
Unite boss calls Angela Rayner 'despicable' after stripping deputy PM of membership when she criticised Birmingham's striking bin workers
Deputy Prime Minister Ms Rayner has already been kicked out of Labour's largest union paymaster over the bitter row, amid fury at her stance on the fiasco blighting Britain's 'second city'.
And now, in the latest deepening of the rift between Labour and Unite, the union's general secretary Sharon Graham has issued a barbed broadside at Ms Rayner, claiming she had acted in a 'despicable way'.
Ms Graham warned Labour's current approach on pay, public services, and welfare risks alienating the working-class communities it was founded to represent.
'This Labour government is unrecognisable. If they keep making the poorest pay while politicians claim more expenses, they will lose workers in droves,' Ms Graham told Times Radio's Chloe Tilley.
She confirmed the deputy PM's membership in the union is effectively over after widespread anger from Unite members over her handling of the Birmingham dispute.
It comes as the union last night threatened to 're-examine its relationship' with Labour over its refusal to side with workers who left the city streets strewn with rubbish and rats - in what could be potentially disastrous for Sir Keir Starmer.
'Angela Rayner has been a Unite member for ten years. She was proud of that when she needed union support. But now, as workers face losing up to £8,000 a year, she is nowhere to be found,' Ms Graham seethed.
She said no additional funds have been provided to Labour beyond statutory affiliation fees since her election as General Secretary.
'My job is to fight for workers, not to make the Labour Party look good,' she added. 'If Labour continues to ignore the needs of working people, they will lose their connection to those they claim to represent.'
The news comes as Labour accused Unite of engaging in 'silly stunts' after its annual conference voted to suspend the membership of the Deputy PM, who said the spring walk-out had caused 'misery' for locals.
Labour insists the workers' pay demands discriminated against female council workers.
'Angela's not interested in stilly stunts, she's interested in changing workers' lives,' a source said last night.
'Unite rejected a deal in Birmingham and their demands would have undermined equal pay, discriminating against female workers. Angela won't be pushed around, and she quit Unite some months ago.
'Angela's been fighting for equal pay for decades as a trade unionist and as a home care worker has experienced what it was like to be paid less as a working class woman for the same work.'
Unite insists Ms Rayner remains a member and can therefore be suspended. But it sets the scene for a summer of Labour fights with unions, with Health Secretary Wes Streeting locked in a battle with junior doctors.
On Friday, Ms Graham warned the union would 'call out bad employers regardless of the colour of their rosette'.
'Angela Rayner has had every opportunity to intervene and resolve this dispute but has instead backed a rogue council that has peddled lies and smeared its workers fighting huge pay cuts,' she said.
'The disgraceful actions of the government and a so-called Labour council, is essentially fire and rehire and makes a joke of the Employment Relations Act promises.
'People up and down the country are asking whose side is the Labour government on and coming up with the answer not workers.'
It is not the first time Unite has threatened to pull its money when it has not got its way.
Bin workers walked out in March over planned pay changes by the cash-strapped city council.
Unite said the deal would have included 'substantial' pay cuts for workers and did not address potential pay cuts for 200 drivers.
People living in the city say their health suffered from the stench of piling waste while 'cat-sized' rats raided the mounting rubbish outside their homes.
Visiting the city in April with Local Government Minister, Jim McMahon, Ms Rayner said: 'The people of Birmingham are our first priority – this dispute is causing misery and disruption to residents and the backlog must be dealt with quickly to address public health risks.
'My department is working with Birmingham City Council to support its response to accelerate clearing the backlog and rapidly improve the situation on the ground. Neighbouring authorities are providing additional vehicles and crews, and we are providing logistical support.
'I have pressed both sides to negotiate at pace to urgently find a resolution. There is now a better offer on the table and I would urge Unite to suspend the action and accept the improved deal so we achieve fairness for both workers and residents of this city.'
Earlier this year the Mail revealed this week that Union bosses behind strikes which have left the streets of Birmingham piled high with rotting waste are directing the action from outside of the city - in leafy suburbs with regular bin collections.
A Downing Street spokesman said the Government's priority throughout the dispute had 'always' been Birmingham's residents.
The strikes have resulted in unsanitary conditions throughout the city, with large piles of rubbish in the streets.
The No 10 spokesman also told reporters: 'As you know, Unite's industrial action caused disruption to waste collection.
