Nepo baby with A-list Hollywood dad and sitcom star mum walks the red carpet – can you guess his famous parents?
The 16-year-old stepped out for the premiere of his father's new Apple TV+ series and they were joined by his 17-year-old sister.
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It's no surprise that the teen seemed right at home in front of the photographers while posing alongside the actor, who looked every inch the proud dad.
Jason Mamoa beamed as he stood with son Nakoa-Wolf and daughter Lola to mark the release of Chief of War in Hawaii.
He shares both of them with ex-wife Lisa Bonet, who shot to fame as Denise Huxtable in The Crosby Show in 1984.
Jason, 45, and his teenage children co-ordinated their looks for the big day.
In the new series, Jason plays war chief Ka'iana who is working to unite warring islands against colonizers.
And Nakoa-Wolf is set to follow in his parents' footsteps after landing a part in Dune 3.
Discussing his son's career choice, Jason told Entertainment Tonight: 'This, this kid, what the hell?
'I'm like, no, no, you can't act. No, you're not gonna be in. And then he literally—and he did it on his own.
'He's ready for the— I mean, listen, he's going to be way better than I have ever been, so I'm like that's what you want for your children.
Jason added: 'He's loud like his father, so it's like we have that in common.'
Jason Mamoa's iconic Rolls-Royce Phantom II transformed into 'whisper quiet' ride after huge transformation
Lisa, 57, filed for divorce from Jason last year, two years after the couple announced their split.
At the time, they said in a joint statement: "We have all felt the squeeze and changes of these transformational times. A revolution is unfolding - and our family is of no exception.
"Feeling and growing from the seismic shifts occurring. And so, we share our family news. That we are parting ways in marriage."
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The Independent
25 minutes ago
- The Independent
Hollywood meets NBA hardwood: A look inside the rise of the Summer League Film Festival
While Bronny James and other young talent were lighting up the NBA Summer League court in Las Vegas, another game was being played just a few steps away: One with scripts, storyboards and studio buzz. Inside the Thomas & Mack Center, just as the league wrapped up Sunday, a different kind of crowd formed. Hollywood execs, producers and curious power players were slipping away from the basketball action to catch a slate of 34 film projects created by NBA stars past and present. More than just film screenings, it's an emerging playground where sports and the art of storytelling collide. From baseline to backlot, the Summer League Film Festival is generating off-court buzz — with the likes of Hall of Famer Kevin Garnett, actor-producer Mark Wahlberg and filmmaker Deon Taylor joining the mix. Conversations are building on turning this three-day showcase into a launchpad for athlete-filmmakers, backed by film industry veterans who understand both the creative and business sides of shaping ideas and grooming projects for the screen. 'This definitely has legs,' said retired NBA player Stacey Augmon after previewing 'UNLV: Kings of Vegas,' a documentary chronicling the untold story of the Runnin' Rebels in the Strip View Pavilion. A 10-minute clip was screened before a packed audience, including Sundance Film Festival director Michelle Satter and production companies like the Wahlberg co-owned Unrealistic Ideas and Alcon Entertainment, the company behind 'The Book of Eli' and 'Blade Runner 2049.' Like other entries, the 'Kings of Vegas' team showcased select footage, including interviews with high-profile names such as Snoop Dogg, Chuck D and Jimmy Kimmel, alongside UNLV legends Augmon, Larry Johnson, Greg Anthony and others. After the screening, the producers and cast discussed the film's origins, drawing a standing ovation from the crowd. The documentary remains in development, but Augmon says the film festival is already proving its worth. 'This gives us another great avenue,' said Augmon, who played on the Runnin' Rebels team that won the 1990 NCAA championship before his 15-season NBA career. His college teammate, Anderson Hunt, said sharing their authentic, real-life stories offer a major advantage like never before, unlocking new pathways to getting their projects financed and sold. 'We have control of what's coming out,' Hunt said. 