Bradley Cooper, Anne Hathaway's COVID-19 Lockdowns
Anne previously shared some insight into this time when she delivered a speech in Bradley's honor at the National Board of Review in January 2024, where she told the crowd: 'Bradley and I became friends during the pandemic, when he invited my family over for pizza, which I have to mention, he made himself.'
'As I watched Bradley make pizza for, like, 20 adults and countless clamoring children, never breaking his rhythm, focus, or his connection to whomever he was speaking with, I was struck by how rare a creature Bradley is,' the star added at the time.
And now, Bradley has returned the compliments tenfold as he fully lifted the lid on bonding with Anne and her family during COVID, with the two stars connecting because they were both based in Manhattan at the time.
In 2020, Bradley was publicly single after his 2019 split from Irina Shayk, with whom he shares his daughter, Lea, who is now eight years old. Meanwhile, Anne has been married to her husband, Adam Shulman, since 2012, and the couple share two sons, Jonathan, now 9, and Jack, now 6.Speaking to Vogue as part of the publication's newly-released profile on Anne, Bradley said of the star: 'You see how she treats everyone — and it's everyone — she's so kind.'
'We started hanging out as parents, having dance parties with children in my kitchen, and I fell in love with both of them,' he added of Anne and Adam, whose marriage he is clearly in awe of.
In fact, Bradley said that Anne's marriage is 'an emblem for that kind of commitment' because she and Adam 'enrich' one another. Bradley also noted that the couple's household is incredibly 'normal,' adding: 'I hate to use that word. But you've met Anne: She's very present and grounded, I'll put it that way. And kind.'
Anne shared a glimpse into how she would have spent the COVID lockdowns later on in the article, where she told Vogue that her favorite thing to do is hang out with her husband, kids, and friends.
'Uno games, baking when there's time, teaching the kids to dribble a basketball in the apartment without upsetting the neighbors…' she said of her hobbies, with Anne also confessing that she is 'so, so grateful' that Adam 'is a great cook and an early riser.'
Needless to say, Anne and Adam sound like exactly the kind of neighbors you want to have when in the midst of a global pandemic — let me know your thoughts on Anne and Bradley's COVID bubble in the comments below!
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Does this look like a real woman? AI Vogue model raises concerns about beauty standards
There's a new supermodel in town. She's striking, stylish... and not real. In August's print edition of Vogue, a Guess advert features a flawless blonde model showing off a striped maxi dress and a floral playsuit from the brand's summer collection. In small print in one corner, the ad reveals that she was created using AI. While Vogue says the AI model was not an editorial decision, it is the first time an AI-generated person has featured in the magazine. The advert has been met with controversy and raises questions about what this means for real models who have fought for greater diversity, and for consumers - particularly young people - already struggling with unrealistic beauty standards. Seraphinne Vallora is the company behind Guess's controversial advert. Its founders, Valentina Gonzalez and Andreea Petrescu, tell the BBC they were approached by Guess's co-founder, Paul Marciano, on Instagram and were asked to create an AI model as part of the brand's summer campaign. "We created 10 draft models for him and he selected one brunette woman and one blonde that we went ahead and developed further," Gonzalez says. She explains there's often a misconception that AI image generation is simple, saying it is actually a complex process. The company has five employees who create AI models, and it can take up to a month from idea inception to the completed product. The pair say they charge anywhere up to low six figures for a client like Guess. 'Disheartening' But Felicity Hayward, a plus-size model who has been in the industry for more than a decade, says using AI models in fashion campaigns "feels lazy and cheap". "Either Guess is doing this to create a talking point and get free publicity or they want to cut costs and don't think about the implications of that." She describes Vogue's decision to include the advert as "very disheartening and quite scary", and worries it could undermine years of work towards more diversity in the industry. The fashion world was making real progress to be more inclusive in the 2010s - the decade saw Valentina Sampaio become the first openly trans model to walk for Victoria's Secret, Halima Aden was the first hijab-wearing model in global campaigns, and brands like Savage x Fenty featured plus-size models on the runway. But in recent years, Hayward believes, the industry has slipped backwards because "these people are just not getting booked any more". And the use of