'We have worked intensively with the council to tackle the backlog and clean up the streets for the residents for public health.
'We remain in close contact with the council and continue to monitor the situation as we support its recovery and transformation
'I think it's important to look back to the context of this dispute: Unite is in dispute against Birmingham City Council's decision to reform unfair staff structures, which were a major cause of unequal pay claims and left the council liable to hundreds of millions of pounds in claims, and that was a key factor cited in the council section 114 notice in 2023, declaring bankruptcy.'
Shadow communities secretary Kevin Hollinrake said Ms Rayner 'faces a serious conflict of interest, having accepted thousands of pounds from the Unite union to fund her general election campaign'.
He added: 'Unions like Unite rarely offer financial support without expecting something in return — and we're already seeing the consequences in their aggressive demands to dismantle key trade union laws.
'It's time for all Labour ministers and the Labour-led council to take a firm stand against these militant unions. A good place to start would be suspending taxpayer-funded ''facility time'' for Unite while their members are on strike.'
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Times
44 minutes ago
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The Guardian
an hour ago
- The Guardian
Artist or activist? For Juliet Stevenson and her husband, Gaza leaves them with no choice
Read any celebrity-signed open letter advocating for social justice over the past few years and you'll probably spot Juliet Stevenson's name. When the veteran actor is not gracing screens or on a stage somewhere, she's out on the streets brandishing a placard or giving speeches about human rights, gender equality and the Palestinian right to self-determination. The Guardian's journalism is independent. We will earn a commission if you buy something through an affiliate link. Learn more. Just last month, she wrote in the Guardian about the British government's 'complicity' in the Gaza atrocities and what she called an attempt to repress civil liberties by proscribing Palestine Action as a terrorist group. 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Brody's grandmother eventually managed to join her daughter and her daughter's new husband (a Jewish doctor) in Sheffield. 'But by the end of the war, she discovered that almost everybody else in her family was dead.' All of this contributes towards the couple's commitment to the Palestinian cause. Stevenson and Brody (82) have never given an interview together, but the escalating crisis in the Middle East has compelled them to move beyond artistic power couple and into the far more risky territory of campaigning. The couple are confident that Gertrude would have entirely supported their stance. 'She was a woman with a very strong sense of social justice,' Brody says. 'She was appalled by what she saw in Palestine in the last years of her life.' Stevenson talks of how much she adored her mother-in-law, who she calls an 'absolutely brilliant' woman. 'She could have done anything, but her whole life was marked by the Holocaust. I know that she would be absolutely horrified by what's gone on in the last 21 months in Gaza, as have many of our Jewish friends. There have been some very difficult conversations around this kitchen table.' Stevenson and Brody met at a mutual friend's dinner party in 1993. She is unbelievably glad that she didn't give in to her impulse to cancel that night, she says. 'By that point I'd had to play a lot of characters in Shakespeare who fell in love at first sight, and I always thought it was ridiculous. But when I walked into the room and met Hugh, something really weird happened to me. Something shifted in my gut. All evening I sat and listened to his stories and thought: 'You are the most interesting and gorgeous man I've ever met.'' The actor's screen credits include a Bafta-nominated turn as a grieving cellist in Anthony Minghella's 1990 film Truly, Madly, Deeply (opposite Alan Rickman), a hapless mother in Bend it Like Beckham, and a nurse in Mona Lisa Smile. On stage, she has been in productions including Measure for Measure, Les Liaisons Dangereuses, and Death and the Maiden – for which she received the Olivier award for best actress. Her calendar remains jam-packed: she recently starred in the Virginia Gilbert film Reawakening, the BBC series Wolf, and Robert Icke's play The Doctor (which was, ironically, about a doctor cancelled for standing up for her principles). But much of what has been occupying her recently is helping to organise a fundraising event with Health Workers 4 Palestine, a grassroots group of medical workers who came together to support colleagues in Gaza. Voices of Solidarity, an evening of music, comedy and spoken word taking place at the Troxy in London next Saturday (19 July), is billed as the UK's largest cultural fundraiser for Palestine and aims to raise £1m for medicines and medical equipment. Stevenson will also be doing a reading on the night, alongside a lineup that includes Bassem Youssef, Paloma Faith, Khalid Abdalla and Alexei Sayle. She says it is more important than ever for those with a platform to speak for the voiceless. Both her and Brody believe 'a fear of being branded as antisemitic' is a big factor in many people's silence. 