that, sadly, the bat has died. In response, I decide to improve my garden for bats: simple measures like avoiding pesticides, making sure it is unlit, and growing night‑flowering plants such as evening primrose and night‑scented stock to bring nocturnal pollinators for bats to eat. Under the Changing Skies: The Best of the Guardian's Country Diary, 2018-2024 is published by Guardian Faber; order at and get a 15% discount

‘They're rowdy. They're vibing. I rip my shirt off': the exploding career of Hanumankind, India's hottest rapper
‘They're rowdy. They're vibing. I rip my shirt off': the exploding career of Hanumankind, India's hottest rapper

The Guardian

timean hour ago

  • The Guardian

‘They're rowdy. They're vibing. I rip my shirt off': the exploding career of Hanumankind, India's hottest rapper

Two weeks ago, halfway through his first ever UK show, Hanumankind instructed the crowd to mimic him by hopping to the right then to the left, back and forth, in unison. But the rapper from India slipped and fell, limping to the end of the gig in evident pain, kept upright by his DJ and inspired by the audience's singalong familiarity with his catalogue. 'We were ready to have a good time,' he sheepishly grins from an armchair at his record label's offices three days later. It turns out he has torn a ligament. 'It was a battle of internal turmoil. The show was like a fifth of what it was meant to be, but I gave it my all. London has a beautiful energy which gave me strength.' Even without the leg injury, the 32-year-old star, who was born Sooraj Cherukat, has reached a testing threshold in his short, explosive career. His tracks Big Dawgs and Run It Up, helped by action-movie music videos, have made him one of the most talked-about MCs in the world. A$AP Rocky and Fred Again are among his recent collaborators. Indian prime minister Narendra Modi even invited Cherukat to perform at an event in New York last September. But as a rare south Asian face in globally popular rap, he feels a certain responsibility. 'The past year has been hard,' he says. 'I'm trying to navigate through it.' What's more, although he expresses a deep pride about life in India, 'a lot of things are off. There is a mob mentality. There's a lot of divisiveness because of religion, background, caste. It doesn't sit well with me. I'm in a unique space to change the way people can think within my country.' Born in Malappuram, Kerala, which he remembers as a 'green, beautiful environment', Cherukat spent his childhood following his father's work abroad, from Nigeria to Saudi Arabia to Britain. 'We'd traverse different countries and I'd sing songs in whatever language I was picking up,' he says. 'Wherever I went, I had to get involved and be ready to leave. I learned to connect with people. That's why the power of the word is so important to me.' At the age of 10, he landed in Houston, Texas, and found a rare stability. It was the early 2000s and the city was an engine room for rap innovation. Cherukat's set his accent to a southern drawl. Already a fan of heavy metal – which makes sense given his grungy, rockstar leanings today – he became hooked on the local chopped-and-screwed subgenre pioneered by DJ Screw, Three 6 Mafia and Project Pat. In his teens he was 'burning CDs full of beats, riding around smoking blunts and hitting hard freestyles'. He returned to south India just before hitting 20. 'The only place I had roots,' he says. He completed a university degree in Coimbatore, Tamil Nadu, before working a corporate job in the tech hub of Bengaluru. Seeing rap as 'a party thing, a way to de-stress and stay connected to the art form', he performed at open-mic nights, softening his US accent and perfecting his stage show for an Indian audience. 'Friends would come to watch and be like, 'Dude, you're not bad. You should lock in.'' So he did. At the end of 2019, Cherukat played his first festival: NH7 Weekender in Pune, Maharashtra. The crowd went wild, quickly morphing from a small handful into a packed moshpit. 'They're rowdy and they're fucking vibing,' he says. 'I rip my shirt off. I'm like, 'OK, I can do this!'' He quit his job and began plotting his next move, filling notebooks with lyrics throughout the pandemic. These are a blend of cheek and grit delivered with a flow that keeps respawning at different speeds and scales. Soon, Cherukat was signed by Def Jam India. Part of a movement to reject the remnants of British colonialism in favour of local expression, the proud, rebellious patchwork of Indian hip-hop encompasses the vast country's 'hundreds of languages, each as deeply rooted as the next', Cherukat explains. 'Someone who speaks Hindi or another regional language will give you a vast amount of depth and detail in what they're doing.' His decision to rap mostly in English therefore came with risks of being perceived as inauthentic at home, but it has certainly helped his global crossover. Besides, he has found other ways to communicate a homegrown aesthetic. Run It Up marches to the beat of Keralan chenda drums, while its video features martial artists from disparate corners of India. Cherukat performed it with a band of drummers at Coachella festival, his debut US gig. 'Most people don't know what is going on in my country,' he says. 'Maybe I can open up some doors, open up some eyes, break out of these bubbles and stereotypes.' Although not religious, Cherukat has a divine figure woven into his performing name. Over recent years, Hanuman, the simian-headed Hindu god of strength and devotion, has been employed everywhere from the car stickers of hypermasculine Indian nationalism to the bloody, satirical critique of Dev Patel's 2024 thriller, Monkey Man. Where does Hanumankind fit into this: traditionalist or progressive? 'I need to make music for myself first,' he says simply. 'But when you have a platform, you can bring about change through your words and actions.' Some fans were disappointed that he accepted the New York invitation from Modi – whose Hindu nationalist government has been accused of democratic backsliding and Islamophobia. Cherukat has defended his appearance, describing it as 'nothing political … We were called to represent the nation and we did that.' But today he claims his 'political ideology is pretty clear' to anyone who has been following his career. In one of his earliest singles, 2020's Catharsis, he rails against systemic corruption, police brutality and armed suppression of protest. 'I'm not just trying to speak to people who already agree with me,' he says. 'I'm trying to give people who are otherwise not going to be listening a chance to be like, 'OK, there is some logic to what he's saying.'' Monsoon Season, his new mixtape, is just out. It features the mellow likes of Holiday – performed on the massively popular YouTube series Colors – as well as raucous collaborations with US rap luminaries Denzel Curry and Maxo Kream. It is less a narrative album, more a compilation, with songs gathered over the years before the spotlight shone on him. 'I have a lot of memories of coming into Kerala during the monsoon,' says Cherukat of the project's name. 'You can have days where things are absolutely reckless, flooded, out of control. There can be days where you get introspective and think about life. There are days where you love the rain: it feels good, there's that smell in the air when it hits the mud, the soil, the flowers. Your senses are heightened. You can fall in love with that. Or it can ruin all your plans and you hate it.' Cherukat's knee will take some time to recover before he embarks on a North American tour later this year. It's clear he needs a break: not just to heal, but to continue processing fame, adapt to its changes and return to the studio. 'I'm still adjusting,' he says. 'The attention, the conversation, the responsibility, the lifestyle, all this shit. Things have been a little haywire. So I just want to go back to the source – and make music.' Monsoon Season is out now on Capitol Records/Def Jam India