AI models is "another kick in the teeth, and one that will disproportionately affect plus-size models", she warns. Gonzalez and Petrescu are adamant they don't reinforce narrow beauty standards. "We don't create unattainable looks - actually the AI model for Guess looks quite realistic," Petrescu says. "Ultimately, all adverts are created to look perfect and usually have supermodels in, so what we are doing is no different." The pair admit the AI images on their company's Instagram page are lacking in diversity and promote unrealistic beauty standards. They say they have tried to be more inclusive, but it's the users who don't engage much with those posts. "We've posted AI images of women with different skin tones, but people do not respond to them - we don't get any traction or likes," Gonzalez tells the BBC. "At the end of the day, we are a business and use images on Instagram that will create a conversation and bring us clients." The company is yet to experiment with creating plus-size women, claiming "the technology is not advanced enough for that". An ad campaign by Dove in 2024 was designed to highlight the biases in AI. In the advert, an image generator is asked to create the most beautiful woman in the world and produces virtually indistinguishable women who are young, thin and white, with blonde hair and blue eyes. The images generated look similar to the Guess AI model. Hayward worries that seeing these unattainable images could have an impact on people's mental health and negatively affect their body image. Concern around unrealistic beauty standards and the damaging effects they can have is nothing new. But unlike traditional airbrushing, which at least began with a real person, these AI models are digitally created to look perfect, free from human flaws, inconsistencies or uniqueness. While some high-profile figures such as Ashley Graham, Jameela Jamil and Bella Thorne have spoken out against image editing and refuse to have their pictures Photoshopped, the use of AI sidesteps such conversations entirely. Vogue's decision to include an AI-generated advert has caused a stir on social media, with one user on X writing: "Wow! As if the beauty expectations weren't unrealistic enough, here comes AI to make them impossible. Even models can't compete." Vanessa Longley, CEO of eating disorder charity Beat, tells the BBC the advert is "worrying". "If people are exposed to images of unrealistic bodies, it can affect their thoughts about their own body, and poor body image increases the risk of developing an eating disorder," she says. 'Exceptionally problematic' Adding to the issue is the lack of transparency - it is not a legal requirement to label AI-generated content in the UK. While Guess labelled its advert as AI-generated, the disclaimer is small and subtle. Readers may overlook it and, at a glance, the image appears entirely lifelike. Sinead Bovell, a former model and now tech entrepreneur, wrote an article for Vogue five years ago about the risks of AI replacing modelling. She tells the BBC that not labelling AI content clearly is "exceptionally problematic" because it could have a detrimental impact on people's mental health. "Beauty standards are already being influenced by AI. There are young girls getting plastic surgery to look like a face in a filter – and now we see people who are entirely artificial," she says. Aside from the impact AI models could have on a consumer, especially if unlabelled, what about the impact of this technology on those working in the fashion industry? Sara Ziff is a former model and founder of Model Alliance, an organisation that aims to advance workers' rights in the fashion industry. She says Guess's AI campaign is "less about innovation and more about desperation and need to cut costs". More broadly, the former model thinks AI in the fashion industry is not inherently exploitative, but can often come at the expense of the people who bring it to life because there are many more staff involved in a photoshoot than just the model and the photographer. "AI can positively impact the industry, but there need to be meaningful protections for workers," she explains. 'Supplement not replace' Seraphinne Vallora rejects the notion that it is putting people out of work, and says its pioneering technology "is supplementary and not meant to replace models". "We're offering companies another choice in how they market a product," Petrescu explains. The pair add that they have created jobs with their company, and part of the process of creating AI models requires them to hire a real model and photographer to see how the product looks on a person in real life. However, its website lists one of the benefits of working with them as being cost-efficient because it "eliminates the need for expensive set-ups, MUA artists, venue rentals, stage setting, photographers, travel expenses, hiring models". Vogue has come under fire for including the advert in its print edition, with one person on X saying the fashion magazine had "lost