
The doctor who survived Nagasaki – and the horrors he saw
Later that morning, the United States Army Air Forces dropped an atomic bomb on Nagasaki. Factories and homes were flattened, mighty pine trees were uprooted. Mount Inasa was stripped of every blade of its glittering, emerald grass. Nagai's neighbourhood of Urakami was obliterated. The scorched bodies of the dead lay as far as the eye could see. The doctor was buried alive, his face in a pool of shattered glass – though he eventually forced his way out.
The bomb killed an estimated 75,000 people. Tens of thousands perished instantly, others died from festering wounds or radiation sickness weeks or months afterwards. Nagai's two small children, who had been sent to the countryside, survived, but his wife Midori was reduced to 'a bucketful of soft ashes' and a clod of melted rosary beads.
Four years later, Nagai published a haunting eyewitness account of the bombing and its aftermath, The Bells of Nagasaki. It's being republished this week, in English translation, by Vintage Classics. Eighty years after the atrocity, as the clouds of conflict gather once again, his book is a crushing reminder of the obscenity of nuclear war.
In the wake of the bomb, Nagai recounts, the survivors looked upon a desert of naked corpses. A professor cradled the charred bodies of his dying students. Their flesh was peeling off 'like the skin of a peach'; blood flowed from their ears and noses. One student, who was 'swollen like a pumpkin', took his last breath: 'There's no hope for me. Thanks for everything.' All the while, distant cries of agony echoed in the wind. A child's voice screamed, 'I'm burning! Throw water on me!… Mummy! Mummy!' Then, silence. One nurse could only compare Nagasaki to hell.
Nagai, and a small group of surviving doctors, nurses and medical students, tried to treat the mass of wounded with only the most basic medical equipment. Nagai worked with one hand pressed against his own lacerated forehead to stop blood spurting out of a severed artery. His patients' injuries were graver still. Two plump nurses, nicknamed Little Barrel and Little Bean, felt 'ecstatic joy' as they crawled through burning rooms to rescue survivors.
As flames enveloped the hospital, the medics made for safety up the hill with the wounded on their backs. Using the blood dripping from his chin as paint, Nagai 'traced a huge circular sun' on a white sheet to create a Japanese flag; with this held high, they abandoned their college. Later, Nagai's lionhearted troupe – stumbling, limping, deathly pale, in bloodstained skirts and ragged trousers – would trudge from village to village to heal the sick and chronicle their torments for the future benefit of science.
For a while, they had no word from the outside world. But when American planes scattered leaflets announcing the atomic bomb's devastation 'to the People of Japan', the political situation became dreadfully clear. The message: surrender, or we will 'use this bomb… to bring this war to a swift, irresistible conclusion'.
The weapon made a mockery of Japan's war effort. 'The bamboo spear against the atomic bomb! What a tragic comedy this was!' Nagai despaired. 'This was no longer a war. Would we Japanese… be annihilated without a word of protest?' On August 14, Japan surrendered. 'We all held hands and wept,' he recalled. 'The sun set and the moon rose; but we could not stop weeping.' For what had their friends and family died for?
Despite his anguish, Nagai couldn't help but admire this 'victory of science'. In one rather unnerving scene, the wretched medics gather in a dugout for a reverent discussion about nuclear physics. 'We can't deny that it is a tremendous scientific achievement, this atom bomb,' one said, as they talked shop in an atomic hellscape. Later in the book, Nagai tells his children that the atomic age could still be glorious, if nuclear energy were to replace coal, oil and electricity, and its military uses were curtailed. 'If we use its power well, it will bring a tremendous leap forward in human civilisation. If we use it badly, we will destroy the earth.'
The month after Japan's surrender, Nagai 'collapsed into bed like a stone falling into the valley'. He lapsed into a coma. By some miracle, he awoke, but he knew his destiny: at the time of the bombing, he had already been dying of leukemia, caused by exposure to X-rays during a mass screening programme for tuberculosis. The second torrent of radiation quickened his decline. Soon, he knew, his children would be orphans. He described his five-year-old daughter playing alone with her toys: the head of a doll, some bottles, a mirror frame. She had no option. 'All her friends are dead,' Nagai wrote. She chattered with ghosts.
