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French K.I.S.S

French K.I.S.S

Time of India3 days ago

In a noisy world, can simplicity be the loudest voice?
Amid today's relentless clutter, a quiet paradox emerged at last week's
Cannes Lions International Festival of Creativity
, where the biggest winners all shared one powerful trait — simplicity.
'If the works that won big at Cannes are any indication, simplicity is emerging as the holy grail for brands,' says
Pallavi Chakravarti
, founder and CCO, Fundamental, citing standout pieces like Budweiser's 'One Second Ads', KitKat's digital detox billboard, Tecate's 'Gulf of Mexico Bar' and Vaseline's 'Verified'.
Marketers see this 'Keep It Simple, Stupid' — or K.I.S.S — trend as a response to today's media overload. 'There's an incredible amount of noise out there. The more layered the message, the harder it is to interpret or appreciate,' says
Sumit Virmani
, global chief marketing officer, Infosys.
Harshad Rajadhyaksha, CCO at Ogilvy India, echoes this sentiment. 'In an increasingly layered, multi-screened and attention-challenged world, the value of simplicity is greater than ever,' he says. Achieving such clarity is far from easy, he warns. 'Brilliant simplicity takes work. But when done right, it always delivers the goods.'
Lose the din
Some brands have nailed this balance, proving that subtle and impactful messaging doesn't need loud pronouncements. KitKat's campaign by VML is a prime example. Their iconic line, 'Have a Break, Have a KitKat', was reimagined through billboards showing people absorbed in their device, with a barely-there KitKat wrapper or logo quietly urging a pause. No overt branding or lengthy explanations, just quiet, powerful storytelling. Marketers call it 'a masterclass in subtlety and impact'.
'The campaign celebrated the consumer's intelligence, trusting them to understand the message without being spoon-fed. It's a prime example of creativity cutting through the noise to make a lasting impression,' says
Harsh Kapadia
, CCO, Grey India.
Stella Artois's 'Claustrobars' campaign by Grey took a similar approach. The beer brand captured a universally relatable experience — the mini-odyssey of navigating a crowded bar, carefully shielding your drink from spills and bumps.
With almost cinematic realism, the ads showcased those uncomfortable yet triumphant moments: A slight grimace and an unwavering focus on the glass. The message was clear and powerful: 'Worth It'.
Again, no massive logos or walls of text — just confident, understated
advertising
that didn't find the need to overexplain itself. The result? A campaign that struck a chord with viewers and prompted them to say: 'I feel you.'
'This kind of confidence in messaging is crucial. It makes advertising less ignorable and more impactful,' says Kapadia. 'In a country as diverse as India, where visual identity can transcend language barriers, such powerful visual advertising holds immense potential.'
Loud and clear
Budweiser's one-second ad, which won the
Grand Prix
in the audio segment at Cannes, is touted as another example of simple yet brilliant execution. The brand tapped into a sharp musical insight: True music lovers can identify a song from its very first beat. This became the basis of a bold and innovative idea — an 'unskippable' audio challenge where they aired commercials that played just the opening second of well-known songs.
'To expect sustained, undistracted focus, especially on digital, is to hope in vain,' says
Shubhranshu Singh
, global CMO for commercial vehicles at Tata Motors. 'Short-form content needs to be simple to be digested quickly. But when it's relevant, emotionally engaging or rewarding, it can still hold attention — even deepen it.'
Virmani adds that social media has only intensified the challenge. 'Brands need to communicate value in seconds, often without sound, across screens. And complex brand messages simply don't translate.'
And that's why Budweiser resonated with marketers and agency folks.
Cause and effect
A 'simply' powerful idea can also exceed its true purpose. Take German grocery chain Penny's 'Penny Price Packs', which converted its packaging into a prominent pricing display. Icaro Doria, Print jury president at
Cannes Lions
, described it as a seamless blend of print, publishing, packaging, price and positioning — all rolled into one.
'Creativity doesn't have to try too hard or be too clever to be 'award worthy',' says
Mithila Saraf
, CEO, Famous Innovations. 'The best work is universally appealing and profound in its commitment to a single-minded promise.'
Until a few years ago, purpose-driven creativity with measurable impact set the tone. In 2023, winners such as Renault's 'Plug-Inn' (France), a peer-to-peer charging app, and Apple's 'Relax, It's iPhone – R.I.P. Leon' (USA), a humourous take on iPhone's 'unsend' feature, highlighted everyday anxieties in a relatable way.
But in 2024, brand rulebooks were tossed aside. Coca-Cola's 'Recycle Me' (Print and Publishing Grand Prix) distorted its iconic logo on crushed cans to drive home a recycling message. Meanwhile, Coors Light turned a baseball-damaged billboard into commemorative cans with 'Coors Lights Out', showcasing agile moment marketing.
Kapadia hopes Indian advertising can raise the game and embrace this simplicity that respects and celebrates consumer intelligence. 'On the one hand, we say our consumers are smart, yet we often try to over-explain or lean heavily on celebrity voices. Simple ideas break through everything else and make it memorable.'
But Chakravarti points out the fundamental truth: 'We appreciate, applaud and felicitate simplicity more than we practise it. In the real world, agencies struggle to distil the chaos of briefs into clarity. [It's] Strange, but true.'

