logo
Urvashi Dholakia's mom reveals why she doubted her Bigg Boss win: ‘I used to sit and cry after seeing her anger'

Urvashi Dholakia's mom reveals why she doubted her Bigg Boss win: ‘I used to sit and cry after seeing her anger'

Hindustan Times12-05-2025
Bollywood filmmaker Farah Khan continues to entertain fans with her cooking vlogs, where she prepares various dishes alongside celebrities. Recently, she visited television actor Urvashi Dholakia's home, where she also interacted with Urvashi's mother. During their chat, her mother reminisced about Urvashi's Bigg Boss journey and revealed she had doubts about her daughter winning the show. (Also Read: Urvashi Dholakia says she does not 'even acknowledge' audition calls for negative roles: 'I still struggle to get work')
When Farah asked about Urvashi's worst quality, her mother candidly replied that she has a lot of anger. She further admitted being uncertain about Urvashi's chances of winning Bigg Boss, believing she had only a 50-50 chance. Explaining her concerns, she said, 'Kyunki yeh gussa itna kar rahi thi, ladaiyan bohot hui thi toh isliye darr tha. Iska gussa dekh ke main roti thi yahan baith ke' (Because she used to get so angry, there were many fights, so I was scared. I used to cry sitting here after seeing her anger).
Defending herself, Urvashi said she barely fought in the Bigg Boss house, adding, 'Sab log mujhe card bhejte the jab Diwali ya koi festival hota tha, and upar likhte the 'Om Shanti Om' aur bolte ki yeh humara code tha to ask you to calm down' (Everyone used to send me cards during Diwali or other festivals, and they would write 'Om Shanti Om' on top—saying it was their secret code to tell me to calm down).
For the unversed, Urvashi participated in Bigg Boss Season 6 and won the audience over with her strong personality. She emerged as the season's winner, beating Imam Siddiqui, Sana Khan, and Niketan Madhok.
Urvashi is a well-known television actor, best remembered for playing the iconic role of Komolika in the long-running TV series Kasautii Zindagii Kay. She made her acting debut at the age of six in a Lux soap commercial with Revathi. As a child artiste, she appeared as Rajlaxmi in the Doordarshan TV series Shrikant. She rose to fame with roles in Ektaa Kapoor's popular shows such as Ghar Ek Mandir, Kabhii Sautan Kabhii Sahelii, Kasautii Zindagii Kay, and Kahiin To Hoga. Most recently, she was seen in the show Power of Paanch, alongside Riva Arora, Jaiveer Juneja, Aditya Arora, Anubha Arora, Bianca Arora, Yash Sehgal, and Barkha Bisht. The show premiered on January 17 on Disney+ Hotstar and concluded on April 4.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Ship of Theseus director Anand Gandhi reveals he directed Tumbbad, not Rahi Anil Barve: ‘I scrapped what had been shot, reshot it'
Ship of Theseus director Anand Gandhi reveals he directed Tumbbad, not Rahi Anil Barve: ‘I scrapped what had been shot, reshot it'

Indian Express

time39 minutes ago

  • Indian Express

Ship of Theseus director Anand Gandhi reveals he directed Tumbbad, not Rahi Anil Barve: ‘I scrapped what had been shot, reshot it'