credibility". Bovell says the magazine is "seen as the supreme court of the fashion industry", so allowing the AI advert to run means they are "in some way ruling it as acceptable". The BBC approached Vogue and Guess for comment. Vogue said it was an advert, not an editorial decision, but declined to respond further. So, what does the future of the modelling industry look like? Gonzalez and Petrescu believe that as their technology improves, they will be even more in demand by brands looking to do things differently. Bovell thinks there will be more AI-generated models in the future, but "we aren't headed to a future where every model is created by AI". She sees positives in the development of AI in the industry - predicting that anybody could "start to see ourselves as the fashion models" because we will be able to create a personal AI avatar to see how clothes look and fit. However, she adds that we may get to the stage of "society opting out, and not being interested in AI models because it's so unattainable and we know it's not real". More Weekend Picks The procedures driving UK's cosmetic surgery rise Women share their bittersweet experience after taking weight-loss drugs Can LED face masks transform your skin? Here's what the experts say Solve the daily Crossword
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Earlier this week, TikTok user @lala4an posted a video with an observation about the August issue of Vogue. Inside, there was an ad for Guess's chevron dress, modeled by an otherwise unassuming (but, of course, gorgeous) blonde woman with a slim, hourglass figure. However, a look at the small print revealed something surprising: "Produced by Seraphinne Vallora on AI." Related: The revelation that AI models were inside the pages of Vogue quickly went viral, with the video amassing over 2 million views in three days. As the TikTok found its way across other platforms, much of the response was, in a word, negative. So, who is Seraphinne Vallora? Go on their Instagram, which has over 220k followers, and you'll see hundreds of smooth-skinned women with high cheekbones and plump lips (the caveat being that all of these images are AI-generated). In their own words, courtesy of their bio, "We design editorial level AI-driven marketing campaigns and cinematic videos. 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This is an example of what they'd send to a client — Saint Laurent does not appear to be a current client of theirs. "We invested so much in our technology, because we wanted it to look like a photo. What you see in Guess is amazing, but what we do now is even better," Andreea continued. This presents a potential issue: What if people don't know that the woman they're looking at is AI? She replied, "I do feel like if they don't realize it's digitally made, I don't feel like there's blame to be placed on us, because we do disclose it, the brands we work with do disclose it." Andreea notes that the Guess ads do have disclosures, but she doesn't think there will necessarily be a requirement to do so in the future. As she put it, "People are not familiar with it and people are scared of change. But once this becomes the new norm, I think whether companies decide to add it or not, it's not too relevant. The impact of it, whether you do it in AI or in a normal medium, will be the same if you get the same results." Related: Do they worry that the use of AI models will further an already unrealistic beauty standard? "We are not creating a new standard. The standard has always been there," Valentina responded. Andreea affirmed, "We're pretty much in line with the same standard that is set in the rest of the magazine. If I look at a magazine, I'm gonna be bombarded with 10 different supermodels. Because one is AI, it doesn't change anything." Initially, the women say that they featured more diverse body types and ethnicities on their Instagram pages — even men. But it was the "fantasy type" of woman that got them the most attention. Valentina said, "It's not even us, it's the public. If they loved the diversity, we would have flooded our Instagram with diversity." They can't tell me who they're currently speaking with, citing NDAs. However, there is another service that Seraphinne Vallora offers: AI twins of real-life models. As Valentina described, "For example, if you're a supermodel or a model, you might want to have a twin of you so you can take two jobs at the same time. If you're in China and Miami, either way, you can get an AI avatar that is identical to you. We literally get everything exactly the way you look. I'm talking details, pores, facial hair, everything, we get it to exact accuracy." This is a real image of Bella Hadid. If supermodels do wind up using their AI avatars, will they have to disclose it? Valentina replied, "It's their choice. We encourage them to." BuzzFeed has reached out to Guess for comment. Also in Internet Finds: Also in Internet Finds: Also in Internet Finds:
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The lights are back up in Staten Island. The borough's summer theater is operating again for the first time since COVID swept through the city half a decade ago — and the stars of the show are celebrating the return like a family reunion. Ten families and countless friend connections make up the cast of this year's 'Fiddler on the Roof' production — relying on their close-knit links to bring the little Russian town of Anatevka to life on the CUNY College of Staten Island stage. 11 Lee Tennenbaum and BJ High rehearsing for their roles as Golde and Tevye in a production of 'Fiddler on the Roof' at the College of Staten Island on July 24, 2025. Rachman 11 High performing in a scene with Claire Scala (Fiddler) at rehearsal. Rachman 'It was really important for me to bring the connections that I had growing up so that it felt like an emotional tie for all of us,' said Bronwyn Fugate, the show's director and choreographer, to The Post. 'Myself and many of the cast members are community theater kids that grew up with our families doing theater,' Fugate said. 'We were the generation that would sit and watch our parents create lighting design or be the directors or be on the stage. 'It was a no-brainer that these were the people that I wanted to be the inhabitants of Anatevka because that is kind of the heartbeat, the pulse of Anatevka.' More than 90 people auditioned for the inaugural community theater production show, with 46 people and an orchestra of 10 musicians making the final cut. 11 'Fiddler on the Roof' is the College of Staten Island's first summer theater production since before the COVID-19 pandemic. Rachman 11 The cast of 'Fiddler' rehearsing choreography for the show. Rachman The cast and crew have been in intense rehearsals five days a week since the end of May — and have their eyes set on a July 31 opening night. As grueling as the process has been, the players said they treat the experience like a homecoming and an excuse to spend time with one another — especially those who are sharing the stage with their own families. BJ High, 46, said he is honored to play the leading man, the impoverished milkman Tevye, with his wife and son at his side. 11 BJ High, a retired NYPD officer, is performing alongside his wife Christie and son Liam. Rachman 11 The cast of 'Fiddler on the Roof' listening to notes from director Bronwyn Fugate during a rehearsal. Rachman 'We run lines at homes, in the kitchen, wherever we are, in the pool, in bed, and the basement, any room, we can,' said High, a retired NYPD officer, adding that he met wife, Christie, on stage during a 1998 performance of 'The Most Happy Fella.' 'If the kids aren't bothering us too much, I grab a script,' he said. 'We took a trip recently, and while I was driving, I'd have the two of them acting out scenes with me. It was great.' 11 High singing a song as Tevye with Amelia Gordon (Tzietel), left, and Adam Simancas (Motel the tailor). Rachman The experience has been made even more special because of the message behind the play — which explores clinging to tradition during a time of political and social upheaval. ' 'The Fiddler' is about family, it's about tradition, and it's the perfect show for this cast with these people in this space, because it basically goes back to the ideas of the show,' said Peter Ascolese, 41, the play's costume designer. 'It's tradition, it's generations, it's being all together to do something special,' he said. 'Once I saw the cast list, I was like, how do I get involved?' 11 Katie Callahan, center poses with her daughter Claire, and father Ed during a rehearsal. Rachman 11 High in a scene with Katie Micha (Chava). Rachman This year's show is dedicated to the memory of Jennifer Straniere, who ran the performing arts program at the College of Staten Island for 18 years before passing away in June 2021. 'Fiddler on the Roof' was chosen as this year's performance because Straniere fondly referred to it as her favorite — and one she, her husband and newborn daughter performed in together in 1984. The father-daughter pair are back this summer to carry on Straniere's legacy on the stage, and this time with Strainiere's granddaughter in tow. 11 Judge Philip Staniere (Rabbi), left, poses with his daughter Amanda (Village Mama) and granddaughter Abby Hart (Bielke) during a rehearsal. Rachman 11 Katie Micha, right, poses with her aunt Lee Tennenbaum, second left, and cousins, Lucy Schnall, left, and Molly Schnall, second right, at a rehearsal for 'Fiddler on the Roof.' Rachman Katie Micha, 30, who plays Chava, the youngest daughter of Tevye, also is taking the stage this year with her aunt and two cousins, a mission they call a 'family affair.' 'It's one of my favorite musicals ever. Besides the music being fabulous … it's just a really fabulous show, and I am so excited to be doing this,' Micha said. 'It's really cool to see the whole Staten Island theater community come together. It's very special. We all have known each other forever. All of our families know each other.'