Soon after, Nagai moved to a tiny hut near the centre of the explosion. From his sickbed, his spleen swelling up, he wrote a series of bestselling books. The Bells of Nagasaki was completed in 1946 and published three years later. In 1949, Nagai was Japan's most-read author, and by then he was a celebrity of sorts. He was also a devout Catholic: Eva Perón sent him a statue of the Virgin, Pope Pius XII a rosary. Hirohito, the emperor of defeated Japan, paid him a visit.
By this point, however, Nagai was a divisive figure. Three months after the bombing, he had given a speech in the red ruins of the once-majestic Urakami Cathedral, in which he cast the event not as a monstrous war crime, but as a grace from God, for which the city should give thanks. To his mind, Urakami, home to the largest Christian community in Japan, had been chosen as 'a victim, a pure lamb, to be slaughtered and burned on the altar of sacrifice to expiate the sins committed by humanity in the Second World War'. It was due to the sacrifice of 8,000 pure Catholics that God had finally brought the war to an end.
In that address, which is reprinted in The Bells of Nagasaki, Nagai drew on a long local history of martyrdom. Christian missionaries had travelled to Japan in the 16th century, on Dutch and Portuguese ships; and their word quickly spread. In 1597, 26 Catholics had been crucified in Urakami as the shogunate suppressed Christianity; for centuries after, persecuted 'Hidden Christians' had been forced to worship in secret. Now, Nagai painted the city's Christians as martyrs once more: 'How noble, how splendid was that holocaust of August 9, when flames soared up from the cathedral, dispelling the darkness of war and bringing the light of peace!'
In sanctifying the atomic bomb, Nagai appalled many of his countrymen. The Americans had justified their mass slaughter of civilians in Hiroshima and Nagasaki by arguing that the bombs put an end to the war, and thus prevented further bloodshed; Nagai's talk of a heavenly inferno seemed to strengthen their defence. As the veteran journalist Richard Lloyd Parry puts it, in his introduction to the new edition of The Bells of Nagasaki: 'Without setting out to do so, Nagai provided the Americans with the home-grown expression of ideas they needed to shore up their moral authority.' Perhaps this is why Nagai's book slipped past the occupying US censors.
Nonetheless, in Nagasaki, Nagai was celebrated as a quasi-saint. In a wasteland yearning for meaning, he offered a comforting alternative to a tale of pointless and excruciating suffering. And he did so in a way, Parry tells me, that suggested 'that rather than being the concluding acts of a 15-year war of colonisation into which Japan had enthusiastically marched, the atomic bombings were almost like a natural disaster, literally an act of God, over which the Japanese had no control and for which they bore no responsibility'. In the book, Nagai presents his speech to an old friend who'd lost his cherished wife and five children; the friend is greatly consoled. The book also contains a poignant sketch by Nagai of his wife ascending to Heaven on the tip of a mushroom cloud: a reminder that this grieving widower was seeking solace himself.
Yet many on the Left, Parry tells me, regarded Nagai as 'at best a naïve enabler of the Americans and conservative Japanese, at worst a reactionary collaborator, whose writing 'anaesthetised' its readers and prevented them from identifying those responsible for the war'. While Hiroshima became the cradle of a furious peace movement, which was determined to abolish nuclear weapons, Nagasaki withdrew in stoic sorrow.
Few could read The Bells of Nagasaki today and not tremble at the thought of another nuclear conflict. At one point, Nagai is visited by two former students, returning from the war with bitter hearts. 'We must get our revenge,' they say. 'Even if it takes ten years, we'll win this war.' But Nagai tells them: 'If you had seen the hell that opened up on earth before our eyes, you would never, never entertain the crazy thought of another war. If there is another war, atomic bombs will explode everywhere, and innumerable ordinary people will be annihilated in the flash of a split second.'