As Ship of Theseus clocks 12 years, director Anand Gandhi talks about the film, how difficult it was to release the film and how he was the one who actually directed Tumbbad. Your Ship Of Theseus clocks 12 years. How do you explain its enduring resonance? I believe Ship of Theseus endures because the fundamental human questions it explores have remained unchanged for millennia and will likely persist for millennia more: Who am I? Where do I come from? Where am I headed? What remains of me after death? How do I find or create meaning? These are questions we ask instinctively as children, yet spend lifetimes as philosophers, scientists, and scholars attempting to answer, often without definitive success. With Ship of Theseus, I aimed to engage rigorously with these timeless questions, drawing from the latest insights in cognitive neurobiology, evolutionary biology, ethology, ontology, and epistemology, while synthesizing these disciplines through my own lived experiences. This combination of disciplined inquiry and personal reflection perhaps explains why the film continues to resonate deeply. Was it very difficult releasing a film so complex and non-massy? Initially, releasing the film was challenging. Convincing distributors proved difficult until Kiran Rao came on board, subsequently bringing Disney on board. Aamir Khan also lent his support to the film. Disney needed reassurance that India was ready—not merely for an international arthouse film, but specifically for a film rooted in philosophical and scientific exploration. I was convinced that Indian audiences, historically steeped in metaphysics, rational inquiry, and philosophical traditions, were more than ready. Their maturity surpassed distributor expectations. A community-driven social media campaign demonstrated this readiness, with audiences actively demanding the film's release in their cities. This resulted in screenings across 89 cities and towns throughout India, a truly grassroots triumph. What was the impetus behind this allegory on life, death, and everything in between? It emerged from a confluence of my personal philosophical journey and pivotal life experiences. Profoundly influenced by my mentor Abhay Mehta and all those who had sought before me, my inquiries became urgently real during my twenties while nursing my grandparents in the hospital. I felt like the philosopher in that old parable: one who spends the boat ride questioning the boatman about literature and scriptures, only to discover he cannot swim when the boat springs a leak. My philosophical knowledge had not equipped me for life's immediate demands. This realization compelled me to test whether profound questions could yield not just meaningful answers, but purposeful, utilitarian ones that serve people in their actual lives. Do you think Ship Of Theseus would have done better if released now with so many democratic outlets? I'm not convinced the film would necessarily perform better or worse now. Ship of Theseus was among the first Indian films Netflix acquired, so we didn't miss that digital wave, we rode its crest. We later converted significant portions of the film's rights to copyleft licensing, enabling community sharing with proper real issue isn't the number of platforms available, but their understanding of Indian audiences. A post shared by Anand Gandhi (@memewala) Please explain? Many contemporary outlets systematically underestimate viewers here, defaulting to western remakes or simplified narratives reverse-engineered from old television ratings. This represents a profound misreading of what Indian audiences actually want and deserve. Indians have centuries-deep traditions of philosophical inquiry, metaphysical exploration, and narrative sophistication. Yet these platforms often treat them as if they're incapable of engaging with complex ideas. The result is a self-fulfilling prophecy where diminished expectation leads to diminished commercial returns. These outlets aren't producing a hundredth of the variety their global counterparts do, precisely because they've underestimated the market's actual appetite for substantive cinema and shows. Why have you not to directed any feature film after Ship Of Theseus, we did see you name as 'Creative Director in Tumbbad? The big thing I want to clarify about Tumbbad is that I directed the film and this is something that's well known within the industry. My credit on the film says creative director and that's just basically a way to respect the fact that Rahi Anil Barve had started working on the film as a director first before I had to take over as a director. Are you saying you have ghost-directed the entire Tumbbad? Yes, I had to scrap the work that had been done and I had to reshoot the film from the beginning and hence I took a 'creative director credit' which is, as you know in films, a credit that does not pre-exist, it does not exist before or after Tumbbad. So in the case of Tumbbad, I said that we'll make up a credit called creative director, a director's job is all obviously the same as that of a creative director but because in this case we had to make a distinction between the role that was committed to Rahi, I took on the title of a creative director which was legally supposed to always come along with Rahi as per the contracts. But that didn't happen? But that contract was not honoured on several occasions in the press and in other places by Tumbbad producer Soham Shah. So far I tried to not make that the main key point about the conversation because I try not to get into too much of press about the negative experiences of making a film. I always try to stick to talking about how I made the film, what I was thinking, what my intentions are and that's the kind of thing that always excites me but since you pointedly asked, this needed clarification so I'm clarifying it. When I started the film, when I started Tumbbad, I started as a writer and producer with Rahi supposed to direct it but eventually I directed the film. I had to make the whole film.

Shalin Bhanot Recalls Meeting Shah Rukh Khan: 'He Was Shooting At That Time...'
Shalin Bhanot Recalls Meeting Shah Rukh Khan: 'He Was Shooting At That Time...'

News18

timean hour ago

  • News18

Shalin Bhanot Recalls Meeting Shah Rukh Khan: 'He Was Shooting At That Time...'