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Former Miss World Yukta Mookhey who won the pageant in 1999 has been away from the limelight for quite a while. In a recent interview, she has spoken about other actresses who have also been pageant winners - be it Sushmita Sen or Aishwarya Rai Bachchan. She also spoke about Juhi Chawla and how gracious she has been. While Sushmita had won the Miss Universe title in 1994, Aishwarya was crowned Miss World in the same year. As Yukta was shown a picture with both of them and Diana Haydon, she spoke fondly of the three ladies. She recalled how Sushmita was extremely encouraging of her, while Aishwarya was so well spoken, poised and dignified and this is what is so inspiring about these women, apart from just their outer beauty. Speaking about Diana, she said during this chat with Filmy Media, "Diana was like an elder sister. She prepped me thoroughly about to say, what not to say, how to stay mindful. Her advice made me feel supported and prepared.' She was then asked if it's fair for people to now comment on Aishwarya's weight gain or just how she's looking. Yukta was also asked about the way people comment not just on Aishwarya but also her family and daughter Aaradhya. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Free P2,000 GCash eGift UnionBank Credit Card Apply Now Undo Yukta reacted and expressed it's quite sad and people should stop it. She said, "It's a clear violation of boundaries, chaahe woh public figure ho, chaahe woh accessible ho. This is not a way to treat a lady who has made so much name for our country, not just because she's Miss World but also what she's done at Cannes or with work in Hollywood. Aaj tak unke mukh se kisi ke liye bura nahi nikla. Mera naman hai uss stree ko jisne aaj tak kisi ke liye kuch nahi bola. Unki bacchi joh innocent hai, woh public mein leke aa rahi hai, iska matlab yeh thodi hai ke aap unke liye bolenge. Woh iss desh ki beti hai, iss desh ki grand-daughter hai. She's Amitabh Bachchan 's granddaughter, aap yeh toh socho ke kiske baare mein bol rahe ho. (I bow down to that lady Aishwarya who has never said anything bad about anyone. Just because she gets her daughter in public, doesn't give anyone the right to comment on her. Atleast think who are you even talking about. She's Amitabh Bachchan's grand-daughter)." Further talking about Aaradhya, Yukta added, "I've seen some videos of her and she's just as dignified as her mother. This is culture." She added, "It's a reflection of society. Poore naakhun nikaalke noch lena. (It's like people are ripping out their nails and attacking someone). We are misusing freedom of speech. Bohot galat ho raha hai. It's better we not normalise it." Yukta also added that film people should protect their children from the public eye till they get matured and that's the right way to go about it.

Matcha: the green drink growing increasingly popular in Punekars' mugs
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Indian Express

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Matcha: the green drink growing increasingly popular in Punekars' mugs

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French K.I.S.S
French K.I.S.S