On May 1 1951, Nagai died, aged 43. Around 20,000 mourners attended his funeral, swarming the entrance to Urakami Cathedral. Today, as belligerent nations pack their armouries with nuclear warheads, his book offers an urgent warning. 'Men and women of the world, never again plan war!' he implores us from the grave. 'Grant that Urakami may be the last atomic wilderness in the history of the world.'
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Daily Mail
4 hours ago
- Daily Mail
CHRISTOPHER STEVENS reviews last night's TV: Astonishing reason 4,000 Japanese kamikaze pilots were picked to die during the Second World War
Kamikaze: An Untold History (BBC4) How much do you want to die for your country? Please tick the applicable box: 'Strongly desire', 'Desire', or 'Negative', and hand your application form to the admin officer. Astonishing almost beyond belief, this was the question posed to Japanese air force pilots during World War II, as revealed in Kamikaze: An Untold History. Slightly less surprising, since armies are the same the world over, their answers were largely ignored as officials selected the fliers who would attempt to crash their planes into Allied aircraft carriers and other ships. Instead, kamikaze pilots were chosen according to their exam results. Those with the highest marks were excused suicide duties, since their intellect made them too valuable. The ones with the lowest scores were also not picked, because they had not earned the right to sacrifice themselves. But nearly 4,000 Japanese men, average age 21 and four months, did fly kamikaze missions between October 1944 and August 1945. This grimly fascinating documentary tried to explain the mentality, not only of the pilots who flew to certain death, but of the nation that encouraged them to do it. As Japanese newsreels showed the pilots sharing a solemn ceremonial drink — lemonade, since they had sworn off alcohol — and radio announcers read out the young men's wills, a cult of kamikaze gripped the country. Their self-immolation became a symbol of what was expected from every citizen, and the slogan '100 million kamikaze' was a national catchphrase. The pilots were known as 'war gods' and 'mighty eagles'. 'Your divine battle will be known for eternity,' declared the newsreader on one piece of archive footage. Workers wore white bandanas in their honour. It seems incomprehensible, until we realise that many of the young men didn't want to die at all. They simply felt they had no choice. One man who wasn't picked said he saw a comrade receive his orders to 'volunteer' with horror: 'My parents didn't send me to university to die,' the doomed man howled. Another survivor, Hijikata Toshio, bravely marked his questionnaire 'negative'. He was engaged to be married, and his ambition was to be a maths teacher, he said. 'Taking a bullet from an enemy is one thing but blowing myself up didn't seem right.' Most of the veterans, filmed over several years, were in their 90s. One, an American sailor named Seth Irving who described waves of kamikaze planes divebombing his fleet, was 103. By the end of the war, so many Japanese aircraft had been destroyed that the pilots were sent out in trainer biplanes with explosives strapped to their fuselage. Slow and cumbersome, they were easily shot down. Survival had become a matter of chance. One pilot, Arai Toshio, played rock-paper-scissors with a fellow flier, for the right to die in their last remaining plane. He lost . . . and lived to be 99.


