Jisoo's nephew to study in the Philippines
Ji Yoon recently shared a photo on Instagram showing her son, Minsung, at the airport before his flight to the Philippines.
The post was captioned, 'Have a good [time studying] in the Philippines, Minsung,' accompanied by a plane, Philippine flag, and heart emojis.
She also posted a photo of Minsung hugging his father prior to departure.
Ji Yoon is a former flight attendant who is now working as a lifestyle influencer and freelance model. She stepped away from aviation after having two children.
Jisoo, a member of the globally popular girl group Blackpink, has visited the Philippines multiple times.
In March 2025, she held the opening leg of her solo fan meeting tour, Lights, Love, Action!, in Manila. The tour coincided with the release of her debut solo EP Amortage, which includes tracks like 'Earthquake,' 'Your Love,' 'Tears,' and 'Hugs & Kisses.'
Before the fan meet, Jisoo was also seen filming scenes for her upcoming K-drama Boyfriend on Demand in Cebu, alongside co-stars Seo In-Guk and Chae Soo-Bin.
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Campaign ME
14 hours ago
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View this post on Instagram A post shared by Campaign Middle East (@campaignmiddleeast) Overview: Setting the scene at Cannes Lions At the outset, every single conversation at Cannes Lions 2025 cemented one – or more – of the six foundational pillars holding up the current marketing edifice. These include: Creativity – originally human and artificial intelligence (AI)-assisted; Technology – updates on generative AI, algorithms, platforms and social media; Outcomes – building brand equity and bringing in financial returns; Social impact – purpose-driven 'marketing for good' to heal a polarised planet; – purpose-driven 'marketing for good' to heal a polarised planet; Co-creation, culture and context – collaborating with a creator economy; Education – the final piece that glues all the above together. Strong opinions were voiced on each of these topics as marketers, martech and adtech leaders, celebrities, content creators, consultancies, brand architects and agency leaders brought the bustle and buzz back to Cannes – otherwise a serene vacationers' paradise. Inside The Palais, delegates who attended keynotes, fireside chats and panels at the Lumière Theatre, Théâtre Claude Debussy, The Forum, The Terrace and The Rotonde were served talks on human ingenuity, social impact and creative effectiveness in the age of AI. Those who dared to brave the heat, humidity and long queues along the Croisette were made privy to the latest platform updates, algorithm hacks and content creator strategies to drive speed, efficiencies, optimisation and insights. Attendees keen on spotting celebrities were often left with the hard choice of choosing between stages as Cannes Lions welcomed Hollywood actress Reese Witherspoon, former women's World No.1 tennis superstar Serena Williams, Olympics 100m gold medalist Noah Lyles, and world-record-holding long-distance runner Mo Farah, among many others. Meanwhile, most global and regional agency leaders shuffled between The Palais, jury rooms, their dedicated beach pop-ups and their agency tents, while the adtech and martech players moored their yachts in the marina. In parallel with the Cannes Lions programme, leaders also held high-level meetings with global counterparts and signed strategic partnerships with key stakeholders in the historic lobbies of Le Majestic Barrière, Carlton Cannes, Hotel Splendid and Hotel Martinez. 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He then went on to discuss the moral compass of a brand, highlighting how Apple has stood its ground on privacy and contributed to social good. Playing Apple's Flock advertisement on the big screen at the Lumière Theatre, Myrhen explained how the 'pretty creepy' ad still became that popular. He reiterated that the success of the ad lay in the fact that it was 'extremely human.' He also went on to showcase the beauty of 'democratising hearing health' referring to the AirPods Pro 2, which now double up as a clinical-grade hearing aid. Commenting on the creativity that led to the success of each of these ideas, Myrhen added, 'It's the brain and the heart working together to create something special. No one would say that 40 seconds of muffled sound would become Apple's most watched holiday ad ever. But Google had the highest search volume for hearing aids in the history of Google search after this ad came out. This is making a difference, which is awesome.' Responding to this stellar keynote, Ali Rez, Chief Creative Officer, Impact BBDO said, 'The subject of the human touch, especially in an era where we're increasingly relying on machines was special. Also, this is a much-needed reminder that the value of emotion and craft will never be eroded.' Platforms draw a crowd at Cannes Spotify, YouTube, TikTok and Meta also claimed their share of attention at Cannes Lions with key announcements. Spotify Days before Cannes Lions, Spotify revealed two new initiatives to help brands further tap into Spotify's creative playground: the Creative Lab Hub and its inaugural Creative Council. Highlighted at Cannes Lions 2025, The Creative Lab Hub is a new global destination where brands and advertisers can access Spotify Advertising's most effective tools, formats, and insights — making it easier to create breakthrough campaigns. Meanwhile, Spotify's Creative Council brings together industry-leading creatives to help shape the future of advertising and brand storytelling on Spotify. This group includes top creative leads from agencies including R/GA, BBDO, McCann, Anomaly, VML and GUT, as well as brand leaders from Coca-Cola, Ulta Beauty and AG1. YouTube In line with its aim to connect communities and content creators with advertisers, YouTube released Open Call at Cannes Lions 2025. This is a feature within the platform's Creator Partnerships hub, powered by the YouTube BrandConnect