'People might know about our stories through the internet. But stuff like this takes our platform to the next level. This is great for us, and Deon is like a golden child.' From hardwood to Hollywood The festival spotlighted stories produced by NBA stars past and present including Nikola Jokic, Luguentz Dort, Tony Allen, Nate Robinson, Kyle Anderson, Cole Anthony, Keyon Dooling and Udonis Haslem. Deon and Roxanne Avent Taylor of Hidden Empire Film Group were tapped to infuse the festival with seasoned filmmaking expertise, helping bridge the worlds of sports and entertainment. He played a key role in encouraging Hollywood insiders to show up, especially during the NBA Summer League's final stretch to keep the closing days as enticing as opening week. Taylor credited NBA Summer League co-founder Albert Hall for having the foresight to spark the collaboration. 'This is all invaluable,' said Hall, who cofounded the league with Warren LeGarie in 2004. 'The players make money, no doubt about it. They invest in these projects. But they don't really know what the system can provide or how to approach it. Kind of like a young executive getting into the sport or a young player trying to be seen and get exposure. It's the same way. They have to be coached up.' Hall said the partnership with Hidden Empire was a natural next step following their successful collaboration with the NFL and Skydance Sports, where they led film training sessions in March for more than 20 current and former NFL players. He added that having Wahlberg and Archie Gips of Unrealistic Ideas on board brings more industry muscle to strengthen the initiative and help drive it forward. Taylor said the festival is a door opener for the athletes. 'It's a gateway for athletes to share their art, do their art and be creative without anyone questioning them,' said Taylor, director of 'Black and Blue,' 'The Intruder, 'Meet the Blacks' and 'Fatale.' A former basketball player in East Germany turned independent filmmaker, he said true artistry requires neither a film school nor a Hollywood pedigree. 'The greatest artists are the ones that draw, create, build, shoot in the face of negativity and who paint pictures of what they see in the times that they live in,' Taylor said. 'You can only do that if you live in this culture. You can do that if you've lived and experienced it. You can't do that from a high-rise building with no pain. These guys come from adversity in life and sports.' Is the film fest worth the buzz? EverWonder Studio president Michael Antinoro certainly thinks so, and then some. He sees the film festival as more than a one-off spectacle in Las Vegas. In Antinoro's eyes, it could become the Oscars of athlete-driven storytelling with satellite versions popping up in the NBA arenas throughout the season. He sees value in helping standout projects secure the final funding and reach the right distributors. 'If we can add any value, we're in the rooms talking to all the networks and streamers that distributes films,' said Antinoro, a founding partner of the studio, which specializes in nonfiction content, documentaries and live events. The company served as co-executive producer on 'Defiant: The Manny Pacquiao Obsession' in 2019 and produced projects featuring Mike Tyson and Brett Favre. 'We're talking to them a lot. It's all about exposure,' he said. 'Some of these films maybe need a little more money just to get them over the line. If it makes sense, we can play a little there too.' How can Sundance play a role? For Michelle Satter, it's all about fostering a supportive creative community. She sees promising potential in what's taking shape at the Summer League Film Festival. While it's still early, Satter can envision a future where projects from the festival eventually find their way into Sundance. 'Why not? Of course,' said Satter, a founding figure at Sundance since 1981. She now serves as the founding senior director of Sundance Institute's artist programs. She's exploring how it might support the festival after being invited by Taylor. Sundance already has an existing partnership with Taylor's Hidden Empire. She called the opportunity to collaborate on this new venture both exciting and aligned with Sundance's mission to uplift emerging voices in storytelling. Satter's late son, Michael Latt, had his documentary short 'Hoops, Hopes & Dreams' premiere at Sundance early this year. She said Sundance gets about 15,000 short film submissions each year, but there's room for compelling storytelling that opens up new perspective from an athlete's lens. 'That was the power of storytelling, the unity of sports and bringing people together in community,' she said. 'I love the idea. These are the stories people need to see. They need to be out there in the world.'