Telegraph
a day ago
- Telegraph
The doctor who survived Nagasaki – and the horrors he saw
On August 9 1945, Takashi Nagai, a doctor, inspected the air-raid equipment at Nagasaki Medical College. The buckets were full of water; the hoses were uncoiled; students scurried around with first-aid kits. If American planes bombed the site and its hospital, Nagai thought, it would be well prepared. Yet, he later recalled, as he passed a cluster of blood-red oleanders, a shiver of fear ran through him. Later that morning, the United States Army Air Forces dropped an atomic bomb on Nagasaki. Factories and homes were flattened, mighty pine trees were uprooted. Mount Inasa was stripped of every blade of its glittering, emerald grass. Nagai's neighbourhood of Urakami was obliterated. The scorched bodies of the dead lay as far as the eye could see. The doctor was buried alive, his face in a pool of shattered glass – though he eventually forced his way out. The bomb killed an estimated 75,000 people. Tens of thousands perished instantly, others died from festering wounds or radiation sickness weeks or months afterwards. Nagai's two small children, who had been sent to the countryside, survived, but his wife Midori was reduced to 'a bucketful of soft ashes' and a clod of melted rosary beads. Four years later, Nagai published a haunting eyewitness account of the bombing and its aftermath, The Bells of Nagasaki. It's being republished this week, in English translation, by Vintage Classics. Eighty years after the atrocity, as the clouds of conflict gather once again, his book is a crushing reminder of the obscenity of nuclear war. In the wake of the bomb, Nagai recounts, the survivors looked upon a desert of naked corpses. A professor cradled the charred bodies of his dying students. Their flesh was peeling off 'like the skin of a peach'; blood flowed from their ears and noses. One student, who was 'swollen like a pumpkin', took his last breath: 'There's no hope for me. Thanks for everything.' All the while, distant cries of agony echoed in the wind. A child's voice screamed, 'I'm burning! Throw water on me!… Mummy! Mummy!' Then, silence. One nurse could only compare Nagasaki to hell. Nagai, and a small group of surviving doctors, nurses and medical students, tried to treat the mass of wounded with only the most basic medical equipment. Nagai worked with one hand pressed against his own lacerated forehead to stop blood spurting out of a severed artery. His patients' injuries were graver still. Two plump nurses, nicknamed Little Barrel and Little Bean, felt 'ecstatic joy' as they crawled through burning rooms to rescue survivors. As flames enveloped the hospital, the medics made for safety up the hill with the wounded on their backs. Using the blood dripping from his chin as paint, Nagai 'traced a huge circular sun' on a white sheet to create a Japanese flag; with this held high, they abandoned their college. Later, Nagai's lionhearted troupe – stumbling, limping, deathly pale, in bloodstained skirts and ragged trousers – would trudge from village to village to heal the sick and chronicle their torments for the future benefit of science. For a while, they had no word from the outside world. But when American planes scattered leaflets announcing the atomic bomb's devastation 'to the People of Japan', the political situation became dreadfully clear. The message: surrender, or we will 'use this bomb… to bring this war to a swift, irresistible conclusion'. The weapon made a mockery of Japan's war effort. 'The bamboo spear against the atomic bomb! What a tragic comedy this was!' Nagai despaired. 'This was no longer a war. Would we Japanese… be annihilated without a word of protest?' On August 14, Japan surrendered. 'We all held hands and wept,' he recalled. 'The sun set and the moon rose; but we could not stop weeping.' For what had their friends and family died for? Despite his anguish, Nagai couldn't help but admire this 'victory of science'. In one rather unnerving scene, the wretched medics gather in a dugout for a reverent discussion about nuclear physics. 'We can't deny that it is a tremendous scientific achievement, this atom bomb,' one said, as they talked shop in an atomic hellscape. Later in the book, Nagai tells his children that the atomic age could still be glorious, if nuclear energy were to replace coal, oil and electricity, and its military uses were curtailed. 'If we use its power well, it will bring a tremendous leap forward in human civilisation. If we use it badly, we will destroy the earth.' The month after Japan's surrender, Nagai 'collapsed into bed like a stone falling into the valley'. He lapsed into a coma. By some miracle, he awoke, but he knew his destiny: at the time of the bombing, he had already been dying of leukemia, caused by exposure to X-rays during a mass screening programme for tuberculosis. The second torrent of radiation quickened his decline. Soon, he knew, his children would be orphans. He described his five-year-old daughter playing alone with her toys: the head of a doll, some bottles, a mirror frame. She had no option. 