Last Updated: Shalin Bhanot featured on Farah Khan's YouTube show, where the two discussed SRK, Bigg Boss and gorged on soya chaap. Actor and former 'Bigg Boss 16" contestant Shalin Bhanot recalled meeting Bollywood superstar Shah Rukh Khan, while having a conversation with Farah Khan. He also spoke about Salman Khan and tagged him as a 'caring person". Shalin featured on Farah Khan's YouTube show, where the two discussed about the stars, Bigg Boss and gorged on soya chaap. While giving a house tour to Farah, Shalin showed a picture posing with SRK and said: 'I take a lot of pride in this picture. It is with Shah Rukh sir… I just wanted to meet Shah Rukh sir… So, Morani bhai made me meet SRK sir in the JW Marriott." Shalin revealed at that time SRK was busy shooting for the 2016 film 'Fan", which featured the superstar in a dual role as Aryan Khanna, a film star, and his obsessive fan and lookalike, Gaurav Chandna. 'He was shooting at that time and he was crossing. He was shooting for Fan. He had a prosthetic at that time so this was the only day he didn't have any prosthetics," Shalin told Farah. Farah then spoke about seeing Shalin on 'Bigg Boss 16." She said: 'I thought that Shalin has grown up. But when I saw him in Bigg Boss. Two people can drive me crazy. One is Sajid. Because he is my brother since childhood. And in Bigg Boss, I thought of shaking up Shalin and asking him what he is doing." To which, Shalin replied: 'But ma'am, one thing happened in Bigg Boss. Sajid came into my life. He is my mentor. I call him BB." Farah said that Sajid Khan and Shalin 'had a lot of fights in Bigg Boss". 'And ma'am, you won't believe, since the day Bigg Boss ended I am telling you the truth. It doesn't happen once in a week or 10-15 days. That Sajid doesn't message me from the front. Sajid only says one thing 'You okay?' I say, yes, BB. BB is bade bhaiya," Shalin added. Shalin and Farah then laughed about the viral hand gestures the actor used to do in Bigg Boss at the time of Weekend Ka Vaar in confusion. The actor recalled how the show's host Salman Khan still does it when he sees Shalin. 'Salman sir was coming from a distance. And I was standing. And the moment he entered, he saw me and he was like (doing the hand gesture)…. I said, 'when do I do this?'" Farah said that Salman used to love doing that. Shalin replied: 'And he still does. He still loves doing that…. But Salman sir loves me a lot and he is such a caring person." First Published: July 22, 2025, 08:11 IST Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.

Fact Check: Karan Veer Mehra NOT playing main villain in Ranveer Singh's Don 3 with Farhan Akhtar
Fact Check: Karan Veer Mehra NOT playing main villain in Ranveer Singh's Don 3 with Farhan Akhtar

Pink Villa

time5 hours ago

  • Pink Villa

Fact Check: Karan Veer Mehra NOT playing main villain in Ranveer Singh's Don 3 with Farhan Akhtar

Don 3 is making headlines for various reasons- be it casting or shooting timelines. While Ranveer Singh is set to play the new Don in the upcoming reboot version, Pinkvilla had earlier reported that Kriti Sanon will fill the shoes of the female lead after Kiara Advani's exit. However, there have been several reports of Bigg Boss fame Karan Veer Mehra joining the star cast of Don 3 and playing the main villain. And now, Pinkvilla has learnt that all the reports around Karan Veer Mehra's inclusion in Farhan Akhtar's next are nothing but rumors. Karan Veer Mehra is not playing villain in Don 3 In our fact check, we found that Karan Veer Mehra is not even being considered for the role of an antagonist in Don 3. Earlier, Vikrant Massey was in advanced talks for the counterpart to Ranveer Singh; however, things never materialized. The casting for the role of antagonist is currently underway. The makers are looking for a young actor who can not only explore the negative shades of the character but also look stylish in action-packed sequences. Several names from across the film industries are considered. However, no one is locked yet. Farhan Akhtar set to return to direction after a gap of 15 years As of now, only Ranveer Singh and Kriti Sanon are finalized to play the two lead characters in the movie. The much-awaited action drama, Don 3, will mark the return of Farhan Akhtar to the director's chair after a gap of 15 years. His last directorial was Shah Rukh Khan and Priyanka Chopra starrer Don 2, which released in 2011. The pre-production of Don 3 is going on in full swing. The principal photography is reported to begin in January 2026. It will be another long shoot followed by Dhurandhar for Ranveer Singh, who will also have to do intense preparation for his role. Bankrolled by Farhan Akhtar and Ritesh Sidhwani under Excel Entertainment, the movie is likely to see the light of day in 2027, depending on its shooting timelines. Stay tuned to Pinkvilla for more updates.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store