Telegraph
26 minutes ago
- Telegraph
Why luvvies are obsessed with Palestine
Vanessa Redgrave's Oscar acceptance speech remains a startling watch. It was 1978 and the star had just scooped the best supporting actress award for playing an anti-Nazi hero in Julia, opposite Jane Fonda. After taking the stage in her billowing black velvet dress, she was presented with her golden statuette by John Travolta. The run-up to the ceremony was marred by controversy and threats against Redgrave because she had narrated and produced The Palestinian, a documentary that was seen by some as supporting Yasser Arafat's Palestine Liberation Organisation, the previous year. An effigy of Redgrave, then 41, was burned by Jewish activists outside the Dorothy Chandler Pavilion in Los Angeles; counterprotestors waved the Palestinian flag. So fraught was the atmosphere that police sharpshooters were placed on the roof of the theatre to guard against a potential assassin. 'You should be very proud that in the last few weeks you have stood firm and you have refused to be intimidated by the threats of a small bunch of Zionist hoodlums whose behaviour is an insult to the stature of Jews all over the world,' she told Hollywood's elite. Some booed. The actress would later claim that she was specifically referring to activists from the Jewish Defense League, but many interpreted her speech as being hostile to Israel generally. It certainly damaged her career. Redgrave's outburst was novel at the time but now, almost two years since the Hamas attacks of October 7 2023 that sparked the ongoing Israeli offensive in Gaza, such overt pro-Palestinian activism is par for the course in the performing arts. In the last few weeks alone we have seen the controversial Glastonbury sets by punk rappers Bob Vylan – one of whose members led chants of 'Death, death to the IDF' and ranted about 'Zionist' recording industry bosses – and Kneecap, a group whose career has been supercharged after making controversial statements about Israel and Palestine. Both groups have had their performances investigated by the police; the investigation into Kneecap's Glastonbury appearance was subsequently dropped. Even the Royal Opera House, the august Covent Garden institution, has proven susceptible to the creep of this on-stage activism. The end of Verdi's Il trovatore was disrupted by a freelance performer, Daniel Perry, unfurling the Palestinian flag and wrestling it away from a backstage figure who tried to remove it. A spokeswoman for the venue said: 'The display of the flag was a spontaneous and unauthorised action by the artist. It was not approved by the Royal Ballet and Opera and is not in line with our commitment to political impartiality.' The plight of Palestinians has, for the past few decades, been an obsession among the largely Left-wing figures who make up the leading figures in the performing arts. While Redgrave in the late 1970s was a relatively fringe figure for her outspoken support for Palestine – the Cold War and apartheid South Africa were the primary sources of geopolitical angst for most of the late 20th century – since the fall of the Berlin Wall and election of Nelson Mandela much more attention has been paid to the Middle East. Think of Seven Jewish Children, the 2009 Caryl Churchill play that covered decades of Israeli history in 10 minutes that was subtitled A Play for Gaza. It was written hastily in response to Operation Cast Lead, the Israeli military's incursion into the Palestinian territory after Hamas came to power; as many as 1,400 Gazans died, as did 13 Israelis, during the three-week conflict. Publicising Seven Jewish Children at the time, Churchill said: 'Israel has done lots of terrible things in the past, but what happened in Gaza seemed particularly extreme.' The play was widely condemned as being anti-Semitic, a claim she has always denied, and the BBC declined to adapt it for radio because of its need to be impartial. Churchill, now 86, remains just as committed to the Palestinian cause. Earlier this year, she abandoned plans to mount a new play at the Donmar Warehouse because the central London theatre is sponsored by Barclays bank, which has been accused of having links to Israel. More than 300 arts figures, including performers Juliet Stevenson, Samuel West and Harriet Walter, signed an open letter supporting Churchill's decision. Disruption and boycotts are nothing new, of course. Sustained audience disturbances derailed a 2011 performance by the Israel Philharmonic Orchestra at the BBC Proms so much that its broadcast on Radio 3 was interrupted twice; the following year, Mark Rylance was one of 37 people to sign a letter to The Guardian that called for a performance by the Israeli theatre company Habima at Shakespeare's Globe to be cancelled. 'By inviting Habima, the Globe is associating itself with policies of exclusion practised by the Israeli state and endorsed by its national theatre company,' the letter read. 