Time of India

time3 days ago

  • Time of India

French K.I.S.S

In a noisy world, can simplicity be the loudest voice? Amid today's relentless clutter, a quiet paradox emerged at last week's Cannes Lions International Festival of Creativity , where the biggest winners all shared one powerful trait — simplicity. 'If the works that won big at Cannes are any indication, simplicity is emerging as the holy grail for brands,' says Pallavi Chakravarti , founder and CCO, Fundamental, citing standout pieces like Budweiser's 'One Second Ads', KitKat's digital detox billboard, Tecate's 'Gulf of Mexico Bar' and Vaseline's 'Verified'. Marketers see this 'Keep It Simple, Stupid' — or K.I.S.S — trend as a response to today's media overload. 'There's an incredible amount of noise out there. The more layered the message, the harder it is to interpret or appreciate,' says Sumit Virmani , global chief marketing officer, Infosys. Harshad Rajadhyaksha, CCO at Ogilvy India, echoes this sentiment. 'In an increasingly layered, multi-screened and attention-challenged world, the value of simplicity is greater than ever,' he says. Achieving such clarity is far from easy, he warns. 'Brilliant simplicity takes work. But when done right, it always delivers the goods.' Lose the din Some brands have nailed this balance, proving that subtle and impactful messaging doesn't need loud pronouncements. KitKat's campaign by VML is a prime example. Their iconic line, 'Have a Break, Have a KitKat', was reimagined through billboards showing people absorbed in their device, with a barely-there KitKat wrapper or logo quietly urging a pause. No overt branding or lengthy explanations, just quiet, powerful storytelling. Marketers call it 'a masterclass in subtlety and impact'. 'The campaign celebrated the consumer's intelligence, trusting them to understand the message without being spoon-fed. It's a prime example of creativity cutting through the noise to make a lasting impression,' says Harsh Kapadia , CCO, Grey India. Stella Artois's 'Claustrobars' campaign by Grey took a similar approach. The beer brand captured a universally relatable experience — the mini-odyssey of navigating a crowded bar, carefully shielding your drink from spills and bumps. With almost cinematic realism, the ads showcased those uncomfortable yet triumphant moments: A slight grimace and an unwavering focus on the glass. The message was clear and powerful: 'Worth It'. Again, no massive logos or walls of text — just confident, understated advertising that didn't find the need to overexplain itself. The result? A campaign that struck a chord with viewers and prompted them to say: 'I feel you.' 'This kind of confidence in messaging is crucial. It makes advertising less ignorable and more impactful,' says Kapadia. 'In a country as diverse as India, where visual identity can transcend language barriers, such powerful visual advertising holds immense potential.' Loud and clear Budweiser's one-second ad, which won the Grand Prix in the audio segment at Cannes, is touted as another example of simple yet brilliant execution. The brand tapped into a sharp musical insight: True music lovers can identify a song from its very first beat. This became the basis of a bold and innovative idea — an 'unskippable' audio challenge where they aired commercials that played just the opening second of well-known songs. 'To expect sustained, undistracted focus, especially on digital, is to hope in vain,' says Shubhranshu Singh , global CMO for commercial vehicles at Tata Motors. 'Short-form content needs to be simple to be digested quickly. But when it's relevant, emotionally engaging or rewarding, it can still hold attention — even deepen it.' Virmani adds that social media has only intensified the challenge. 'Brands need to communicate value in seconds, often without sound, across screens. And complex brand messages simply don't translate.' And that's why Budweiser resonated with marketers and agency folks. Cause and effect A 'simply' powerful idea can also exceed its true purpose. Take German grocery chain Penny's 'Penny Price Packs', which converted its packaging into a prominent pricing display. Icaro Doria, Print jury president at Cannes Lions , described it as a seamless blend of print, publishing, packaging, price and positioning — all rolled into one. 'Creativity doesn't have to try too hard or be too clever to be 'award worthy',' says Mithila Saraf , CEO, Famous Innovations. 'The best work is universally appealing and profound in its commitment to a single-minded promise.' Until a few years ago, purpose-driven creativity with measurable impact set the tone. In 2023, winners such as Renault's 'Plug-Inn' (France), a peer-to-peer charging app, and Apple's 'Relax, It's iPhone – R.I.P. Leon' (USA), a humourous take on iPhone's 'unsend' feature, highlighted everyday anxieties in a relatable way. But in 2024, brand rulebooks were tossed aside. Coca-Cola's 'Recycle Me' (Print and Publishing Grand Prix) distorted its iconic logo on crushed cans to drive home a recycling message. Meanwhile, Coors Light turned a baseball-damaged billboard into commemorative cans with 'Coors Lights Out', showcasing agile moment marketing. Kapadia hopes Indian advertising can raise the game and embrace this simplicity that respects and celebrates consumer intelligence. 'On the one hand, we say our consumers are smart, yet we often try to over-explain or lean heavily on celebrity voices. Simple ideas break through everything else and make it memorable.' But Chakravarti points out the fundamental truth: 'We appreciate, applaud and felicitate simplicity more than we practise it. In the real world, agencies struggle to distil the chaos of briefs into clarity. [It's] Strange, but true.'

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