'In my industry, every institution, every arts organisation who could and should be standing up is too frightened, because of the risk of losing money and sponsorship,' she says. 'It kind of makes you crazy, because you think: have you not seen the footage of Israelis in Israel sitting in the streets holding pictures of dead Palestinian children and saying, 'not in our name'? Have you not seen the hundreds of rabbis sitting down in Grand Central station in New York and saying, 'not in our name'? Have you not seen the Jewish bloc at the protests on Saturdays in London streets saying, 'not in our name'?' 'This equation of anti-Zionism and antisemitism has been a very difficult thing for me and many others,' Brody says. 'It's an absurdity and an ideological trap. It lays the foundation for a whole new kind of antisemitism. My view of Israel evolves, my relationship to Zionism changes, but my Jewishness hasn't changed. That's fixed.' The evolution Brody is talking about has taken place over the course of several decades, and was recorded in his 2022 book, Landscapes of Silence. He speaks at length about the months he spent as a 19-year-old living in a socialist kibbutz on the border of Israel and Gaza, and the 'extraordinary egalitarianism' that filled him with hope and excitement. 'As someone brought up in the shadow of the Holocaust, Israel represented to me, and to my family, a place of safety in a world that was deeply and chronically unsafe,' he says. But the events of the subsequent years seeded a dichotomy within him. With each conflict, he says, he was torn between a deep need for Israel and growing outrage over the actions of the Israeli state. 'It became a question in my mind: what has happened here? Whatever bit of idealism might have been there faded away.' Then came the horrifying events of 7 October and the Netanyahu government's subsequent war on Gaza. 'That war has grown into a genocide,' he says, 'and a point comes where the silence must be broken. The crimes have to be challenged. If we care for the safety and survival of Israel, all the more reason to protest as loudly as possible against its current regime.' The international court of justice is weighing the charge of genocide against Israel. According to the Gaza health ministry, more than 57,000 Palestinians have been killed by Israel's campaign in Gaza (a robust independent survey recently put the count at almost 84,000). The war was triggered in October 2023 when Hamas's attack killed 1,200 Israelis and took more than 250 hostage. Stevenson's anger extends to the UK government's 'moral bankruptcy' and what she describes as the mainstream media's 'shameful' coverage of the situation in Gaza. She mentions the selling of arms to Israel, the proscription of Palestine Action, attempts to ban Kneecap from Glastonbury, and the uproar over Bob Vylan's set. 'That weekend when Bob Vylan was on the front of every newspaper and the subject of every talkshow, something like 90 starving Palestinians were shot dead in Gaza while queueing for food. Nobody covered that at all,' she says. Stevenson and Brody have two children together – a son and a daughter – but Brody's first son from a previous relationship, Tomo, died suddenly in 2020 at the age of 37. The tragedy has given the couple first-hand experience of the grief that surrounds the loss of a child. I ask the actor what she thinks the connection is between art and activism, whether it's the case that both require you to communicate the entirety of the human experience, including its unbearable tragedies. 'I've been negotiating that myself,' she says. 'I've talked to Hugh so much about how exactly I can help. I always try to bring the human story to crowds, to appeal to the Jo Cox principle, that we have more in common than that which divides us.' 'Can I say something about the connection between Juliet's art and Juliet's activism?' Brody says. 'There are some words that come to mind to describe Juliet's qualities on stage and on screen. Words like clarity, integrity and seeking truth in the text. She is transcendently wonderful on stage because of these characteristics, but they are inseparable from her commitment to speaking truth.' At this point Stevenson tears up and begins rubbing her husband's back. 'That's making me cry,' she says. 'I'm not being soppy, but I find this concealing or manipulation of the truth unbearable. People's babies are being shot, children are being buried under rubble. Unspeakable trauma is being inflicted on children and parents.' Does she ever fear the repercussions of her activism on her career? Actors such as Melissa Barrera and Susan Sarandon were dropped by Hollywood companies for their comments on Israel and Palestine. 'I do, as do my kids. But I just don't feel like I've got a choice. Does my career really matter, alongside what's going on in Gaza? 'I look at younger actors, and I completely understand why they feel too frightened to speak. They have everything to lose. But I enjoy a lot of status in the industry. I've done a huge amount of work and I continue to work. What really matters to me is that when I get to the end, I can look back and know that I did what I thought was right at the time.'