tool, which permits brands to discover and partner with creators at scale. Through this feature, brands and advertisers will now be able to share a creative brief that explains the requirements of their campaign. This will allow multiple content creators within the YouTube Partner Programme the ability to pitch their video content designed specifically for that campaign and based on the creative brief directly to advertisers. Once the brands and advertisers view, review and approve their video submissions, the promotions or the partnership ads will get activated. In conversation with Campaign Middle East, Melissa Hsieh Nikolic, Director of Product Management for YouTube Ads, said, 'Creators and their authentic content really resonate with YouTubers and communities. Open Call and Creator Partnerships hub helps brands find creators who can tell their stories authentically, while giving creators of all different sizes an opportunity. We think there's a lot of power in that. This also provides people with a lot more ways to connect with brands.' TikTok At Cannes Lions 2025, TikTok unveiled updates to TikTok Symphony, its suite of generative AI tools designed to streamline creative production and spark bold new ideas. These new updates aim to make scaling on TikTok faster, easier and more efficient. With Symphony Image-to-Video, TikTok will bring static images to life to help unlock new creative formats, generate multiple variations of existing on-brand content or bring a full product catalogue to life. Next, with Symphony Text-to-Video, all it takes is a short text prompt to bring an idea to life, enabling advertisers to rapidly generate, test and iterate on a range of creative executions. This also allows advertisers to customise content at scale. Finally, with Symphony Showcase Products, advertisers will be able to place their products front-and-centre by showcasing them with digital avatars. This gives marketers a new way to feature a product in TikTok-first creative content. Commenting on these new features, Andy Yang, Global Head of Creative and Brand Products, TikTok, said, 'We're entering a new era of creativity, one where ideas move at the speed of culture, and where AI doesn't replace imagination but rather accelerates it. With TikTok Symphony, we're empowering a global community of marketers, brands and creators to tell stories that resonate, scale and drive impact.' Meta At Cannes Lions 2025, Meta announced a bevy of AI-powered features, including AI agents integrated into advertisements, which permits users to chat with an advertiser's bot immediately when clicking on an ad. Meta also held demonstrations for its collaboration with Ray Ban, highlighting Meta AI features on the sunglasses capable of capturing videos and photos hands-free. In addition to merging creatives with conversational commerce, Meta also showcased ways for brands and advertisers to set up these AI agents on Messenger and WhatsApp through smart prompts. The platform highlighted how performance insights can be derived to hold the 'AI agents' accountable to their knowledge and usefulness. Additionally, Meta also revealed voice-activated business AI agents, which opens out the possibility for customers to query branded business bots – especially for users who don't like typing and want a faster, hands free experience. Add to this Meta's AI-powered translation tools, which further empower copy and creatives by translating ad content into 10 global languages, therefore, enabling advertisers to take their campaigns global faster. The number of languages that Meta's AI can translate is set to double by the end of 2025. Similar to TikTok, Meta is also rolling out an AI-powered image-to-video ad tool across Facebook and Instagram. Through this tool, marketers will now be able to convert up to 20 static product images into multi scene videos with music and subtitles right in the ad interface. WhatsApp For the first time ever, advertisers can now become channel owners and run ads within their WhatsApp Status, unlocking a new ad revenue model inside the application. Meta is also reportedly testing native ads inside the WhatsApp Updates tab, making it the first time ads will appear inside WhatsApp rather than as a click-through from Instagram or Facebook. However, these chats and channels will be clearly differentiated from the encrypted personal chats, the company clarified. The MENA region shines at Cannes The MENA region has had a great run at the Cannes Lions International Festival of Creativity 2025. Out of the 828 Lion winners from 48 countries, the MENA region claimed a total of 32 wins awarded across agencies and markets – up from 22 in 2024. This year's Cannes Lions MENA winners included agencies from the UAE, Saudi Arabia and Jordan. Impact BBDO led the region on total points and was awarded MENA Network of the Year at Cannes Lions 2025, marking a historic seventh time that the network has claimed the title. In terms of trophies, UAE agencies took home 18 wins, led by FP7 McCann Dubai (1 Gold, 1 Silver, 5 Bronze); VML Dubai; (1 Silver, 3 Bronze); Impact BBDO (1 Gold, 2 Silver, 2 Bronze); and LEO Dubai; (1 Bronze). Sharing the spoils with Impact BBDO, AdPro& Group picked up Jordan's first-ever Silver Lion in Cannes Lions' 72-year history. Representing Saudi Arabia at Cannes Lions, agencies from the Kingdom lifted 13 metal cats, led by BigTime Creative Shop (2 Golds, 1 Silver, 3 Bronze). The agency was also honoured with the Independent Agency of the Year: Entertainment award. Meanwhile, SRMG Labs lifted one Gold and two Silver Lions, and VML Riyadh won one Silver and two Bronze Lions. Burson MENA took home a Gold in the PR category at this year's Young Lions Competitions as the winning team – Raneem Saleh and Youssef Yammine – topped the category for 'The Silent B' campaign. Representing the region at The Rotonde, Fahd Hamidaddin, Board Member and Founding CEO, Saudi Tourism Authority delivered an exceptional keynote to a packed room, delving into the dynamic