'All her friends are dead,' Nagai wrote. She chattered with ghosts. Soon after, Nagai moved to a tiny hut near the centre of the explosion. From his sickbed, his spleen swelling up, he wrote a series of bestselling books. The Bells of Nagasaki was completed in 1946 and published three years later. In 1949, Nagai was Japan's most-read author, and by then he was a celebrity of sorts. He was also a devout Catholic: Eva Perón sent him a statue of the Virgin, Pope Pius XII a rosary. Hirohito, the emperor of defeated Japan, paid him a visit. By this point, however, Nagai was a divisive figure. Three months after the bombing, he had given a speech in the red ruins of the once-majestic Urakami Cathedral, in which he cast the event not as a monstrous war crime, but as a grace from God, for which the city should give thanks. To his mind, Urakami, home to the largest Christian community in Japan, had been chosen as 'a victim, a pure lamb, to be slaughtered and burned on the altar of sacrifice to expiate the sins committed by humanity in the Second World War'. It was due to the sacrifice of 8,000 pure Catholics that God had finally brought the war to an end. In that address, which is reprinted in The Bells of Nagasaki, Nagai drew on a long local history of martyrdom. Christian missionaries had travelled to Japan in the 16th century, on Dutch and Portuguese ships; and their word quickly spread. In 1597, 26 Catholics had been crucified in Urakami as the shogunate suppressed Christianity; for centuries after, persecuted 'Hidden Christians' had been forced to worship in secret. Now, Nagai painted the city's Christians as martyrs once more: 'How noble, how splendid was that holocaust of August 9, when flames soared up from the cathedral, dispelling the darkness of war and bringing the light of peace!' In sanctifying the atomic bomb, Nagai appalled many of his countrymen. The Americans had justified their mass slaughter of civilians in Hiroshima and Nagasaki by arguing that the bombs put an end to the war, and thus prevented further bloodshed; Nagai's talk of a heavenly inferno seemed to strengthen their defence. As the veteran journalist Richard Lloyd Parry puts it, in his introduction to the new edition of The Bells of Nagasaki: 'Without setting out to do so, Nagai provided the Americans with the home-grown expression of ideas they needed to shore up their moral authority.' Perhaps this is why Nagai's book slipped past the occupying US censors. Nonetheless, in Nagasaki, Nagai was celebrated as a quasi-saint. In a wasteland yearning for meaning, he offered a comforting alternative to a tale of pointless and excruciating suffering. And he did so in a way, Parry tells me, that suggested 'that rather than being the concluding acts of a 15-year war of colonisation into which Japan had enthusiastically marched, the atomic bombings were almost like a natural disaster, literally an act of God, over which the Japanese had no control and for which they bore no responsibility'. In the book, Nagai presents his speech to an old friend who'd lost his cherished wife and five children; the friend is greatly consoled. The book also contains a poignant sketch by Nagai of his wife ascending to Heaven on the tip of a mushroom cloud: a reminder that this grieving widower was seeking solace himself. Yet many on the Left, Parry tells me, regarded Nagai as 'at best a naïve enabler of the Americans and conservative Japanese, at worst a reactionary collaborator, whose writing 'anaesthetised' its readers and prevented them from identifying those responsible for the war'. While Hiroshima became the cradle of a furious peace movement, which was determined to abolish nuclear weapons, Nagasaki withdrew in stoic sorrow. Few could read The Bells of Nagasaki today and not tremble at the thought of another nuclear conflict. At one point, Nagai is visited by two former students, returning from the war with bitter hearts. 'We must get our revenge,' they say. 'Even if it takes ten years, we'll win this war.' But Nagai tells them: 'If you had seen the hell that opened up on earth before our eyes, you would never, never entertain the crazy thought of another war. If there is another war, atomic bombs will explode everywhere, and innumerable ordinary people will be annihilated in the flash of a split second.' On May 1 1951, Nagai died, aged 43. Around 20,000 mourners attended his funeral, swarming the entrance to Urakami Cathedral. Today, as belligerent nations pack their armouries with nuclear warheads, his book offers an urgent warning. 'Men and women of the world, never again plan war!' he implores us from the grave. 'Grant that Urakami may be the last atomic wilderness in the history of the world.'