'We ask the Globe to withdraw the invitation so that the festival is not complicit with human rights violations and the illegal colonisation of occupied land.' Globe bosses defended the programming decision, but the performance of a Hebrew-language Merchant of Venice was disrupted. About 15 people were carried or led out of the theatre for unfurling banners and flags, while one man was arrested. To supporters of the Palestinian cause, the reason for being vocal is self-evident. I ask Juliet Stevenson why events in Gaza have so animated her and her fellow performers. 'A simple answer to the question is that, with 100,000 people killed, and about 18,000 children among them, that's the reason people are feeling strongly about the issue,' she says. 'The killing of vast numbers of innocent people in horrific ways – burning, being shot, starving, exploding with bombs – that's probably why so many people feel strongly about it. Wouldn't you think?' For Perry at the Royal Opera House, unfurling the flag appears to have been worth the risk of committing what the Slippedisc journalist Norman Lebrecht describes as 'stage suicide'. He tells me it is unlikely that he will be booked again because 'somebody who disrupts the illusion of theatre' cannot be trusted 'to appear on stage without importing some issue of their own'. It is notable that, for all the noise about Palestine, there is no such protest on stages across the country about what is happening in Ukraine or Sudan, two other long-running conflicts where civilians are regularly being killed. 'Those people who speak out on Palestine, you never hear them speaking out on Russia, you never hear them speaking out on Sudan or any of the other atrocities happening in the world. They tend to be single-issue protesters, and they've been corralled almost into a sense of social obligation, that this is the right thing to do if you want to succeed in the acting profession,' Lebrecht adds. 'It's trendy. If all your friends are doing it and you want to keep them as your friends then you go along with it.' Maureen Lipman, the Jewish actress, tells me that she thinks that 'the Jews, the Israelis, have turned into the white South Africans' under apartheid: bogeymen that must be opposed. 'These people believe with all their hearts that the Palestinian cause is bigger than anything in the world; bigger than Sudan or Yemen, bigger than Burma, bigger than China,' Lipman says of the pro-Palestine activists. 'There's one cause, like there was one cause in South Africa, and it really appeals to these people.' It can feel like the issue of Palestine is everywhere you look in the arts. The entire Edinburgh Fringe last year was dominated by Gaza after ugly scenes at a set by the American comedian Reginald D Hunter, when he was heckled by an Israeli couple who took issue with one of his jokes and they were barracked by other audience members. Separately, Hunter appeared in court this month after being accused of making anti-Semitic social media posts. Meanwhile, musicians such as Brian Eno and Massive Attack have joined forces with Kneecap to create a syndicate for artists 'threatened into silence or career cancellation' by speaking out about Palestine. Gary Lineker left his lucrative job presenting on the BBC because of his own social media posts about the conflict. Paul W Fleming, general secretary of the performers' union Equity, says that the pro-Palestinian activism only gets noticed because of the ambiguous position of the British government on the question of what is going on in the Middle East, in contrast to its unequivocal stance on, for instance, Ukraine. In addition, many arts bosses appear worried about programming work that directly addresses the Israel-Palestine conflict, such as when Manchester's Royal Exchange cancelled a staging of A Midsummer Night's Dream last September over apparent references to the war, as well as transgender rights. 'The arts are supposed to be a space where these injustices are challenged and we understand the world a bit better,' he tells me. 'The reason why it feels so febrile, I guess, is because of a prevailing culture of implicit and explicit censorship of pro-Palestinian voices and a general anxiety in civil society about talking about it… The reason it is made in increasingly desperate tones and increasingly erratic and spontaneous expressions is because it's harder to express solidarity with Palestine than it is over other issues.' Fleming adds: 'Equally, the government isn't listening to artists or ordinary citizens that wish to say 'Genocide is wrong, British complicity in that genocide is wrong, the complicity of major international corporations in the systems of genocide and apartheid is wrong,' and nothing seems to change. And when people don't get their voices heard… it moves beyond the accepted mechanisms of change and debate and discourse into more direct action.' After Redgrave left the Oscars stage in 1978, the Jewish writer Paddy Chayefsky presented the screenplay awards but, before he did so, chose to address the actress's earlier remarks. 'I would like to say – personal opinion, of course – that I'm sick and tired of people exploiting the Academy Awards for the propagation of their own personal political propaganda,' he said. 'I would like to suggest to Ms. Redgrave that her winning an Academy Award is not a pivotal moment in history, does not require a proclamation, and a simple 'thank you' would have sufficed.' He received a standing ovation.