transformation taking place within the tourism landscape in the Kingdom. He called for marketers in the Middle East to build brand affinity by developing a deeper understanding of hyper-local consumers, connecting with communities, focusing on collective precision, finding their true voice, and realising the soul of the region's individuals rather than just seeing them as 'segments'. Hamidaddin also called for marketers to take a moment to 'pause and reflect' on current challenges such as inadequate attribution, complex optimisation, irrelevant data and daunting scale instead of diving headfirst into idealistic and futuristic AI conversations. In an exclusive conversation with Campaign Middle East after his keynote, Hamidaddin said, 'We should pause to make sure we filter what's hype, what's noise, and stay true to the fundamentals. The fundamentals won't change. What is changing is consumer behaviour and that's what we need to stay very close to while leveraging AI and technology to really develop a deeper understanding of consumer behaviour.' He concluded, 'With the hype comes a global movement of speed and, conversely, an anti-movement of slow. So, I would say slow down, stay strategic, think big, stick to the fundamentals and pursue the 20-80 ROI instead of the immediate results.' Through its extensive coverage of Cannes Lions 2025, Campaign Middle East spoke to more than 40 leaders over five days. One theme stood out: Human-centred creativity powered by AI-driven infrastructure and insights can achieve tangible business outcomes and drive social impact. However, leaders also shed light on certain other concerns. While some pointed to the need for humans to understand culture and context better, others warned about the dangers of relying too heavily on generative AI tools. Reda Raad, Group CEO, TBWA\Raad said, 'The more that people are using AI, the more we're noticing that the output is beginning to look more and more alike. We're seeing this across different categories. We're beginning to see the flattening of culture, which we need to be wary about.' He added, 'Also, keep in mind that the more we rely on AI, the less we're using our intellect, curiosity and critical thinking abilities. At the end of the day, we need smarter people, not dumber people within the industry. So, while AI is a great enabler and a great tool, we need to have real conversations about what we do with AI and how we use it.' The brand and marketing industry needs to be held accountable, leaders surmised, adding that this accountability should not be pigeon-holed to brand equity or performance metrics alone, but should also be extended to the lasting effect that brands have on people, communities, the society at large and the planet. The argument is not a complex one, they said. It's understanding why they got into advertising in the first place and what inspired them to enter this realm of creativity, influence and persuasion. Tarek Miknas, CEO, FP7 McCann MENAT, said, 'My top take away from Cannes Lions 2025 is simplicity. I think the most powerful of the ideas that I've liked are the simplest ones that were able to scale, get attention and make a difference.' View this post on Instagram A post shared by Campaign Middle East (@campaignmiddleeast) All in all, the message from Cannes is clear: Marketing is facing a moment of profound transformation. Against the backdrop of generative AI, cultural fragmentation and the creator economy are upending the media landscape. Creativity remains not just a vital differentiator but one that still belongs to humans. The time for change is here. We are moving beyond hyped conversations. The new business plan to drive outcomes and social good – simultaneously – based on experimentation, bravery to fail, and the ability to be agile and pivot quickly within an evolving market. Offering a piece of advice to wrap up discussions at Cannes Lions 2025, Khaled AlShehhi, Executive Director of Marketing and Communications, UAE Government Media Office, concluded, 'Everyone needs to think big. We all need to get out of our comfort zones. Be curious. Let's do something great together. Let's do something to change our society. Let's be bold and creative.'
Filipino Times
17 hours ago
- Filipino Times
Elisse Joson, McCoy de Leon confirm breakup
Celebrity couple Elisse Joson and McCoy de Leon have officially ended their relationship, two years after they confirmed reconciling. The actress announced their decision in a heartfelt statement posted on Instagram on Friday, saying they 'held on for as long as they could.' Joson accompanied the statement with a video montage of her favorite memories with de Leon and their daughter, Felize. 'My biggest dream in life has always been to build a family I could call mine. A home. That dream shaped me. It grounded me,' Joson wrote. 'And for all the beautiful five years (and more) that we were together, I held onto that dream with everything I had. I kept that promise… to love, to fight, to stay.' The actress admitted that despite their efforts, they eventually had to accept that it was time to let go. 'Truthfully, we both tried. We both held on for as long as we could. But now, we're learning to let go. Together, we're releasing that dream so we can finally allow a new kind of peace, growth, and healing to enter,' she said. Joson emphasized that their relationship was real and meaningful, and that Felize remains their greatest blessing. She added that no matter the changes, they will always be a family in Felize's eyes. Joson also addressed the public directly, asking for compassion during this transition. Joson and de Leon first met in Pinoy Big Brother in 2016 and developed an on-and-off relationship in the years that followed. Though they never publicly confirmed when they began dating, the couple reconciled before the pandemic and welcomed their daughter Felize in 2021. In 2023, rumors of de Leon's alleged infidelity surfaced, leading to a brief separation. The two reunited shortly after.