South Wales Argus
2 days ago
- South Wales Argus
I tried a World War II cake recipe from Marguerite Patten
These often turn out wonderfully, and it got me thinking what it would be like to try a wartime recipe using the same ingredients that people would have been restricted to during rationing. Rationing was a system implemented to make sure everyone got their fair share of food during national shortages in wartime. This was exacerbated by enemy ships and submarines attacking imports of food, which caused a greater reliance on items produced in the UK. Marguerite Patten was one of the earliest celebrity chefs, presenting a popular BBC radio programme during World War Two, in which she shared recipes for cooking with wartime rations. Here she is demonstrating how to make an Easter cake back in 1950.#ThrowbackThursday — BBC Current Affairs (@BBC_CurrAff) April 9, 2020 Several foodstuffs, such as sugar, meat, fats, bacon, eggs and cheese, were rationed, which caused a great impact. After doing a bit of research for wartime cake recipes, I was recommended by my mum to check out recipes from Marguerite Patten. She was one of the earliest examples of a celebrity chef and became famous during World War II, where she shared recipes on BBC radio that could work within the limits of rationing. It sounded like the perfect thing to explore, and I found her recipe for a Vinegar Cake, which was a fruit cake that used vinegar instead of eggs. This can be seen in her book Feeding the Nation, and is notable for using vinegar instead of eggs as a main component. How to make a World War II-era light fruit cake Making the cake will not require too many ingredients (Image: Newsquest) In terms of ingredients for the fruit cake recipe you will need 6oz of self-raising flour 3oz of margarine 3oz of sugar 1/4 pint of milk 1 tablespoon of vinegar 1/2 teaspoon of bicarbonate of soda 3-4oz of mixed dried fruit Meanwhile, for equipment, you will need: a decent-sized mixing bowl large basin scales sieve measuring jug a teaspoon a tablespoon larger spoon (for mixing) 7-inch baking tin Baking cakes is not something I do very often, so I made it with my Mum overseeing things to make sure I didn't mess up anywhere. The first step involves creaming the margarine and sugar together (Image: Newsquest) Firstly, we creamed the margarine and sugar together and made sure it was well-combined. After that, the recipe recommends pouring the milk, vinegar and bicarbonate of soda into a "large basin". It was quite a vague term, so we combined the elements into a large measuring jug as it would supposedly froth up quite a bit. The recipe involves 3-4 ounces of mixed fruit (Image: Newsquest) However, this didn't happen in practice, so any worries of creating a mess were quickly alleviated, at least. We then poured that mixture into the mixing bowl with the creamed margarine and sugar, before sifting the flour into it. After mixing that, we then added the dried fruit, which was a combination of raisins, peel and cherries. All the ingredients will eventually be mixed together into the bowl (Image: Newsquest) Finally, after briefly mixing together, we then poured it into a seven-inch baking tin. The recipe recommends flouring and greasing the tin, but if you have a cake case to hand, you can line the tin with that. All there is to do after that is to pop it in a "moderate oven" (approximately 170-180C) and bake it for an hour. The verdict Once the hour was up, I took the cake out of the oven and was pleased to see that, at least aesthetically, it had turned out quite well. The cake certainly looked the part coming out of the oven (Image: Newsquest) It had a nice golden-brown colour with bits of dried fruit popping through the outer layer. All that was left to do was to try it, and I was pleasantly surprised with the results. I'd seen from other people trying the recipe that it had turned out really crumbly, but in this case it held its shape perfectly. The cake had a light and fluffy texture (Image: Newsquest) Having it warm was certainly a bonus, and it had a delightfully fluffy and light texture. Recommended reading: It also wasn't overly sweet and balanced all the flavours remarkably well. Due to how relatively few ingredients this requires and how it doesn't take too long to make, I would highly recommend giving this a try. While rationing is, of course, something nobody ever wants to go back to or experience in the first place, it is somewhat comforting to know that with a bit of adjustment, people were still able to enjoy some treats like this.