Kate Nash showcases her sleazy side: best podcasts of the week
Kate Nash showcases her sleazy side: best podcasts of the week

The Guardian

timean hour ago

  • The Guardian

Kate Nash showcases her sleazy side: best podcasts of the week

Dig out the American Apparel dress, liquid eyeliner and Wayfarer sunglasses – the late 00s' indie sleaze movement is being celebrated for all its messy glory. Kate Nash – an OG sleazer – hosts this nostalgic new series about the scene, speaking to the likes of the Cribs' Ryan and Gary Jarman, Franz Ferdinand's Alex Kapranos and Razorlight's Johnny Borrell. It's enough to make you want to cut in a badly judged chunky fringe again. Hollie Richardson BBC Sounds, available from Monday 28 July This honest, conversational podcast breaks down taboos by talking to people about the loved ones they've lost. Host Jason Davidson is a social worker and in the latest episode Michael Palin (pictured right) talks to him about trying to come to terms with his wife's death – and why he feels it almost impossible to say 'I' instead of 'we'. It's a thoughtful look at his grief. Alexi Duggins Widely available, episodes weekly This enjoyably chatty look at the everyday products we take for granted combines history with product design. It opens with a look at the 'fabulous innovation' of the tin opener, running from how it wasn't created until 100 years after food tins were invented to its potential future: a luxury item, like 'the craft beer' of can-opening. AD Widely available, episodes weekly Keir Starmer may be in power now (and enjoying varying levels of success, depending on your views), but what of the Labour leaders of old? Izzy Conn of the University of London digs deep into the red team in this comprehensive pod, which begins after the second world war with Clement Attlee and the beginnings of the welfare state. Hannah J Davies Widely available, episodes weekly Sign up to What's On Get the best TV reviews, news and features in your inbox every Monday after newsletter promotion Widely available, episodes weekly This new podcast from Tortoise Investigates is about mothers who – like Australia's Kathleen Folbigg, whose case sets off this series – have been accused of murdering their children, and whether the experts are always right. The content is highly charged, but the questions it poses around the use of statistics in a court of law feel vital. HJD Widely available, episodes weekly

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store