Times
26 minutes ago
- Times
How to avoid getting ‘coldplayed'? Listen closely to Chris Martin
Until a few days ago, Coldplay was merely the title of a British rock band and the 'jumbotron section' was a charming piece of their live concerts in which a roving camera alighted on a fan in the audience and the lead singer Chris Martin improvised a song about them. But a week is a long time in rock music. Now the term 'coldplayed' is circulating as a verb, meaning to be caught out while canoodling a person who is not your spouse. The chief executive of an AI company has resigned after being coldplayed. And Martin feels obliged to offer a cautious warning to his audience to be ready for their close-up. 'Now listen,' Martin told a crowd in Madison, Wisconsin, over the weekend. 'We'd like to say hello to some of you in the crowd.' He paused to chuckle, as they laughed. 'How we're going to do that is use our cameras and put some of you on the big screen.' Three days had passed since the shot watched around the world, of Andy Byron, 50, chief executive of Astronomer, with his arms wrapped around Kristin Cabot, 52, the company's head of HR, at a Coldplay concert in Massachusetts. Martin appeared to have inadvertently exposed an extra-marital affair. 'Oh look at these two!' Martin said. LINKEDIN Typically, at this point, he would sing a brief stanza about the happy couple but it soon became clear that in this case, he would need to switch genres to blues or country music. 'Uh oh, what?' he said, as Byron ducked out of view and Cabot turned her back and hid her face. 'Either they're having an affair or they're just very shy.' By the weekend, the scene was being re-enacted by sports presenters and by the mascots of baseball teams in stadiums all over the country. At Citizens Bank Park in Philadelphia, where the Phillies were playing the Los Angeles Angels, the Coldplay song Clocks sounded in the stadium and a series of couples kissed as they appeared on the big screen. Then the large furry green bird known as the Phillie Phanatic appeared in flagrante with another green bird that was apparently not his mate, and Martin's voice saying: 'Oh look at these two' echoed around the stadium as the mascot dived for cover. The same night, D Baxter the Bobcat of the Arizona Diamondbacks could be seen cuddling a young blonde and Pharty, mascot of the exhibition team Party Animals, appeared with his arms wrapped around Princess Potassia of the Savannah Bananas. Two presenters for the sports channel ESPN performed their own re-enactment in the studio. • Cheating is bad. Doing it at a Coldplay gig is asking for trouble Coldplay, nearing the end of a world tour, returned to the stage on Saturday evening in Wisconsin hours after the AI company Astronomer announced that Byron, its erstwhile chief executive, had tendered his resignation. Its leaders were 'expected to set the standard in both conduct and accountability, and recently, that standard was not met', it said in a statement. It added, a little ruefully, that 'before this week, we were known as a pioneer in the DataOps space, helping data teams power everything from modern analytics to production AI'. Public awareness of the company 'may have changed overnight', it said. Pete DeJoy, a co-founder of Astronomer who has assumed the role of interim chief executive, said in a post on LinkedIn on Monday that 'the spotlight has been unusual and surreal for our team and, while I would never have wished for it to happen like this, Astronomer is now a household name'. Public awareness of Coldplay's jumbotron section had also changed overnight. On stage in Wisconsin, Martin did not warn his fans to refrain from hugging people who were not their spouses. But he did tell them: 'Please, if you haven't done your make-up, do your make-up now.' The camera singled out three men wearing Super Mario hats. 'Hello my beautiful brothers/ Seeing you makes me the opposite of cross,' Martin sang. 'Thanks for coming to our show/ Dressed in Nintendo / For coming as Super Mario Bros.' A man dressed in a gold blazer, addressed as 'my Elton John-looking brother' was told: 'You are so beautiful to see/ Well I'm glad you're not cold/ In a suit made of gold/ And you look more like a rock star than me.'
